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Lot 70
Terry O'Neill (British, 1938-2019): Frank Sinatra on the boardwalk, Miami,1968, printed later,artist's proof, black and white digital archival print, taken as Frank walked from his hotel at the Fontainebleau Miami Beach to the set of The Lady In Cement for the first day of filming, signed and numbered A/P by the photographer in black ink to the lower border, framed and glazed, image 18in x 26in (46cm x 66cm)Footnotes:'This was the first time I ever saw Frank and I was astonished by the mere power of his presence, mesmerizing the crowd as he walked casually past.' – Terry O'NeillThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 106
Jimi Hendrix: A limited edition 'Flying Eyeball' print signed by Rick Griffin,circa 1989,based on the Bill Graham San Francisco concert poster known as BG-105, this print was produced by ArtRock and authorised by Rick Griffin, signed and numbered 303/500 by Griffin in pencil to an area on the lower mount, mounted on board, sheet 28in x 41in (71cm x 104cm)Footnotes:Provenance:Acquired by the vendor when they were working at Island Records and were involved with the Jimi Hendrix Exhibition in 1992. Purchased from Bill Graham.For further information on this lot please visit Bonhams.com
Lot 5
How To Get Ahead In Advertising: A cast of 'The Boil' used during the production,Handmade Films, 1989,the solid glazed cast depicting the boil which Denis Bagley (played by Richard E. Grant) develops on his right shoulder and later comes to life with a face and voice, as seen in Bruce Robinson's satire on the advertising industry; together with a black and white print of Richard E. Grant from a scene in the film, in modern frame, and accompanied by a letter from Olivia and Dhani Harrison concerning the provenance from the Harrison estate, cast approx 8in x 8in (20cm x 20cm), (2)Footnotes:'My husband, George Harrison set up Handmade Films in 1978. Handmade was an iconic indie film company that encouraged a cutting edge of British writing, directing and acting talent to create films that otherwise would not have found a home. It produced many seminal films such as Terry Gilliam's 'Time Bandits', Neil Jordan's 'Mona Lisa', Bruce Robinson's cult classic 'Withnail and I' and 'The Long Good Friday' starring Bob Hoskins and Helen Mirren, Nicholas Roeg's 'Track 29' and many more...' - Olivia Harrison, July 2020.Provenance:Kindly donated by Olivia and Dhani Harrison to BAFTA for this sale, proceeds of which will go towards the Illuminating BAFTA campaign, expanding BAFTA's learning and new talent programme.For further information on this lot please visit Bonhams.com
Lot 186
Iain MacMillan (British, 1938-2006): The Beatles, 'Abbey Road',1969,no.5/25, chromogenic print on archival paper, this being the third frame in the sequence of six photographs taken by Iain Macmillan for the Abbey Road session with the Beatles, signed and numbered by the photographer in white metallic ink to the lower margin, unframed, 20in x 24in (51cm x 61cm)Footnotes:Provenance:Offered directly by the Iain Macmillan archive.Please see footnote to previous lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 45
CLARENCE SINCLAIR BULL (American, 1896–1979): A print of Grace Kelly,1956,black and white print of Grace Kelly in a head and shoulders pose, blindstamped photographer's credit on the reverse, and stamped photographer's credit to the lower border of the mount, framed and glazed, print 15in x 20in (38cm x 51cm)Footnotes:Clarence Sinclair Bull began his career when Samuel Goldwyn hired him in the 1920 to photograph publicity stills of the MGM stars. He is most famous for his photographs of Greta Garbo taken during the years of 1926-1941.Provenance:Ex-lot 28, Christie's London, 17 December 1992.For further information on this lot please visit Bonhams.com
Lot 172
Oasis: Signed Copy Of The Vinyl Album Don't Believe The Truth,Big Brother Recordings, 2005,comprising: front cover signed in gold pen by Noel Gallagher, Gem Archer and Andy Bell, the inner gatefold signed and inscribed by Noel in black pen, To our No.1 fan Love Noel Gallagher, the back cover signed in black ink by Liam Gallagher and Zak Starkey; the Limited Edition Art Print, numbered 4048, signed in black marker by Noel Gallagher, Andy Bell and Gem Archer; and a promo CD of Lyla signed on the front in gold by Noel, Andy and Gem, the back by Liam in black and inscribed Live Forever and the inner sleeve signed in black by Zak and Liam (lacking disc), (3)Footnotes:Please note footage of the signing at the BBC's Maida Vale studios is available for reference purposes only. The copyright will be retained by the vendor.For further information on this lot please visit Bonhams.com
