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Revere Auctions
Lot 140

Eugene Larkin (American, 1921-2010). Pair of woodblock prints. One print of trees signed in pencil along the lower right and titled "Spring" in pencil along the lower left. One abstracted print of a still life of a jug with flowers on a table. Signed and numbered 29/60 in pencil along the lower right; dated June 1955 along the lower center; and titled "Spring Flowers" in pencil along the lower left.(Spring Flowers) Sight; Height; 27 1/2 in x width: 16 in. Framed; Height: 29 3/4 in x width: 18 1/4 in. (Spring) Sight; Height: 19 3/4 in x width: 13 3/4 in. Framed; Height: 27 3/4 in x width: 20 3/4 in.

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Revere Auctions
Lot 142

Group of three prints by various artists. Stephen Hartman (American, b. 1947) mixed media untitled abstract print on Japan paper. Signed, dated 1978, and numbered AP 7/10 in charcoal along the lower left edge. Karen Carson (American, b. 1943) lithograph on wove paper of a bed transforming into a chain link fence. Signed and dated 1973 in pencil along the lower right; titled along the lower center; and numbered 14/30 along the lower right. One print on paper of an ostrich. Illegibly signed and dated 1972-77 in pencil along the lower right; numbered 17/25 along the lower left.(Ostrich) Height: 21 3/4 in x width: 30 in. (Hartman) Height 25 1/4 in x width: 37 1/4 in. (Carson) Height: 18 in x width: 25 in.

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Revere Auctions
Lot 159

Group of three mixed media prints. Paul Rotterdam (American, b. 1939) mixed media print on paper titled "Minnesota II." Signed and dated 1981-82 in pencil along the lower right; numbered 14/48 in pencil along the lower left. Steven Beyer (American, b. 1951) mixed media print on paper titled "Dissolution." Signed in pencil along the lower right; titled along the lower center; and numbered 10/10 along the lower left. One illegibly signed mixed media print of an abstracted face. Illegibly signed in pencil along the lower right; illegibly titled along the lower center; and numbered 26/60 along the lower left.Rotterdam; Height: 47 3/4 in x width: 31 3/4 in. Illegible; Height: 53 3/4 in x width: 38 in. Beyer; Height: 55 1/2 in x width: 35 1/2 in.

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Revere Auctions
Lot 160

Adja Yunkers (Latvian/American, 1900-1983). Group of two mixed media prints, each pencil signed and dated along the lower right, editioned along the lower center, and titled along the lower left. One dark abstract work, "Icon III," titled, editioned 20/23, and dated 1983. One yellow and red color artist's print, "A Moment into Eternity II," titled, editioned 2/10, and dated 1982.A Moment Into Eternity II; Height: 38 1/4 in x width: 28 in. Icon II; Height: 25 in x width: 19 1/4 in.

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Revere Auctions
Lot 161

Harriet Bart (American, b. 1941). Mixed media work including one framed print on paper listing the elements contained in the small jars displayed alongside the work. Hand signed, titled, and dated 1992 along the underside of the wooden display block. The jars contain the following: lead is represented by small metal filings, fire is represented by matches, gold is represented by gold paint, poetry is represented by small cuttings of French poetry, pollen is represented by small balls of pollen, chalk is represented by vivid blue chalk dust, and iron is represented by nails.(Framed print) Sight; Height: 6 in x width: 4 1/4 in. Framed; Height: 10 in x width: 8 in. (Bottles (each)) Height: 1 1/4 in x diameter: 1/2 in.

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Revere Auctions
Lot 162

Lynn Geesaman (American, b. 1938). Photograph depicting a pair of gray crowned cranes in front of a watering hole surrounded by other African animals. Silver gelatin print.Sight; Height: 18 1/4 in x width: 22 1/4 in. Framed; Height: 27 1/4 in x width: 31 1/4 in.

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Revere Auctions
Lot 21

Group of two early Minnesotan works, one map and one print. The map is of Lake Minnetonka in 1884. A legend along the upper left corner reads "The Northwestern Tourist Map of Minnetonka, Minn. A.S. Dimond & Son, Publishers, Minneapolis & Excelsior 1884." An inscription along the lower right reads "Proffered by Fredrick Herfurth Real Estate." The print depicts a large building with a man and a dog in the street before it. Illegibly inscribed in pencil along the lower right.Provenance: from the collection of an important Minneapolis institution.(Map) Sight; height: 15 3/4 in x width: 20 1/2 in. Framed; height: 22 in x width: 27 in. (Building) Sight; height: 17 1/4 in x width: 20 in. Framed; height: 25 in x width: 27 1/2 in.

