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FABIAN PEREZ (ARGENTINA 1967) 'BALCONY AT BUENOS AIRES II' a limited edition print depicting a female figure in a night dress, 276/495, signed to lower margin, no certificate, mounted, framed and glazed, approximate sizes - image 24cm x 28cm, frame 52cm x 56cm (Condition:- small chip, paint loss and dirty marks to frame)
FABIAN PEREZ (ARGENTINA 1967) 'THE DARK ROOM' a limited edition print of a female figure in a bar 2/100, signed bottom right - no certificate, framed, approximate sizes - image 34cm x 33cm, frame 57cm x 66cm (Condition:- small splash of white paint to dress, chips to corner edges of the frame)
HENRY NAPARTUK (CANADA 1932-1985), 'ESKIMO RETURNING FROM THE HUNT', a wood block print signed and titled to lower edge, framed size approximately 16cm x 23cm (mount burn to the edges) together with a child's needlework sampler by Jane Ellsmore aged nine, dated May 14th 1847, depicting alphabet and text
TYRUS WONG (1910-2016) 'WINTER FISHERMAN', an overpainted print from the four seasons series, the print is hand painted over a stencilled outline, signed in Chinese with Tyrus Wong chopmark, watercolour/gouache on paper, size approximately 71cm x26cm, Wong is famously known for being the lead artist on the Disney film Bambi
A LARGE QUANTITY OF PICTURES, PRINTS, MIRROR, ETC, IN THREE BOXES AND LOOSE, including a Michael Stokoe 'Thrusting Outwards' print, 48cm x 61cm, framed and glazed, facsimile Cries of London prints, a tapestry firescreen, open edition prints, early 20th Century amateur watercolour, framed tapestry pictures, Willis Pryce oil on panel cottage garden, 25cm x 30.5cm, straw pictures, etc (3 boxes and loose)
A LATE 19TH/EARLY 20TH CENTURY OIL ON CANVAS DEPICTING AN IMPOSING BUILDING set within a landscape setting, indistinctly initalled bottom left, approximate size 19cm x 29cm, together with an open edition L S Lowry print 'Coming from the Mill', published by Athena in 1976, approximate size 21cm x 29cm (Condition:- oil has a hole to the centre of the canvas)
A GROUP OF CERAMIC TABLEWARES AND COLLECTABLES, to include boxed Royal Crown Derby Royal commemorative loving cup (HRH Prince Edward to Sophie Rhys-Jones), and two 'Derby Posies' teacups, Mason's 'Regency' jug, gravy boat and various plates (sd), Royal Doulton 'Sara Bande' teapot, 'Tiverton' part dinner wares (five mugs, one bowl, sixteen 27cm plates, eight x 20cm plates and one side plate, 'Minerva' six 27cm plates and six 21cm plates, three Laura Ashlery 'Blue Print Collectables' 30.5cm diameters, etc
PAINTINGS AND PRINTS, to include a watercolour study of Wild Flowers and a Bee by Elizabeth Davies, a watercolour of Laon Cathedral attributed to C Godwin, unsigned pencil sketch of a Monk, eight framed Phil May illustrations, five Dickens characters by Kyd, C F Tunnicliffe Canada Geese print, Topographical prints, F Gordon Crosby motoring prints, etc (24)
A BOX AND LOOSE SUNDRY ITEMS to include two cut glass decanters, no chips or cracks but some clouding, six brandy balloons, a Georgian miniature pen and wash portrait of a gentleman, Old Hall two pint teapot and an unbranded example, stoneware bread bin, ten hardstone eggs, assorted ceramics, print of 'The Matchmaker' and two others etc
PAINTINGS AND PRINTS etc, to include a watercolour depicting a female figure sitting for a silhouette cameo, unsigned circa early 20th Century, watercolour of a Woodland, indistinctly signed, dated 1927, William A Martin print of a landscape, Jeanne Emery watercolour of Caffa Hill, Fowy, reproduction photographs of Cornish scenes, embroidery by Pauline Thomas, relief plaque depicting The Battle of Evesham, assorted prints etc (two boxes and loose)
KAY BOYCE (BRITISH CONTEMPORARY) 'LOUISA 1 AND LOIUISA II' a pair of limited edition prints depicting female figures, both signed and numbered 117/500 with certificates, approximate size 35cm x 35cm, together with framed photographs of Sir Mo Farah with a signature to top print, four surreal limited edition prints from editions of 250, indistinctly signed and two reproduction railway posters (9)
