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Lot 1

A 19thC print group depicting the first locomotive engine employed on a public railway, oak framed.

Lot 1

After Alken. Badger catching, colour print.

Lot 1

A framed mounted print of a young boy on a rock, possibly Little Lord Fauntleroy.

Lot 1

Table bowls game, boxed Squails and cribbage marker with print of the Taj Mahal.

Lot 1

Cartoon caricature cat print and coaching print, Leaving the Offices, Kiligrew Street, Falmouth to London.

Lot 1

Chaucer's Canterbury Pilgrims print and another.

Lot 1

Two wall mirrors and a landscape print.

Lot 1

A gilt framed colour print of Queen Victoria.

Lot 1

Kawase Hasui (Japanese, 1883-1957) Meguro Fudo-do wood block print in colours, published 1931 by Watanabe Shozaburo 39 x 26 cm (15 01-Feb x 10 in), unframed

Lot 1

A collection of six various Pictures and Prints, including an Etching of a gardener; and French Print of Notre Dame etc

Lot 1

A FRAMED JAPANESE PRINT and a small collection of unframed engravings (European).

Lot 1

A BAXTER PRINT 'The gardener's shed', 15" x 10 1/2" and another similar (2).

Lot 1

AFTER AUGUSTUS JOHN - the hurdy gurdy man, print in sepia, 14 1/2" x 10 1/2".

Lot 1

A MIXED LOT OF EIGHT VARIOUS PRINTS to include marine scenes, Isle of Wight, an engraving of the Pool of London by Charles Oliver Murray, a print of Fagle Lane Quarry by J Gibbs, etc. (8)

Lot 1

JAPANESE SCHOOL, female figures amongst bamboo shoots, woodblock print, hand coloured, 12" x 8", and another similar (2)

Lot 1

A TEXTURED PRINT 'Tower Bridge Road, London', published by Higgins and Bowers, 11 1/2" x 15" in gilt frame.

Lot 1

JOHN PIPER (1903-1992) 'Chambord', a screen print, pencil signed in the margin and numbered 19 of 70, 19 1/2" x 26 1/2"

Lot 1

JOHN PIPER (1903-1992) view of a Church, screen print, pencil signed in the margin and numbered 27 of 70, 19" x 27"

Lot 1

OXFORD INTEREST, an old photograph depicting a regiment parading in Broad Street (First World War), 9" x 12 1/2"; together with a monochrome print - Turl Street by Charles Broadhurst; and a framed Oxford Times Calendar for 1936. (3)

Lot 1

OHARA KOSON (1877-1945) Two pheasants in the snow, wood block print in colours, 13" x 7".

Lot 1

THOMAS RATHMELL (1912-1990) Beach scene with figures, signed, pen, ink and watercolour, 11 1/2" x 13 1/2" and three other works to include Frank Mackenzie Robinson, 'Assorted objects', 'Fantastic cats' by Jane Muir and a reproduction print of Diana (4).

Lot 1

19TH CENTURY ENGLISH SCHOOL 'View of the graveyard of the English Military Hospital, Kilalee - during the Crimean war with the tomb of Dr Bowen Thompson, August 1855, watercolour, 6 1/4" x 8" together with an etching by John Everett and a reproduction print 'Boating at Greenwich pier' (3).

Lot 1

ROBIN WALLACE (1897-1952), 'Wrotham, Kent', signed, watercolour, 12" x 15 1/2"; and a Baxter print 'The Descent from the Cross' (2).

Lot 1

HARRY DORR (1872-1950) Portrait of a twin masted sailing vessel, signed, watercolour, 12 1/2" x 16", another watercolour signed T Cubitt, a lino cut depicting creatures of the sea and a print after Hamilton Rae, classical beaties at stone steps (4).

