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Lot 546
JOSEPH EDWARD SOUTHALL (1861-1944) "Lady in Classical robes", a portrait study, three quarter length, pencil heightened with white, (possibly the artist's wife), initialled and dated 1923 within a rectangle lower left, 38 cm x 25 cm CONDITION REPORTS Condition overall appears good. There is also another print verso "Citizens visiting the Bastille", uncoloured. See images for further detail.
Lot 581
JAPANESE SCHOOL "Eagle upon a rock", woodblock print with red seal mark, image size 20.5 cm x 29 cm, together with another JAPANESE SCHOOL woodblock print of "Finches amongst prunus blossom", 21 cm x 29 cm, a watercolour study of "Blue Iris", 30 cm x 19 cm, VALERIE CROKER "Study of snails and corgettes", watercolour, oval, signed lower right, 29 cm x 22 cm and another by the same hand "Botanical study", pen and ink and watercolour, 28.5 cm x 19 cm
Lot 582
KEN ROBINSON “Fishing Coble The Three Brothers”, watercolour study of sailboat and titled lower right, inscribed on label verso, together with “History of The Three Brothers Coble”, taped verso, 18 cm x 11 cm, together with AFTER KEITH JOHNSON “Norfolk Wherry Albion”, colour print, 20 cmx 29.5 cm
Lot 609
AFTER MICHAEL LYNE "Steeplechasing scene", colour print, signed in pencil, 63 cm x 93 cm, together with twenty various sporting and other prints AFTER JOY HARKEN, GEORGE WRIGHT, SNAFFLES, J POLLARD and others to include four mirrored framed and glazed reproductions of historic newspaper covers including "First Man on the Moon", "Kennedy Assassinated", "Nelson Mandela Free", "Titanic Sinks" and "Wall Street Crash"
Lot 655
PAUL MANN (1907-1994) "Coastal landscape with trees in foreground, Autumn", cellulose, signed lower right, 45 cm x 75 cm, together with SABINE LIESEFELD "Garden table and chairs", watercolour, signed lower right, 41 cm x 31 cm, PLANKE "Untitled", mixed media study, signed and dated '97 to the margin, 30.5 cm x 29.5 cm, together with a signed colour print AFTER G JOHN BLOCKLEY, a colour print of "The Procession of Bishop Blaize" and AFTER C R WINTER "The Oxford Drag", modern colour print
Lot 672
AFTER SNAFFLES (CHARLES JOHNSON PAYNE) "The Glad Throng Goes Laughing Along", heightened chromolithograph, published April 2nd 1913 by Messrs Fores, 41 Piccadilly London W, 34 cm x 101 cm CONDITION REPORTS No blind stamp or pencil signature, the paper possibly a little dark, although this is common. The print work highlighted, see images for more details.
Lot 676
AFTER ARCHIBALD THORBURN "Baying stag in Highlands", colour print, limited edition No'd. 56/500, published by The Tryon Gallery London 1975, image size 35 cm x 47 cm, together with three further prints by the same hand including "English Partridge in an open landscape", colour print, limited edition No'd. 28/750, another of "Partridge and Bullfinch in a landscape", colour print, limited edition No'd. 243/500 and another of "Red Grouse", colour print, limited edition No'd. 243/500
Lot 677
AFTER HENRY WILKINSON "English Partridge in a landscape", coloured etching, No'd. 150, signed in pencil, image size 25 cm x 34 cm, together with VICTOR BALFOUR BROWNE "They were still restless", colour print, limited edition No'd. 153/300, another by the same hand "The big bodied beasts on the flats", colour print, limited edition No'd. 154/300 and another "The blighter's asleep", colour print, limited edition No'd. 153/300, a pair of chromolithographs AFTER J SANDERSON WELLS "Hunting scenes", AFTER ALEXANDER CHARLES JONES "British Fox Superiority Society Hound Show", colour print, limited edition No'd. 51/850, AFTER ROBERT HAINAND "Mallard and Moorhen", limited edition print No'd. 32/51, signed in pencil, AFTER CECIL ALDIN "Jumping powder", chromolithograph, unsigned, AFTER F C TURNER "Ascot Heath Races", colour print, AFTER JONATHON SAINSBURY "Spaniel putting pheasants up", colour print, limited edition No'd. 49/600, signed in pencil lower right, AFTER PHILIP RICKMAN "Woodcock Lunan Bay", colour print, limited edition No'd. 6/500, signed in pencil lower right, AFTER JAMES POLLARD "Epsom - Preparing to start", colour print and four further colour prints AFTER PHILIP RICKMAN including "Ducks", "Snipe", "Grouse" and "Ptarmigan"