Lot 176
Peter Brüchmann (German, b.1920): John Lennon at the Top-Ten Club, Hamburg,1961, printed later,the silver gelatin black and white print famously depicting John Lennon playing his guitar and singing into a microphone, with George Harrison and Stuart Sutcliffe (in the background) at the Top-Ten Club during The Beatles' second Hamburg residency, signed by the photographer in black ink to the lower margin, 12in x 16in (31cm x 41cm)Footnotes:Provenance:From the collection of musician, lyricist, composer, producer, author and photographic archive manager, Ulf Kruger.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 187
Iain Macmillan (British, 1938–2006): An unpublished print for Paul Is Live signed and inscribed from Paul and Linda McCartney to Iain Macmillan,circa 1993,digital print on board, depicting Paul McCartney crossing the famous Abbey Road crossing with an Old English sheepdog, taken for McCartney's solo album Paul Is Live released in 1993 during his New World Tour in support of the album Off the Ground, image subsequently unused, signed and inscribed by Paul and Linda in black inks with an additional hand-drawn smiley face to an area on the mount, framed and glazed, 15 3/4in x 16 1/2in (40cm x 42cm)Footnotes:McCartney's album's title was a response to the 'Paul is dead' rumours after the 1969 release of the Beatles' last studio album, 'Abbey Road'. This unpubished image features the 1990's backdrop, rather than the released image which features the original 1960's Abbey Road backdrop.Provenance:Offered directly by the Iain Macmillan archive.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 188
IAIN MACMILLAN (BRITISH, 1938–2006): A PAUL IS LIVE PRINT SIGNED and inscribed FROM PAUL AND LINDA MCCARTNEY TO IAIN MACMILLAN,circa 1993,digital print on board, depicting Paul McCartney crossing the famous Abbey Road crossing with an Old English sheepdog, used for McCartney's solo album Paul Is Live released in 1993 during his New World Tour in support of the album Off the Ground, complete with the 1960's backdrop of Abbey Road, signed and inscribed by Paul and Linda To IAIN, with thanks and love in black inks, with an additional hand-drawn heart to an area on the mount, framed and glazed, 15 3/4in x 16 1/2in (40cm x 42cm)Footnotes:McCartney's album's title was a response to the 'Paul is dead' rumours after the 1969 release of the Beatles' last studio album, Abbey Road. This image is the image that was used for the cover.Provenance:Offered directly by the Iain Macmillan archive.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 62
Ray Bellisario (Italian, 1936-2018): Freedom - First Day Out Of Prison, Lying In A Field signed by Christine Keeler,1964, printed later,no.2/10, the silver gelatin print, hand printed from the original negative, depicting Christine Keeler in a field on the day she was released from Holloway prison in June, 1964, having served four and half months of a nine month sentence for perjury, signed by both the photographer and Keeler in black ink to the lower border, framed and glazed, accompanied by a letter from Christine Keeler's son, Seymour Platt, 20in x 16in (51cm x 41cm)Footnotes:Provenance:Copyright purchased by the vendor in 2013, and following this an edition of 10 prints of this image were produced, all signed by Christine Keeler.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 182
The Beatles: A Group Of Unusual Richard Avedon Posters,1967,versions of the First Edition posters as available via The Daily Express, comprising a colour separation/proof of George Harrison, lacking text, and four varying composite images of George Harrison and Ringo Starr, two with text, two with overprinted text, 19 1/2in x 28in (49.5 x 71cm), (5)Footnotes:It is not known if these were print experiments or simply misprints. However the composite images of George and Ringo are interesting and possibly unique twists on the familiar posters.For further information on this lot please visit Bonhams.com
Lot 116
Denis O'Regan (British, b.1953): A signed David Bowie, Milton Keynes Bowl, 'Serious Moonlight' Tour print,1983, printed later,unnumbered, digital C-type Fuji Crystal archive print, signed by both the photographer and David Bowie in silver/gold metallic inks, Bowie dating his signature 2011, rolled, 30in x 40in (76cm x 102cm)Footnotes:Provenance:Acquired directly from the photographer.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 51