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Revere Auctions
Lot 28

Framed photograph of Queen Wilhelmina and Prince Hendrik of the Netherlands, the Hague, 1901. Silver gelatin print. Printed by Ebner and La Haye. Housed in a glass frame with a metal stand and topped by a bronze crown.Provenance: Collection of the James J. Hill Reference Library.Certain individuals are prohibited by law to purchase items in this auction. Descendants of James J. Hill within three generations (Great Grandchildren and closer) are not allowed to purchase items. Additionally, board members of the foundation and their families (spouses, children, spouses of children, grandchildren) are also prohibited from purchasing items.Height: 7 3/4 in x width: 4 1/4 in x depth: 1/2 in.

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Revere Auctions
Lot 71

Large group of early silver gelatin print photographs of Minnesota, photographed by Perry Cotnam of the St. Paul Pioneer Press from 1890 to 1905. Many of Minnehaha Falls and various locations around Minneapolis and St. Paul, including the St. Paul Winter Carnival.Height ranges from 3 3/4 in to 4 in; width ranges from 4 3/4 in to 5 1/2 in.

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Revere Auctions
Lot 74

Group of ten photographs and Minnesota ephemera including: seven photographs, depicting groups of explorers, the Minnesota survivors of Gettysburg, and one photograph of the U.S.S. Great Northern; a map of Minnesota; a color print of the St. Paul 1887 Ice Palace; and deck and room plans for two Great Northern Pacific Steamship Company boats, the S.S. Great Northern and S.S. Northern Pacific.Provenance: Collection of the James J. Hill Reference Library.Certain individuals are prohibited by law to purchase items in this auction. Descendants of James J. Hill within three generations (Great Grandchildren and closer) are not allowed to purchase items. Additionally, board members of the foundation and their families (spouses, children, spouses of children, grandchildren) are also prohibited from purchasing items.Sight (includes unframed photos in portfolio): height ranges from 6 in to 18 1/4 in; width ranges from 8 1/4 in to 20 in. Framed (including portfolio itself): height ranges from 13 1/2 in to 25 in; width ranges from 15 in to 18 1/2 in.

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Revere Auctions
Lot 94

Charles Schulz (American, 1922-2000). Group of two prints with a hand-signed letter. These were sent in response to a child's hand drawn Peanuts book, sent to Schulz. The letter, dated April 15, 1971, reads: "Dear Stanley, Thank you for sending me your book about Snoopy and his doghouse. I think you did a very good job on it. I enjoyed reading it and appreciate your thoughtfulness in sharing it with me. Sincerely yours, Charles Schulz."Follow this link to view all images of the child's hand-drawn book:https://www.dropbox.com/sh/kqyr6co8npg9gkk/AADtg5kVvONED965-MJM5uCfa?dl=0(Schulz Letter) Height: 7 in x width: 6 1/4 in. (Schulz Snoopy Print) Height 7 in x width: 6 1/4 in. (Schulz Peanuts Print) Height 8 1/2 in x width: 11 in.

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McTear's
Lot 268

* IAN FLEMING RSA RSW RGI (SCOTTISH 1906 -1994),PEACOCK PRINTMAKERS silkscreen print on paper, signed, numbered 5/30 and dated '82image size 30cm x 45cm, overall size 45cm x 61cm Mounted, framed and under glass.

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Brian Reeve Stamp Auctions
Lot 296

Film Posters & other posters incl. Mike Tyson, etc. (20+ posters) incl. one very large, also 1905 Queen's Theatre Leeds poster & 2012 Titanic 12 Print Box Set. (Not suitable for posting - buyer to collect)

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Brian Reeve Stamp Auctions
Lot 867

Wales 3d (ord) vertical marginal strip of 4 with lower stamp affected by dry print. U/M, fine (4)

