PICASSO, Pablo(1881 Málaga - 1973 Mougins) 2 Werke: "Le Bouquet" und "Toros y Toreros"2 Farblithografien auf Bütten. Max. 70 x 50 cm. "Le Boquet", Blatt: 65 x 49,5 cm, im Druck signiert, Blindstempel "Editions Combat pour La Paix, Copyright S.P.A.D.E.M Paris", Blatt knickspurig, rechter Rand mit Wasserschaden und Plakat "Toros y Toreros" zur Einbandgestaltung des gleichnamigen Buches mit Texten von Luis Miguel Dominquin, Blatt: 69 x 50 cm, oberer Rand verso mit Bereibungen. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). PICASSO, Pablo(1881 Málaga - 1973 Mougins) 2 works: "Le Bouquet" and "Toros y Toreros"2 color lithographs on laid paper. Max. 70 x 50 cm. "Le Boquet", sheet: 65 x 49.5 cm, signed in print, blind stamp "Editions Combat pour La Paix, Copyright S.P.A.D.E..M Paris", sheet creased, right margin with water damage and poster "Toros y Toreros" for the cover design of the eponymous book with texts by Luis Miguel Dominquin, sheet: 69 x 50 cm, upper margin verso with rubbing. Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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JANSSEN, Horst(1929 Hamburg - 1995 Hamburg) Porträt des Schriftstellers Christoph August VulpiusOffsetdruck. Bleistiftmonogramm. [19]67. Blatt: 55 x 43 cm. Aus der Serie "Dichterköpfe" für die Buchhandlung Hermann Laatzen. Etwas knickspurig. Deutscher Zeichner, Grafiker, Illustrator und Fotograf; zählt zu den herausragendsten deutschen Künstlern des 20. Jh., im Jahr 2000 wurde das ihm gewidmete "Horst-Janssen-Museum" in Oldenburg eröffnet. "Ich bin hinter den flüchtigen Erscheinungen dieser Welt in ihren wechselnden Verkleidungen her, damit ich bei meiner Beerdigung sagen könnte: 'Ich hab's gesehen!' Und wenn ich bis dahin und zwischendurch schreie, dann: Laßt mich in Ruhe!" (Zitat: HJ, 1980. www.kunstdirekt.net). JANSSEN, Horst(1929 Hamburg - 1995 Hamburg) Portrait of the writer Christoph August VulpiusOffset print. Pencil monogram. [19]67. Sheet: 55 x 43 cm. From the series "Dichterköpfe" for the bookstore Hermann Laatzen.. Somewhat creased. German draftsman, graphic artist, illustrator and photographer; counts among the most outstanding German artists of the 20th century, in 2000 the "Horst Janssen Museum" dedicated to him was opened in Oldenburg. "I am after the fleeting appearances of this world in their changing disguises, so that at my funeral I could say: 'I saw it!' And if I scream until then and in between, then: leave me alone!" (Quote: HJ, 1980. www.kunstdirekt.net). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Blonde Mädchenpuppe "Deutsches Kind". Käthe Kruse, Typ VIII. Unter dem rechten Fuß rot gestempelt, unter dem Schuh datiert "1953". L 51 cm. Kurbelkopf mit 1 Hinterkopfnaht, gemalten braunen Augen und handgeknüpfter Echthaarperücke. Nesselkörper mit Ellbogen- und Knienaht. Hellblaues Kleid mit Blümchendruck, roter Schulranzen, dunkelblaue Wachstuchschuhe. Perücke wurde abgelöst und mit Stecknadeln fixiert. Gesicht mit Krakelée, keine Auffälligkeiten unter UV-Licht. Körper etwas fleckig, rechte Hand alt repariert. Blonde girl doll "German child". Käthe Kruse, Type VIII. Stamped in red under the right foot, dated "1953" under the shoe. L 51 cm. Crank head with 1 back head seam, painted brown eyes and hand-knotted real hair wig. Nettle body with elbow and knee seam. Light blue dress with floral print, red satchel, dark blue oilcloth shoes. Wig was detached and fixed with pins. Face with craquelure, no abnormalities under UV light. Body somewhat stained, right hand old repaired. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
