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Lot 250

A modern gilt framed bevelled wall mirror together with a gilt framed print of cattle watering

Lot 271

A framed limited edition (587/600) print of a sailing boat, signed, together with a framed print of a female nude

Lot 274

Modern framed print of a reclining female

Lot 294

Framed TRETCHIKOFF print entitled 'Fighting Cocks'

Lot 295

Linocut of male leading horses, Edwardian watercolour of a ship at sea, signed E HEATH & a silk print entitled 'Leaf Fall' by LESLIE GOVIER

Lot 300

Oil on canvas - still life of fruit & bottle on a table by TERRY CROSS in the manner of LEON FRANKS (American Artist) together with a framed abstract print entitled 'Composition' by SPELTZ

Lot 486

A box of various framed prints, pictures including a watercolour of Caerphilly Castle signed E POWELL, print of Harlech Castle, limited edition (12/85) print - 'Flowers of the Moon Garden' by LES MATTHEWS etc

Lot 490

Framed signed print by E D WALKER 'The Titanic Leaving Southampton' together with a signed limited edition print of Concorde - 'Above & Beyond' by T HANSARD

Lot 491

Signed limited edition (32/500) print by MICHAEL TURNER 'The Longest Day'

Lot 492

A framed print entitled 'Mosquito'

Lot 493

A limited edition print entitled 'A Wing & a Prayer, 15th September 1940' from original painting by MICHAEL TURNER

Lot 494

A limited edition print - 'Spitfire Legend' by BARRY PRICE

Lot 495

A limited edition print 'Battle of Britain Day'

Lot 496

A print entitled 'Defenders of the Realm' by GEOFF HUNT

Lot 497

A limited edition print 'Inspiration' to commemorate the official Douglas Bader 60th anniversary

Lot 499

A print entitled 'Chasing the Flying Scotsman'

Lot 586

A BEN EINE 'P' artist proof print

Lot 592

An African cheetah print teaset

Lot 186

A signed Russell Flint print 'The Temple Inn', 16" x 22"

Lot 23

A picnic basket, enamel flour bin, maple framed print plus a chamber pot

Lot 48

A Chinese blue and floral rug plus a print of a night rider with lantern

Lot 41

PRINT OF SID GARDNER - WATERCOLOURS OF RIVERS/;COUNTRY SCENES

Lot 112

Colour print, 4/50 titled "Paper Flame" by Catherine Gills, 30" x 26" overall, signed & dated verso 2004

Lot 397

Two 19th c. "Grand Tour" albumen print photographs, Wales and Italy

Lot 60

A Baxter print, a Le Blond print & five other engravings

Lot 63

A Frank Wootton colour print of Spitfires in the Battle of Britain, signed in pencil by the artist with signatures of Air Vice Marshall H. Bird-Wilson and Wing Commander Robert Doe

Lot 86

Peter TOMS (XX) colour print 105/750 titled "The Barge Match" and four small similar prints in one mount

Lot 93

Hughie O'Donoghue (b.1953) colour print, Artist's Proof, 4/5, titled "Crossing the Seine", dated 1996 & signed lower right, 19.25" x 23.5". Also in this lot is a signed & dedicated Exhibition catalogue

Lot 99

Colour print titled "Cascade" after Archie Williams

Lot 125

Rowland Green watercolour of a bird amongst reeds, together with a drawing of "Old Shops at Broadway in Worcestershire" and a print of King George I, King George II and Queen Carolina (3)

Lot 261

19TH CENTURY JAPANESE SCHOOL IN THE MANNER OF KIYONAGA "Figure in a doorway handing over gift of lotus pod to three further figures", Japanese woodblock print, signed, together with 19TH CENTURY JAPANESE PRINT "Swallow above flowers", colour print

Lot 274

AFTER LOUIS WAINE "The Naughty Cat", colour print, together with "River landscape with cattle", chromolithograph

Lot 276

A quantity of assorted pictures and prints to include AFTER HENRY WILKINSON "Retriever with duck", colour print, signed lower left, together wtih AFTER J C HARRISON "Grouse in landscape", limited edition colour print No'd. 353/500, together with various further pictures and prints including AFTER FRANK TOWNSEND "Punch, Author London Charivari", black and white print, etc

Lot 287

AFTER CAUDLER "Caesar's wife - matters of colour", colour print, together with assorted further prints

Lot 307

AFTER JEREMY KING "Coal mine", limited edition colour print No'd. 16/20, artist's proof, signed in pencil lower right