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Setdart Subastas S.L
Lot 80

School of ALBERTO DURERO (Nuremberg, 1471-1528), 16th century."Christ in Limbo, 1510.Oil on panel.It shows faults and damage to the paint layer.A pigment study has been carried out which confirms the period of the panel.Dated in the upper left corner.Measurements: 104 x 74.5 cm.This is an important painting from the Renaissance period on panel, whose scene is inspired by one of the burin engravings that formed part of Dürer's so-called "Little Passion" (1512) (to distinguish it from the "Great Passion", another series that the German master produced a year earlier, in 1511, on the Death and Passion of Christ). The print in question shows Christ in Limbo, surrounded by demons and Adam and Eve, whom he has come to rescue. Jesus carries the banner of Victory and bends his body to save other inhabitants of that intermediate realm. Several hellish creatures surround them. The passage is recorded in the Apocryphal Gospels, specifically in the Gospel of Nicodemus, which narrates the Resurrection of Christ. In the present painting, which is of excellent quality, the elongated canons of Adam and Eve are derived from the Dürerian ideal of beauty, characterised by long, moulded muscles, supple torsos and long necks. Subtle shades of tanning turn the contours, here we can see the fusion of the Durerian school with the Florentine tradition of the time, derived from Leonardo and his technique of sfumato. Adam's aged face, with its long, kinky, cottony beard, contrasts with the soft flesh tones of Eve. The gallery of characters stands out: the variety of expressions and human types, some of them resolved with bold strokes, and others with soft and tender features (such as Jesus and Eve). Drawing and colour dialogue with success. Compared to the original print, subtle changes can be seen in its transfer to this magnificent canvas. If we compare this painting with the engraving, we see here a demon depicted with singular imagination and expressive resources that did not appear in the engraving, where other demons lurk from the top of the arch, their diabolical heads poking out of the lower part. It seems likely, moreover, that the present painter based his work on the print of the same name from the other series by Dürer (the Great Passion), which shows a figure (probably Saint Jerome) holding a cross. Here, too, the detail of the cross has been introduced, held by two figures looking at each other, hopeful and aged, perhaps Saint Jerome and The Baptist. It is evident that the artist who painted this oil painting was thoroughly familiar with the cycles of The Passion painted by Dürer in various versions. The engravings by the German master were works in their own right, but they also played a very important role in teaching and disseminating his work. His prints were a source of inspiration throughout Europe, especially in Italy and Spain.

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Bloomsbury Auctions
Lot 105

Ɵ FAULKS, Sebastian. (b. 1953). A Trick of the Light. SIGNED. 1984. single volume, first edition, 8vo, (222 x 140mm), black cloth, silver lettering to spine, dust-jacket unclipped, half-title, SIGNED by the author on title page, 203pp. The author's first novel with a print run of only 1500, some of which were later pulped.(Qty. 1). Condition Report: clean bright cloth, spine a little bumped head/tail, dust-jacket with some creasing and wear at head/tail of spine and corners, marginal marks to edges, internally clean. Condition Report Disclaimer

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Bloomsbury Auctions
Lot 153

The Marvell Press.- Prints. JEAN HARTLEY. (British, 1933 - 2011). 'After the Ball', 2005. An original print, pen and ink, depicted a lady seated at a table drinking a bottle of wine, initialled and dated by the artist, 335 x 255mm, within a black mount, 507 x 418mm overall, framed and glazed: together with a group of seven loose reprint artworks by Jean Hartley, 3 signed in the print, the largest being 290 x 200mm, with the artist's manuscript title to verso 'Adam by Jean Hartley'. Jean Hartley co-founder of the Marvel Press and vice-chairman of the Philip Larkin Society in 1995, was a close friend of Frank Redpath and Philip Larkin until his death in 1985. Provenance: The late Eric Selkirk Johnston, business manager of The Marvell Press, Hessle, East Yorkshire. Eric Johnston and his wife Audrey were associated with Philip Larkin and many authors within the Marvell Press family through their close friendship with George and lifelong friendship with Jean Hartley, who co-founded the Marvell Press in 1954.(Qty. 8) Condition Report: prints all clean and bright.Condition Report Disclaimer