Mario Testino (Peruvian, b.1954): Lara Stone, London, British Vogue,2008, printed 2010,no.91/175, C-type print on Fuji Crystal Archive Supergloss paper, signed and numbered by the photographer in black ink to the lower border, framed and glazed, 20in x 24in (51cm x 61cm)For further information on this lot please visit Bonhams.com
Lot 127
Status Quo: Rick Parfitt's/Alan Lancaster's Frantic Four Reunion Tour Jacket,2013, the black Hauptstadrocker RP Special hoodie-style top with zip front, left breast with fleur-de-lys Swarovski crystals, back of collar with crystal lettering, Herr Von Welt, the back with silver print/crystal logo, size L; together with a promo card for Status Quo Live signed in black markers by Francis Rossi, Alan Lancaster, Rick Parfitt and John Coghlan, 8 1/4in x 11 3/4in (21cm x 29.8cm), (2)Footnotes:Provenance: Property of Alan Lancaster. Best known as a founding member of the rock band Status Quo.This garment was specially designed for Rick Parfitt.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 63
Ray Bellisario (Italian, 1936-2018): Freedom - First Day Out Of Prison, Lying In A Field signed by Christine Keeler,1964, printed later,no.2/10, the silver gelatin print, hand printed from the original negative, depicting Christine Keeler in a field on the day she was released from Holloway prison in June, 1964, having served four and half months of a nine month sentence for perjury, signed by both the photographer and Keeler in black ink to the lower border, framed and glazed, accompanied by a letter from Christine Keeler's son, Seymour Platt, 16in x 20in (41cm x 51cm)Footnotes:Provenance:Copyright purchased by the vendor in 2013, and following this an edition of 10 prints of this image were produced, all signed by Christine Keeler.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 191
Linda McCartney (American, 1942-1998): John Lennon, London,1969, printed later,unnumbered, black and white silver gelatin archival print of John Lennon in a head and shoulders pose, signed and dated 1982 by the photographer in black ink to the lower border, framed and glazed, sheet 18 1/2in x 15in (47cm x 38cm)For further information on this lot please visit Bonhams.com
Lot 284
Boxing autographs, Henry Cooper collection, book 'Henry Cooper's 100 Greatest Boxers', signed to inside title page 'Sir Henry Cooper', 1st edition 1990, with dustjacket, sold with a colour print showing montage of Cooper in fight with Cassius Clay and also with his 3 Lonsdale belts, signed in silver marker 'Sir Henry Cooper', also inc. an extracted page from British Boxing Legends calendar showing Cooper standing over Clay following his knock-down of Clay in 1963 and signed by Cooper in black marker Sir Henry Cooper' (gd/vg)
Lot 335
Railwayana, a framed and glazed coloured carriage print entitled 'Plate III. A Train of Waggons with Goods &c, &c, - Plate VI (below) a Train of Carriages with Cattle' 'Travelling on the Liverpool and Manchester Railway. 1831'. Also states 'Printed and Published 1894 by Raphael Tuck and Sons, London, Paris and New York. Publishers to Her Majesty'. 'Copyrighted by MB Cotsworth, Holgate York'. Print shows steam engines 'Liverpool' and 'Fury'. Approx. overall size 70 x 30 cms (vg) BUYER TO COLLECT
Lot 370
Military Pictures, framed and glazed 'Address by The Queen on the Presentation of Colours to the First Regiment of Foot (Royal Scots) September 26th 1826' showing crossed battle colours with photo of Bandsman A J Griffiths 2nd btn The Royal Scotts in the centre (approx. overall size 22 x 20") together with a framed and glazed antique photographic print entitled 'Coronation Review at Spithead June 24th 1911' (approx. overall size 37 x 10.5") (gd) (2) BUYER TO COLLECT
Lot 427
Victorian Ephemera, to include a compound plate print by Charles Whiting, a hold to light tissue landscape, 13 contemporary printed sheets presumed to be illustrated by Harold Heath, 1899 original drawing from 'Ally Sloper's Half-Holiday', printed John Leech Punch cartoons etc. (gen gd) (20+)
Lot 177
LARGE OAK FRAMED VINTAGE ENGRAVINGS to include SEYMOUR LUCAS depicting Francis Drake and the infamous game of bowls, signed by the artist with print seller's blind stamp, London published, August 31, 1882, 86 x 111cms and ALFRED PARSONS titled 'The Green Punt', copyright 1900 by Raphael Tuck & Sons Ltd, 71 x 87cms (both show condition issues)
Lot 179