Lot 310

EARLY 20TH CENTURY ENGLISH SCHOOL "The Biggest break on record", black and white photographic print, "The effects of a Cannon game and a Shell out from the Boer trenches on a Thurston Billiard Table at The Buffalo Club Kimberley....", black and white photographic print

Lot 322

AFTER MADELEINE SELFE "The Duke of Beaufort with his hounds in Badminton Park 1973", limited edition colour print No'd. 317/350, together with AFTER WILLIAM AND HENRY BARRAUD "The Meet at Badminton", colour engraving by William Giller

Lot 343

AFTER ARCHIBALD THORBURN "Partridges in flight", black and white print, signed in pencil lower left, artist's blind studio stamp lower left, published London January 1899 by Leggatt Brothers CONDITION REPORTS Size of the print including frame (max size) from inside frame to inside frame approx 43.75 cm x 60 cm. Some greying and discolouration, some foxing occuring, some dark brown marks, mainly to the border. Some foxing to the actual picture. Frame coming apart and in need of restoration or attention. General signs of wear and tear throughout.

Lot 188

 RUSSELL BERTRAND: (1872-1970) British Philosopher, Mathematician and Historian, Nobel Prize winner for Literature, 1950. T.L.S., Russell, one page, oblong 8vo, Merioneth, 18th March 1960, to [Neville] Braybrooke. Russell informs his correspondent that 'Some few juvenilia of mine have already been published and I have no others that I should wish to see in print' and concludes by apologising for not being able to be more helpful. Together with Julian Huxley (1887-1975) British Evolutionary Biologist, Eugenicist and Internationalist, the first Director of UNESCO. T.L.S., Julian Huxley, one page, oblong 8vo, Hampstead, 4th February 1960, to Neville Braybrooke. Huxley states that he was glad his correspondent was interested in the introduction to the Phenomenon of Man and adds that he is also interested in Braybrooke's project for a yearbook along the same lines, although remarking 'I regret that I cannot undertake any more writing at the moment, as I am overwhelmed with what I already have to do'. Some light creasing and very minor age wear, G to about VG, 2   Neville Braybrooke (1923-2001) English Poet, Writer, Editor, Literary Critic and Publisher.    The first of the present letters was written in response to Neville Braybrooke's research, which extended over some thirty years, into an anthology of juvenilia by writers who would later become famous. The book was published with the title of Seeds in the Wind: Early Signs of Genius in 1989. 

Lot 193

LITERATURE: Selection of A.Ls.S. and T.Ls.S. by various British writers and novelists etc., most to Neville Braybrooke, including Harold Acton (A.L.S., in part, 'I have received a copy of The Idler… I have read it will deep interest and admiration for your stream of vivid imagery and poetical prose. It leaves the haunting impression of a fine film, the suspense of which keeps one on tenterhooks' 21st January 1962), Jocelyn Brooke, Patrick Hamilton, Rayner Heppenstall, Oswell Blakeston, Ronald Blythe (2), Richard Adams (4; one T.L.S., in part, 'I would certainly like to include Mrs. Manning's "Black Cat" poem… You may be interested to know that response so far has been very good… It promises to prove rather an exciting project. Thanks, too, for your kind remarks about my novels. I have just published a new one, as a matter of fact. It's called "Maia", and got a very nice review from Isobel Murray in last Saturday's "Financial Times"', 3rd October 1984), Moray McLaren, H.E. Bates (A.L.S., 'I wrote a good many stories when I was still not 21 & some of these are included in my first volume of stories Day's End, which is still in print. I know that a story called The Flame… was one of them… I would suggest you use The Flame for your anthology; but you could have a look at Encore if you felt so minded' 17th November 1958), Gerald Brenan etc. Some minor foxing, light stains, creases and age wear. G, 19 Neville Braybrooke (1923-2001) English Poet, Writer, Editor, Literary Critic and Publisher.   