Lot 678
AFTER LIONEL EDWARDS "The Beaufort Hunt November morning Badminton", colour print, signed in pencil, 28 cm x 35 cm, another by the same hand "The Beauford Hunt meet at Grittleton House", signed in pencil, another "The Devon and Somerset Stag Hounds coming out of the Danes Brook", colour print, signed in pencil, four various polo prints by the same hand, unsigned, another "The Declaration of War" and another hunting scene, signed in pencil lower right
Lot 681
AFTER HENRY WILKINSON "Long haired Pointer and Mallard Drake quarry", coloured etching, limited edition No'd. 57/100, signed in pencil, 23 cm x 31 cm, another by the same hand "Two Spaniels putting up Snipe", coloured etching, limited edition No'd. 28/100, signed in pencil and "The Cock Shoot", colour print, unsigned
Lot 690
A collection of various hunting prints including AFTER JOHN KING "The Ledbury", colour print, limited edition No'd. 110/250, signed lower right, AFTER MICHAEL LYNE "The Cotswold at Shipton Oliffe", colour print, AFTER GEORGE WRIGHT "Up a tree", colour print, a framed and glazed map of "Foxhound and Stag Hound Packs in the United Kingdom (British Field Sports Society edition)", AFTER JOHN KING "Newbury Racecourse Centenary 1905-2005", limited edition colour print No'd. 92/350, signed in pencil, AFTER PETER DONNITHORNE "The Wyck and District Beagles at West Kington 2009", limited edition colour print No'd. 28/105, signed in pencil lower left and nine others various, together with two botanical prints and various hunting / racing books including JOHN HISLOP & JOHN SKEEPING "Steeplechasing", first edition reprinted 1954, TERRY BIDDLECOMBE "Tales of Racing and Chasing", GRAHAM BRADLEY with STEVE TAYLOR "The Wayward Lad", etc
Lot 692
EDNA DE MAURICE "Cirencester in the Cotswolds" a study of the market place, watercolour, signed lower left, titled and dated 1985 on label verso 29 cm x 39 cm together with VICTOR COVERLEY-PRICE "Baunton Mill" watercolour, signed lower right 28 cm x 38 cm, CARYL SMITH "Winter river landscape" watercolour and AFTER JOHN HARTLEY "Henley on Thames" colour print, limited edition 4/460
Lot 693
A collection of various maps of Gloucestershire and Monmouthshire including AFTER T MOULE circa 1840 Gloucestershire and Monmouthshire, a strip map of the road from Bristol to West Chester together with an incorporated map of Herefordshire, strip map "Bowle's post chaise companion Bristol to Chester", three others various and a colour print of Tintern after Chapman
Lot 695
AFTER ALAN INGHAM "Country haven" colour print limited edition 120/500, another "Winter's magic", another "The homestead" and another "Springtime" all signed in pencil, a colour print of Bill Owen as Compo after Ray Snape, three various watercolours and tooled and gilded clothboard bound cover for the Ingham prints
Lot 181
Crimea. Bossoli (Carlo), A collection of 43 lithographs, originally published in Bossoli's "The Beautiful Scenery and Chief Places of Interest throughout the Crimea", [Day & Son, lithographers, 1856], 43 (of 52) tinted lithographs finished by hand, each print laid on a contemporary backing card (as published), some staining and spotting to the margins of the card mounts with the titles stuck to the verso of the mount (probably cut from the contents list), each print approximately 255 x 355 mmQTY: (43)NOTE:Abbey Travel 239.
