TSUCHIYA KOITSU (1870-1949) An oban tate-e woodblock print entitled Benkeibashi (Benkei Bridge), published by Doi Hangaten with a Hanken shoyu Doihangaten seal above the printer's seal Suri Yokoi and engraver's seal Hori Harada along the lower left margin; both signed Koitsu with seal Sin, 38 x 26cm, TAKAHASHI HIROKAI (SHOTEI) (1871-1945) an oban tate-e woodlbock print of a Woman carrying flowers in the snow under an umbrella, 36.5 x 16.5cm, another similar, NISABURO ITO (1910-1988) an Oban woodblock print, Pagoda of Kiyomizu Temple, 39 x 26.5cm, EIICHI KOTOZUKA (1906-1981) an Oban woodblock print, Toji Temple Pagoda, 38 x 25.5cm, and another of a tree amongst snow, Uchida publishers to the bottom right (6) Condition Report:Available upon request
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SHIGENOBU (1787-1832) An Oban tate-e woodblock print of a geisha, signed to the lower left, 36 x 24cm, another of two geisha, 33 x 11cm, KITAGAWA UTAMARO I (1754-1806) a woodblock print of a bijin with a cat on a leash, another of a pair of bijin by the same artist, and EIZAN (1787-1876) An Oban tate-e woodblock print of a child and attendants, 37 x 25cm (5) Condition Report:Available upon request
UTAGAWA KUNIYOSHI (1797-1861) An Oban tate-e woodblock print of a bijin, 36 x 25cm, UTAGAWA KUNISADA (TOKOYUNI III) (1786-1865) a woodblock print of a samurai, another woodblock print of kabuki actors, 35 x 23cm, and MORI YOSHITOSHI (1898-1992) View Tsukiji Fish Market (1976), 5/50, 76 x 56cm (4) Condition Report:Available upon request
SHINSUI ITO (1898-1972) An aiban Tate-e print of Kotatsu (Under-table Heater), from the series Gendai bijinshu dai-nishu (Second Series of Modern Beauties), signed and dated, upper right: Showa rokuknen junigatsu Shinsui ga (Showa 6 [1931], 31 x 19cm, and a Chinese yellow ground silk panel, embroidered with flowers and butterflies, 51 x 16cm (2) Condition Report:Available upon request
•After Keith Vaughan (1912-1977) *ARR, The Walled Garden, artist proof, signed in pencil in the margin, with William Weston Gallery receipt dated Aug 4th 1976, 40 x 51cm, unframed.Lot 1407 - 2.5cm tear to bottom edge below signature, not visible when in mount. The signature has not been verified as the artist, no BFK watermark, it is sold as seen, original receipt, from William Weston Gallery, 38 Albermarle St, dated Aug 4th 1976. We cannot confirm that it is on BFK paper. There is slight staining on the margins where the mount is. The print as been sellotape to the mount at the back.
The Right Honourable Baroness Thatcher, L.G., OM, DStJ, P.C, F.R.S, former Prime Minister of The United Kingdom, 1979-1990, The Downing Street Years, 1993 first edition, signed by the author, print No.246897531, Harper Collins, London, hardback with colour dust jacket, with associated Birmingham Post Literary Dinner, 21st October 1993 menu
![After Alphonse de Neuville "The Defence of Rorke's Drift" [ Zulu War ], giclee print of an oil painting, originally painted 1](https://cdn.globalauctionplatform.com/22a40bae-54cb-426b-a49a-af5c011bb26e/4cea1a9b-efed-4f44-8bc9-af62010134cf/468x382.jpg)
After Sir William Hogarth "To the Right Honourable Earl Onslow", a portrait of Arthur Onslow as speaker of the House of Commons addressing Sir Robert Walpole, lithographic print, published by E. Harding, 1803, in card mount and parcel gilt moulded frame under glass, 42 cm x 58 cm plate size [Arthur Onslow (1 October 1691 - 17 February 1768) was an English politician. He set a record for length of service when repeatedly elected to serve as Speaker of the House of Commons.]
Douglas Owen Portway (South African, 1922 - 1993) A pair of erotic nudes, ink, inscribed artist's and date verso, signed and dated 1981, in gilt frames under glass, 44 cm x 31 cm overall [Douglas Owen Portway was a South African born painter, draughtsman, designer and print maker, well known for both his figurative and abstract work.]
