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Lot 2003
Stanley William Hayter CBE (1901-1988) ''Serre'' Signed and dated (19)79, inscribed and numbered 23/75, etching, 75cm by 55.5cm (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business The print has a lot of creases within the margins. Vertical creases within the red and areas of creasing within the green. Tear 3cm to centre of right margin- this does not go into the plate. The print has a deckled edge. Slight nick upper right within the green to the right of the red line and one to the upper centre of the black Also possible surface scratches within this area, slight nick/surface scratch to bottom right corner within the green. Pencil line diagonal through lower left margin up into the red and orange area. Scuffs and the odd very sporadic foxing spot to margins. See images. Viewing recommended.
Lot 2007
Henry Moore OM, CH, FBA, RBS (1898-1986) Figure groups Signed in pencil and numbered 46/75, lithograph, 25cm by 33.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration The print has a deckled edge. It has slightly slipped in the frame. Some light surface dirt and debris trapped under glass. Otherwise good overall condition. Not examined out of the frame.
Lot 2009
After Laurence Stephen Lowry RBA, RA (1887-1976) ''Woman with Beard'' Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 756, published by the Adam collection in 1975, a colour reproduction, 68.5cm by 55cm (unframed) Provenance: Windsor Gallery, Oldham Sold together with the original Adam Collection card and preliminarily sketch print from an unsigned limited edition Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Lot 2017
Norman Ackroyd CBE, RA (b.1938) ''Bishop's Rock'' Signed and dated (20)05, inscribed and numbered 53/90, etching, 26cm by 37.5cm (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business The print has a deckled edge. Crease upper left hand side with in the margin. Handling crease lower right mostly to the margin. Covered in a very thin layer of dust. Otherwise in good overall condition. Unframed.
![Artist: Diane Arbus (American, 1923-1971). Title: "Child with a Toy Hand Grenade in Central Park, New York [medium format]".](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/a5d42357-7e4d-4ef6-8cf8-ad3c0002d9a8/468x382.jpg)
Lot 103
Artist: Diane Arbus (American, 1923-1971). Title: "Child with a Toy Hand Grenade in Central Park, New York [medium format]". Medium: Original vintage photogravure. Date: Composed 1962. Printed 1972. Dimensions: Overall size: 11 x 9 1/4 in. (279 x 235 mm). Image size: 8 1/2 x 8 3/8 in. (216 x 213 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $511,500 realized at Christie's, New York, 4/6/2017, lot #12. This edition authorized and supervised by Doon Arbus. Diane Arbus’s direct, confrontational approach to photography meant that her subjects did not always like their portraits. After seeing his, the writer Norman Mailer famously said, "giving a camera to Diane Arbus is like putting a live grenade in the hands of a child". Here the grenade is just a toy, yet Arbus again makes an unconventional portrait of her subject. On the contact sheet, it is evident that Arbus did make ‘typical’ portraits of the boy smiling, but she chose to print only this unusual shot. He stands stiffly, his hands clenched like claws, with a crazed expression on his face. The portrait seems sinister, yet it could reflect something more ordinary – the exasperation of any child made to stand still and have his picture taken (courtesy National Gallery of Scotland). Image copyright © 1972 The Estate of Diane Arbus, LLC. [30109-2-800]
Lot 115
Artist: Ansel Adams (American, 1902-1984). Title: "Clearing Winter Storm, Yosemite National Park, Calformia". Medium: Original photogravure. Date: Composed 1944. Printed 1976. Dimensions: Overall size: 5 7/8 x 7 3/16 in. (149 x 183 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Narrow margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): One of Adams’s most popular images, the silver print regularly selling at auction for over $40,000. Image copyright © The Ansel Adams Publishing Rights Trust. [29589-2-1000]
![Artist: Walker Evans (American, 1903 - 1975). Title: "Coal Dock Worker, Havana, Cuba [two shovels]". Medium: Gelatin silver p](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/be1c892b-8980-482b-8999-ad3c00030363/468x382.jpg)
Lot 117
