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Lot 488
A Signed Limited Edition Print after an oil painting by Desmond Snee: the official portrait of Desert Orchid 479/850, 16½ ins x 20 ins (42 cms x 51 cms), mounted in a glazed frame. Also a set of four numbered limited edition re-prints of Grand Nation Horse Racing after Cecil Aldin; ' The Canal Turn', 360/800, 'Valentines' 388/800, 'Belcher's Brook' 24/800, and 'The First Open Ditch' 426/800, 13 ins x 23 ins (33 cms x 58 cms), mounted in glazed frames.
Lot 397
Three Framed Pictures: A Print of a watercolour by Romilly Fedden dated 1924 of continental scene with figures 12½ ins x 9¾ ins (32 cms x 25 cms). A signed limited edition woodcut of 'Red Grouse Calling' by AW Sealey, 15½ ins x 10½ ins (39.5 cms x 10½ ins (39.5 ms x 27 cms). And a charcoal sketch of a donkey and baggage dated 1875, 9¼ ins x 13¾ ins (23.5 cms x 35 cms).
Lot 440
Six Decorative Gilt Frames: A small print of an 18th century family portrait in a 1½ ins (4 cm) cavetto moulded oval frame edged in beading and gadrooning, 11¾ ins x 10¼ ins (30 cms x 26 cms). Another oval frame; the 1 inch (3 cm) moulding with beaded edge 11¾ ins x 8½ ins (30 cms x 22 cms). A pretty square swept frame with carved decoration and a gilded mount with round aperture 3½ ins (9 cms) in diameter, 9 ins (23 cms) square. A pair of 2½ inch (6.5 cm) moulded framed with shell crests and scrolling sprays of flowers and foliage adorning the corners, 10 ins x 12¾ ins (25.5 cms x 32.5 cms). An ornate deep moulded gilt frame with octagonal cut mount, 10 ins x 9 ins (26 cms x 23 cms).
Lot 388
A Collection of Ten Framed Engravings: A Baxter Print; 'The Day before the Marriage' published 1854, 14½ ins x 10½ ins (37 cms x 27 cms) in a glazed frame 23¼ ins x 17½ ins (59 cms x 44.5 cms). An overpainted engraving of fisherfolk on beach, signed Delacroix bottom left, 10¼ ins x 13¼ ins (26 cms x 13.5 cms), in a glazed frame 18 ins x 22 ins (46 cms x 56 cms). 'The Idle Servant' signed in pencil Nicholas Maas, 11½ ins x 10 ins (29 cms x 26 cms) in a deep bevelled mahogany frame 17½ ins x 16 ins (44 cms x 40 cms). Two small gilt Pears prints, 10½ ins x 9 ins (27 cms x 23 cms). 'The Scanty Meal' engraved by E Hacker after JF Herring, 7½ ins x 9½ ins (19 cms x 24 cms), in a glazed gilt frame 16½ ins x 19½ ins (42 cms x 50 cms). An oval pastel portrait bust of young woman in cap, signed Rayors 1884, 8¼ ins x 6 ins (21 cms x 15 cms) in oak frame 17¼ ins x 14½ ins (44 cms x 37 cms). 'The Queen's Horses' by C. Cousen after JF Herring, 8½ ins x 10¾ ins (21.5 cms x 27.5 cms) in a glazed gilt frame 19 ins x 20½ ins (48 cms x 52 cms). A pair of Victorian oval decoupage portraits of a young girl and lady on reverse painted black glass panels in gilt frames 11 ins x 8½ ins (28 cms x 21.5 cms).
