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Stanford Auctioneers
Lot 739

Henri Cartier-Bresson (French, 1908 - 2004). "Ahmedabad, India". Original photogravure. 1967. Printed 1979. Stamped with the photographer's signature, lower right. High-grade archival paper. Ample margins. Fine, quality printing. Fine condition. Provenance: Private collector, Limoges, France. Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 7 1/16 x 10 9/16 in. (179 x 268 mm). The silver print of this image has sold as high as $18,733 (€13,750, Christie's, Paris, 11/11/2011, lot #83). Image copyright © Licensed by VAGA, New York, NY. [27470-3-400]

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Stanford Auctioneers
Lot 28

Tina Modotti (Italian/American, 1896 - 1942). "Wine Glasses [multiple exposure]". Original photogravure. 1924/25. Printed later. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Full margins. Fine, quality printing. Fine condition. Overall size: 11 5/8 x 15 11/16 in. (295 x 398 mm). Image size: 7 1/2 x 9 9/16 in. (190 x 243 mm). A gelatin silver print of this image sold for $96,000 at Phillips New York on April 25, 2007, lot #267. Image copyright © The Estate of Tina Modotti. [27143-3-400]

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Stanford Auctioneers
Lot 650

William Gordon Shields (Canadian/American, 1883 - 1947). "Canal Boats of New Amsterdam [New York City Harbor]". Vintage gum bichromate print. c1912. Printed c1912. Signed by the photographer in ink, verso: "Property of William Gordon Shields…120 Broadway, N.Y.C.". High-grade archival paper. Printed to the edge of the sheet. Good condition; tipped to a contemporary support sheet; contained within a conservation mat. Provenance: Christie's, New York. Image size: 9 3/4 x 7 7/8 in. (248 x 200 mm). “Shields helped found the Pictorial Photographers of America, along with Clarence White and Gertrude Kasebier. He is listed in Witkin and London’s ‘The Photograph Collector’s Guide,’ ‘Auer and Auer’ and the George Eastman House databases. He also appears in the book by C.A. Peterson, ‘After the Photo Secession: American Pictorialist Photography 1910-1955.’” (Courtesy Alex Novak, Vintage Works, Ltd.). [280-4-600]

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Stanford Auctioneers
Lot 372

Horst P. Horst (German/American, 1906 - 1999). "Mainbocher Corset, Paris". Original photogravure. 1939. Printed later. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, qualty printing. Very good to fine condition. Overall size: 11 7/8 x 9 1/16 in. (302 x 230 mm). Undoubtedly Horst's most famous image. According to “Gordon’s Photography Prices” the auction record for a platinum print of this image is $288,000 realized at Christie's, New York, 4/23/2007, lot #22. The model is Mme. Bernon. The image was taken on August 11,1939. Image copyright © The Estate of Horst P. Horst. [29619-2-800]

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Stanford Auctioneers
Lot 72

Edgar Degas (French, 1834 - 1917). "Un client serieux". Original duogravure, after the monotype. 1877. Printed 1948. Numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove watermarked Marais "vellum" paper. Wide margins. Fine impression. Very good condition, very crisp, a pronounced platemark, and the expected light tanning to the sheet. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Overall size: 11 3/8 x 9 in. (289 x 229 mm). Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29338-2-400]

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Stanford Auctioneers
Lot 419

Robert Mapplethorpe (American, 1946 - 1989). "Ken Moody and Robert Sherman". Original vintage photogravure. 1985. Printed 1988. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Overall size: 8 3/16 x 8 1/8 in. (208 x 206 mm). According to “Gordon’s Photography Prices” the auction record for a platinum print of this image is $160,419 (£118,750) realized at Christie's, London, 5/17/2018, lot #63. Image copyright © The Robert Mapplethorpe Foundation. [29665-2-800]

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Stanford Auctioneers
Lot 317

Keith Haring (American, 1958 - 1990). "Naples Suite #25 [untitled]". Lithograph. 1983. Printed 1989. Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm). Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29754-2-800]