Lot 1

BY AND AFTER VERNON THOMAS young girl wearing a green and black print dress, swinging on a picket gate, coloured etching, signed in pencil to the margin, 18.5cms x 11.5cms

Lot 1

BY AND AFTER SIR WILLIAM RUSSELL FLINT The Danza Montana, reproduction colour print, signed in pencil to the margin, pub circa 1960 by Frost & Reed, blind stamp for The Fine Art Trade Guild, 48cms x 63.5cms

Lot 1

AFTER EDWARD BURNE - JONES The Mirror of Venus, reproduction colour print, 40cms x 62cms, contemporary oak frame with title plate

Lot 1

W G BAXTER (FL. CIRCA 1855 - 1888) The Card Players, humorous colour print, 23cms x 32cms; After Aldin hunting scene, colour print circa 1907, 27cms x 70cms

Lot 1

A Scottish Arts and Crafts hammered copper rectangular picture frame, embossed with four line verse from Burns and thistles to each corner, enclosing a colour print after Henry John Dobson, 51cm x 60.5cm overall

Lot 290

* Advertising Sign. An enamelled tin poster for The Listener, c. 1940,. printed in black and white, showing a broadcaster in silhouette reading into a microphone with the legend The Spoken Word in Print above, sl. rubbed, approx. 77 x 51 cm (1)

Lot 311

Etchings and prints. Evening on the Embankment, by Graham Clilverd, c.1930s,. aquatint printed in blue-green and black, signed and titled in pencil, image size approx. 240 x 325 mm, framed and glazed, together with two etchings by Henry C. Harridge of Brooks Wharf, Bankside, London, 1935, & Sir Jon Boys House, Canterbury, 1937, both signed and dated in pencil, a watercolour by the same artist, showing Dixons and the Free Church, Cane, Wiltshire, before demolition, and a 1930s colour reproduction print after Picassos The Lovers of 1923, all framed and glazed (5)

Lot 314

* Flint (Sir William Russell, 1880-1969). Silver and White, pub. April 1982,. colour reproduction print, pubs. blindstamp to lower margin, limited edition 287/850, image size approx. 310 x 565 mm (12.25 x 22.25 ins), framed and glazed (1)

Lot 315

* Flint (Sir William Russell, 1880-1969). The Bridge, Nerac, pub. April 1972,. colour reproduction print, pubs. blindstamp to lower margin, printed in an edition of 656, image size approx. 365 x 565 mm (14.25 x 22.25 ins), framed and glazed (1)

Lot 316

* Flint (Sir William Russell, 1880-1969). In Sunny Perigord, pub. November 1982,. colour reproduction print, pubs. blindstamp to lower margin, limited ed. 556/850, image size approx. 505 x 690 mm (20 x 27 ins), framed and glazed (1)

Lot 317

* Flint (Sir William Russell, 1880-1969). Discussion, pub. October 1969,. colour reproduction print in red on a grey background, signed in pencil by the artist, pubs. blindstamp to lower margin, printed in an edition of 850, image size approx. 455 x 665 mm (18 x 26.25 ins), framed and glazed (1)

Lot 443

Faulds (Henry). Guide to Finger-Print Identification, 1st ed., Hanley, 1905,. fourteen b&w plts., orig. cloth gilt, a little rubbed, together with Bell (Charles), The Hand, its Mechanism and Vital Endowments as Evincing Design, (but shorter treatises), 2nd ed., 1833, lib. blindstamps to sev. leaves at front and rear, four pages sl. sprung, a little soiling, contemp. calf, rebacked with orig. spine relaid with new label, both 8vo, plus Jackson (E. W.), Gymnastics for the Fingers and Wrist, being a system of gymnastics, based on anatomical principles ..., 1st ed., 1865, ink lib. stamp to title, and marks to title verso, a little soiling, orig. cloth, rebacked with orig. spine relaid, small 8vo, plus three other related books and thirteen mostly 19th c. theses on congenital limb deformity, in a modern cloth box (19)

Lot 512

Fincham (Henry W.). Artists and Engravers of British and American Book Plates. A Book of Reference for Book Plate and Print Collectors, 1st ed., 1897,. num. b & w illusts., orig. two-tone cloth gilt, a little rubbed and upper cover marked, 4to, (1050 copies printed), together with Warren (John Byrne Lester), A Guide to the Study of Book Plates (Ex-libris), 1st ed., Manchester, 1900, b & w illusts., orig. cloth with paper label to spine (a little chipped), 8vo, plus Sherborn (Charles Davies), A Sketch of the Life and Work of Charles William Sherborn, Painter-Etcher, with a Catalogue of his Bookplates, Compiled by Himself and George Heath Viner, 1st ed., 1912, port. frontis., b & w illusts., t.e.g., orig. linen-backed boards, a little rubbed and marked, small 4to, (525 copies printed), and others of book plate interest, including journals, etc. (2 cartons)

