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Lot 190
A collection of 1980s/90s vinyl records, to include Joy Division 'Closer' FACT 25 1st pressing, (solid black vinyl), The Smiths 'How Soon Is Now' RTT 166, 'What Difference Does It Make', RTT146, 'This Charming Man' RTT 136, Depeche Mode 'Violator' STUMM 64 (inner sleeve), James 'One Man Clapping' Rough Trade ONEMAN/LP and Durutti Column 'Say What You Mean, Say What You Say' FAC 114 to include Happy Monday ' Freakin Dancin'/The Egg (live), 1986, FAC 142, '...Yes Please' 1992, FAC 420 (lacking lyric insert), 'Stinkin' thinkin' (Hague7" single) Stone Roses 'Fools Gold 9.53' and 'What the World is waiting for', ORET13 with original print. (12)
Lot 226
An Oasis 'Be Here Now' signed programme, the 1997 programme from the live tour, signed to the inside pages Noel Gallagher, Liam, Paul Arthur and Bonehead, together with another programme from the same tour, by repute this was the original tour programme and the band did not like it and this programme was ordered to be destroyed.Black cover is the original Be Here Now tour programme, only a small print run was made, they were thought to have been destroyed. Noel signature acquired in person after the Birmingham gigLiam acquired in person, Wolverhampton Civic Hall
Lot 1442
XIX Century Print, Norton Hammer Near Sheffield, at the junction of the counties of York-Derby engraved by T.Cartwright, print of Banner Cross the property of W. H. Greaves- Bagshawe, and other prints of Sheffield. Stanley R Jones 1979 pencil drawing of the Sheffield University and Childrens Hospital (7). Watercolour of Hunters bar, Ecclesall Road Sheffield (8).
Lot 129
TWO ORIGINAL WATERCOLOUR MAPS WITH ELGIN STUDIOS STAMP, one showing Captain James Cook's discovery of Sandwich Island the other depicting Ferdinand Magellan, first to enter the Pacific, possibly original designs for jigsaws or similar, together with a print of a London street scene, paper size 28 x 38 cm (3)
Lot 367
WILLIAM BLAKE INTEREST, a folio of watercolours and prints with label on front "From Thomas Wright, Cowper School, Olney, Bucks", Inside is a folder titled "Comus 1801" which contains eight watercolours in the manner of William Blake", a print with a label on the reverse which says "The Nativity" by Wm. Blake, printed 1922 by Fredk. Hollyer, London for the Blake Society. This edition limited to 100 copies of which this print is No. 39", also five other prints or pages taken from books and two prints of "Blake's Cottage" together with the book "William Blake, Mystic A Study" by Adeline M. Butterworth, 1911
Lot 1447
GIOVANNI BATTISTA PIRANESI (1720-1778) VEDUTA DEL TEMPIO DETTO DELLA CONCORDIA Etching with engraving, from a later edition (paginated 764/ 12 upper right, blindstamp lower right) 45.5 x 69.5cm.; with a trimmed and stuck down print of `Knight, Death and the Devil` after Durer (2) ++ (Piranesi) foxing and damp stains; (`Durer`) with pale staining
Lot 1672
•DAME LAURA KNIGHT, DBE, RA, RWS (1877-1970) LAMORNA COVE Signed, watercolour and gouache 37.5 x 42.5cm. Provenance: London, The Royal Academy, The Diploma Gallery, 1965, no.119, whereat purchased by Mrs P. Murray; thence by direct descent in Mrs Murray's family. A letter from the artist to Mrs Murray and the cheque (£78.15s) accompanies the lot. The letter in full reads: Dear Mrs Murray Your very kind letter and cheque for £78-15-0 enclosed, has been sent on to me at the above address [Park Hole, Colwall, Nr. Malvern, Worcs.]. I hope you will love `Lamorna Cove` (No119) when it is delivered to you by my agent, Messrs James Bourlet, at the close of the Diploma Gallery on September the twelth [sic] ... where to? The wonderful way in which you speak of my exhibition fills me with joy and encouragement. Although I am now an antique, I hope I have not become just a piece of furniture. With many thanks, yours sincerely, Laura Knight * Following her marriage to Harold Knight in 1903, Laura and her husband moved to the artists' colony of Staithes on the Yorkshire coast. They failed to thrive financially and, after a holiday in Cornwall in 1907, they moved to Newlyn where they settled much more contentedly. They mixed (and shared painting trips) with all the other artists, including Alexander Stanhope Forbes, Ernest and Dod Proctor, Alfred Munnings and