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Stanford Auctioneers
Lot 442

Andy Warhol (American, 1928 - 1987). "Ingrid Bergman: Herself (01)". Color offset lithograph. 1983. Signed in black felt tip pen, lower center; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.313. Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm). Scarce, and rare signed. A signed impression from this series sold for $1,790 at Pierre Cornette de Saint Cyr, Paris, June 20, 2011, lot #412. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. The portfolio consists of three separate images of Bergman. Apparently there were very small quantities of this lithograph printed for distribution on opening night and they went quickly. This image, the "edition print," is based on an early publicity photograph. Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28155-2-800]

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Stanford Auctioneers
Lot 216

Tina Modotti (Italian/American, 1896 - 1942). "Roses, Mexico". Original photogravure. 1924/25. Printed later. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Full margins. Fine, quality printing. Fine condition. Overall size: 15 11/16 x 11 5/8 in. (398 x 295 mm). Image size: 8 9/16 x 7 1/2 in. (217 x 190 mm). A platinum print of this image sold for $165,000 at Sotheby’s New York on April 17, 1991, lot #212. Image copyright © The Estate of Tina Modotti. [27140-3-600]

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Stanford Auctioneers
Lot 477

Edward Steichen (American, 1879 - 1973). "Greta Garbo, Hollywood". Original photogravure. 1928. Printed later. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. . Overall size: 11 7/8 x 9 11/16 in. (302 x 246 mm). For “Vanity Fair.” A silver print of this image, Steichen’s classic photograph of Garbo, sold (per “Gordon’s”) for $50,000 at Sotheby's, New York, 10/7/2016, lot #61. Image copyright © Edward Steichen Estate/ARS, New York. [29630-2-600]

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Stanford Auctioneers
Lot 47

Arturo G. Ruisero (Mexican, 20th Century). "Villarreal [Mexico]". Vintage silver gelatin print. 1934. Printed 1934. Annotated in pen, lower right. Signed in the negative. High-grade archival paper. Margins as issued. Fine, quality printing. Fair condition; no losses but some creasing and tears into the image. Image size: 15 3/8 x 20 in. (391 x 508 mm). A large, impressive, and scarce photograph. [19372-3-300]

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Stanford Auctioneers
Lot 640

Edgar Degas (French, 1834 - 1917). "Chanteuse du café-concert". Original color gravure with pochoir, after the monotype. c1875-1876. Printed 1948. Signed in the plate, upper right; numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove Marais "vellum" paper. Wide margins. Fine impression with delicately applied pochoir. Fine condition, very crisp, with a pronounced platemark and the expected light tanning to the sheet. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Overall size: 10 11/16 x 9 in. (271 x 229 mm). Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29328-2-600]

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Stanford Auctioneers
Lot 736

Henri Cartier-Bresson (French, 1908 - 2004). "Alicante, Spain". Original photogravure. 1932. Printed 1979. Stamped with the photographer's signature, lower right. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition. Provenance: Private collector, Limoges, France. Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 7 1/8 x 10 9/16 in. (181 x 268 mm). The silver print of this image has sold as high as $16,178 (£10,000), Phillips de Pury & Company, London, 5/19/2011, lot #76. Image copyright © Licensed by VAGA, New York, NY. [27464-3-800]

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Stanford Auctioneers
Lot 215

Horst P. Horst (German/American, 1906 - 1999). "Round the Clock I, New York". Original vintage photogravure. 1987. Printed 1992. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, qualty printing. Very good to fine condition. Overall size: 11 11/16 x 8 1/2 in. (297 x 216 mm). One of Horst's most famous and popular images. According to “Gordon’s Photography Prices” the auction record for a platinum print of this image is $97,000 realized at Christie's, New York, 4/10/2008, lot #57. Image copyright © The Estate of Horst P. Horst. [29628-2-800]

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Stanford Auctioneers
Lot 387