DUNCAN, Joseph(*1920) Abstrakte KompositionFarblithographie. Im Druck signiert, verso mit Bleistift bezeichnet sowie undeutliche Zeichen (77/83?). Blatt: 50 x 65 cm. Gerahmt & hinter Glas : 48 x 73 cm. Blatt mit Lichtschaden. DUNCAN, Joseph(*1920) Abstract CompositionColor lithograph. Signed in print, inscribed in pencil on verso as well as indistinct marks (77/83?). Sheet: 50 x 65 cm. Framed & behind glass : 48 x 73 cm. Sheet with light damage. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
FIDLER, Alice Luella(1883 - ?) Junge Dame mit TennisschlägerFarblithografie. Im Druck datiert: 1909. Edition Edward Gross. Gerahmt & hinter Glas : 36,5 x 28 cm. Blatt griff- und knickspurig, Farbe etwas rissig. US-amerikanische Malerin, eine von drei Schwestern, die für ihre glamourösen Frauendarstellungen bekannt waren. FIDLER, Alice Luella(1883 - ?) Young lady with tennis racketColor lithograph. Dated in print: 1909. edition Edward Gross. Framed & behind glass : 36.5 x 28 cm. Sheet grip and crease, paint a little cracked. US painter, one of three sisters known for their glamorous depictions of women. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BENDRAT, Arthur(1872 Danzig - 1914 Coswig) "Sankt Marien in Danzig"Farblithografie. Im Druck signiert. Im Druck datiert: [19]06. Gerahmt & hinter Glas : 43,5 x 32,5 cm. BENDRAT, Arthur(1872 Gdansk - 1914 Coswig) "Saint Mary in Gdansk"Color lithograph. Signed in print. Dated in print: [19]06. Framed & behind glass : 43.5 x 32.5 cm. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
FLORA, Paul(1926 Glurns - 2009 Innsbruck) "Pinocchio"Farboffsetdruck auf Bütten. Bleistiftsignatur. [19]83. Exemplar: 421/500. Blatt: 40 x 50 cm. "La Guideca mit vornehmen Hund", Blatt: 40 x 50 cm, [19]84, Ecke oben rechts mit Knick | "Kaleb und Josua", Blatt: 40 x 50 cm, [19]83.Österreichischer Zeichner, Karikaturist, Grafiker, Illustrator und Schriftsteller. "Flora schreibt seine Linien so zart und zärtlich aufs Papier, als habe er Angst ihm weh zu tun. Und wo er nur irgend kann, lässt er das unbeschriebene, unverletzte Weiß aufs effektvollste mitwirken. Andere Zeichner mögen hassen, anklagen und verachten oder sich und ihre Tusche vor Lachen ausschütten - Paul Floras Linien lächeln." (Zitat: Erich Kästner, www.hausderpressefreiheit.de). FLORA, Paul(1926 Glurns - 2009 Innsbruck) "Pinocchio"Color offset print on laid paper. Pencil signature. [19]83. copy: 421/500. Sheet: 40 x 50 cm. "La Guideca with vornehmen Hund", sheet: 40 x 50 cm, [19]84, corner upper right with crease | "Kaleb and Joshua", sheet: 40 x 50 cm, [19]83.Austrian draftsman, caricaturist, graphic artist, illustrator and writer. "Flora writes his lines so delicately and tenderly on the paper, as if he were afraid to hurt him. And wherever he can, he lets the undescribed, unharmed white participate in the most effective way. Other draftsmen may hate, accuse, and despise, or pour out themselves and their ink in laughter - Paul Flora's lines smile." (Quote: Erich Kästner, www.hausderpressefreiheit.de). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
JANSSEN, Horst(1929 Hamburg - 1995 Hamburg) Porträt des Schriftstellers Jens Peter JacobsenOffsetdruck. Bleistiftmonogramm. [1967]. Blatt: 60 x 42 cm. Aus der Serie "Dichterköpfe" für die Buchhandlung Hermann Laatzen. Leicht verschmutzt. Deutscher Zeichner, Grafiker, Illustrator und Fotograf; zählt zu den herausragendsten deutschen Künstlern des 20. Jh., im Jahr 2000 wurde das ihm gewidmete "Horst-Janssen-Museum" in Oldenburg eröffnet. "Ich bin hinter den flüchtigen Erscheinungen dieser Welt in ihren wechselnden Verkleidungen her, damit ich bei meiner