Artist: Walker Evans (American, 1903 - 1975). Title: "Coal Dock Worker, Havana, Cuba [two shovels]". Medium: Gelatin silver print. Date: Composed 1932. Printed 1971. Dimensions: Overall size: 18 x 14 3/4 in. (457 x 375 mm). Image size: 7 5/8 x 6 in. (194 x 152 mm).Lot Note(s): Signed in pencil on the mount, lower right; dated and numbered on the mount, lower left. Planned edition of 100, of which 88 were printed. Mounted into debossed areas on Strathmore double weight rag board. Flush mounted as issued. Fine, quality contact printing from the original negatives by Ives-Sillman/Thomas A. Brown, under the supervision of Walker Evans. Very good condition; would be fine save a small imperfection in the hat of the subject, visible in the raking light. Comment(s): This iconic Evans photograph is from the beautifully conceived and executed portfolio “Walker Evans: 14 Photographs,” published by Ives-Sillman, New Haven, CT, in 1971. Evans selected this image for the portfolio as representative of the work he did in Cuba, where he made a series of single and group portraits of coal dock workers. Arguably the most important and compelling image of the series, this man, holding not one but two shovels, was the oldest of the workers and the central figure in all of the group portraits. The photograph was included by Evans in his 1938 exhibition at the Museum of Modern Art. A photocopy of the very rare prospectus and price list for the portfolio accompanies the lot. Distributed in part by Harry H. Lunn/Graphics International Ltd., Washington, D.C. Image copyright © The Walker Evans Archive, The Metropolitan Museum of Art. [29783-3-3000]
![Artist: Andy Warhol (American, 1928 - 1987). Title: "Committee 2000 (1982) [photograph]". Medium: Original color Polaroid pho](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/114dda8c-0e2d-4f6b-b2fe-ad3c00030ddc/468x382.jpg)
Lot 121
Artist: Andy Warhol (American, 1928 - 1987). Title: "Committee 2000 (1982) [photograph]". Medium: Original color Polaroid photograph. Date: Composed 1982. Dimensions: Overall size: 4 5/16 x 3 1/2 in. (110 x 89 mm).Lot Note(s): Signed in black marker. Polaroid photograph paper. The full sheet. Fine, quality printing. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.289. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): Warhol took a photo of this ‘Committee 2000’ print that he wanted to sell to Borje Bengtsson, the Swedish gallery owner. Bengtsson then put his gallery sticker on it (B & B Pop Art was the name of his first gallery) and Warhol signed the sticker. The silkscreen was printed by Rupert Jasen Smith, New York City; published by Committee 2000, Munich, Germany, to raise funds for projects commemorating the year 2000. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29246-1-800]
Lot 124
Artist: Georges Braque (French, 1882 - 1963). Title: "Composition (Violon)". Medium: Original color collotype. Date: Composed 1914. Printed 1962. Dimensions: Overall size: 17 x 8 13/16 in. (432 x 224 mm). Image size: 14 7/8 x 6 1/2 in. (378 x 165 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated TP in pencil, lower left. Light cream wove paper. Ample margins. Fine impression. Very good to fine condition. Comment(s): Authorized by and printed under the supervision of Braque shortly before his death. This print, from a limited edition, was not issued separately; rather, in a signed and numbered portfolio. Braque applied a complimentary signature to several AP, TP, and numbered impressions. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [23269-3-400]
![Artist: William Gordon Shields (Canadian/American, 1883 - 1947). Title: "Country Homes [New York]". Medium: Vintage pigment p](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/ddeb53ec-73bd-4425-8deb-ad3c000329cd/468x382.jpg)
Lot 131
Artist: William Gordon Shields (Canadian/American, 1883 - 1947). Title: "Country Homes [New York]". Medium: Vintage pigment print. Date: Composed c1921. Printed c1921. Dimensions: Image size: 9 x 7 in. (229 x 178 mm).Lot Note(s): Identifed as to phototographer, title, and date in pencil, verso. High-grade archival paper. Wide margins. Fine, quality printing. Very good condition; contained within conservation mat. Provenance: Christie's, New York. Comment(s): “Shields helped found the Pictorial Photographers of America, along with Clarence White and Gertrude Kasebier. He is listed in Witkin and London’s ‘The Photograph Collector’s Guide,’ ‘Auer and Auer’ and the George Eastman House databases. He also appears in the book by C.A. Peterson, ‘After the Photo Secession: American Pictorialist Photography 1910-1955.’” (Courtesy Alex Novak, Vintage Works, Ltd.). Image copyright © The Estate of William Gordon Shields. [284-4-300]
Lot 172
