Fischli, Peter und David Weiss. Findet mich das Glück?. Ink-jet Print auf Epson. Verso von beiden Künstlern mit Bleistift signiert sowie nummeriert. Exemplar: 23/100. 2002. Blattmaße: 26,5 x 20 cm.Die zur Vorzugsausgabe der gleichnamigen Publikation gehörende Photographie des Schweizer Künstlerduos ist verso in den Ecken unter Passepartout montiert, tadellos. - Dabei: Dieselben. Findet mich das Glück? Köln, Walther König, 2002. Unpaginiert. 14,5 x 10,5 cm. Original-Kartonage im Original-Pappkarton mit montiertem Deckelschild (dieser minimal fingerfleckig). - Eins von 100 Exemplaren der Vorzugsausgabe, auf dem letzten Blatt von beiden Künstlern signiert und nummeriert. - Sehr gutes Exemplar.
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Höfer, Candida. Jenisch-Haus Hamburg 2000. (Bild im Bild). C-Print auf Fujicolor Crystal Archive Paper. Verso mit Bleistift signiert, nummeriert, betitelt und datiert. Exemplar: 3/20. Motivmaße: 28 x 27 cm. Blattmaße: 40 x 30 cm.Im Klapp-Passepartout, verso an zwei Punkten montiert. - Tadellos.
Höfer, Candida. Jenisch-Haus Hamburg 2000. (Keller). C-Print auf Fujicolor Crystal Archive Paper. Verso mit Bleistift signiert, nummeriert, betitelt und datiert. Exemplar: 3/20. Motivmaße: 28 x 27 cm. Blattmaße: 38,5 x 30 cm.Im Klapp-Passepartout, verso an zwei Punkten montiert. - Tadellos.
Horn, Rebecca. Earthound Manhattan. C-Print, handkoloriert. Signiert und datiert unten rechts mit schwarzem Faserstift, mittig betitelt und unten links nummeriert. Exemplar: 33/40. 1994. Blattmaße: 66 x 78,5 cm.In der Original-Kartonmappe, diese mit deutlichen Gebrauchsspuren, der unikale, von Horn überarbeitete Print tadellos.
* BETH HUNTER (BRITISH b. 1935), STILL LIFE oil on board, signedframed image size 26cm x 21cm, overall size 35cm x 29cm Note: Elizabeth Hunter was a British 20th century painter and print maker who trained at the Slade School of Art under Lucian Freud. She lived mainly in Bristol and Newlyn, but her examples of her work are often found in Scotland.
* TRACEY EMIN, 2002 BBC FOUR 'EVERYBODY NEEDS A PLACE TO THINK' limited edition of 1500 screen print of handkerchief unframedoverall size 52.5cm x 53.5cmNote: Original invitation and box included. Everybody Needs a Place to Think, is a highly collectable limited edition screen-print on a handkerchief created by YBA artist Tracey Emin. Emin was commissioned by the BBC to create a gift to accompany the VIP invitation to their launch party of BBC Four. The work bears the text inscription "Everybody Needs a Place to Think", the text "BBC Four" (three times), an image of a dog with a bone, and Tracey's printed signature and date of 2002. This work was accompanied by an original card invitation to the launch party for BBC Four on February 28, 2002. The invitation also includes printed text by Tracey Emin in her recognizable handwriting outlining the event details and noting "Please bring this invitation with you, otherwise, you're not going to get in, Love, Tracey X." While attendees were able to keep the handkerchief, they were forced to surrender the invitation, making this full set especially uncommon and collectable.
