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Lot 25
Collection of loose prints to include: Rock Brothers and Payne, London (publishers) The Chinese Junk Keying, Captain Kellett, aquatint, 1848, 32 x 40cm (two margins damaged); The Gap of Dunloe Killarney, coloured lithograph published by Newman, London; W.Waller, St Matthews Church, Denmark Hill, Camberwell, coloured lithograph; Louis Wain, Amateur Rehearsals, double page print for the Gentlewoman Christmas Number 1893; 3 others
Lot 255
AFTER ARTHUR WILDE PARSONS `A Spanking Breeze - A Poultrid Lugger Rounding up to Enter St Mawes in a Brisk Southerly Wind`, colour reproduction produced for John Maggs, Antiquarian Map & Print Sellers, pencil signed by the proprietor, Collins C. Nunn and Limited Edition No. 208/950, 16" x 24 1/2".
Lot 399
Frank Paton (1855-1909) Holland-Russia; Italy; Switzerland; Germany; England; France the indiginous dogs of the above countries Pug; Borzoi; Whppiet; St Bernard; Dascund; Bulldog; Poodle signed and dated 1885 watercolour heightened with white 8.75 x 28.75cm, the image surrounded by a mount with pen and ink vignettes relating to the watercolour Frank Paton: Born in 1855 in Stepney, London, his father was a maritime pilot. Believed to have travelled and lived in Australia 1875-1878. He showed a great talent for drawing at a very early age although he received no formal art training. On returning to England he painted and had accepted a small oil of two chicks and a frog by the Royal Academy. This was bought by the young dealer, Edward Leggatt, who was already running a successful print and art dealership in Fenchurch Street. The painting was engraved in mezzotint by J B Pratt in 1880, its commercial success cementing a lifelong association with Leggatts who became the main publisher of Paton’s work. In 1881 the artist married Mary Edwards and they lived in rural communities in Kent and Essex along with their seven children. He divided his time between London and home, accepting commissions for animal portraits. He exhibited at the Royal Academy between 1878-1890. Paton is best known for his series of etched Christmas cards published annually by Edward Leggatt from 1890 until Paton’s death in 1909. They were intended to be a cut above the average Christmas card and sold for half a guinea each. Their format became formulaic; a central figure reflecting the title was complemented by a series of often humorous sketches around the border. A number of the prints would be sent from the printers to be signed in pencil by Paton. He died of heart failure at the age of 53-his last Christmas card was called ‘The End of The Day’.
Lot 124
An early 19th century engraving of the antique marble statue "Cupid and Psyche" and another depicting different views of the same statue, a 19th century coloured print "Blankeneserin" after Kiesel and a small black and white print on cloth of a naked putti rowing a boat, all framed and glazed
Lot 140
Michael Salaman -an early 20th century water colour drawing of a Victorian lady in a full length dress with bonnet and shawl leaning on a chair in an interior with monogram, a small framed and glazed colour print " Ancient and Modern Military Dandys" and a coloured engraving after Schonberg depicting custom house officers on the Russian Frontier
Lot 160
A large modern oil painting on canvas of hounds gathered around huntsmen in a field with distant Cotswold views and signed C. Madgwick in an ornate gilt scrolled frame (106cms x 74cms) and a large framed and glazed sepia print after Michelangelo of a naked classical man reclining on a plinth
Lot 1409
After Roberts, `View of Wandsworth`, `View of Clapham` a double hand coloured print, published by Alexander Hogg, J T Smith, `Views of the Princes Chamber and the Old House of Lords, May 10th 1809`, etching, and seven other topographical prints and engravings by Morton, Cruikshank, Rapkin, Bartlett (9)
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