Artist: Arthur Rothstein (American, 1915 - 1985). Title: "Dust Storm, Cimarron County, Oklahoma". Medium: Original vintage photogravure. Date: Composed c1936. Printed 1937. Dimensions: Image size: 8 1/4 x 10 7/8 in. (210 x 276 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $36,000 realized at Phillips, New York, 4/26/2006, lot #38. One of the most famous images from the Depression era. For the U.S. Resettlement Administration. This image is not copyrighted; it is in the public domain. [25878-2-300]
Lot 179
Artist: Rafael Coronel (Mexican, 1931-2019). Title: "El Filosofo". Medium: Color offset lithograph. Date: Printed 1978. Dimensions: Overall size: 18 7/8 x 24 3/4 in. (479 x 629 mm). Image size: 18 7/8 x 24 3/4 in. (479 x 629 mm).Lot Note(s): Signed with the signature stamp, lower left; dedicated with the stamp, lower left verso; signed in the plate, lower right. Print #128 from the edition of unknown size (c150-200?). Cream lightly textured wove paper. Printed to the sheet edges. Fine impression. Very good to fine condition. Comment(s): Rafael Coronel, born in Zacatecas, State of Zacatecas, is the son-in-law of Diego Rivera and the brother of Pedro Coronel. His representational paintings have a melancholic sobriety, and include faces from the past great masters, often floating in a diffuse haze. Image copyright © Rafael Coronel. [28009-5-300]
![Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Elsa Peretti As a Bunny, New York #1 [large version]". Medium:](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/563bdc95-e2a6-4449-9fd3-ad3c0003ceb2/468x382.jpg)
Lot 188
Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Elsa Peretti As a Bunny, New York #1 [large version]". Medium: Original photolithograph. Date: Composed 1975. Printed 1985. Dimensions: Overall size: 20 1/2 x 13 3/4 in. (521 x 349 mm). Image size: 20 1/2 x 13 3/4 in. (521 x 349 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Fine condition. Provenance: Through the photographer Wolfgang Sievers; from an extensive private collection, Melbourne, Australia. Comment(s): Dressed by Halston, November 1975. A gelatin silver print of approximately the same size sold for $68,500 at Christie’s New York, December 16, 2008, lot #217. Image copyright © The Helmut Newton Foundation. [30242-4-2400]
![Artist: Hugo Brehme (German/Mexican, 1882 - 1954). Title: "Emiliano y Eufemio Zapata y Esposas [Mexico]". Medium: Gelatin sil](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/01af728f-ba3c-41a8-98f2-ad3c0003d394/468x382.jpg)
Lot 190
Artist: Hugo Brehme (German/Mexican, 1882 - 1954). Title: "Emiliano y Eufemio Zapata y Esposas [Mexico]". Medium: Gelatin silver print. Date: Composed c1910. Printed later from the original negative. Dimensions: Overall size: 16 x 20 in. (406 x 508 mm).Lot Note(s): Studio blindstamp, lower right. Thick Foma Bohemia photographic paper. Fine, quality printing. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Mexico City. Comment(s): The Casasola Archive was acquired from the heirs of Agustin Victor Casasola by the Mexican government in 1976. No photographs from the Archive have been printed for public distribution since then. [23148-3-800]
![Artist: Agustin Victor Casasola (Mexican, 1874 - 1938). Title: "Emiliano Zapata, Retrato Rostro [Mexico]". Medium: Gelatin si](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/8b4144b8-f02b-4b89-b12a-ad3c0003d586/468x382.jpg)
Lot 191
Artist: Agustin Victor Casasola (Mexican, 1874 - 1938). Title: "Emiliano Zapata, Retrato Rostro [Mexico]". Medium: Gelatin silver print. Date: Composed c1910. Printed later from the original negative. Dimensions: Overall size: 14 x 11 in. (356 x 279 mm).Lot Note(s): Casasola Studios embossed blindstamp seal, lower right. Thick Foma Bohemia photographic paper. Fine, quality printing. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Mexico City. Comment(s): This riveting image was included in the exhibition "The Mexican Revolution and Beyond: From the Casasola Archives, 1900-1940" at El Museo del Barrio, 1230 Fifth Avenue at 104th Street, New York City, 2005. The Casasola Archive was acquired from the heirs of Agustin Victor Casasola by the Mexican government in 1976. No photographs from the Archive have been printed for public distribution since then. [23179-3-400]
Lot 194
Artist: Manuel Alvarez Bravo (Mexican, 1902 - 2002). Title: "Escala de Escalas". Medium: Original photogravure. Date: Composed 1931. Printed later. Dimensions: Overall size: 10 7/8 x 7 3/4 in. (276 x 197 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Guadalajara, Mexico. Comment(s): Very rare. The auction record (according to “Gordon’s”) for a silver print of this image is $44,230 (€40,950) at Calmels-Cohen, Paris, 4/15/2003, lot #5047. Image copyright © Colette Urbajtel / Archivo Manuel Alvarez Bravo, SC. [29583-2-600]