PAINTINGS AND PRINTS etc to include an unsigned oil on canvas of a scantilly clad female figure, approximate size 80cm x 60cm, unsigned landscape with cottage beside a stream, oil on canvas, Clive Madgwick landscape print, John Constable 'The Cornfield' print, print of figures taking afternoon tea by John Richard Townsend, Dutch landscape print, two other prints and a mirror (9) (Condition:- landscape oil is stained)
CRICKET EPHEMERA ETC, comprising cigarette cards by John Player, framed full sets of fifty cricketers, 1930, 1934 and 1938, set of twenty five Kent Test cricketers by County Print Services, photograph of Essex County Team, signed to the mount 2002, reproduction photographic print of Don Bradman, three cricket prints, together with Battle of Britain First Day Cover stamps and Gillingham Football Club photographs
A PAIR OF BUSCH OPERA GLASSES, quantity of Henley Regatta memorabilia, two Super Mario Pez dispensers (sealed in original packaging), quantity of novelty key rings, ESSO 1972 F.A. Cup Winners coin collection, complete with all coins but folder damaged/distressed, modern OXO tin and framed 'Pears' style print, a scale model of the Trimaran 'Spirit of Apricot' not checked but appears largely complete, with wooden plinth to mount the model on, length of hulls approximately 76cm, width approximately 59cm, height of mast approximately 97cm, with assembly instructions and a damaged colour poster, all contained in a large wooden carrying case, (approximately 120cm long x 69cm high) and two boxes of books and magazines, books include Martina Cole, Danielle Steel, Dan Brown, Joanna Trollope, autobiographies - Chris Moyles, Robbie Williams, Gordon Ramsay, Shane Richie, etc, Giles Cartoons, Garfield, magazines - Eyewitness Nam, Nam the Vietnam Experience, Combat and Survival (five boxes and boxed model)
(See English version below)John Baldessari (National City/Kalifornien 1931 – 2020 Venice, Los Angeles). „Sediment: Throat, Nose and Spider“. 2010Digitaldruck auf Papier. 41,2 × 38 cm ( 16 ¼ × 15 in.). Auf rückseitigem Etikett signiert.Nicht mehr bei Hurowitz.–Ex. 25 von 120 nummerierten Abzügen aus einer Gesamtauflage von 140 Exemplaren. Berlin, Texte zur Kunst, 2010. [3485]Zustandsbericht: Ex. 25/120. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.John Baldessari (National City/California 1931 – 2020 Venice, Los Angeles). ”Sediment: Throat, Nose and Spider”. 2010Digital print on paper. 41,2 × 38 cm ( 16 ¼ × 15 in.). Verso signed on a label.Date not covered in the catalogue raisonné by Hurowitz.–No. 25 of 120 numbered prints from a total edition of 140 copies. Berlin, Texte zur Kunst, 2010. [3485]Condition report: No. 25/120. In good condition. The sheet edges without tears or losses. Harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)John Baldessari (National City/Kalifornien 1931 – 2020 Venice, Los Angeles). „Give me a B, give me an A ... & etc.“. 2009Original-Kartonschuber mit Ditone-Print auf Velin. Schuber: 32,5 × 25,5 × 0,8 cm ( 12 ¾ × 10 × ⅜ in.). Auf rückseitigem Etikett auf dem Leporello signiert.Nicht mehr bei Hurowitz.–Ex. 54 von 75 nummerierten Abzügen. München/New York, Schellmann Art Production, 2009 (mit dem Editionsstempel). [3909]Zustandsbericht: Ex. 54/75. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Stellenweise Farbschatten der Buchstaben auf der jeweils gegenüber liegenden Seite. Die obere rechte Ecke des ausgefalteten Leporellos minimal bestoßen. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.John Baldessari (National City/California 1931 – 2020 Venice, Los Angeles). ”Give me a B, give me an A ... & etc.”. 2009Original cardboard slipcase with Ditone print on wove paper. Slipcase: 32,5 × 25,5 × 0,8 cm ( 12 ¾ × 10 × ⅜ in.). Verso signed on a label on the fold-out brochure.Date not covered in the catalogue raisonné by Hurowitz.–No. 54 of 75 numbered prints. Munich/New York, Schellmann Art Production, 2009 (with the edition stamp). [3909]Condition report: No. 54/75. In good condition. The sheet edges without tears or losses. In places colour shadows of the letters on each of the opposite sides. The upper right corner of the unfolded fold out brochure is minimally bumped. Fine harmonious overall appearanceWe charge 25% premium on the Hammerprice and VAT applies to hammerprice and premium.