Lot 260
British School, early-mid 19th century- Portrait of a gentleman, seated three-quarter length turned to the right in an interior holding a print; oil on paper laid down on thin card, 16.2x12cm., (unframed) CONDITION REPORT: edges of sheet unevenly trimmed bears old yellowed varnish some blistering and bloom to the varnish throughout otherwise good condition
Lot 409
Daguerre Studio, Chicago, act. c.1910-1930- Clowns with musical instruments; silver gelatin print, signed and inscribed within the negative, 24.7x32.8cm CONDITION REPORT: mounted in a glazed, modern frame may or may not be stuck down as unexamined out of the frame handling marks and minor creasing visible otherwise in good original condition
Lot 505
Pietro Santi Bartoli, Italian 1635-1700- "Apollini Sacrum" circa 1690; copper engraving, 28x25.5cm: together with three other engravings by the same artist- "Occidens", "Immensis Monitum Iugis Superatis Cocitatos Vrsos Aggreditur Deterret Sternit", "Oriens" circa 1690; copper engravings, 28x25.5cm ea., (4) (in matching frames) CONDITION REPORT: All in gilt, glazed matching frames with red silk mounts Each print has suffered some discolouration over time Some brown staining visible in places One print very discoloured and brown in appearance otherwise in general good condition
Lot 523
Louis Hague HPRI, British 1806-1885- ''Encampment of Pilgrims Jericho'' after David Roberts RA, Published by F. G. Moon, 20 Threadneedle St. April 1st 1834; hand-coloured lithograph, 23.5x34.5cm: together with two more prints by the same artist- 'Tomb of Aaron, Mount Hor', & 'Chapel of the Convent of St. Saba', after David Roberts RA, Published by F. G. Moon, 20 Threadneedle St in March & April 1839; hand-coloured lithographs, 23.5x34.5cm ea., (3) (in matching frames) CONDITION REPORT: In matching gilded, moulded and glazed frames with gold mounts Losses to the frames Unexamined out of frame All prints are a little discoloured Ruckled slightly under the mount Brown spotting/faint staining on all prints One print has mount shadow Otherwise in general good condition
Lot 525
I Nisagu, South East Asian School, mid 20th century- Jungle cats; egg tempra on canvas, signed, 45x35.5cm: together with three prints- "Qui Capit Ille Habet", "An Admiral" and "Veduta Della Piazza SS Nunziata, Statua Equestre di Ferdinando Primo Fonti e Loggie Laterali"; engravings with hand-colouring, various sizes, 18x23cm (max), (4) CONDITION REPORT: In a gilt, bamboo frame signed lower left some paint cracked and fading Creases visible on the canvas Canvas a little loose on stretcher Some surface dirt - could do with a general clean Otherwise in good condition The prints are in Hogarth style, glazed frame and two dark wooden frames All unexamined out of frame time fading on all prints 'Qui Capit Ile Habet' has some disintegration of paper in top right corner Italian print has a blindstamp In reasonable condiditon
Lot 528
After John Absolon, British 1815-1895, by Day & Son lithographers- "The Nave and Transept" Publ. by Lloyd Brothers Ltd 1851; hand-coloured lithograph, 33x41.5cm: togeher with five other lithographs from the Great Exhibition 1851, by Day & Son Lithographers after various artists- "The Furniture Court", "Church Furniture", "The Amazon (East Nave)", "America", "The Bradford Court" Publ. by Lloyd Brothers Ltd 1851; hand-coloured lithographs, 33x41.5cm ea., (6) (in matching frames) CONDITION REPORT: In wooden, gilded and glazed frames with cream mounts with gold and black edging Unexamined out of frame there are a few water stains present on two of the prints a few creases visible on the lead print minor brown staining otherwise in general good condition
Lot 545
Thomas Rowlandson, British 1756-1827 and Auguste Pugin, British 1769-1832 with aquatint by John Bluck 18th/19th Century- "Christie's Auction Room" Publ. by R. Ackermann, London 1808; etching and aquatint with hand-colouring, 23.2x28cm: together with one other by the same artists- "Royal Cock Pit" Publ. by R. Ackermann, London 1808; etching and aquatint with hand-colouring, 23.2x28cm, (2) (in matching frames) CONDITION REPORT: In matching gilded, glazed frames with cream mounts and line detailing unexamined out of frame Brown stain on top edge of first print and faint staining lower half Minor fading of colours Otherwise in good general condition
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