Lot 195
Artist: Karima Muyaes (Mexican, b.1960). Title: "Estela con la Luna Roja". Medium: Color stencil monoprint. Date: Composed 1985. Dimensions: Overall size: 23 3/4 x 16 in. (603 x 406 mm). Image size: 23 3/4 x 16 in. (603 x 406 mm).Lot Note(s): Signed and dated, lower right. Editioned lower left. Dated verso. Print #1 of edition of 1. Hand-made Mexican amate bark paper. Printed to the edge of the sheet on cream-colored, handmade, Mexican amate (bark) paper, deckle edge all four sides. Fine impression. Very good condtion. Literature/catalogue raisonne: James Orr's provisional catalogue number M26. Provenance: Private collection, Mexico City. A Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [23713-0-400]
Lot 221
Artist: William Gordon Shields (Canadian/American, 1883 - 1947). Title: "Figures by the Staircase, New York City". Medium: Vintage albumen print. Date: Composed c1905. Printed c1905. Dimensions: Image size: 6 3/4 x 4 3/4 in. (171 x 121 mm).Lot Note(s): Stamped with the photographer's name, verso. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; contained within a conservation mat. Provenance: Christie's, New York. Comment(s): “Shields helped found the Pictorial Photographers of America, along with Clarence White and Gertrude Kasebier. He is listed in Witkin and London’s ‘The Photograph Collector’s Guide,’ ‘Auer and Auer’ and the George Eastman House databases. He also appears in the book by C.A. Peterson, ‘After the Photo Secession: American Pictorialist Photography 1910-1955.’” (Courtesy Alex Novak, Vintage Works, Ltd.). Image copyright © The Estate of William Gordon Shields. [279-4-400]
Lot 232
Artist: Georges Braque (French, 1882 - 1963). Title: "Forme". Medium: Original hand-colored gouache pochoir on collotype. Date: Composed 1957. Printed 1959. Dimensions: Overall size: 7 1/4 x 9 5/16 in. (184 x 237 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated "H.C." in pencil, lower left. From the edition of 60 Hors Commerce impressions. Cream wove Arches paper. Full margins, as issued. Fine impression with vivid colors. Fine condition. Provenance: From the library of the London gallerist and bookseller Anton Zwemmer (1892–1979), a publisher of the work. Comment(s): Authorized by and printed under the supervision and participation of Braque, four years before his death. Braque applied a complimentary signature to a number of H.C. impressions of this print. The auction record for a pochoir (“Nature morte”) of approximately the same size as our example is SF8,400 ($6,737) realized at Galerie Koller, Zurich, 6/23/2006, lot #Z20/3. A more recent sale (“Nature morte au citron”) at Swann Auction Galleries, New York City, 3/13/2018, lot #367, realized $4,250. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [30038-1-700]
![Artist: Agustin Victor Casasola (Mexican, 1874 - 1938). Title: "Francisco "Pancho" Villa en la Silla Presidencial [Mexico]".](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/5cd9fb4b-6b48-413e-bb08-ad3c000459d8/468x382.jpg)
Lot 234
Artist: Agustin Victor Casasola (Mexican, 1874 - 1938). Title: "Francisco "Pancho" Villa en la Silla Presidencial [Mexico]". Medium: Gelatin silver print. Date: Composed 1914. Printed later from the original negative. Dimensions: Image size: 11 x 14 in. (279 x 356 mm).Lot Note(s): Titled, signed and annotated "No. 6" in the negative. Casasola Studios embossed blindstamp seal, lower right. Thick Foma Bohemia photographic paper. Fine, quality printing. Very good to fine condition. Provenance: Private collection, Mexico City. Comment(s): A classic and famous image. Rodolfo Fierro (far right), stands by as Pancho Villa (in the Presidential chair) chats with Emiliano Zapata at Mexico City. Tómas Urbina is seated at far left, Otilio Montaño (with his head bandaged) is seated to the far right. The Casasola Archive was acquired from the heirs of Agustin Victor Casasola by the Mexican government in 1976. No photographs from the Archive have been printed for public distribution since then. [23131-3-400]
Lot 250
Artist: Edward Steichen (American, 1879 - 1973). Title: "Gloria Swanson". Medium: Original vintage photogravure. Date: Composed 1924. Printed 1930. Dimensions: Image size: 9 1/2 x 7 1/2 in. (241 x 190 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. . Comment(s): The silver print of this iconic image sold for $540,000 at Phillips de Pury & Company, New York (27 Exceptional Photographs) - 04/24/2007 - lot #5. Ex-collection Jaled Muyaes, Mexico City. For "Vogue." Image copyright © Conde Nast Publications Inc., New York. [23234-2-600]