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Bloomsbury Auctions
Lot 195

Natural History.- GOULD, John & RICHTER, H.C. Four Framed Lithograph Prints by Hallmandel & Walton (ca.1843-1863). each print, a hand-coloured lithograph, titled, with inscriptions J. Gould and H.C. Richter, del et lith. and Hullmandel & Walton, Imp. comprising: AULACORAMPHUS CASTANEORHYNCHUS. depicted a pair of toucans, an illustration from Gould's 'A Monograph of the Ramphastidae, or Family of Toucans', 525 x 396mm within cream card mount, 675 x 503mm overall; GRYPUS NAEVIUS. depicted a group of three humming birds by a nest, an illustration from Gould's 'A Monograph of the Trochilid, or Family of Humming-Birds', 518 x 350mm within green gilt ruled cream mount, 726 x 544mm overall; COMETES PHAON. depicted a group of three humming birds with red and black tails perched on a pink orchid, illustration from Gould's 'The Birds of Great Britain', 531 x 375mm within gilt ruled cream mount, 785 x 620mm overall; HYPUROPTILA BUFFONI. depicted a group of three humming birds, two of which are taking nectar from the flowers, Illustration from Gould's 'A Monograph of the Trochilid, or Family of Humming-Birds', 518 x 375mm within gilt ruled cream mount, 788 x 630 overall, all within glazed gilt frames.John Gould (1804-1881) was an English ornithologist, who published numerous monographs on birds, illustrated by plates produced by his wife, Elizabeth Gould, and other artists, including Henry Constantine Richter (1821-1902) an English zoological illustrator. Qty. (4).   Condition Report: 1. AULACORAMPHUS CASTANEORHYNCHUS - the print clean and bright with marginal foxing, marks to glaze, gilt frame scuffed and chipped (with some loss to gilt in places).2. GRYPUS NAEVIUS - the print has slipped within the mount, clean and bright with toning to edges, marks to glaze, gilt frame scuffed and chipped (with some loss to gilt in places).3. COMETES PHAON - the print clean and bright, the frame with light scuffs and a few chips.4. HYPUROPTILA BUFFONI - the print clean and bright, marks to glaze, gilt frame scuffed and chipped (with some loss to gilt in places).Condition Report Disclaimer

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Bloomsbury Auctions
Lot 20

Print.- WILLIAM PENN'S TREATY WITH THE INDIANS (after Benjamin West) by Thomas Fairland, London: William Darton and Son, 1835. Lithograph, hand-coloured, titled 'William Penn's Treaty with the Indians when he founded the Province of Pennsylvania in North America 1681', with inscriptions 'Drawn on stone by Thomas Fairland, after the original picture by Benjamin West, William Darton and Son, 58 Holborn Mill, 2nd Month 9th 1835', depicted William Penn entering into the Treaty of Shackamaxon in 1683 with Tamanend, a chief of the Lenape (Delaware Indians) Turtle Clan, under the shade of an elm tree near the village of Shackamaxon (now Kensington) in Pennsylvania, 368 x 456mm, within cream and grey mount, 577 x 663mm overall, framed and glazed. William Penn (1644-1718) was an English writer belonging to the Religious Society of Friends (Quakers) and founder of the Province of Pennsylvania, a North American colony of England. The peace between the Lenape Turtle Clan and Penn's successors would endure for over 70 years until the Penn's Creek Massacre of 1755, the treaty was remarked upon by Voltaire, who called it '... the only treaty never sworn to and never broken'. (Qty. 1)                Condition Report: the print clean and bright with a mark r.h. of the printed title, the gilt frame with light scuffs.Condition Report Disclaimer

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Bloomsbury Auctions
Lot 25

λ Photograph.- BRADFORD WASHBURN. (American, 1910 - 2007). Late Afternoon, Mount Fairweather, Alaska, 1979, (Neg 8345), SIGNED. gelatin silver print, SIGNED and dated in green ink by the photographer to lower margin, 'Bradford Washburn, August 2002', 270 x 340mm within mount, 480 x 530mm overall, framed and glazed. Bradford Washburn was an American explorer, mountaineer, photographer, cartographer and one of the leading American mountaineers of the 1920s through to the 1950s. Washburn made first ascents and discovered new routes on many major Alaskan peaks, often with his wife, Barbara Washburn. (Qty. 1).Condition Report: Condition Report Disclaimer