Samuel John Lamorna Birch. The Knights spent twelve years in Cornwall before moving to London in 1919, but they maintained a happy association with Newlyn during their holidays. In Janet Dunbar's book on Laura Knight (1975), she writes, "The sunlight on this Cornish Coast was unlike anything Laura remembered in Staithes ... it was golden, glowing, turning the blue-green sea into sparkling iridescence... Laura wholeheartedly accepted the tenet of the Newlyn School that outdoor subjects, like landscapes and seascapes, should be faithful transcripts from nature painted from first to last on the spot." The view is from Tregurnow cliff top, above Flagstaff Cottage, looking down into Lamorna Cove. Granite from these cliffs was hauled to London for the building of the Thames Embankment. This early composition for the celebrated oil concentrates upon the glittering light of the water that has filled the cove upon the rise of the tide. "The little bay", Knight recalled, had been "turned to gold by the reflection of the sun shining on the cliff above ...it was an excessively bright canvas". Indeed, the subject was so memorable that it lingered long in Knight's memory, so much so that, during a week of murky fogs in the capital in the winter of 1919-1920, she developed her sketches and her acute visual memory into the stunning exhibit for the Royal Academy that summer (no.618). The challenge was to recall the sparkling and ever-changing colours that had so memorably illuminated the cove. Such was Laura Knight's inspiration that she managed to pin down just enough of the glorious light, sunshine and rippling water on that magical day to recreate the special `ebullient vitality` of the Cornish coast in the dark days of a London winter whilst 300 miles away from the county of Cornwall that she loved so much. The 1965 retrospective exhibition at The Royal Academy was the first such show ever accorded to a female Academician. Knight's autobiography, The Magic of a Line (London 1965), Caroline Fox's Dame Laura Knight (Oxford 1988) and an unframed 1935 print of `Lamorna Cove` (Frost & Reed) accompany this lot (6 items)
Lot 258
SUTCLIFFE (Frank), Signpost at Sunset, circa 1890, Carbon print, signed in pencil on the image lower right, with small margin, laid down on an old mount, (17 x 22cm); with DIXON (Thomas James), Lion - London Zoo, 1880s, Carbon print photograph, signed in the negative T J Dixon, on original card mount not touching image, and a large study of a young boy possibly from Whitby, 24 x 35cm (3)
Lot 261
REJLANDER (Oscar Gustave, 1813-1875). Mrs Howell (Beatrice Butt), c. 1860, albumen print, half length and seated in profile, 22 x 18cm, detached from original album leaf with photographer's name and sitter's identification neatly written to blank and with an albumen print portrait of a group of nine men and women pasted to verso, circa 1860, posing as a group in front of a house by the white line of a grass tennis court, three of the subjects holding tennis rackets, the location identified in ink to mount beneath as Kemerton Court [near Tewkesbury, Gloucestershire], and five of subjects identified as Emmie, Georgie, Mrs Holland, Edith and G.P. Christian
Lot 270
BUTTON (P) Crystal Palace burning down Nov 30th 1936, red toned silver print, 19 x 24cm; a photograph of an eye testing machine with enlarged images of the eye seen through it; a San Francisco sidewalk scene of the Sutter club, 1941, and others miscellaneous various dates and subjects including big game
Lot 59
After Robert Taylor 'Return of The Few', a limited edition coloured print signed by the artist, Johnnie Johnstone, Peter Townsend, Alan Deere, Bob Stanford-Tuck, 49.5 x 69cm, 248/1000 and another limited edition coloured print after Nicolas Trudgian, 'Sinking the Tirpitz', signed by four of the air crew, 36.5 x 58cm, 426/550, (2).
Lot 66
After William Davies (Jad), 'Portrait of a bearded gentleman smoking a pipe', titled 'Marcel', artist's proof print, titled, signed 'Jad, St Ives' in pencil, 35.5 x 25.5cm, a coloured print 'Sailing boats and fish', signed 'Kate Taylor 1994', 31 x 31.5cm, two indistinctly-signed limited edition prints, one titled 'Encuentro en castres', and eight volumes of The Comprehensive History of England.
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314796 item(s)/page