Edward Weston (American, 1886 - 1958). "Lettuce Ranch, Salinas, California". Original vintage photogravure. 1934. Printed 1935. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 8 x 10 1/16 in. (203 x 256 mm). Rare. According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $30,000 offered at Christie's, New York, 4/7/2011, lot #304. Image copyright © Center for Creative Photography, Arizona Board of Regents. [27632-2-150]

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Stanford Auctioneers
Lot 108

Adolf Fassbender (German/American, 1884 - 1980). "The White Night [New York City]". Original vintage photogravure. 1930-34. Printed 1937. Stamped with the photographer's signature, lower right recto. Edition of 1,000. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition. Image size: 11 x 7 5/8 in. (279 x 194 mm). Another impression of this photogravure sold for $978 at Christie's, East (Photographs, Sale #8241) - 06/09/1999 - lot #76. The gelatin silver print sold for $23,970 (€16,250) at Sotheby's, Paris, 9/23/2009, lot #67. Fassbender was a successful professional photographer, a leading proponent of pictorialism, and a popular teacher of photography. He was in the top echelon of American pictorial photographers during the 1930s and 1940s, was exhibited internationally, and was widely reproduced in photographic periodicals. He was a founding member of the Photographic Society of America and a Fellow of the Royal Photographic Society (F.R.P.S.). Fassbender was inducted into the International Photography Hall of Fame in 1980. The image celebrates Christmas in Central Park. [6480-3-700]

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Stanford Auctioneers
Lot 579

Leopoldo Mendez (Mexican, 1902 - 1969). "Despojo de la Tierra a los Yaquis [subtitle: El Ejercito de Don Porfirio al Servicio de las Empresas Yanquis]". Linoleum cut. c1945-47. A proof aside from the edition of unknown size. Thin cream wove paper. Wide (full?) margins. Fine impression. Very good condition with the usual ink smudging in the margins, common to proofs. Provenance: Estate of Jaled Muyaes, who acquired the print directly from Leopoldo Mendez. Overall size: 10 1/2 x 13 3/4 in. (267 x 349 mm). Image size: 8 1/2 x 11 3/4 in. (216 x 298 mm). Méndez was one of Mexico’s most important graphic artists and one of the country’s greatest artists of the 20th century. [25757-2-600]

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Stanford Auctioneers
Lot 185

William C. Odiorne (American, 1881 - 1978). "Shutters [Paris]". Vintage platinum print. c1925. Printed c1925. Signed lower right, recto; stamped on the mount, lower left, recto. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition with no issues; top edge mounted to original backing sheet, as issued. Image size: 8 5/8 x 6 5/16 in. (219 x 160 mm). Odiorne came to Paris in 1924. Despite the new photographic modernism emerging all around him, Odiorne preferred to work in a more traditional style. He captured a romantic, classical vision of Paris in the 1920’s. His images are pictorial – soft focus and impressionistic. [28048-2-400]

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Stanford Auctioneers
Lot 112

Karl Struss (American, 1886-1981). "The Statue of Liberty". Vintage platinum print. c1914. Printed c1914. Identified as to photographer/title, verso. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition. Image size: 2 13/16 x 3 13/16 in. (71 x 97 mm). In addition to his work as a photographer, Struss was also a highly acclaimed cinematographer and one of the earliest pioneers of 3-D films. [27195-1-1600]

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Stanford Auctioneers
Lot 700

Andy Warhol (American, 1928 - 1987). "Bald Eagle". Original color analogue photograph. 1983. Signed in black marker. Printed on Kodak photographic paper. The full sheet. Fine, quality printing. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.296. Provenance: Private collection, Sweden, thence to our consignor. Overall size: 4 x 6 in. (102 x 152 mm). This photograph was taken by Warhol (probably with his Konica C35 EF) in Rupert Jasen Smith’s studio before the ‘Bald Eagle’ print was signed by Warhol. Once it was developed, this photo (and the print) were then signed by Warhol. An image from the ‘Endangered Species’ series. The regular edition silkscreens were printed by Rupert Jasen Smith, New York City and published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29254-1-1600]

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Stanford Auctioneers
Lot 321