SEBASTIAN RIEMER1982 Oberhausen - lebt und arbeitet in Düsseldorf'PFLASTER' (2010) C-Print. 170 x 117 cm. Verso: Rückseitig unten mittig signiert 'Sebastian Riemer', datiert '2010', betitelt 'Pflaster' sowie nummeriert '2/6'. 2002 bis 2010 Studium an der Kunstakademie Düsseldorf bei Thomas Rufff und Christopher Williams. Meisterschüler von Thomas Ruff. Provenienz: Unternehmenssammlung Düsseldorf.
GEORGES BRAQUE (NACH)1882 Argenteuil - 1963 Paris'NATURE MORTE A LA PALETTE' (1960) Farblithografie auf Velin, nach einem Gemälde. DM 46,5 x 46,5, SM 54 x 50,5 cm (R. 81 x 78 cm). Unten rechts mit Bleistift handsigniert 'G Braque', unten links nummeriert '147/200' sowie im Druck signiert. Unten rechts gedruckt bez. 'Henri Dechamps Print'. Leicht gebräunt. Im Passepartout und hinter Glas gerahmt (ungeöffnet). Provenienz: Privatsammlung Düsseldorf.
Martyn Brewster 'HEARTSONG SING NO 559' - silkscreen mono print - 4" x 4" in a 9.5" x 9.5" frame - PROVENANCE: Donated to and sold on behalf of Macmillan Caring Locally, Canvas for the Mac - the full hammer price will be going to the charity - About the Artist: Martyn Brewster is a professional artist born in Oxford. He now lives close to the cliffs and beach of Southbourne in Dorset, whose natural landscapes have become a key source of inspiration with the sea and the light as well as the colour, all present in his paintings. Martyn's striking abstract works have been exhibited widely within London and the UK and included in public collections nationally.
M. Stafford 'COY CARP' - hand signed and numbered 40/250 limited edition print of a commissioned painting now on display on a super yacht in Monaco - 16.75" x 16.75" - PROVENANCE: Donated to and sold on behalf of Macmillan Caring Locally, Canvas for the Mac - the full hammer price will be going to the charity
Rachel List 'NHS ANGEL' - Limited edition print - painted during Covid pandemic - print on paper - 27.5" x 20" - PROVENANCE: Donated to and sold on behalf of Macmillan Caring Locally, Canvas for the Mac - the full hammer price will be going to the charity - About the Artist: Rachel List is a Yorkshire artist who became known for her NHS lockdown murals. When lockdown began in 2020 Rachel could no longer go out to work, as she normally spends her days painting murals in people's homes. She decided to take her art with her on her daily exercise and started painting her murals outside instead, livening up walls around Pontefract. Her bright colourful works capture the spirit of that first lockdown when we all clapped for the NHS.
Lisa Cooper 'DOGGY IN THE WINDOW' - print - signed - 11.5" x 15.25" in 17" x 20.5" frame - PROVENANCE: Donated to and sold on behalf of Macmillan Caring Locally, Canvas for the Mac - the full hammer price will be going to the charity - About the Artist: Lisa Cooper has loved painting since she was young, she loved painting and designing wallpapers and painting her mum’s bone China patterns! She has taken art lessons in the past, mainly in watercolour but likes to mix up the media with inks, acrylic pens and pastels stating that “art is a journey and you must enjoy the ride no matter how frustrating it may be.” Lisa takes her inspiration from everything she sees - from a houseplant in a cool pot, a pretty pattern to animals – she also loves architecture and travel.
Lisa Cooper - 'VASE OF TULIPS' - print on canvas - 11.75" x 8" - PROVENANCE: Donated to and sold on behalf of Macmillan Caring Locally, Canvas for the Mac - the full hammer price will be going to the charity - About the Artist: Lisa Cooper has loved painting since she was young, she loved painting and designing wallpapers and painting her mum’s bone China patterns! She has taken art lessons in the past, mainly in watercolour but likes to mix up the media with inks, acrylic pens and pastels stating that “art is a journey and you must enjoy the ride no matter how frustrating it may be.” Lisa takes her inspiration from everything she sees - from a houseplant in a cool pot, a pretty pattern to animals – she also loves architecture and travel.
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