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Bloomsbury Auctions
Lot 45

Ɵ KIPLING, Rudyard. (1865 - 1936). Works by and related to. 1891-1933. comprising: [KIPLING, Alice Lockwood. A Grey Dawning]. The Girls Own Paper. 1891. first editions, vol. XII, Nos. 586-593, March 21-May 9, eight 16pp. issues of the weekly magazine, 4to, stapled pages with engraved titles to upper covers, priced one penny, three-column pages with many steel engravings, comprising eight chapters of Alice Kipling's serialised story, with educational and improving articles. Alice Caroline Kipling (1837- 1910) was the mother of the author Rudyard Kipling, aunt of British Prime Minister Stanley Baldwin and sister-in-law of Edward Poynter and Edward Burne-Jones; Souvenirs of France. The Daily Telegraph, 1933. 8 loose newspaper articles, with the first publication in England of Kipling's later book of the same title serialised on consecutive days, March 14- 22 (with the exception of March 18 and 19) numbered I-VIII with a news-editor's headings and subheadings, an account of events revealing the author's close intimacy with France and the French people; Press cuttings. a group of fifteen Kipling related newspaper cuttings. 1930s-1950s. mostly first press printings of Kipling's poetry works, 1930s-1950s, contained within a red leather wallet; The Sin of Witchcraft. The Times, 1900. a complete issue of the British newspaper with the first publication of the author's views, featured as an article on page 8, 15 March, 1900, being a diatribe against what Kipling felt was a disloyalty of the Cape Colony citizens of Dutch descent; Hymn Before Action. (1915). first edition, 8vo, cream pictorial wrappers bound with red string, illuminated to upper cover and throughout in colour and gilt by Henrietta Wright, 4 leaves (printed on one side only) within original publisher's illustrated grey envelope; Supplement of the Black Aberdeen. (1927). first separate edition, 8vo, cream illustrated card wrappers tied with string, illustrated by G. Stampa, unused gift slip bound-in, 8pp; Recessional. [Poem written for the Diamond Jubilee of Queen Victoria]. 1927. a single card leaf with a red string tie, (302 x 204mm), five stanzas of six lines each, composed of rhyming couplets printed in red and black within a decorative red ruled border, priced threepence; Recessional. The Times, July 17, 1897. a complete issue of the newspaper with Kipling's poem published for the first time on page 18; Three Illustrations from Sea and Sussex from Rudyard Kipling's Verse. 1926. original card wrappers, 4to, containing three mounted colour plates by Donald Maxwell with printed captions beneath; National Bands. A speech by Rudyard Kipling, delivered at the Mansion House, Jan. 27, 1915. first edition, 4to, titled to upper card cover, 4pp. Issued to accompany 'A Song of the English' published in 1915, on Behalf of The Daily Telegraph (newspaper) National Bank Fund. Livingston 392; KIPLING, Rudyard: SULLIVAN, Arthur. The Absent-Minded Beggar. [Sheet Music]. 1899. first edition, folio, original printed paper wrappers, 9 pages of music scored for voice and piano with lyrics, words by Rudyard Kipling, music by Arthur Sullivan, priced 1s., ink inscription of Chas H. Austin and ink initials C.H.A. to upper wrapper; A Letter from Rudyard Kipling to Joseph Conrad. 1926. first edition, Limited edition of 220 copies, small oblong 8vo, original grey card wrappers sewn with red thread, the 1pp. printed letter of 9 lines, written from Batemans, Sussex, Oct. 9, 1906 being the only early letter written by Mr. Kipling found among the papers of Joseph Conrad (1857-1924); Rudyard Kipling An Index. n.d. a typescript copy with manuscript title, 4to, 20 stapled pages, a typed index of Kipling's works in alphabetical order with few additions written in ink and pencil manuscript; Men of the Day. No. 589. Mr. Rudyard Kipling, (as part of a public exhibition of Kipling's works at The Grolier Club, New York, from February 21-March 30, 1929); The Times newspaper, complete issue, August 12, 1905; A photographic print of Rudyard Kipling with the author's inset SIGNATURE. 20 x 105mm within blue card mount, with the author's signature in black ink on a cream paper inset beneath, 144 x 77mm, overall 268 x 170mm. (Qty).                      Condition Report:   Condition Report Disclaimer

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Bonhams
Lot 141

David Hockney R.A. (British, born 1937)The Sexton Disguised as a Ghost, from 'Illustrations for Six Fairy Tales from the Brothers Grimm' (MCA Tokyo 86; Scottish Arts Council 89) Etching and aquatint, 1969, on Hodgkinson handmade wove, signed and numbered 21/100 in pencil, inscribed 'G Portfolio' in sepia ink verso, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, 620 x 445mm (24 3/8 x 17 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 142

David Hockney R.A. (British, born 1937)French Shop (MCA Tokyo 112; Scottish Arts Council 122) Etching and aquatint printed in black and red, 1971, on wove, signed, dated and numbered 69/500 in pencil, printed by the Print Shop, Amsterdam, published by the Observer, London, with full margins, 626 x 536mm (24 5/8 x 21 1/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 147

Marc Quinn (British, born 1964)Untitled, no. 8 from 'Winter Garden' Pigment print in colours, 2004, on wove, signed and numbered 144 from the edition of 175 in pencil verso, the full sheet printed to the edges, 355 x 550mm (14 x 21 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 151