Keith Haring (American, 1958 - 1990). "Naples Suite #13 [untitled]". Lithograph. 1983. Printed 1989. Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm). Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29742-2-800]

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Stanford Auctioneers
Lot 83

Edgar Degas (French, 1834 - 1917). "Trois filles assises de face". Original color gravure with pochoir, after the monotype. 1877-1879. Printed 1948. Signed in the plate, upper right; numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove watermarked Marais "vellum" paper. Wide margins. Fine impression with delicately applied pochoir. Very good condition, very crisp, paint residue center left margin, a pronounced platemark and the expected light tanning to the sheet. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Overall size: 11 7/16 x 9 in. (291 x 229 mm). Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29331-2-500]

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Stanford Auctioneers
Lot 501

Agustin Victor Casasola (Mexican, 1874 - 1938). "Francisco "Pancho" Villa en la Silla Presidencial [Mexico]". Gelatin silver print. 1914. Printed later from the original negative. Titled, signed and annotated "No. 6" in the negative. Casasola Studios embossed blindstamp seal, lower right. Thick Foma Bohemia photographic paper. Fine, quality printing. Very good to fine condition. Provenance: Private collection, Mexico City. Image size: 8 x 10 in. (203 x 254 mm). A classic and famous image. Rodolfo Fierro (far right), stands by as Pancho Villa (in the Presidential chair) chats with Emiliano Zapata at Mexico City. Tómas Urbina is seated at far left, Otilio Montaño (with his head bandaged) is seated to the far right. The Casasola Archive was acquired from the heirs of Agustin Victor Casasola by the Mexican government in 1976. No photographs from the Archive have been printed for public distribution since then. [23131-3-400]

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Stanford Auctioneers
Lot 8

Walter H. Horne (American, 1883-1921). "Yaqui Indians of Mexico [Mexican Revolution]". Vintage gelatin silver print. 1911. Printed 1911. Signed, titled, and numbered in the negative. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition. Image size: 3 1/2 x 5 1/2 in. (89 x 140 mm). The Yaquis formed part of Madero's army in the north. A photographic postcard (a real photograph - gelatin silver print - printed on a postcard backing). Horne's studio was in El Paso, Texas. [27257-1-300]

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Stanford Auctioneers
Lot 635

Brassai [gyula halasz] (Hungarian/French, 1899-1984). "Chat blanc de l'epicerie". Original vintage photogravure. c1937. Printed 1938. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 11 5/8 x 9 in. (295 x 229 mm). A rare Brassai image. The only auction record of the silver print we could find was Christie's New York, 2007, at $32,200. Image copyright © Brassaï Estate/Reunion des Musees Nationaux. [23545-2-500]

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Stanford Auctioneers
Lot 6

C. B. Waite (American, c.1860-c.1929). "Young Recruits [Mexican Revolution]". Vintage gelatin silver print. 1910s. Printed 1910s. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Good to very good condition. Image size: 5 x 7 3/8 in. (127 x 187 mm). Charles Burlingame Waite was an important photographer of the Mexican Revolution. [27259-1-200]

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Stanford Auctioneers
Lot 616

Ansel Adams (American, 1902-1984). "Clearing Winter Storm, Yosemite National Park, Calformia". Original photogravure. 1944. Printed later. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Narrow margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 5 7/8 x 7 3/16 in. (149 x 183 mm). One of Adams’s most popular images, the silver print regularly selling at auction for over $40,000. Image copyright © The Ansel Adams Publishing Rights Trust. [29589-1-1000]

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Stanford Auctioneers
Lot 562

Arthur Rothstein (American, 1915 - 1985). "Dust Storm, Cimarron County, Oklahoma". Original vintage photogravure. c1936. Printed 1937. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 8 1/4 x 10 7/8 in. (210 x 276 mm). According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $36,000 realized at Phillips, New York, 4/26/2006, lot #38. One of the most famous images from the Depression era. For the U.S. Resettlement Administration. This image is not copyrighted; it is in the public domain. [25878-2-300]

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Stanford Auctioneers
Lot 142

