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Lot 1346

Utagawa Yoshikazu (act.1850-1870) - The Earth-spider trapped in its lair by the Shi-tennoh, woodblock print, published Maruya Jinpachi 1858, 35.5 x 23cm. Note: One section from a triptych

Lot 230

L/E signed print - Bluebells in Valency Wood

Lot 341

Signed William Russell Flint print, blind stamped with pencil signature to bottom right - Image size 61cm x 45cm

Lot 250

Early print - His First Commission by Margaret Isabel Dicksee

Lot 251

SPENCER HODGE (BRITISH 1943), 'Guardian of The Plains', L/E print of Elephants, 860/1950, signed to lower margin, framed, image approx 32cm x 42cm

Lot 268

David Shephard print - Muffins pups

Lot 292

Print - The Horse Fair by Rosa Bonheur

Lot 256

WILLIAM RUSSELL FLINT (BRITISH 1880-1969), 'Three Girls', L/E print, 161/850, published by Michael Stewart Fine Art in 1992, blind stamp to lower margin, framed, image approx 36cm x 58cm

Lot 1308

1st Class, Military. Neck Badge, 55 mm, Silver and Silver gilt, medallion enameled,on reverse maker`s mark "H. Weiss (Heinrich Weiss,Bucarest)", Silver Malta Cross, the limbs ended in metalpearls, in the centre green round medallion with the design of the Order, "For Merit", original suspension loop and wideribbon. Extremely rare cross, with very rare originalribbon, in extremely fine condition. I RR! Print

Lot 578

By Picasso (Pablo) - Two picadores and woman, lithograph pochoir created in 1959. Print Paris 1967 numbered 1016/ 2000, dimensions 63 x 47 cm in view. Good condition.

Lot 528

James Bond, Dr No, 1962 UK quad film poster, the iconic first James Bond film starring Sean Connery, illustrated by Mitchell Hooks, 76 x 101cm (folded)Condition report: Several tape marks to outer edges with folds and wear, auctual image of poster shows fold marks. (see images.)Poster has been stored folded for some time, so the folds are quite deep.Image is not too faded.Two very small holes to fold marks; one just below the R od Dr, and the other at waistline of woman 2nd right.Appears that the black print has rubbed to the white backing of credits.Print has not been backed.

Lot 203

Signed Alfred Munnings print 'Gathering before the meet' 1922 edition

Lot 258

Pierre Tal-Coat (French 1905-1985) - Untitled, lithograph printed in colours, indistinctly signed to lower centre of print, limited edition pencil signed XXII/LX, with studio stamp for Guilde de la Gravure lower left, visible sheet dimensions 55 x 37cm

Lot 310

Frank Downton (b.1936) - Sunburst, black and white print, signed in pen lower right to the reverse, 35.5 x 65.5cm

Lot 323

Sarah Bungey - Oh Weave me a Cloth of Gold, interwoven fabric study heightened in print with bright coloured birds, inscribed verso, 27.5 x 27.5cm

Lot 326

Marc Harrold - Figures on the Beach, limited edition C print, signed and numbered 30/150 lower right, 40 x 90cm

Lot 170

* JANE LANNAGAN, SILVER BIRCH IN SPRING limited edition print, signed, numbered 124/495 28cm x 19cm Mounted, framed and under glass

Lot 259

AFTER HORACE VERNET, LES CHIENS DU REGIMENT, print, framed and under glass, 68x76cm overall, along with another print titled 'Le Trompette,' framed and under glass, 68x76cm overall (2)

Lot 260

PRINCE RUPERT, PRINT AFTER STANLEY BERKELEY, print, framed and under glass, 79x105cm overall, along with a print titled 'For God and King', framed and under glass, 79x105cm overall (2)

Lot 294

COLOUR PRINT OF A PORTRAIT OF A GENTLEMAN, 59cm x 75cm

Lot 416

COLLECTION OF PICTURES AND PRINTS, including a 19th century print after Durer, oils and other prints

Lot 505

LOT OF WOOD AND OTHER ARTEFACTS, including a wooden box, reproduction stone carving, desk weight, Maori carving, small lacquered figure, print after Kennedy and an Egyptian saddle (7)

Lot 916

ANDY WARHOL (AMERICAN 1928-1987) MAO, 1974 Screenprint in colours on wallpaper, signed, dated and indistinctly inscribed, 101.7 x 75.2cm (40 x 29 1/2") Condition Report: Overall the paper bears creases and the print was previously rolled when stored. There is a horizontal curved shape tare in the paper, approx. 2.5cm in length, at the right edge, at middle. There are two tiny damage marks with light slightly visible from rear but paper not appearing to be holed right through and another slight tiny indentation to the paper located to the right of these. A few barely discernible horizontal/diagonal, slight in nature, glistening lines over the lower middle section of the right half area, one of which being slightly abrasive in feel. A few tiny white marks located top area of head and diagonal slight white mark located at the bottom of the chin.