Beerdigung sagen könnte: 'Ich hab's gesehen!' Und wenn ich bis dahin und zwischendurch schreie, dann: Laßt mich in Ruhe!" (Zitat: HJ, 1980. www.kunstdirekt.net). JANSSEN, Horst(1929 Hamburg - 1995 Hamburg) Portrait of the writer Jens Peter JacobsenOffset print. Pencil monogram. [1967]. Sheet: 60 x 42 cm. From the series "Dichterköpfe" for the bookstore Hermann Laatzen. Slightly soiled. German draftsman, graphic artist, illustrator and photographer; is one of the most outstanding German artists of the 20th century, in 2000 the "Horst Janssen Museum" dedicated to him was opened in Oldenburg. "I am after the fleeting appearances of this world in their changing disguises, so that at my funeral I could say: 'I saw it!' And if I scream until then and in between, then: leave me alone!" (Quote: HJ, 1980. www.kunstdirekt.net). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
OBER, Hermann(1920 Freilassing - 1997 Freilassing) "1987"Farblinolschnitt. Bleistiftsignatur. Exemplar: 150/49. Druckstock: 39 x 34 cm. Gerahmt & hinter Glas : 60,5 x 50,5 cm. Deutscher Maler und Grafiker. OBER, Hermann(1920 Freilassing - 1997 Freilassing) "1987"Color linocut. Pencil signature. Copy: 150/49. Print stock: 39 x 34 cm. Framed & behind glass : 60.5 x 50.5 cm. German painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
8 Teile mit indianischem Blumendekor. Herend. Stempelmarke, 2. H. 20. Jh. Über Vordruck purpurgemaltes Dekor, goldstaffiert. Flache Vase (H 20 cm), 2-flammiger Leuchter mit abnehmbarem Tüllenaufsatz (H 22,3 cm), Quadratschale, Blattschale, kleines Tablett, ovales Schälchen und 2 Väschen (H 6,5 cm). 1 Tülle geklebt. 8 pieces with Indian floral decor. Herring. Stamped mark, 2nd half 20th c. Over pre-print purple painted decoration, gold-stamped. Flat vase (h 20 cm), 2-flame candlestick with removable spout top (h 22,3 cm), square bowl, leaf bowl, small tray, oval bowl and 2 vases (h 6,5 cm). 1 spout glued. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
VON SCHEFFEL, Jos. Victor "Ekkehard" - Vorzugsausgabe"Eine Geschichte aus dem zehnten Jahrhundert". Josef Singer Verlag. Leipzig. 1923. 19,5 x 13 cm. Nummeriertes Exemplar 14/25, auf Büttenpapier. 488 Seiten, im gestalteten Pergamenteinband. Einband nur außen fleckig. Druckspuren. VON SCHEFFEL, Jos. Victor "Ekkehard" - Preferred Edition"A Tenth Century Story". Josef Singer Verlag. Leipzig. 1923. 19.5 x 13 cm. Numbered copy 14/25, on laid paper. 488 pages, in designed vellum binding. Binding only spotted on the outside. Print marks. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MAENNCHEN, Albert(1873 Rudolstadt - 1935 Berlin) 3 gleiche Darstellungen mit Skifahrenden3 Lichtdrucke (1x schwarz-weiß, 2x polychrom). Je mit Bleistiftsignatur, je im Druck signiert. 1 Blatt mit Bleistiftvermerk "unverkäuflich! im Besitz von Albert Maennchen". Platte je: 51 x 64,5 cm, Blatt je: 73 x 95 cm. 3 dekorative Ansichten mit Gebirgswinterlandschaft und skifahrenden Personen. Je stockfleckig und knickspurig. Deutscher Maler und Freskomaler, Vertreter der dekorativen und monumentalen Malerei. MAENNCHEN, Albert(1873 Rudolstadt - 1935 Berlin) 3 same depictions with skiers3 collotype prints (1x black and white, 2x polychrome). Each with pencil signature, each signed in print. 1 sheet with pencil note "not for sale! owned by Albert Maennchen". Plate each: 51 x 64.5 cm, sheet each: 73 x 95 cm. 3 decorative views with mountain winter landscape and skiing people. Each foxed and creased. German painter and fresco painter, representative of decorative and monumental painting. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