Archive of manuscript correspondence and notes relating to the 1812 tour of the famous Craven Heifer - England's fattest ever cow. The heifer, bred by Rev William Carr on the Duke of Devonshire's Bolton Abbey estate in Craven, attracted crowds of paying spectators when she was exhibited at numerous towns and cities during a tour to Smithfield Market in 1812. The archive includes approximately 30 handwritten letters, mostly addressed to Henry Pickop at Bolton Abbey, reporting back to the estate on how the tour is going, and recording the money received in selling tickets and prints (the engraving of the Craven Heifer by John Whessel after F. Fryer) and expenses (for instance barns, hay, straw, corn and cabbage). The letters describe difficult days with no success and poor weather, and more profitable days with crowds and good takings. To include a letter to John Whessel (engraver) from Henry Pickop, 8 February 1812, 'When I received your last letter I fully expected you would have sent a proof print to Mr Carr before this time. The proprietors and Subscribers are now quite impatient to have the Engraving ready. Although I concur with you in the propriety of giving time for the execution of the work in a masterly manner, yet I hope you will hasten the business as fast as possibly you can...P.s. The Heifer has been in London about ten days'; a letter from John Whessel (engraver), 2 February 1812, 'With this you will receive a finished proof of the Heifer & hope it will meet with your approbation - Mr Carr and myself have compared it with the picture and I believe there is not any (that I can see) can be done to make it more like.' The archive also includes a quantity of loose manuscript notes recording expenses such as 'meat and drink', 'ale', and various mail coaches (Birmingham to Oxford, for example); a book of subscribers, handwritten names on printed sheets detailing proposals of the engraving (the list includes the Duke of Devonshire and Rev. William Carr), bound in paper covers, the final manuscript leaf recording the size/dimensions of the heifer itself; an original advertising bill, printed by Griffith Wright, Leeds, 'The Wonderful Four Year-old Short-Horned Craven Heifer, fed and bred by the Rev. William Carr, of Bolton-Abbey...Will be shewn at [unused]...Admittance for each Person is 1s. N.B. This Beast is allowed by all who have seen her to be the largest and fattest of her Age, of any ever shewn in England. An Engraving of this fine Heifer will be published by Subscription at One Guinea each', and a handwritten list of accounts on the back of a Cornhill Lottery promotional bill
Lot 52
Rowling, J. K. Harry Potter and the Prisoner of Azkaban, first edition, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1', second state with no dropped line of text error, London: Bloomsbury, 1999, bearing Bloomsbury bookplate signed by the author to front pastedown. Binding tight and solid; boards good and vibrant; dust-jacket well-preserved with bold colours; contents good, clean, bright; gift inscription on pastedown
Lot 55
Davidson, John. Notes Taken During Travels in Africa, printed for private circulation only, London: J. L. Cox, 1839, association copy with loosely-inserted manuscript letter and inscription to verso of front free endpaper recording the provenance and history of the book, 'This book belonged to Mrs Henry Chamberlain, nee Agnes Davidson, sister of the author' (with subsequent owners/history recorded). Owner inscription (author's sister) in black ink on title page, 'Mrs Chamberlain, Belmont House, St John's, Worcester.' Complete with three lithographic plates (including frontispiece). In 1836, the author was travelling to Timbuktu when he was ambushed and shot dead; the remaining members of the expedition pressed on but were never heard of again. Davidson's journal made it back to England, enabling his brother to print this book for private circulation in 1839. Contents generally good with occasional folded corners and pale spotting; light foxing to plates; half-leather binding with boards detached and lacking spine
![Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue [one of only 500], London: Bloomsbury, 19](https://cdn.globalauctionplatform.com/2a31accd-7a35-40ff-8a60-ac440119e074/46a074df-a5c1-4fd6-b0a7-ac5200da4154/468x382.jpg)
Lot 67
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue [one of only 500], London: Bloomsbury, 1997, hardback, publisher's laminated pictorial boards, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents very good, clean, bright; usual very faint toning to page edges; tiny dent/nick to extreme edge of a few pages; one tiny mark on outer page edges; binding very good, laminate entirely present, boards and spine bold and vibrant; slight shelf-lean; very faint wear to extreme corners and outer edges of headcaps; a couple of incredibly faint scratches/impressions to the covers; one inscription in blue ink to rear pastedown, which records the date vendor first read the book to his children; seven magazine clippings relating to the film pasted on opening endleaves and rear pastedown. The author's debut novel and first in the Harry Potter series. Very scarce. Only 500 copies were printed of this true first issue hardback, and 300 of those were sent to schools and libraries - this being one of the more desirable 200