Lot 183
Flint (William Russell, 1880–1969). A Question of Attribution, 1963, colour reproduction print, published by Frost and Reed Ltd., in an edition of 850 impressions, Fine Art Trade Guild blindstamp to lower left, signed in pencil lower right, image size 53.5 x 43 cm (21 x 17 ins), framed and glazed, with The Medici Society framer's label to versoQTY: (1)
Lot 184
Flint (William Russell, 1880–1969). Danze Montaña, 1960, colour reproduction print, published by Frost and Reed Ltd., in an edition of 750 impressions, Fine Art Trade Guild blindstamp to lower left, signed in pencil lower right, image size 47.5 x 63.5 cm (18 7/8 x 25 ins), framed and glazedQTY: (1)
Lot 185
Flint (William Russell, 1880–1969). Reclining Nude (I), 1965, colour reproduction print, published by Frost and Reed Ltd., in an edition of 850 impressions, Fine Art Trade Guild blindstamp to lower left, signed in pencil lower right, image size 31.5 x 58.5 cm (12 3/8 x 23 ins), framed and glazed, with The Medici Society framer's label to versoQTY: (1)
Lot 186
Flint (William Russell, 1880–1969). Reclining Nude II, 1967, colour reproduction print published by Frost and Reed Ltd., in an edition of 850 impressions, with Fine Art Trade Guild blindstamp to lower left, signed in pencil lower right, image size 31.5 x 58.5 cm (12 3/8 x 23 ins), framed and glazed with Medici Society framer's label to versoQTY: (1)
Lot 187
Flint (William Russell, 1880–1969). Sara, 1965, colour reproduction print published by Frost and Reed Ltd., in an edition of 850 (plus 6) impressions, Fine Art Trade Guild blindstamp to lower left, signed in pencil lower right, image size 39.5 x 63.5 cm (15 5/8 x 25 ins), framed and glazedQTY: (1)
Lot 345
Raverat (Gwen 1885-1957). An album of 155 wood engravings by Gwen Raverat, 1909-28, compiled by the artist as a personal record of her work, containing 155 wood engravings, of which 65 (some with initials) are signed in pencil, many also titled in pencil, with handwritten name and address of the artist in pencil to front pastedown 'Gwendolen Raverat, Villa Adele, Vence, Alpes Maritimes', all engravings mounted on album leaves with titles and dates in the artist's hand in ink to lower margin, handwritten index by the artist in ink to first leaf, with some corrections and alterations, original plain cream cloth, rubbed, some marks and soiling, folio (leaves measure 32 x 25.5 cm, 12 1/2 x 10 ins)QTY: (1)NOTE:Provenance: Estate of the artist, thence by descent.Selborne & Newman 1-28, 30-38, 40-52, 54-60, 62-75, 77-89, 91-100, 102-106, 109-137 & 139-147.An important album compiled by the artist Gwen Raverat, containing a near-comprehensive selection of her early output between 1908 and1928, including many rare proofs. This collection provides a survey of the artist's output up to 1928, and includes her first wood engraving, The Knight of the Burning Pestle (1909), early works on the English ballad tradition, such as May Margaret, Fair Annie, Windy Day, Despair, The Marsh, Child Stealers, Bookplate for Geoffrey Keynes, The Witch, Nightmare, Sir Patrick Spens Ballad, Sailor's Wife, Boys by a Pond, Cobbled Yard, Annie of Rough Royal, Ballad, Travellers, Margaret's Ghost, Ballad, Clark Saunders, and The Quarrel, all 1909, engravings from the years 1910 to 1912, including Wood Nymph, May Margaret's Return, Sir Thomas Browne (numbers 1 and 2), The Dead Knight, the Brown Girl, two bookplates (1910), Prodigal Son, May Morning, Anthony & Cleopatra, The Palmer, The Retreat, Flying, Gypsies, King Lear, A Dream, The Little Visitation, The Creation of Light (drawn by Jacques Raverat, and cut by Gwen Raverat), Pieta, The Wood, The Storm, The Visitation, Shepherds, and The Manger, works produced from 1913 and through the First World War include: Shepherds (1914), The Dead Christ (1913), Baptism (drawn by Jacques Raverat), Mary & Elizabeth (1913), Haycocks, Bookplate for Lady Robert Cecil, Full Moon, The Hobby Horse (two versions), Judas Dead, Sky, Autumn Morning, Prodigal Son (drawn by Jacques RaveTrees & Pear Tree (signed and titled by the artist 'Noyers et Poiriers', The Avenue, Hoeing, Portrait of W. E. Darwin, The Edge of the Wood (numbers 1, 2 & 3), The Moor, Poplars in France, The