(See English version below)Alighiero Boetti (Turin 1940 – 1994 Rom). „Probing the Mysteries of a Double Life“. 1990Lichtdruck auf Velin, Falz vom Künstler mit Acryl übermalt. 49,8 × 69,8 cm ( 19 ⅝ × 27 ½ in.). Signiert.Ex. 5 von 100 nummerierten Exemplaren aus einer Gesamtauflage von 120. Zürich/New York, Parkett Editionen, 1990. [3925]Provenienz: The Blake Byrne Collection, Paris/Los AngelesZustandsbericht: Ex. 5/100. In sehr gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Mittig links neben der roten Farbspur ein winziges hellbraunes Fleckchen. Unter UV-Licht sind keine Restaurierungen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Alighiero Boetti (Torino 1940 – 1994 Rome). ”Probing the Mysteries of a Double Life”. 1990Collotype print on wove paper, fold overpainted in acrylic by the artist. 49,8 × 69,8 cm ( 19 ⅝ × 27 ½ in.). Signed .No. 5 of 100 numbered copies from a total edition of 120. Zurich/New York, Parkett Editions, 1990. [3925]Provenance: The Blake Byrne Collection, Paris/Los AngelesCondition report: No. 5/100. In very good condition. Sheet edges without tears or losses. A tiny light brown stain in the centre left next to the red paint. There are no repairs visible under UV-light. Fine harmonious overall appearanceWe charge 30% premium and 7% import tax on the hammerprice.
(See English version below)Daniele Buetti (Fribourg/Schweiz 1956 – lebt in Zürich und Münster). „Benetton“. 1998/2004Inkjet-Print auf Papier. 43 × 32,2 cm (48,2 × 32,9 cm) ( 16 ⅞ × 12 ⅝ in. (19 × 13 in.)). Auf dem rückseitigen Etikett signiert.Ex. 38 von 40 nummerierten Abzügen aus einer Gesamtauflage von 42 Exemplaren. Ein Blatt der Folge: Looking for Love. Berlin, Freundeskreis Bethanien, 2004. [3449]Zustandsbericht: Ex. 38/40. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Die Oberfläche mit vereinzelten schwachen Bereibungsspuren (nur im Streiflicht sichtbar). Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Daniele Buetti (Fribourg/Switzerland 1956 – lives in Zurich and Münster). ”Benetton”. 1998/2004Inkjet print on paper. 43 × 32,2 cm (48,2 × 32,9 cm) ( 16 ⅞ × 12 ⅝ in. (19 × 13 in.)). Signed on the label on the reverse.No. 38 of 40 numbered prints from a total edition of 42 copies. One sheet from the set: Looking for Love. Berlin, Freundeskreis Bethanien, 2004. [3449]Condition report: No. 38/40. In good condition. Sheet edges without tears or losses. Scattered faint scuff marks on the surface (only visible in raking light). Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)Olafur Eliasson (Kopenhagen 1967 – lebt in Berlin). „Eye Eye“. 2002Irisblende aus Plastik, Spiegel, Holz. Ø 22 × 25,5 cm ( 8 ⅝ × 10 in.). Signiert und datiert.Ex. 48 von 70 nummerierten Exemplaren aus einer Gesamtauflage von 90. Zürich/New York, Parkett Editionen, 2002. [3925]Provenienz: The Blake Byrne Collection, Paris/Los AngelesZustandsbericht: Ex. 48/70. In sehr gutem Zustand und funktionsfähig. Keine Fehlstellen oder Substanzverluste. An der Vorderseite technikbedingt ein minimaler vorderseitiger Durchdruck. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Olafur Eliasson (Copenhagen 1967 – lives in Berlin). ”Eye Eye”. 2002Iris shutter made of plastic, mirror, wood. Ø 22 × 25,5 cm ( 8 ⅝ × 10 in.). Signed and dated.No. 48 of 70 numbered copies from a total edition of 90. Zurich/New York, Parkett Editions, 2002. [3925]Provenance: The Blake Byrne Collection, Paris/Los AngelesCondition report: No. 48/70. In very good condition and functional. No losses or material defects. At the front a minimal print-through due to the technique. Fine harmonious overall appearanceWe charge 30% premium and 7% import tax on the hammerprice.