ESSER, Klaus "Who's drunk?"Offsetdruck auf Karton. Im Druck signiert. Blatt: 39 x 27 cm. Humorvolles Porträt eines Herren. Stockfleckig, fleckig, Randbereich mit Bestoßungen. ESSER, Klaus "Who's drunk?"Offset print on cardboard. Signed in print. Sheet: 39 x 27 cm. Humorous portrait of a gentleman. Stained, stained, marginal area with bumps. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Undeutlich signiert: "Edgar, Allen and Poe - Nevermore"Farboffsetdruck. Bleistiftsignatur. Exemplar: 242/333. Blatt: 25 x 47 cm. Indistinctly signed: "Edgar, Allen and Poe - Nevermore"Color offset print. Pencil signature. Copy: 242/333. Sheet: 25 x 47 cm. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
GEIBEL, Margarete(1876 Weimar - 1955 Weimar) Ansicht des Hafens in WismarLithografie. Im Druck monogrammiert, verso bezeichnet. Abbildung: 25,5 x 37 cm, Blatt: 36,3 x 47,5 cm, im Passepartout: 42,5 x 51,5 cm. Randbereich gebräunt und knickspurig, verso verschmutzt. Deutsche Grafikerin, stammt aus einer Weimarer Künstlerfamilie. GEIBEL, Margarete(1876 Weimar - 1955 Weimar) View of the harbor in WismarLithograph. Monogrammed in print, inscribed on verso. Image: 25.5 x 37 cm, sheet: 36.3 x 47.5 cm, in mount: 42.5 x 51.5 cm. Marginal area browned and creased, verso soiled. German graphic artist, comes from a Weimar family of artists. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
JANSSEN, Horst(1929 Hamburg - 1995 Hamburg) Porträt des Schriftstellers Honoré de BalzacOffsetdruck. Bleistiftmonogramm. [19]67. Blatt: 55 x 43 cm. Aus der Serie "Dichterköpfe" für die Buchhandlung Hermann Laatzen. Leicht knickspurig. Deutscher Zeichner, Grafiker, Illustrator und Fotograf; zählt zu den herausragendsten deutschen Künstlern des 20. Jh., im Jahr 2000 wurde das ihm gewidmete "Horst-Janssen-Museum" in Oldenburg eröffnet. "Ich bin hinter den flüchtigen Erscheinungen dieser Welt in ihren wechselnden Verkleidungen her, damit ich bei meiner Beerdigung sagen könnte: 'Ich hab's gesehen!' Und wenn ich bis dahin und zwischendurch schreie, dann: Laßt mich in Ruhe!" (Zitat: HJ, 1980. www.kunstdirekt.net). JANSSEN, Horst(1929 Hamburg - 1995 Hamburg) Portrait of the writer Honoré de BalzacOffset print. Pencil monogram. [19]67. Sheet: 55 x 43 cm. From the series "Dichterköpfe" for the bookstore Hermann Laatzen. Slightly creased. German draftsman, graphic artist, illustrator and photographer; counts among the most outstanding German artists of the 20th century, in 2000 the "Horst Janssen Museum" dedicated to him was opened in Oldenburg. "I am after the fleeting appearances of this world in their changing disguises, so that at my funeral I could say: 'I saw it!' And if I scream until then and in between, then: leave me alone!" (Quote: HJ, 1980. www.kunstdirekt.net). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KUHMICHEL, Hermann(1898 Eiserfeld - 1965?) BergarbeiterFarbholzschnitt. Bleistiftsignatur. [19]58. Druckstock: 37,4 x 30 cm. Gerahmt & hinter Glas : 52 x 42 cm. Verso mit aufgeklebtem Zettel "Herrn Dieter Kwetkat zur Erinnerung an die Hauerprüfung Gewerkschaft des Steinkohlenbergwerks "Haus Aden". Deutscher Bildhauer, Maler und Grafiker. KUHMICHEL, Hermann(1898 Eiserfeld - 1965?) MinerColor woodcut. Pencil signature. [19]58. Print stock: 37.4 x 30 cm. Framed & behind glass : 52 x 42 cm. Verso with affixed note "Mr. Dieter Kwetkat in memory of the foreman examination union of the coal mine "Haus Aden". German sculptor, painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