Lot 220

 MCLUHAN MARSHALL: (1911-1980) Canadian Philosopher & Intellectual who coined the terms 'global village' and 'surfing' and also predicted the World Wide Web almost thirty years before it was invented. A.L.S., Marshall McLuhan, one page, 4to (onion skin notepaper), Toronto, 24th February 1963, to [Neville] Braybrooke. McLuhan announces 'It was a happy inspiration that made you send me The Idler!' and continues 'I have read it with much enjoyment and shall now seek out your other writings. As a devoted student of T. S. Eliot I had of course read your volume for his 70th birthday'. The philosopher further informs Braybrooke that 'Frank Kermode has written me to say that he has suggested to the editors of Encounter that they start a debate in a series of articles concerning the themes of the Galaxy' and asks if he would like to participate, adding 'Roland Penrose of the Institute of Contemporary Arts has written to say that the Galaxy has given them the idea for a 1965 show on the Extensions of Man: Technologies seen as extensions of our organic being, having immediate as well as persistent psychic and social effects. Thus electromagnetic technologies are extensions of our central nervous systems as much as others of our bodies. i.e. E.S.P.' McLuhan concludes by stating that he hopes to come to England in the summer to discuss the matter with Penrose, 'and it would be a great disappointment if you were not there at the same time'. A letter of good content, not least for its references to two of McLuhan's most famous works. Some light overall creasing, about VG   Neville Braybrooke (1923-2001) English Poet, Writer, Editor, Literary Critic and Publisher.    The Gutenberg Galaxy: The Making of Typographic Man (1962) is a pioneering study in the fields of oral culture, print culture, cultural studies and media ecology in which McLuhan prophesised the web technology experienced today when he stated 'The next medium, whatever it is-it may be the extension of consciousness-will include television as its content, not as its environment, and will transform television into an art form. A computer as a research and communication instrument could enhance retrieval, obsolesce mass library organization, retrieve the individual's encyclopaedic function and flip into a private line to speedily tailored data of a saleable kind'.   Understanding Media: The Extensions of Man (1964) is a more widely known work by McLuhan and is regarded as a pioneering study in media theory. Dismayed by the way people approached and used new media such as television, McLuhan famously argued that in the modern world 'we live mythically and integrally ... but continue to think in the old, fragmented space and time patterns of the pre-electric age'. 

Lot 189

A gilt framed Baxter print of the birth of Christ, 18 x 23cm, and a carved gilt wood Baxter print of the young Queen Victoria.

Lot 499

A large gilt framed print, 79 x 99cm.

Lot 59

Thomas Burnell, pencil signed limited edition print 114/350 entitled 'Octavia on Course to Freedom' with certificate, 105 x 84cm.

Lot 1018

ATTRIBUTED TO KUNISADA (JAPANESE 1786-1864)"MEMORIAL PRINT"woodblockdepicting a kneeling woman with beads in her hand23.5cm x 35cmMounted, framed and under glass

Lot 315

1915-30 King George V recess printed issue, small range of imperforate colour trials on NZ & Star watermarked paper, each overprinted COLOUR PRINT, 1½d in issued colour and black, 2d aniline purple and grey-violet, 3d, chestnut, chocolate, deep chocolate, 4d orange, reddish orange, ochre, 4½d bronze-green, 7½d in issued colour and in reddish chocolate (latter also a block of 4 with blue crayon affecting three impressions, 9d olive-green, all fine

Lot 881

1990 Stamp World London'90 miniature sheet (SG MS1501var), with spectacular dry print affecting the image of the 1d black, most striking u/m

Lot 1050

Ian Marshall, silk screen print, Mediterranean III, signed in pencil, dated 1969, no. 18/20, image 17" x 26.5", unframed.

Lot 1056

Willem De Kooning (1904-1997), artist proof print, abstract, signed in pencil, image size 13.5" x 9.5", framed.

Lot 1101

Hiroshi Yoshida, wood-cut print, Himeji Castle 1928, image 14" x 9", framed.

Lot 1128

C Smith, hand coloured map print of Europe 1807, unframed.

Lot 1130

Zandra Rhodes, colour print, fashion design, 14" x 10", mounted.

Lot 1131

Julian Opie, colour print, Imagine You Can Order These, 1999 Lisson Gallery, Limited Edition, image 20" x 16", unframed.

Lot 1135

Brian Blow, woodblock print, abstract, artist proof circa 1970, signed with monogram, image 8" x 7", mounted.

Lot 1142

An 18th century Proclamation to the Livery Men of the City of London from Richard Oliver, Alderman of Billingsgate 1770, together with an 18th century botanical print and an engraving of Oliver Cromwell, framed, (3).

Lot 1172

Bruce McClean, colour screen print, abstract, signed in pencil, no. 414/500, sheet size 23.5" x 30", unframed.

Lot 1193

Horace Brodsky, lino-cut print, seated figure, image 9.5" x 8", framed.

Lot 1310

Martiros Manoukian, serigraph print, portrait study, signed and numbered from an edition of 100, image 29" x 23", framed.

Lot 1326

Feliks Topolski, colour print, street scene, signed in pencil, no. 67/250, sheet size 28" x 20", framed.

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