Peter Doig (British, born 1959)Cyril's Bay Giclée print in colours with screenprint varnish, 2008, on wove, signed, dated and numbered 111/500 in pencil, published by The Tate Gallery, London, the full sheet printed to the edges, 510 x 394mm (20 x 15 1/2in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 174

Sarah Morris (American/British, born 1967)Total Lunar Eclipse, from the 'Vera List Anniversary Print Portfolio' Screenprint in colours, 2012, signed, dated and numbered 97/108 in pencil verso, co-published by Lincoln Center Editions, New York and Artspace Editions, New York, the full sheet printed to the edges, 500 x 500mm (19 3/4 x 19 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 175

Damien Hirst (British, born 1965)Butterfly Heart (Small)(H7-4) Diasec-mounted giclée print in colours, 2020, on aluminium panel, with the artist's printed signature on the publisher's label affixed verso, stamp-numbered 2464/3510, published by Heni Editions, London, housed in the original packaging, the full sheet printed to the edges, 350 x 364mm (13 3/4 x 14 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 176

Damien Hirst (British, born 1965)Honesty, from 'The Virtues' (H9-5) Laminated giclée print in colours, 2021, on aluminium panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 720/728, published by Heni Editions, London, the full sheet printed to the edges, 1200 x 960mm (47 1/4 x 37 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 177

Damien Hirst (British, born 1965)Mercy, from 'The Virtues' (H9-3) Laminated giclée print in colours, 2021, on aluminium panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 515/817, published by Heni Editions, London, housed in the original packaging, the full sheet printed to the edges, 1200 x 960mm (47 1/4 x 37 3/4in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 178

Damien Hirst (British, born 1965)Control, from 'The Virtues' (H9-8) Laminated giclée print in colours, 2021, on aluminium panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 660/862, published by Heni Editions, London, housed in the original packaging, the full sheet printed to the edges, 1200 x 959mm (47 1/4 x 37 3/4inin)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 179

Damien Hirst (British, born 1965)Loyalty, from 'The Virtues' (H9-7) Laminated giclée print in colours, 2021, on aluminium panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 906/1067, published by Heni Editions, London, the full sheet printed to the edges, 1200 x 960mm (47 1/4 x 37 3/4in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 183

Chris Levine (Canadian/British, born 1972)Kate's Light (Pure) Lenticular 3D print, 2015, signed and numbered '#2' in pencil by the artist on the accompanying certificate of authenticity, one of two studio proofs, 740 x 538mm (29 1/8 x 21 3/16in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 184

Chris Levine (Canadian/British, born 1972)She's Light (Dots) Inkjet print with fluorescent screenprint element, 2015, on wove, signed and inscribed 'A/P.' in pencil, one of two artist's proofs aside from the numbered edition of 10, with the artist's blindstamp, with full margins, 865 x 685mm (34 1/8 x 27in)(SH)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 185

Chris Levine (Canadian/British, born 1972)Lightness of Being 3D lenticular print, 2011, signed, dated and numbered 176/200 in black ink on a label affixed verso, 660 x 468mm (26 x 18 3/8in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 186

Chris Levine (Canadian/British, born 1972)Equanimity 3D lenticular print, 2006, on card, numbered '079' in black ink on the accompanying Benham 100 envelope, from the edition of 100, published by Benham 100, Folkestone, to commemorate Queen Elizabeth II's 80th birthday, 148 x 105mm (5 7/8 x 4 1/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 188

Tim Fishlock (British, born 1973)ZERO FUCKS Giclée print in colours, 2019, signed and numbered 3/15 in black crayon, published by Hang-Up Gallery, London, with the publisher's blindstamp, with full margins, 600 x 600mm (23 5/8 x 23 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 198

The Connor Brothers (born 1968)A Load of Fuss About Fuck All (Green) Giclée print in colours with hand-colouring and varnish, 2020, on wove, signed, dated and inscribed 'AP 1/2' in pencil, one of two artist's proofs aside from the numbered edition of 10, with full margins, 750 x 500mm (29 1/2 x 19 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 199

The Connor Brothers (British, born 1968)A Load of Fuss About Fuck All (Teal Green) Giclée print in colours with hand-colouring and varnish, 2020, on wove, signed and dated in pencil, a unique impression, with full margins, 753 x 502mm (29 5/8 x 19 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 20