* JOHN BYRNE RSA (SCOTTISH b. 1940), BIG SELFIE 2014 limited edition giclee print on paper, initialled and numbered 16/82, from the 2022 exhibition 'John Patrick Byrne : A Big Adventure'mounted, framed and under glassimage size 44cm x 34cm, overall size 79cm x 68cmNote: this lot includes a certificate of authenticity and exhibition catalogue from Glasgow Life
* HANNAH FRANK (SCOTTISH 1908 - 2008), RED FLOWERS (1929) lithograph on paper, signed and dated 2005 in pencil framed and under glass image size 37cm x 24.5cm, overall size 49cm x 34cm Comment: "Red Flowers" is the rarest of the Hannah Frank signed prints and so far as we can ascertain the only other example to have appeared at auction was sold by us in May 2012. Hannah recorded in her diary that she completed "Red Flowers" on Monday 27th May 1929 and that she sent it to Gilbert Highet on Wednesday 29th. Highet had been editor of GUM (Glasgow University Magazine) but by 1929 he had moved to Oxford and had become involved with The University News, in which he unsuccessfully attempted to have published two of Frank's illustrations, Red Flowers and Sorcery. The former was deemed to be of such high quality as to command a price that the University News could not afford. Highet himself bought Sorcery for 25/- and had it framed, remarking in correspondence with Frank, that he thought this drawing 'underpriced'. Somnia and Vana Spes were also enthusiastically received, but not published as the magazine, intended as a commercial venture, ran into publishing problems. "Red Flowers" was pubished in the Glasgow University Magazine in October 1929. It is documented as HFDS plate 47 on page 68 of "Hannah Frank, A Glasgow Glasgow Artist, Drawings & Sculpture " (second edition) and the original drawing is in the Hannah Frank Collection. Gilbert Highet was a Scottish American classicist, academic writer, intellectual critic, and literary historian (Gilbert Highet - Wikipedia). Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 but beaten in January 2023 in Edinburgh by a single print achieving £900 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
STEVE MCCURRY (AMERICAN b. 1950), SHARBAT GULA, AFGHAN GIRL, PAKISTAN offset lithographic colour print, signed in pen lower right mounted, framed and under glassimage size 49cm x 33cm, overall size 76cm x 58cm Note: Steve McCurry took his most recognised portrait, ''Afghan Girl'', in a refugee camp near Peshawar, Pakistan in 1984. The image itself was named as ''the most recognised photograph'' in the history of the National Geographic magazine and her face became famous as the cover photograph on the June 1985 issue. The photo has also been widely used on Amnesty International brochures, posters, and calendars. The identity of the ''Afghan Girl'' remained unknown for over 17 years until McCurry and a National Geographic team located the woman, Sharbat Gula, in 2002.
Two small studies of huntsman on horseback to include a signed ink study signed 'Mark Haskins' ? and a print after Gilbert Holiday (2)Provenance: Heydon Grange, NorfolkThe ink drawing has no visible signs of marking or damage, with a clean signature in the lower. The Gilbert Holiday print of a huntsman on a horse has discoloured slightly with a small foxing spot just below the mount in the top section
Frank Worth (1923-2000) Elizabeth Taylor; taken on the set of Giantblack and white lithographic print bearing blindstamp, unframed44.5 x 31cm;together with a larger print of the same subject and a lithographic print of Marilyn Monroe on the set of How to Marry a Millionaire, unframed66 x 56.5cm (3)
Advertising interest, a quantity of unframed works, to include: a Star Trek acetate poster proof, film posters for 1871, Rude Boy, two posters for The Real Blonde, Junk Mail, a double feature poster for The Murder Clinic and The Devil's Man, together with a handcoloured print of a cartoon strip, signed and dated 'TOD 95', a proof poster for Hall & Oates, two 1961 Child Education posters, a 1930 Child Education pamphlet, a reproduction poster after Julius Olsson for Dunluce Castle, a Harley Davidson poster, and a poster for the 1956 Melbourne Olympics
Lewis Frederick Morley OAM (1925-2013) four unframed photographic prints, to include: Don Levy in Fairytales of New York; Marpessa Dawn in Boss Woman; Victor Spinetti in Oh What a lovely War; and James Fox and Pauline Boty in Afternoon Men, each signed, inscribed and dated; together with an inkjet print after Clarisse d'Arcimoles, David Moore, The Velvet Arena, signed photographic print; an unsigned photographic print of Eric Clapton; an unsigned print of Van Morrison; a photograph of a lady on a beach, and an unsigned photograph of a man leaning out of a truck (10)
William Russell Flint Morning Dinardnumbered 70/850limited edition print published by Cavendish, 198230.5 x 37.5cm;together with Albany E Howarth, Coastal Scene, signed 'Albany E Howarth' (lower right), etching, unframed, 25.5 x 41cm; and Abraham Games untitled landscape study, signed 'A GAMES' (lower right), linocut, unframed, 26 x 30cm (3)

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314783 item(s)/page