JANSSEN, Horst(1929 Hamburg - 1995 Hamburg) Plakat zu Laatzen's BilderbogenOffsetdruck. Bleistiftmonogramm. [19]68. Blatt: 60,5 x 43 cm. Etwas knickspurig. Deutscher Zeichner, Grafiker, Illustrator und Fotograf; zählt zu den herausragendsten deutschen Künstlern des 20. Jh., im Jahr 2000 wurde das ihm gewidmete "Horst-Janssen-Museum" in Oldenburg eröffnet. "Ich bin hinter den flüchtigen Erscheinungen dieser Welt in ihren wechselnden Verkleidungen her, damit ich bei meiner Beerdigung sagen könnte: 'Ich hab's gesehen!' Und wenn ich bis dahin und zwischendurch schreie, dann: Laßt mich in Ruhe!" (Zitat: HJ, 1980. www.kunstdirekt.net). JANSSEN, Horst(1929 Hamburg - 1995 Hamburg) Poster for Laatzen's BilderbogenOffset print. Pencil monogram. [19]68. Sheet: 60.5 x 43 cm. Slightly creased. German draftsman, graphic artist, illustrator and photographer; counts among the most outstanding German artists of the 20th century, in 2000 the "Horst Janssen Museum" dedicated to him was opened in Oldenburg. "I am after the fleeting appearances of this world in their changing disguises, so that at my funeral I could say: 'I saw it!' And if I scream until then and in between, then: leave me alone!" (Quote: HJ, 1980. www.kunstdirekt.net). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
UNGERER, Tomi(1931 Straßburg - 2019 Cork) "Leda mit dem Schwan"Siebdruck. Bleistiftsignatur. Blatt: 42 x 29,5 cm. Ecke oben links mit kleinem Knick. Französischer Grafiker, Illustrator und Schriftsteller. In Straßburg wurde 2007 das "Musée Tomi Ungerer - centre international de l'illustration" eröffnet, das erste Museum, welches einem noch lebenden Künstler in Frankreich gewidmet wurde. Literatur : https://www.tomiungerer.com. UNGERER, Tomi(1931 Strasbourg - 2019 Cork) "Leda with the Swan"Silkscreen print. Pencil signature. Sheet: 42 x 29.5 cm. Corner top left with small crease. French graphic artist, illustrator and writer. The "Musée Tomi Ungerer - centre international de l'illustration" opened in Strasbourg in 2007, the first museum dedicated to a living artist in France. Literature : https://www.tomiungerer.com. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
RAY, Man(1890 Philadelphia - 1976 Paris) SelbstporträtSilbergelatineabzug. Verso Bleistiftsignatur. [1924]. Passepartoutausschnitt: 20,5 x 15,5 cm. Gerahmt & hinter Glas : 31,5 x 26,5 cm. US-amerikanischer Fotograf, Filmregisseur, Maler und Objektkünstler; zählt zu den bedeutenden Künstlern des Dadaismus und Surrealismus. “The streets are full of admirable craftsmen, but so few practical dreamers.” (Zitat: MR, www.goodreads.com). RAY, Man(1890 Philadelphia - 1976 Paris) Self-portraitSilver gelatin print. Pencil signature on verso. [1924]. Passepartout detail: 20.5 x 15.5 cm. Framed & behind glass : 31.5 x 26.5 cm. US American photographer, film director, painter and object artist; counts among the important artists of Dadaism and Surrealism. "The streets are full of admirable craftsmen, but so few practical dreamers." (Quote: MR, www.goodreads.com). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Le Repos du Sculpteur devant une Bacchanale au Taureau"Abbildung: 16 x 22 cm, im Passepartout: 30 x 40 cm. Lithografischer Abzug nach der Radierung aus "Suite Vollard", 1 von 540 Exemplaren, Editorial Gustavo Gili, Barcelona, 1956; mit Expertise. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literatur : Bloch Nr. 165. PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Le Repos du Sculpteur devant une Bacchanale au Taureau"Image: 16 x 22 cm, in mount: 30 x 40 cm. Lithographic print after etching from "Suite Vollard", 1 of 540 copies, Editorial Gustavo Gili, Barcelona, 1956; with expertise. Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literature : Bloch No. 165. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Jugendstil-Mokkatasse mit Damenporträt. KPM Berlin. Zeptermarke, um 1920. Ohne Malereimarke. Mintgrüner Teilfond, Goldstaffage, Fotodruck. H Tasse 6,5 cm, Ø originale Untertasse 10 cm. Ovoide Tasse mit geschwungenem Henkel. Schauseitig ein Ovalmedaillon mit dem Foto einer jungen Dame, im Spiegel der Untertasse die Widmung "Meinem lieben Hans 6.9.21", innen vergoldet. Art Nouveau demitasse with portrait of a lady. KPM Berlin. Septer mark, circa 1920. Without painting mark. Mint green partial background, gold staffage, photo print. H cup 6.5 cm, Ø original saucer 10 cm. Ovoid cup with curved handle. On the front an oval medallion with a photo of a young lady, in the mirror of the saucer the dedication "Meinem lieben Hans 6.9.21", inside gilded. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BALDESSARI, John(1931 National City - 2020 Los Angeles) "Hot Tub"Farboffsetdruck. Verso Signaturstempel "Baldessari". Verso datiert: 2016. Exemplar: 3280/3700. Blatt: 24,5 x 34,5 cm. US-amerikanischer Konzept- und Medienkünstler: "Well, why is this art? Why isn't that art?" (JB, art-quotes.com). BALDESSARI, John(1931 National City - 2020 Los Angeles) "Hot Tub"Color offset print. Verso signature stamp "Baldessari". Verso dated: 2016. copy: 3280/3700. Sheet: 24.5 x 34.5 cm. US conceptual and media artist: "Well, why is this art? Why isn't that art?" (JB, art-quotes.com). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WRIGHT, Magnus von(1805 Kuopio - 1868 Helsinki) Ornithologische Illustration einer HohltaubeFarblithografie. Im Druck signiert. Passepartoutausschnitt: 30 x 21 cm. Gerahmt & hinter Glas : 45 x 35 cm. Darstellung einer Hohltaube, bezeichnet "Columba Oenas", "Skogsdufva"; aus: "Svenska Foglar Efter Naturen Och Pa Stenritade" (Schwedische Vögel) der Brüder Magnus, Wilhelm und Ferdinand von Wright, Neuauflage 1917 - 1929 (Erstausgabe 1828 - 1838). WRIGHT, Magnus von(1805 Kuopio - 1868 Helsinki) Ornithological Illustration of a Stock DoveColor lithograph. Signed in print. Passepartout cutout: 30 x 21 cm. Framed & behind glass : 45 x 35 cm. Picture of a Stock Dove, inscribed "Columba Oenas", "Skogsdufva"; from: "Svenska Foglar Efter Naturen Och Pa Stenritade" (Swedish Birds) by the brothers Magnus, Wilhelm and Ferdinand von Wright, new edition 1917 - 1929 (first edition 1828 - 1838). .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
STEINLEN, Théophile-Alexandre(1859 Lausanne - 1923 Paris) Plakat: "En Belgique les Belges ont Faim"Farblithografie. Im Druck signiert. [1915]. Alliance Franco-Belge, Druck: Lapina, Paris. 126,5 x 90 cm. Plakat anlässlich einer Tombola zugunsten der belgischen Bevölkerung während des 1. Weltkrieges, bezeichnet "En Belgique les Belges ont faim - Tombola Artistique - au profit de l'Alimentation populaire de Belgique". Knickspurig, auf Leinwand aufgezogen, kleine Retuschen und hinterklebte Risse; gerollt verschickbar. Französischer Maler, Zeichner, Grafiker und Illustrator, der besonders für seine Plakat-Entwürfe Bekanntheit erlangte. STEINLEN, Théophile-Alexandre(1859 Lausanne - 1923 Paris) Poster: "En Belgique les Belges ont Faim"Color lithograph. Signed in print. [1915]. Alliance Franco-Belge, printed by Lapina, Paris. 126.5 x 90 cm. Poster on the occasion of a raffle for the benefit of the Belgian population during the 1st World War, inscribed "En Belgique les Belges ont faim - Tombola Artistique - au profit de l'Alimentation populaire de Belgique". Kink-marked, mounted on canvas, small retouches and back-taped tears; can be sent rolled. French painter, draftsman, graphic artist and illustrator who gained fame especially for his poster designs. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