Sir Peter Blake R.A. (British, born 1932)Eve Inkjet print in colours, 2019, on Somerset Satin, signed and numbered 60/75 in pencil, printed and published by Worton Hall Studios, London, the full sheet, 420 x 292mm (16 1/2 x 11 1/2in)(SH)(unframed)Footnotes:Please note this lot is sold in aid of The Eve Appeal charity, UK.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 200

The Connor Brothers (British, born 1968)Celebrity Is a Mask That Eats Its Own Face Giclée print in colours with screenprint varnish, 2016, on wove, signed, dated and numbered 25/50 in pencil, published by the artists, with full margins, 416 x 287mm (16 3/8 x 11 1/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 201

The Connor Brothers (born 1968)Call Me Anything But Ordinary (Unique) Pigment print with hand-applied acrylic, oil stick and varnish, 2021, signed and dated in pencil, a unique impression, published by the artists, with full margins, 1300 x 900mm (51 1/8 x 35 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 202

THE CONNOR BROTHERS & NOEL GALLAGHERThese Are Crazy Days Pigment print with hand-applied acrylic, oil stick and varnish, 2021, on wove, signed by the artists and Noel Gallagher, dated and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 100, published by Maddox Gallery, London, the full sheet, 1300 x 900mm (51 1/8 x 35 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 204

The Connor Brothers (British, born 1968)Every Saint Has a Past and Every Sinner Has a Future Giclée print in colours with screenprint varnish, 2017, on wove, signed, dated and numbered 3/95 in pencil, published by the artists, with full margins, 1198 x 747mm (47 1/8 x 29 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 205

The Connor Brothers (British, born 1968)Tell Me Beautiful Untrue Things Giclée print in colours with hand-colouring and varnish, 2019, on wove, signed, dated and numbered 18/20 in pencil, published by the artists, the full sheet, 1190 x 755mm (46 7/8 x 29 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 220

David Shrigley (British, born 1968)Vibes Giclée print in colours, 2018, on thin wove, signed in black ink, from the edition of 250, published by The Big Issue, London, the full sheet printed to the edges, 700 x 500mm (27 1/2 x 19 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 233

Jamie Reid (British, born 1947)Sex Pistols: God Save The Queen (Black & White); God Save the Queen (Eyeballs) Screenprint in colours, 1997, signed, dated and numbered 9/200 in pencil, published by Artificial Gallery, New York, with their blindstamp, the full sheet, 1020 x 740mm (40 1/8 x 29 1/8in)(SH); together with 'God Save The Queen (Eyeballs)', giclée print in colours, signed and numbered 4/100 in pencil, with margins, 710 x 490mm (28 x 19 1/4in)(I)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 237

Various ArtistsSix Plates from 'Art for Tomorrow' Six prints in various print media, 2017, on Somerset wove, each signed and numbered 6/100 in pencil, printed by The Print Studio, Cambridge, published by Jesus College, Cambridge, each with the printer's blindstamp, with the justification page, lacking four plates, the full sheets, loose as issued, housed inside the black-cloth case, 520 x 675mm (20 1/2 x 26 5/8in)(SH)(and similar)(6)(Folio)Footnotes:Artists include:Richard Long (British, born 1945); Jack & Dinos Champan (British, born 1962 and 1966); Agnès Thurnauer (Swiss, born 1962); Lucy Skaer (British, born 1975); John McLean (British, 1939-2019); Humphrey Ocean (British, born 1951).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 243

Thomas Ruff (German, born 1958)Sonnenfinsternis (Eclipse) Silver gelatin print, 2004, on glossy wove, signed, dated and numbered 147/200 in pencil verso, with margins, loose as issued, enclosed in a glassine envelope affixed to the inside cover page, further numbered 147/200 in pencil, 96 x 115mm (3 3/4 x 4 1/2in)(SH); together with the accompanying book 'Atlas zum Lehrbuch der kosmischen Physik', published by Salon Verlag, Berlin, overall size 225 x 195 x 20mm (8 7/8 x 7 5/8 x 3/4in)(Folio)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 244

Sam Taylor-Johnson (British, born 1967)Falling VI C-type print, 2004, on Fujifilm Professional glossy wove, signed, dated and numbered 32/75 in black ink, with full margins, 280 x 280mm (11 x 11in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 246