Lot 255
Artist: Edward Steichen (American, 1879 - 1973). Title: "Greta Garbo, Hollywood". Medium: Original photogravure. Date: Composed 1928. Printed later. Dimensions: Overall size: 11 7/8 x 9 11/16 in. (302 x 246 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. . Comment(s): For “Vanity Fair.” A silver print of this image, Steichen’s classic photograph of Garbo, sold (per “Gordon’s”) for $50,000 at Sotheby's, New York, 10/7/2016, lot #61. Image copyright © Edward Steichen Estate/ARS, New York. [29630-2-600]
Lot 264
Artist: Joel-Peter Witkin (America, b.1939). Title: "Harvest". Medium: Original vintage photogravure. Date: Composed 1984. Printed 1985. Dimensions: Overall size: 10 3/4 x 11 in. (273 x 279 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $22,800 realized at Sotheby's, New York, 10/11/2005, lot #198. Witkin’s controversial and carefully constructed photographs frequently depict macabre, often grotesque scenes, with images including torture, cadavers, hermaphrodites, dwarfs, etc. His works can be found in the collections of The Museum of Modern Art in New York City, the J. Paul Getty Museum in Los Angeles, the National Gallery in Washington, D.C., the Victoria and Albert Museum in London, and the Centre Georges Pompidou in Paris. Image copyright © Joel-Peter Witkin. [29679-2-800]
Lot 284
Artist: Andy Warhol (American, 1928 - 1987). Title: "Ingrid Bergman: Herself (01)". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm).Lot Note(s): Signed in black felt tip pen, lower center; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.313. Comment(s): Scarce, and rare signed. A signed impression from this series sold for $1,790 at Pierre Cornette de Saint Cyr, Paris, June 20, 2011, lot #412. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. The portfolio consists of three separate images of Bergman. Apparently there were very small quantities of this lithograph printed for distribution on opening night and they went quickly. This image, the "edition print," is based on an early publicity photograph. Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28155-2-500]
Lot 306
Artist: Robert Mapplethorpe (American, 1946 - 1989). Title: "Ken Moody and Robert Sherman". Medium: Original vintage photogravure. Date: Composed 1985. Printed 1988. Dimensions: Overall size: 8 3/16 x 8 1/8 in. (208 x 206 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a platinum print of this image is $160,419 (£118,750) realized at Christie's, London, 5/17/2018, lot #63. Image copyright © The Robert Mapplethorpe Foundation. [29665-2-800]
![Artist: Jean Pierre Marie Jazet (French, 1788 - 1871). Title: "La promenade du Jardin Turc - 1810 [Paris]". Medium: Color eng](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/9a94c302-366a-4b72-8c01-ad3c00054a6a/468x382.jpg)
Lot 315
Artist: Jean Pierre Marie Jazet (French, 1788 - 1871). Title: "La promenade du Jardin Turc - 1810 [Paris]". Medium: Color engraving, etching, and aquatint, with handcoloring. Date: Composed 1812. Dimensions: Overall size: 16 x 23 3/4 in. (406 x 603 mm). Image size: 12 x 21 7/8 in. (305 x 556 mm).Lot Note(s): After Jean Joseph Bostier de Bez (1780-1845). An extremely rare proof (1 of 3) before letters. Cream wove paper. The full sheet, deckle edges four sides. An excellent impression. Condition: good; some foxing and browning with color attenuation; no serious problems. Literature/catalogue raisonne: See: Beraldi, Volume 8, pg. 229; IFF2; B4. Provenance: Ex-collection Cortlandt F. Bishop, with his stamp, verso; M. Knoedler, NYC, with their labels from frame back, separate from the print, since lost. Comment(s): A rare print even with letters. We could find only three sales at auction, all with letters, in the past 25 years, the last in 1995 (sold at $1,168). The print shows a part of the Boulevard du Temple, then called the Boulevard du Crime. "Jean Pierre Marie Jazet was one of the most prominent aquatint engravers of the Napoleonic era. He worked almost exclusively in aquatint, reproducing the paintings of the grand Republican artists such as David, Vernet, de Gros, and Grenier. Although the majority of his prints were patriotic images, he also produced many fine aquatints of pastoral paintings and genre scenes. His fresh images exhibit the beauty of the medium and exemplify his amazing technical ability. His extremely complex prints are fluid yet detailed; they express the beautiful painterly technique of the medium…" Courtesy: Donald A. Heald. [24412-4-800]