Keith Haring (American, 1958 - 1990). "Ten Cats". Lithograph. 1985. Printed 1986. Signed by Haring in gold marker. A proof (?) from the unknown edition, presumed small (c250?). White wove paper. The full sheet. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 11 3/4 x 11 3/4 in. (298 x 298 mm). Scarce. No auction records located. A print from the “portfolio” of 20 lithographs commonly referred to as “Keith Haring’s Coloring Book [1986].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29111-3-800]

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Stanford Auctioneers
Lot 167

Henri Cartier-Bresson (French, 1908 - 2004). "Srinagar, Kashmir". Original photogravure. 1948. Printed 1979. Stamped with the photographer's signature, lower right. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition. Provenance: Private collector, Knokke, Belgium. Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 7 1/8 x 10 1/2 in. (181 x 267 mm). The silver print of this image has sold as high as $96,185 (€70,600, Christie's, Paris, 11/11/2011, lot #86). Image copyright © Licensed by VAGA, New York, NY. [27471-3-800]

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Whittons Auctioneers & Valuers
Lot 93

A framed and glazed limited edition print of a grouse together with three others.

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Bigwood Fine Art Auctioneers Limited
Lot 341

JIMMY WHITE & ALEX HIGGINS, a signed sporting print, unframed

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Bigwood Fine Art Auctioneers Limited
Lot 190

WILLIAM DE MORGAN A SQUARE GLAZED TERRACOTTA TILE, blue rose pattern, to the reverse of the tile remains of words "Architectural" and "Poole", 15cm square, together with A LIVERPOOL DELFT TILE with Sadler print, c.1765, 12cm x 13cm and a blue and wh ite tile (3)

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Bigwood Fine Art Auctioneers Limited
Lot 340

AFTER ROB LARSON "History of the Heavyweights" (Boxing) limited edition print, 940 of 1000, signed in pencil, 60cm x 51cm, mounted in a clip frame (certificate to reverse) together with a frame of Heavyweight images (2)

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Bigwood Fine Art Auctioneers Limited
Lot 366

AFTER LAURENCE STEPHEN LOWRY (ARR may apply) "Market scene in a Northern Town" a limited edition print, published by 'The Sunday Observer' in 1973, after the original painted in 1939, in a run of 750, 45cm x 60cm, signed in pencil to the margin, in plain mount and slender gilt frame

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Bigwood Fine Art Auctioneers Limited
Lot 306

LIONEL EDWARDS "Grouse in Flight", a colour print, unframed

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Bigwood Fine Art Auctioneers Limited
Lot 365

AFTER SIR WILLIAM RUSSELL FLINT "Gossip After Market Perigord", a colour print with publisher's blind stamp and signed in pencil to the margin, believed published 1968 in an edition of 850, 49cm x 67cm, mounted, in moulded wood glazed frame

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Bigwood Fine Art Auctioneers Limited
Lot 312

ROWLAND GREEN "Gyr Falcon", alighting its prey, a colour print, signed to margin, mounted, unframed

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Bigwood Fine Art Auctioneers Limited
Lot 372

AFTER GARY BENFIELD A LIMITED EDITION coloured print on canvas " FULL STRETCH" 36/100 56cm x 86cm in ebonised frame with certificate of authenticity verso

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Hansons Auctioneers and Valuers
Lot 208

Collection of five prints [of six] from the Laetitia series by George Morland, later prints after the original stipple engravings published by John Raphael Smith, in Hogarth frames. Together with a large colour print of baby in cot with black cat in flooded landscape, and a modern print of gentleman with painted/varnished finish to appear like original oil (7)

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Spicers Auctioneers Ltd
Lot 137

Richard Kitchin, Lester Piggott watercolour together with another print of Piggott together with various other racehorse related prints including one of 'Sir Hugo', another of 'Ormonde' and another the race in St Ledger 1874 (18)

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Bridport Auctions
Lot 123

Signed Helen BRADLEY coloured print of figures in a winter scene by the village pond