UNGERER, Tomi(1931 Straßburg - 2019 Cork) "Leda mit dem Schwan"Siebdruck. Bleistiftsignatur. Blatt: 42 x 29,5 cm. Ecke oben links mit Knick, etwas griffspurig. Französischer Grafiker, Illustrator und Schriftsteller. In Straßburg wurde 2007 das "Musée Tomi Ungerer - centre international de l'illustration" eröffnet, das erste Museum, welches einem noch lebenden Künstler in Frankreich gewidmet wurde. Literatur : https://www.tomiungerer.com. UNGERER, Tomi(1931 Strasbourg - 2019 Cork) "Leda with the Swan"Silkscreen print. Pencil signature. Sheet: 42 x 29.5 cm. Corner top left with crease, some traces of grip. French graphic artist, illustrator and writer. The "Musée Tomi Ungerer - centre international de l'illustration" opened in Strasbourg in 2007, the first museum dedicated to a living artist in France. Literature : https://www.tomiungerer.com. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Follower of VICENTE MARIANI I TODOLÍ (Valencia, 1765 - Madrid, 1819)."Ponte Veccio, Florence.Oil on copper.Size: 29,5 x 46 cm; 134 x 71 cm (frame).Vicente Mariani y Todolí (Valencia, 1765 - Madrid, 1819) was a Spanish intaglio engraver.Descended from an Italian family who settled in Spain, it seems likely that he began his studies at the Royal Academy of San Carlos in Valencia, although he soon moved on to the Academy of San Fernando in Madrid, where he was already enrolled in 1784. Under the protection of the Count of Fernán Núñez, Spain's ambassador in Paris, who made him his draughtsman and amanuensis, he was able to travel to the French capital in 1787, where he continued his studies with Jean Pillement. Some of the original landscape drawings in the Biblioteca Nacional de España and the Museo del Prado bear witness to this influence.On returning to Spain with the appointment of academician of merit he was involved in some of the projects promoted by the Royal Printing Works and the National Chalcography, such as the collection of Portraits of Illustrious Spaniards, in which he painted the portrait of Andrés Laguna, based on a drawing by José Maea, and the unfinished Views of Spanish Ports, for which he signed the views of the ports of Seville and Luarca (1795-1796). In December 1797 he joined the large group of engravers responsible for translating into print the drawings and observations of the flora of Peru and Chile obtained by the botanical expedition led by Hipólito Ruiz and José Pavón, a costly publishing project of which three volumes were published between 1798 and 1802 under the title Flora Peruviana et Chilensis, sive descriptiones et icones plantarum Peruvianarum, et Chilensium.... although his contribution to the project was reduced to one plate.He engraved a complete Apostolate on a drawing by Raphael Sanzio consisting of fourteen plates (the twelve apostles, the Saviour of the World and Saint Paul) for which he received 2,800 reals from the Royal Chalcography, which acquired the plates in 1799, and on behalf of the Company for the Engraving of the Paintings of the Royal Collections set up in 1789, he engraved a Virgin and Child by Murillo on a drawing by José Beratón. In 1818 the Royal Chalcography also bought two plates of Saint Michael and the Holy Cross from him for 1500 reales each.A member of the Academy of San Carlos in 1806 and chamber engraver, from July 1818 until his death the following year he held the post of caretaker of the Royal Gallery of Paintings, the origin of what would later become the Museo Nacional del Prado.
