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Lot 279
* Piper (John). Stones of Bath, 1960, screen-printed cotton, with abstract design featuring buildings in Bath in shades of green, ochre, terracotta, brown, black, cream, and grey, machine-hemmed along left-hand edge, remaining edges raw, 150 x 103 cm (59 x 40.5 ins), together with: Two lengths of abstract printed bark fabric, American, 1950s, screen printed cream cotton, with pattern of geometrical shapes, including a boomerang and a wide flower urn, in shades of red, olive green, black, pale yellow, and gold, selvedges lettered 'Guaranteed Vat Print Preshrunk', short edges raw, some light vertical toning and wear (one piece with a number of pulls and small holes, the other with larger holes along one vertical edge), each piece 251.5 x 122 cm (99 x 48 ins)Qty: (3)NOTES'Stones of Bath' is one of the five fabrics designed by John Piper (1902-1993) for Arthur Sanderson's prestigious Centenary Collection in 1960, and it was exhibited at the John Piper retrospective exhibition at The Tate Gallery, London, in 1983. Possibly designed by Michelle Wetherbee, the striking pattern of the second item forms the cover of Fabulous Fabrics of the 50s, by Gideon Bosker, Michele Mancini and John Gramstad, San Francisco: Chronicle Books, 1992.
Lot 704
19TH CENTURY ENGLISH SCHOOL; oil on board, rural landscape with two figures in boat and cottage with waterwheel to foreground, unsigned, 14.1 x 24cm, and a print after F.M. Bennett 'The Duet', 58 x 76cm, both in gilt frames (2).Additional InformationBoth frames with general wear, the first with some chips and losses. The oil with craquelure, some scuffs and marks particularly to edges, quite dirty.
Lot 774
A late 19th/early 20th century watercolour depicting a horse and cart crossing a river, unsigned, 14 x 21.5cm, a further watercolour depicting a girl feeding pigeons, indistinctly signed, 16 x 12cm, together with three prints/engravings, each framed and glazed (5).Additional InformationEach frame with general wear, minor chipping and marks throughout. The images all appear to be good, except for the circular print which has foxing.
Lot 816
HAROLD RILEY (born 1934); ink signed print 'Altar at Night, Heaton Park Sunday 30th May 1982', signed and dated 82 lower right, 17.5 x 24.5cm. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 850
HELEN LAYFIELD BRADLEY (1900 - 1979); three pencil signed prints including 'Summer', largest 33 x 52.5cm, framed and glazed, also a Margaret Chapman pencil signed limited print 'Skipping in the Yard', 22 x 31cm, framed and glazed (4). (D)Additional InformationOne of the prints with glass cracked/smashed. General/heavy wear to the frames throughout. Summer image has faded. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 851
HELEN LAYFIELD BRADLEY (1900-1979); two pencil signed prints including 'Big Bertha', largest example 48 x 61.5cm, also a Tom Dodson pencil signed, limited edition print, 38 x 47cm, each framed and glazed. (D)Additional InformationHeavy wear to the frames This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 852
ILANA RICHARDSON; a signed coloured artist's proof print, 'Ponsada Da Do Ouro', interior with flowers 44.5 x 61cm, framed and glazed, and two further limited edition coloured prints, both indistinctly titled and signed, both framed and one glazed (3).Additional InformationThe unframed image has some surface scuffs, marks and small losses. The frames with scuffs, scrapes and scratches.
Lot 86
LOCAL INTEREST; a hallmarked silver Macclesfield special constable's medallion inscribed verso 'Presented by the watch committee for police services during the war 1914-1918', Birmingham 1919, with further pin badges to include Liverpool Radium Institute, Rest Centre Service, also a 9ct gold Masonic pendant, approx weight 2.4g, with a Robert Lenkiewicz print entitled 'Study of Mary', No.70/350, 48 x 37.5cm.Additional InformationGeneral surface wear throughout, minor scratches. This is unframed, there is no certificate of authenticity. There is a tear and crease to upper right, further nibbles around corners and edges, further creases lower left corner, some further creases to the image, colours are good. The vendor personally knew Robert Lenkiewicz.
Lot 164
A late 19th/early 20th century gilt photograph frame with applied foliate decoration and further moulded detail, with sepia photograph/print of a young lady, approx 49 x 41cm, framed and glazed.Additional InformationThe image within the frame itself af with numerous spreading hairlines and the frame with some splitting and reglued sections. A visible area of surface loss to the gilt lower right and lower left beneath leaves, some small chips to moulding. These sections, particularly to the upper right have come loose. Generally some attention required. Frame itself generally worn.
Lot 595
Early 20th century sepia print, ' From the painting by W.B. Wollen, R.I.Exhibited in the Royal Academy, 1902', entitled 'The Victoria Cross' ( Colesburg, South Africa, 1900 ) the print is a depiction of the action in which Sir John Peniston Milbanke won the Victoria Cross on 5th January 1900,'during a reconnaissance near Colesberg, Sir John Milbanke, when retiring under fire with a small patrol of the 10th Hussars, notwithstanding the fact that he had just been severely wounded in the thigh, rode back to the assistance of one of the men whose pony was exhausted, and who was under fire from some Boers, Milbanke took the man up on his own horse under a most galling fire and brought him safely back to camp'
Lot 186
Pencil drawing design Lancashire Fusiliers regimental badge, lithograph print after Sir David Bone 'Taking the wounded on board the Western Australia', etching edition Portsmouth Harbour, after Muirhead Bone signed print and another, coloured lithograph Raymond Wood portrait of Lt-Gen Sir John Asser and pencil drawing study of exploding shell 1917, Captain Keith Henderson.
Lot 6
A group of early nineteenth century blue and white transfer-printed custard cups, c.1810-30. To include: A Ridgway Osterley Park cup (border print), a Castle pattern cup, a Willow pattern cup, a Spode Forest Landscape pattern pail-shaped cup and a Boy on a Raft circular pot. 4 – 6 cm tall. (5)Condition: Handle broken to Spode cup, restored chip to the rim of the Osterley Park and Castle pattern cup, otherwise in overall condition. Provenance: The Arthur and Julia Roberts Collection
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