Lot 95

JAPANESE SCHOOL BEETLE AND ORCHID watercolour painting on paper, signed, 79 x 33cm, landscape painting, with figures on a path, signed, watercolour, 70 x 45cm, NOBUKAZU Autumn piece, woodblock print, 72 x 30cm and a landscape, 61 x 21cm (4) Condition Report: larger landscape is rippled due to damp at some point. Autumn piece with repairs. smaller landscape with creases. all under glass.

Lot 120L

EISEN Shoki (Demon Queller)wood block print, 72 x 24cm and EIZAN Yumi-Toki, 32 x 22cm (2) Condition report:Available upon request

Lot 384

Terence Cuneo (1907 - 1996), a limited edition framed railway print entitled 'Steam in the Rockies', signed in pencil, No. 334/500, together with 'Stirling Departure' by Eric Bottomley, No. 25/850, 'Anlaby Road Crossing' by the same hand and 'H. M. Bark Endeavour' by John Cooper (4).

Lot 403

A boxed assortment of railway related collectables, to include a cast metal model of Flying Scotsman, railway badges, Pilotman's armband, Lowry print, jigsaws, loco sketches and other items.

Lot 49

Piece of Cake by Michael Turner, limited edition print No. 767/1494, signed by Ginger Lacey, DFM Exp/Capt Brian Kingcomb D50 DFC and Wing/Co Paddy Barthropp DFC AFC, framed with COA, 81 cm x 66 cm.

Lot 50

The Dambusters by Frank Wootton, framed limited edition print No. 809/850, signed by Norman Jackson VC, Bill Reid VC and the artist with COA, 64 x 54 cm.

Lot 51

Lancaster Bale Out by Frank Wootton framed limited edition print, No. 809/850, signed by Norman Jackson VC, Bil Reid VC and the artist with COA, 64 x 54 cm, together with "The Ruhr Express: First Off The Line" by Michael Martchenko framed limited edition print No. 57/850 with signatures (2).

Lot 5078

An autograpgh of Field Marshall Roberts. Framed alongside a colour print of him in dress uniform. Overall size including frame 31cm x 26cm.

Lot 1162

AFTER LAURENCE STEPHEN LOWRY (1887-1976) *ARR Old Town Hall, Middlesborough, limited edition 684/850, coloured print, blindstamp for Adam Collection, 41 x 31cm.

Lot 1174

AFTER E.R (Dick) STURGEON (1920-1999) *ARR Blacksmith and Figures in a Courtyard, colour print, limited edition 316/850, signed in pencil in the margin, blindstamp, 48 x 68cm.

Lot 1176

AFTER TODD WHITE (American b.1969) *ARR Trapeze, canvas on board print, limited edition 42/125, inscribed "To Patricia and Caroline" with sketch and signature verso, 39 x 50cm. Original receipt for £784.50 dated 19/9/10.

Lot 1177

AFTER TODD WHITE (American, b.1969) *ARR Boys Don't Tell, hand embellished print on canvas, limited edition 32/50, with signed certificate, 79 x 29cm.

Lot 1178

AFTER TODD WHITE (American, b.1969) *ARR When Angels Sell Their Wings, limited edition 31/295 print, signed in pencil and titled in the margin, 49 x 60cm.

Lot 1179

AFTER TODD WHITE (American, b.1969) *ARR If I Didn't Laugh I'd Cry, giclée limited edition 43/95 print, signed in pencil and titled in the margin, with certificate, 47 x 63cm.

Lot 1181

AFTER TODD WHITE (American, b.1969) *ARR Drinking Boas, giclée limited edition 136/295 print, signed in pencil and titled in the margin, with certificate and receipt, 47 x 62cm.

Lot 2206

18th century print, The Southwest Prospect of Guildford, in the County of Surry', dated 1738, 32cm x 82.5cm,. .