Summit, Winter Morning, Elms by a Pond, The Poacher, Le Pelvoux (drawn by Jacques Raverat), The Goose Herd, Lost Traveller, Sheep, Sheep by a River, Houses, The Farm Pond, Primrose Wood, Boys Bathing, Portrait of Rupert Brooke, and Title page design for Poems of Rupert Brooke. Post-war works include Women Bathing, Bathsheba, the large scale Dancing Boys (1920), Duck Pond, Village Street, The Bolshevist Agent (numbers 1 & 2), cover design for Shadows of the Christ, Portrait of Jacques Raverat, Sleeping Beauty, David Old (first state), Crashaw's Shepherds Hymn.Views in the South of France include Jeu de Boules, Vence (1922), Olive Pickers, the large scale Adam & Eve (marked 'only print' in pencil), Streets by moonlight (large and small versions), Boules Players, The Philosopher, La Place en Hiver (1923), The Fourteenth of July-La Farandole (1923, Scandel, The Farmer's Wife, The Sexton, The Barber's Shop, La Place en Eté, The Fair Sex, The Middle of the Night, The Bridge at Villeneuve Loubet, The Town in Summer, Old Women, Witches, Death & The Emporer, Boules Players by Sunlight (1925), Portrait of Jacques Raverat (number 1 & 2), Christian Charity, Sewing (two impressions), Children, The Princess Lost (three versions), The Princess Lost number 2, The Balcony (two versions), The Riverbank (three versions), The Wild Swans (two versions), The Princess Bathes (two versions), The Wild Swans, The Prince Hunting (two versions), The Beauties of Nature, Sleepers, Apple Pickers, The Princess Followed, The Wicked Queen, Low Shore, The Princess in the Churchyard, and The Princess by the Lake.
![Sendak (Maurice). Pictures by Maurice Sendak, London: Bodley Head [cover-title], 1971, 19 colour and black & white illust](https://cdn.globalauctionplatform.com/e9dc0ac2-559f-4025-a874-ae7e01100a9c/3368ac21-aafe-48c0-8dfd-ae7f00f77271/468x382.jpg)
Lot 383
Sendak (Maurice). Pictures by Maurice Sendak, London: Bodley Head [cover-title], 1971, 19 colour and black & white illustrations on single sheets, reproduced from books illustrated by Sendak, with four-leaf artist's explanatiory text (with colour illustration at head), loose as issued in original drop-spine box, upper cover with decorative floral print paper from a design by Sendak, fore edge lightly faded, a little wear to 3 corners, printed paper label to upper cover, folio, (limited edition, 991/1000 copies)QTY: (1)NOTE:Included are illustrations from Where the Wild Things Are, Lullabies and Night Songs, In the Night Kitchen, Mr. Rabbit and the Lovely Present, and others.
Lot 162
Special Air Service B SQN 22 SAS 2015 Reunion Limited Edition Print A rare example of the limited print specially commissioned for the 2015 Reunion. Depicting three members of the Squadron charting its history. Artist signed and SAS embossed this is number 239 of a limited print of 240. Framed and glazed. Size 16 x 23 inches From the Estate of Lt Col W.L. Mundell BEM SAS PAYMENT BY BANK TRANSFER ONLY
Lot 163
Special Air Service B SQN 22 SAS 2014 Reunion Print. A rare example of the Squadron picture produced for the 2014 Reunion. This depicts a group photograph of B Squadron 22 SAS Malaya 1958. Framed not glazed. Details to the reverse. Size 17 x 13 1/2 inches From the Estate of Lt Col W.L. Mundell BEM SAS PAYMENT BY BANK TRANSFER ONLY
Lot 164
Special Air Service B SQN 22 SAS 1951-2011 Commerative Print. This large and impressive prints the history of the Squadron from the jungles of Malaya to the deserts of Afghanistan. Framed and glazed and complimented with devices of the SAS and Squadron. Frame size 33 x 31 inches. From the Estate of Lt Col W.L. Mundell BEM SAS PAYMENT BY BANK TRANSFER ONLY
Lot 165
Ulster Impression Northern Ireland Troubles Military Print. This framed and glazed print depicts different scenes from the point of view of the British Army. Overall size 30 x 23 inches ... Accompanied by a second print Tebourba Gap Tunisia. This print depicts the VC action of Major H.W. Le Patourel 2nd Bn Hampshire Regiment 3rd December 1942 by Terence Cuneo. Framed and glazed Size 26 x 22 inches. (2 items) From the Estate of Lt Col W.L. Mundell BEM SAS PAYMENT BY BANK TRANSFER ONLY
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314753 item(s)/page