Lot 327
Artist: Georges Braque (French, 1882 - 1963). Title: "Le canard". Medium: Original hand-colored gouache pochoir on collotype. Date: Composed 1956. Printed 1959. Dimensions: Overall size: 7 1/4 x 9 5/16 in. (184 x 237 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated "H.C." in pencil, lower left. From the edition of 60 Hors Commerce impressions. Cream wove Arches paper. Full margins as issued. Fine impression with vivid colors. Fine condition. Provenance: From the library of the London gallerist and bookseller Anton Zwemmer (1892–1979), a publisher of the work. Comment(s): Authorized by and printed under the supervision and participation of Braque, four years before his death. Braque applied a complimentary signature to a number of H.C. impressions of this print. The auction record for a pochoir (“Nature morte”) of approximately the same size as our example is SF8,400 ($6,737) realized at Galerie Koller, Zurich, 6/23/2006, lot #Z20/3. A more recent sale (“Nature morte au citron”) at Swann Auction Galleries, New York City, 3/13/2018, lot #367, realized $4,250. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [30042-1-600]
Lot 330
Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 7/8 x 13 in. (454 x 330 mm). Image size: 13 1/4 x 10 1/8 in. (337 x 257 mm).Lot Note(s): Signed in the plate, lower left. Edition of 500. Cream laid paper. Very wide (full?) margins. Fine impression. Very good condition; would be fine condition but for a crease in upper right and left margin, well away from image, would be matted out when framed. Literature/catalogue raisonne: Francis Bouvet, “Bonnard: The Complete Graphic Work” #114. Comment(s): This print is sometimes erroneously called “Jardin public” or “Les Champs-Elysees.” Image copyright © Artists Rights Society (ARS), New York. [25685-3-300]
Lot 339
Artist: Edward Weston (American, 1886 - 1958). Title: "Lettuce Ranch, Salinas, California". Medium: Original vintage photogravure. Date: Composed 1934. Printed 1935. Dimensions: Image size: 8 x 10 1/16 in. (203 x 256 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Rare. According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $30,000 offered at Christie's, New York, 4/7/2011, lot #304. Image copyright © Center for Creative Photography, Arizona Board of Regents. [27632-2-225]
Lot 348
Artist: Hugo Brehme (German/Mexican, 1882 - 1954). Title: "Locomativa con Revolucionarios en el Estado de Morelos [Mexican Revolution]". Medium: Original gelatin silver print. Date: Composed c1910. Printed later from the original negative. Dimensions: Overall size: 11 x 14 in. (279 x 356 mm).Lot Note(s): Signed in the negative. Studio blindstamp, lower right. High-grade archival paper. Ample margins. Fine, quality printing. Fine condition. Comment(s): Brehme, born in Germany, arrived in Mexico in 1905 and spent most of his life there. He became a Mexican citizen shortly before his death. [23157-4-300]
Lot 356
Artist: Man Ray (American, 1890 - 1976). Title: "Magnolia Blossom". Medium: Original vintage photogravure. Date: Composed 1926. Printed 1934. Dimensions: Image size: 11 1/4 x 8 3/8 in. (286 x 213 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Very scarce. According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $47,800 realized at Phillips, New York, 4/24/2003, lot #29. Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [96-2-225]
![Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 16, 1964 #1 [from the suite 'Le Gout du Bonheur,' image d](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/8a8c646d-6490-4469-8503-ad3c0008d0d3/468x382.jpg)
Lot 376
Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 16, 1964 #1 [from the suite 'Le Gout du Bonheur,' image dated 16-5-64 I, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 5/8 in. (327 x 244 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30019-2-1600]
![Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 20, 1964 #01 [from the suite 'Le Gout du Bonheur,' image](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/61c7abe6-7bfb-46e1-939c-ad3c0008d2ff/468x382.jpg)
Lot 379
Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 20, 1964 #01 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 I, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 11/16 in. (327 x 246 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper leftt. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30025-2-1600]
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