(See English version below)Mary Heilmann (San Francisco 1940 – lebt in New York). „It's raining today“. 2009Inkjet-Print auf Papier. 21,7 × 17,4 cm (34,7 × 27,7 cm) ( 8 ½ × 6 ⅞ in. (13 ⅝ × 10 ⅞ in.)). Monogrammiert und datiert.Ex. 64 von 100 nummerierten Abzügen aus einer Gesamtauflage von 120 Exemplaren. Berlin, Texte zur Kunst, 2009. [3580]Zustandsbericht: Ex. 64/100. Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Rückseitig an mehreren Stellen mit winzigen Mengen Flüssigkleber auf den Unterlagekarton montiert, teilweise gelöstWir berechnen auf den Hammerpreis 30% Aufgeld.Mary Heilmann (San Francisco 1940 – lives in New York). ”It's raining today”. 2009Inkjet print on paper. 21,7 × 17,4 cm (34,7 × 27,7 cm) ( 8 ½ × 6 ⅞ in. (13 ⅝ × 10 ⅞ in.)). Monogrammed and dated.No. 64 of 100 numbered prints from a total edition of 120 copies. Berlin, Texte zur Kunst, 2009. [3580]Condition report: No. 64/100. Fine harmonious overall appearance. The sheet edges without tears or losses. Mounted at multiple places on the reverse with minimal amounts of liquid glue onto the mount cardboard, partially detachedWe charge 30% premium on the hammerprice.
(See English version below)Axel Hütte (Essen 1951 – lebt in Düsseldorf). „Furka / Realp“. 1997C-Print. 28,8 × 22,1 cm (29,8 × 24 cm) ( 11 ⅜ × 8 ¾ in. (11 ¾ × 9 ½ in.)). Betitelt, datiert und signiert.Ex. 13 von 100 nummerierten Abzügen aus einer Gesamtauflage von 120 Exemplaren. Berlin, Texte zur Kunst, 1997. [3449]Zustandsbericht: Ex. 13/100. Harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Im oberen Drittel des Blattes leicht vergilbt. Unter UV-Licht sind keine Aufheller sichtbarWir berechnen auf den Hammerpreis 30% Aufgeld.Axel Hütte (Essen 1951 – lives in Düsseldorf). ”Furka / Realp”. 1997C-print. 28,8 × 22,1 cm (29,8 × 24 cm) ( 11 ⅜ × 8 ¾ in. (11 ¾ × 9 ½ in.)). Titled, dated and signed.No. 13 of 100 numbered prints from a total edition of 120 copies. Berlin, Texte zur Kunst, 1997. [3449]Condition report: No. 13/100. Harmonious overall appearance. The sheet edges without tears or losses. Slightly yellowed in the upper third of the sheet. Blacklight tested, no fluorescence visibleWe charge 30% premium on the hammerprice.
(See English version below)Martin Kippenberger (Dortmund 1953 – 1997 Wien). „Ce Calor 2“; „Happy to Be Gay“; „Grafica 1“. 1989 und 19933 Ausstellungsposter: 2 Serigrafien und 1 Offsetdruck auf Papier. Je 84 × 59,3 cm ( 33 ⅛ × 23 ⅜ in.). Jeweils ein Exemplar aus einer unlimitierten Auflage. [3925]Provenienz: The Blake Byrne Collection, Paris/Los AngelesZustandsbericht: Jeweils unnummeriert. Jeweils in gutem Zustand. Die Farben sind frisch und leuchtend. Der Offsetdruck (Grafica 1) entlang der Ränder stellenweise mit leichten Knickspuren. Jeweils rückseitig teilweise oder flächig fest auf dem Unterkarton und/oder im Passepartout montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Martin Kippenberger (Dortmund 1953 – 1997 Vienna). ”Ce Calor 2”; ”Happy to Be Gay”; ”Grafica 1”. 1989 and 19933 exhibition posters: 2 silkscreens and 1 offset print on paper. Each 84 × 59,3 cm ( 33 ⅛ × 23 ⅜ in.). Each a copy from an unlimited edition. [3925]Provenance: The Blake Byrne Collection, Paris/Los AngelesCondition report: Each unnumbered. Each in good condition. The colours are fresh and luminous. The offset print (Grafica 1) along the margins in places with light creases. Each on the reverse partially or completely firmly mounted on the support cardboard and/or under the mat. Fine harmonious overall appearanceWe charge 30% premium and 7% import tax on the hammerprice.

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314783 item(s)/page