Lot 728

* America. An album of albumen print photos, c. 1892-94,. showing views of Hambro House and family in Florida, plus snaps of the family enjoying a trip to St. Petersburg on the Gulf of Mexico, plus further amateur photos of North Carolina, the famous bear-hunter Big Tom Wilson, etc., ten album leaves with approx. seventy images in total, captioned in ink on mounts, plus a group of five unrelated album leaves with approx. sixty mounted gelatin silver snapshots of South American settlers life near Tucson, etc., plus a related book on Phoenix, Arizona, all oblong folio (3)

Lot 734

* Braun (Adolphe). Mammoth albumen print view of the Matterhorn rising above a valley in the distance,. some surface marks to skyline, 37 x 47 cm, together with a contemporary mammoth albumen print by Braun of Heidleburg Chateau exterior, 47 x 38 cm, both mounted with photographers name printed beneath, some soiling and marks to mounts (2)

Lot 735

* Burke (John). Three albumen prints of the second Afghan War, 1878/79,. a view of Kabul Fortress, one image of British Arsenals, and one of debris of magazine exploded at Bala Hissar, each 20 x 28 cm, together with one smaller format albumen print of the approaches to Kabul (4)

Lot 740

* Cartes-de-visite and cabinet cards. A miscellaneous group of albumen print cards, 19th-century,. including many of actresses, together with two partially filled albums, one of which contains photographic reproductions of the Russian royal family, together with a group of approx. 250 magic lantern slides contained in two wooden slide boxes, and mainly relating to geological subjects including the Severn Bore plus a gelatin silver print portrait of Queen Elizabeth II and Prince Philip, approx. 24 x 17 cm, mounted, signed and dated in facsimile on mount beneath, contemp. morocco desk frame with slightly broken stand (a carton)

Lot 742

* Ceylon. A group of thirteen albumen print views, c. 1880s,. including Kandy and Columbo, all mounted on card back-to-back, approx. 21 x 27 cm and sl. smaller (13)

Lot 747

* Dickens (Charles, 1812-70). A good albumen print portrait, c. 1865,. a three-quarter length pose showing Dickens in profile seated and reading at a desk, 212 x 156 mm, arched top, mounted on card with embossed stamp of John and Charles Watkins beneath, mount somewhat marked and soiled (1)

Lot 764

* Hunt (William Holman, 1827-1910). An albumen print portrait, c. 1870s,. head-and-shoulders showing full face and beard, 210 x 164 mm, mounted on card with facsimile signature pasted beneath, mount somewhat soiled (1)

Lot 770

* Italy. An album of approx. seventy albumen print views, late 19th c.,. all mounted back to back with printed caption pasted beneath, approx. 20 x 25 cm, contemp. cloth, rubbed, oblong folio, together with two further folio albums with European photographic interest (3)

Lot 771

* Italy. A disbound album containing fifteen large albumen print views of Venice by Naya and Ponti, c. 1870,. image sizes approx. 32 x 25 cm and similar, mounted, some with printed captions in French to versos, orig. cloth covers, disbound and spine deficient, folio (15)

Lot 776

* Jackson (W.H., of Denver). Midway Point, Cypress Drive, Monterey, c. 1885,. mammoth albumen print view showing a rugged rocky coastline with a single figure sitting at the highest point looking out to sea, titled in the negative, two vertical brown lines, approx. 40 x 51 cm, old card mount (1)

Lot 780

* Japan, Hong Kong and Canada. An album of mounted albumen print and gelatin silver photos, late 19th century,. comprising people and views in Hong Kong (eight), Japan (twenty-three), Vancouver (twenty-five), some titled in the negative and many Japanese photos hand-tinted and somewhat faded, approx. 20 x 25 cm and smaller, mounted back-to-back on album leaves, contemp. half morocco, worn, oblong folio (1)

Lot 781

Le Nail (Ernest). Les Chateaux Historiques. Fontainebleau, 1st ed., Paris, 1875,. thirty mounted albumen print views by Mieusement, images approx. 25 x 34 cm, printed captions, some spotting and dampstaining to mounts, contemp. red half morocco gilt, rubbed and some wear to extrems., large folio (1)

Lot 788

* Military. A group of approx. forty albumen print and gelatin silver print photos, late 19th and early 20th c.,. including military groups, plus some royalty and maritime interest, mostly mounted on old album leaves, 20 x 25 cm and smaller (approx. 40)