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Bridport Auctions
Lot 118

Helen BRADLEY coloured print of a cricket match, 70cm x 84cm including frame, ltd edition

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Bridport Auctions
Lot 117

Helen BRADLEY coloured print of a townscape with figures, 53cm x 69cm including frame

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Bridport Auctions
Lot 119

Helen BRADLEY coloured print of ladies, in a wood frame 50cm x 60cm

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Sheffield Auction Gallery
Lot 958

A c.1950's Vintage Christian Dior Silk Day Dress, in an autumnal floral print on a cream ground, empire line bodice with tulip skirt, boat neckline and cuffed elbow length sleeves, lined (one upper sleeve needs repair); A Susan Small claret day dress, Polly Peck cream satin and diamanté cocktail dress, two further dresses and two vintage Marshall & Snelgrove hat boxes.

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Sheffield Auction Gallery
Lot 694

AFTER LAURENCE STEPHEN LOWRY (1887-1976) *ARR Great Ancoats Street, monochrome print, number 26 of a limited edition of 850, signed in pencil in the margin lower right, publisher's blind stamp lower left, bears Leigh Gallery, Sale label verso, 29 x 38.5cm.

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Sheffield Auction Gallery
Lot 695

AFTER SIR WILLIAM RUSSELL FLINT (1880-1969) The Little Flower Sellers, coloured print, blindstamp, signed in pencil to the margin, bears Fine Art Society label dated 1961 verso, 49 x 63cm.

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Sheffield Auction Gallery
Lot 697

AFTER DENIS WIRTH-MILLER (1915-2010) *ARR Animals in a Cage, abstract in blue, print, dated Sept '48, bears label verso "Gift to Elizabeth Sweeting by Banjamin Britten October 1948", 52 x 38cm.

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Sheffield Auction Gallery
Lot 1010

Dior; A Vintage Black Logo Print Shoulder Bag, with black leather strap and zip closure to top; A Black Patent Croc Effect Handbag, with dual shoulder strap and rigid loop handle with gilt metal detail. (2)

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Sheffield Auction Gallery
Lot 996

Michael Kors; A Jessa SM Convertable Backpack Bag, in brown and beige signature print, tan leather straps, gold tone hardware, zip closure, three inner pockets, 25cm high, 22cm wide, 10cm deep. *With original purchase receipt for £225 dated 22.9.18.

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Sheffield Auction Gallery
Lot 693

AFTER GRAHAM HENDERSON Vases and Jug, against a blue ground, limited edition print 1/100, signed and dated (19)77 in pencil on the margin, 41 x 54cm.

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Sheffield Auction Gallery
Lot 982

Kate Spade; A Signature Cream/Beige Print Fabric Tote, with pink and red vertical central stripes, leather trim and handles.

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Sheffield Auction Gallery
Lot 699

AFTER LAURENCE STEPHEN LOWRY (1887-1976) *ARR Deal (Study for the Beach), print, blind stamp, signed in blue ink bottom left, 17 x 24.5cm.

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Sheffield Auction Gallery
Lot 1019

A Mid XX Century Black Python Print Leather 'Sir John Bennett' Handbag, a similar claret leather Jane Shilton handbag and two brown ostrich leather handbags. (4)

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Bridport Auctions
Lot 141

Mitsuhiro UNNO (b. 1932), Japanese woodblock print of a landscape through a window, signed and dated 1972, 38cms x 54cms, plate size

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Bridport Auctions
Lot 103

Framed Victorian coloured print of an interior family scene, titled verso 'Unexpected Visitor'

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Bridport Auctions
Lot 122

Large Japanese woodblock print, 36/50 dated 1976 of a peasant walking a path through a field by Mitsuhiro UNNO, signed and stamped, 50cms x 100cms image size

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Bridport Auctions
Lot 106

A Helen BRADLEY coloured print of a riverside scene with figures

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Bridport Auctions
Lot 139

Japanese woodblock print 7/100, signed by Tokio MIYASHITA (b. 1930) of a bridge with train plate size 22cm x 27cm

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