Lot 72
Rowling, J. K. Harry Potter and the Prisoner of Azkaban, first edition, London: Bloomsbury, 1999, hardback, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1', second state without the dropped line of text error. Contents good and clean with light toning around page edges; boards bold and vibrant with shelf-lean and slight bumping to extremities; dust-jacket bold and unclipped with some light creasing and cockling
Lot 77
HRH Charles, Prince of Wales. Autograph Christmas card, 1970. Inscribed and signed in bold blue ink, 'Marjorie...and with love from Charles.' Mounted colour print depicting Prince Charles. Folding cream card bearing Prince of Wales's feathers to upper board. Complete with original envelope inscribed in blue ink, 'Miss Dawson', with a 'C' in black ink at lower-leftProvenance: Marjorie Dawson RVM (1915-2019), dresser and maid to Princess Alexandra
Lot 78
HRH Charles, Prince of Wales. Autograph Christmas card, 1971. Inscribed and signed in bold blue ink, 'Marjorie...with love Charles.' Mounted colour print depicting Prince Charles. Folding cream card bearing Prince of Wales's feathers to upper boardProvenance: Marjorie Dawson RVM (1915-2019), dresser and maid to Princess Alexandra
Lot 80
HRH Charles, Prince of Wales. Autograph Christmas card, 1975. Inscribed and signed in bold blue ink, 'Marjorie...and love from Charles.' Mounted colour print depicting Prince Charles in uniform. Folding pale blue card bearing blue crest to upper boardProvenance: Marjorie Dawson RVM (1915-2019), dresser and maid to Princess Alexandra
Lot 149
BRUNEL'S GREAT EASTERN. A reproduction photographic print of Brunel's Great Eastern waiting to be scrapped in 1888 on the River Mersey. Also, a page from the Illustrated Times 1857 with an engraving of the ship being built & an early 20th century autograph album partially filled with watercolours, drawings & autographs etc. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
Lot 196
WWI LEINSTER REGIMENT PHOTOGRAPH. A large, framed photographic print of officers of The Leinster Regiment on camels at Giza including R. S. M. George W. Holden probably taken whilst serving in Egypt during WWI. (See the next two lots). Also a framed photograph & three postcard size portrait photographs of the same group. Print size 29 x 37cm. Provenance: from the estate of his family Condition: Very good.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
Lot 231
GEOFFREY GARNIER ETC. A coloured print 'For Christmas 1932', signed in pencil by Geoffrey Garnier. Also two other dedicated & signed Garnier prints & an unsigned oil sketch of a cottage by the sea.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
Lot 232
MICHEL MARTINEAU. Botanical prints after originals by Michel Martineau included in 'Flowers from the Gardens of Napoleon on St. Helena Island'. Each titled within the print & further signed & numbered in pencil. Note: Michel Martineau has been the French Consul on St. Helena since 1995 & lives in Longwood House, once occupied by Napoleon. He has recently been responsible for arranging the extensive restoration of much of the original furniture in the house. These prints were gifted by Michel Martineau to the Vendor. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
Lot 573
NAOMI FREARS. Two works: 'Still Mad About the Boy'. Acrylic on board. Signed & titled. Signed, titled & dated 2001 to the reverse; also, 'Oo La La', a signed, titled & numbered, 3/6 coloured print. Acrylic, 30 x 14cm & the Print 17 x 20cm. WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
Lot 579
REGINALD J. LLOYD. Melting Snow, Dartmoor, 1982. Screen print. Signed & dated 1982, A/P. 25 x 28cm. WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
Lot 580
REGINALD J. LLOYD. Reclining figure. A Limited edition silk screen print. Signed in pencil, dated 1970 & No. 20/20. Paper size 52 x 63cm. WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
Lot 610
JULIAN DYSON. Three prints: Two copies of 'Early Bird'. One an Artist's Proof, inscribed, dated 12-06-01 & signed in pencil, the other Artist's Proof II (A/P 2) inscribed, dated 12-06-01 & signed in pencil. Also, a Limited Edition screen print 'Sea Bird'. Signed in pencil, inscribed, dated 19-10-00 & No.47 of 50. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
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314766 item(s)/page