Lot 792

* Misc. Photography Albums, late 19th c.,. including an album of approx. seventy gelatin silver prints of Irish scenery interest, an album relating to Yarm, Yorkshire, The Queens Birthday Book of 1887 with carbon print portraits, etc., various bindings and sizes (a carton)

Lot 796

* Native North Americans. An albumen print portrait of three native American women, 1859,. 185 x 145 mm, corners cut, pasted on card with a neat ink written caption in French beneath explaining that the three women are from the tribe Mics-macs and that one of the women had a Parisian father, photographed by Monsieur Miot onboard the ship Terre-Neuve in 1859, a little spotting and soiling to mount, the image in very good condition (1)

Lot 798

* Nine Hours to Rama. A group of seventeen gelatin silver print film stills and correspondence relating to the production of the film, early 1960s,. images approx. 30 x 25 cm and slightly smaller, some with captions to versos, correspondence largely to and from the Indian government concerning showings of the film, all loosely contained in a contemp. folder and including a good dust-jacketed 1st ed. of Stanley Wolperts 1962 novel of the same name relating to the death of Ghandi (a folder)

Lot 807

* Pennsylvania. Early uncoloured albumen print of a townhouse on the corner of Willings Alley and Third Street, c. 1850,. with three figures and a horse in the foreground, 217 x 168 mm, mounted on card, browned and soiled, manuscript details to verso explaining that the building was the former residence of Thomas Willing and that it was sold to and demolished by the Pennsylvania railroad in 1860 (1)

Lot 809

* Portraits. A group of nine Woodburytypes, c. 1880,. including H.M. Stanley, T.H. Huxley, W.G. Palgrave, Anthony Trollope, Samuel White Baker, Crown Prince of Germany, Verney Lovett Cameron, mostly mounted oval portraits, approx. 11 x 9 cm, together with accompanying letterpress, plus a good gelatin silver print of a middle-aged Winston Churchill on horseback with hat and riding crop, 28 x 23 cm, mounted on card with associated newspaper credit stamped to the verso (10)

Lot 812

Scotland - Fenwick. An album of twenty-eight albumen print views of Fenwick, East Ayrshire, late 19th c.,. including street scenes, rural cottages and views, most photos without figures, images approx. 7.5 x 15 cm, mounted to rectos only, orig. full morocco, gilt lettered on upper cover Views of Fenwick by H. S. P. Taylor, rubbed, oblong, small folio (1)

Lot 814

* Shanghai. A good albumen print view, c. 1870,. looking from the river bank across a bridge with tall ships in the harbour to the left, no identification details, 25 x 36 cm, pasted to an album leaf with an albumen print of similar size from a painting of Shanghai, pasted to the album leaf verso (1)

Lot 1009

* Film Actors An album of signed photos of 1930s film stars, including Robert Taylor, Louis Hayward, Glenis Lorimer, Wally Ford, Anna Neagle, Preston S. Foster, John Loder, Douglas Montgomery, Anthony Bushell, Marion Davies, Spencer Tracy (secretarial?), etc., mostly corner-mounted, approx. 25 x 20 cm or slightly smaller, plus other unsigned or pre-print photos and postcards, etc., approx. 45 items in total, contemp. boards, some wear, 4to (1)

Lot 1037

* Silvers (Phil). Signed publicity photo., n.d.,. head and shoulders portrait, gelatin silver print, inscribed and signed in left blank area, To Walter, with the very best wishes of Phil Silvers, 10 x 8 (1)

Lot 1064

Nathan (Isaac). An Essay on the History and Theory of Music; and on the qualities, capabilities, and management of the human voice, printed for G. and W. B. Whittaker, 1823,. half-title, forty-one leaves of engraved music, printed on both sides, untrimmed, orig. boards with paper label to spine, rubbed and some soiling, minor wear with joints partly cracked, large 4to sendrey, Bibliography of Jewish Music, 2061. Isaac Nathan is best-known for his settings of Hebrew Melodies (1815), with words by Byron, which remained in print for much of the nineteenth century. He is also considered the father of Australian music, emigrating there in 1841, and giving some the first performances on that continent of works by Mozart and Beethoven, as well as pioneering the research and transcription of music of the Australian aboriginals. (1)

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