José Parlá (B. 1973)The Founders Archival pigment print in black and white, 2021, on Hahnemühle Photo Rag, signed and numbered 818/1368 in black ink on a label affixed verso, published by Avant Arte, Amsterdam, with the accompanying Certificate of Authenticity signed in ink, the full sheet printed to the edges, 524 x 840mm (20 5/8 x 33in)(SH)(unframed)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 248

Antony Gormley R.A. (British, born 1950)Body Giclée print in colours, 2014, on Hahnemühle paper, signed, titled, dated and numbered 96/250 in pencil verso, published by Oak Tree Fine Press, Fyfield, with full margins, 280 x 216mm (11 x 8 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 253

Nelson Rolihlahla Mandela (South African, 1918-2013)The Guard Tower, from 'Reflections of Robben Island' Lithograph printed in colours, 2003, on wove, signed and numbered 258/350 in pencil, printed by Michaelis School of Fine Art, University of Cape Town, South Africa, published by Touch of Mandela, Cape Town, with the publisher's blindstamp, together with motivation text and another print by Grant Warren, each with margins, 400 x 310mm (15 3/4 x 12 1/8in)(and similar)(I)(3)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 263

Katherine Bradford (American, born 1942)Swim Team Outerspace Archival pigment print in colours, 2020, on heavy wove, signed and numbered 63/125 in pencil verso, published by Exhibition A, New York, the full sheet printed to the edges, 710 x 535mm (28 x 21in)(SH)(unframed)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 276

Shio Kusaka (Japanese, born 1972)Untitled Xerox print in black, 2014, on wove, numbered 43/50 and with the artist's emblem in pencil verso, published by White Columns, New York, the full sheet, 280 x 216mm (11 x 8 1/2in)(SH)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 54

Laurence Stephen Lowry R.A. (British, 1887-1976)View of a Town Offset lithograph printed in colours, 1973, on wove, signed in pencil, from the edition of 850, printed by Bolton Fine Art Litho Works, Bombay, published by F. H. Mainstone Print Publications, Norfolk, with the Fine Art Trade Guild blindstamp, with margins, 428 x 543mm (16 7/8 x 21 3/8in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 6

Giovanni Battista Piranesi (Italian, 1720-1778)The Man on the Rack, from 'Carceri d'Invenzione' Etching with engraving, 1761, on heavy laid paper, with watermark Fleur-de-Lys in a circle surmounted by a Crown (Robison 20), a very good impression of Robison's fifth state (of six), the fourth issue, from the Second Edition (mid to late 1770s), or an early printing from the Third Edition (1778-1799), with the central vertical fold, with margins, 642 x 495mm (25 1/4 x 19 1/2in)(SH); together with 'The Drawbridge' (Robison 33), etching with engraving, 1749-60, on heavy wove paper, a posthumous impression of Robison's sixth and final state, Fifth (Firmin Didot, 1835-1839) to Sixth Edition (1839-c.1940), with the number 355 added to the upper left of the print, with margins, 620 x 482mm (24 3/8 x 19in)(SH)(unframed)(2)For further information on this lot please visit Bonhams.com

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C & T Auctioneers and Valuers Ltd
Lot 516

Framed and Glazed Print of the British Attack on Charleston South Carolina 29th June 1776, fine example showing the naval action with details printed below. Housed in an old glazed frame. This item was originally part of the collection of Hon Hector McDownell, Glenarm Castle, County Antrim.

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C & T Auctioneers and Valuers Ltd
Lot 529

Polish Print by Gustav Pillati c1928, shows soldier and civilians following a horse carrying a sleigh full of logs along winter landscape. Framed and glazed. Frame measures 83 ½ x 33 ½ cms. The artist served himself as a soldier during the Lithuanian Polish conflict and depicts himself in this print. Part of Vilnius region was handed over to Lithuania by retreating Soviet troops to delay progress of Polish troops in 1920. From 1922 this territory became part of the Polish state when central Lithuanian parliament voted to join central Lithuanian to Poland as “The Vilniusland”.

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Bourne End Auction Rooms
Lot 12

Bulaggi- Two modern bags, one in a zebra print with black resin handles and red interior having 2 zipped compartments and the other in navy leather having graphite tone hardware, detachable shoulder straps and one zipped compartment together with one branded dust bagCondition: The navy bag is new and the zebra print bag has surface scratches to the handlesLocation: RWB

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Bamfords Auctioneers & Valuers
Lot 116

Gerald Coulson, after, 'A Special Breed', limited edition print, signed and numbered 465/650 in pencil to margin, 55cm x 68cm (80cm x 91cm frame size).

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