Bob Carlos Clarke (British, 1950-2006), Untitled Chromogenic print, signed in black ink lower right and numbered 85/150 lower left, label on reverse for the Agfa Collection confirming that "This limited edition print by Bob Carlos Clarke is number 85 of 150. It was taken in 1984 on Agfacolor Optima 125 and printed on Agfacolor paper", with 'Agfa Collection 1994 blind stamp lower left. (40.6 x 28.8cm.). In original black folio with brochure
§ John Hoyland (British, 1934-2011), abstract composition, lithograph in colours, 1969, artist's proof, signed in pencil to margin, main image size 55 x 91cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more informationCondition Report: § The artwork has some condition issues. There is consistent spotting and foxing to the margins of the sheet. The print has clearly been stored rolled recently (although it is not displayed this way currently). There is roughness to the edges of the sheet that may have been part of the original compositional process. Main image generally in better condition, with some scratches and marks, the most prominent of which is a 6cm high scratch to the right of the red square. There is general foxing and spotting to the reverse of the sheet.
Helen Layfield Bradley (British, 1900-1979), landscape with lake and figures to foreground, print in colours, signed in pencil lower right and bearing Fine Art Trade Guild blind stamp, framed, 40 x 50cm. Condition Report: The print is generally in good condition, with little fading. The glazing has cracked towards the lower left. Print itself in good condition apart from this.
Henry Asencio (contemporary), 'Eternal Beauty', limited-edition embellished print, ed. 70/75, signed lower right, 74 x 23cm, framed.Condition Report: Generally very good condition overall, with minimal light wear, but no real condition issues. Frame has not been examined outside its wrapping.
Fabian Perez (Argentinian, b. 1967), 'Proposal at the Hotel Du Vin', limited-edition embellished print, artist's proof, AP 03/05, bearing certificate of authenticity to the reverse, 45 x 59cm, framed.Condition Report: Artwork generally in good condition overall, with some light surface wear. Some damage and distress to the edges of the frame (which is applied consistently, to the extent that it may be a deliberate effect). The long white diagonal line to the lower middle of the artwork (visible in photography) is present to all other artworks from this edition, and so must have been part of the compositional process, rather than damage.
Sheree Valentine-Daines (British, b. 1959), 'Royal Ascot Ladies Day II', limited-edition print, ed. 8/195, initialled lower right, 64 x 49cm, framed, bearing certificate of authenticity to the reverse.Condition Report: Very good condition overall; no issues visible to the naked eye. Frame has not been examined outside its wrapping.
Rare Rolex Oyster Perpetual Explorer Super Precision stainless steel gentleman's wristwatch, reference no. 5500, serial no. 1215xxx, circa 1965, black gloss 'Swiss' gilt dial with double 'T-** Private provenance bequeathed to the present owner approximately 25 years ago by family descent-Movement - currently functioning.Dial - Appears to be a very nice gloss dial in good condition and nice patina to the markings - see images for guidance.Glass - there are some surface marks and a small scratch just above the 'Rolex' print on the dial.Hands - nice patina.Case - typical light marks as expected, service inscription the inside case back dated '11/73' (1973) - please see all images.Crown - Rolex adjusting correctly.Strap - no bracelet, non-Rolex strap.No box or papers.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
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