NO RESERVE Prints.- Cooper (Douglas) Henri de Toulouse-Lautrec, 1988 § Castleman (Riva) Jasper Johns: A Print Retrospective, New York, 1986 § Ives (Colta) & others. Pierre Bonnard: The Graphic Art, New York, 1989 § Cooke (Gordon) The Ruth and Joseph Bromberg Collection of Sickert Prints and Drawings, 2004 § Getscher (R.H.) The Stamp of Whistler, Oberlin, Oh., 1977 § Gillis (Eric) James Ensor: A Collection of Prints, 2002 § Lowe (Ian) The Etchings of Wilfred Fairclough, Aldershot, 1990, illustrations, the first and last original cloth or boards with dust-jackets, the rest original wrappers; and a small quantity of others on modern prints, mostly catalogues, 4to & 8vo (c.50)
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λ Jean-Marc Prouveur (French b. 1956) The Portuguese Man Cibachrome print Overall 101 x 160cm (39¾ x 62 in.) Five works to be displayed as one Provenance: Acquired directly from the artist Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.
Richard Art Hambleton (Canadian 1952-2017)Purple Shadow Head, 2014Giclée print mounted on aluminium Signed and dated 2014 lower right; signed and numbered 08/50 verso 50 x 127cm (19½ x 50 in.)UnframedCondition Report: Unframed. Very slight damage to the corners, hardly visible. Otherwise no significant condition issues. Condition Report Disclaimer
λ Laurence Stephen Lowry (British 1887-1976)The ContraptionColour print, 1975 Signed in pencil, from the edition of 750, with the Fine Art Trade Guild blind stamp31.5 x 30cm (12¼ x 11¾ in.)Condition Report: There is some minor discolouration to the sheet at mounted edges, otherwise in good original condition. Under glass and unexamined out of frame.Condition Report Disclaimer
After Ralph Leavers. The International Rugby Football match, England v. Wales, coloured print, and a period photograph of the AFA v. Public Schools, April 1913, D J Knight Captain (2), a print After Norman and Rockwell of weighing in and a limited edition print After Michael Aubrey of country house (4).

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