Lot 63

Richard Tuff framed and glazed polychromatic lithographic print of boats on a beach, 27 x 27cm

Lot 65

Jackson Beardy framed and glazed polychromatic lithographic print, details to verso, 14.5 x 18.5cm

Lot 383

BILLY CHILDISH. BRITISH 20th/21st CENTURY Sailor with Pipe. Signed with gallows motif. Gallery label verso. Print on paper 20' x 10'

Lot 458

A signed print after G.D. Armour 'Echoes of The Chase'. Together with a Framed woolwork of The Last Supper

Lot 462

A mounted print after Marc Chagall 28' x 21'

Lot 600

A racing print after Michael Lyne and other framed prints

Lot 117

Edwardian shepherd with sheep & collie, a monochrome print, 6½" x 10", in broad gilt frame.

Lot 442

A Photograph by HAROLD WHITE FRPS, Ogham Stone,silver gelatin print, titled and signed to mount, c 1950’s, image 29cm x 24cm

Lot 476

Three Large Air Ministry Photographs of War Planesincluding; an image of 'the Boulton Paul Defiant' a two seater turret fighter; an image of 'Bristol Beaufort'; and an image of 'Stirling Bombers' each with typed name to rear along with photographers stamp for Charles E. Brown, each print 51cm x 38cm

Lot 211

•DAMON ROBERTS (b. c.1974) 'This is Acid' signed limited edition silk screen, the image 36cm x 30.25cm (unframed)Damon Roberts is a contemporary artist, screen printer, and man behind Glass Siren Studio, a print facility established to produce complex print works. Fascinated by music and album cover art, and inspired by artists Yves Klein and Bridget Riley, Roberts' aesthetic is fuelled by forms of tactility and dynamism. His practice over the last decade has tended towards the abstract and the experimental, where the energy of ideas fuses with the chance nature of trial and error, to produce a truly organic and meditative range of print works, each with a complex story to tell. Within Glass Siren Studio, Roberts has custom built his own printing press, where he hand produces each silkscreen, working with traditional inks and additives on paper as well as an array of personally developed specialist techniques. The process is intimate and intense, and each work of art is the product of a long and physically involved journey, from initial sketch to finished formProvenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 213

•D*FACE (Dean Stockton, b. 1978) 'More Punk Than You Punk' (fluorescent yellow) signed and numbered 10/50in pencil lower left, five colour screen print on Somerset satin paper, 60cm x 60cm overall, to be sold with certificate of authenticity from StolenSpace Gallery, Brick Lane, LondonD*Face is an English multimedia street artist who uses spray paint, stickers, posters and stencils. Citing influences such as Shepard Fairey's 'Obey Giant' campaign, noted skateboard artist Jim Philips, hip hop and comic book art, the artist's humorous and nihilistic work fuses both traditional and contemporary graffiti and good old-fashioned vandalism. As well as gaining notoriety for entering hundreds of provocatively defaced banknotes into circulation, D*Face has also designed album covers for American pop diva Christina Aguilera and pop-punk stars Blink 182Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 214

•ADAM NEATE (b. 1977) 'Dimensionalist Painter' Signed exhibition poster, gravure print, 70cm x 50cm (unframed)Adam Neate is a British conceptual artist who first became known in the 1990's for leaving his artworks in the streets for anyone to collect. Since then Neate has focused his attentions on 'dimensionalism' - his multi-dimensional artworks made from different materials, that shape-shift depending on the viewer's vantage point.Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 219

•VEEBEE (20th/21st Century) 'Marilyn Butterflies 2' signed limited edition (250), giclee print on Somerset fine art paper, 36cm x 36cm (unframed)VeeBee is a contemporary artist living and working in the UK. She creates mixed media and collage pieces, inspired by pop and urban art themes. Her favourite medium is spray paint, enjoying the challenge of exploring new and inventive techniques, and the process of surrendering controlProvenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 222

•BOB COSFORD (Contemporary) 'Joe' giclee print, hand finished with glitter and acrylic paint drips, 1/1, on 280gsm photo lustre paper, framed in 2015, 39cm x 64cmThis work was created to resemble panels taken from fairground ridesBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 231

•PURE GOLD (aka Bob Cosford) 'Chrome Girl' signed, titled and blind stamped, further labelled and stamped verso, printer's proof, giclee print on 310gsm German etching paper, the image 56cm x 41cm (unframed)Pure Gold is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art. 'Chrome Girl' was originally a hand drawn figure that developed over a period of years whilst moving between North London, Buckinghamshire and eventually Bournemouth where the figure became clockwork, being heavily influenced by the 'Steam Punk' movement.Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 234

•DIABLO (aka Bob Cosford) 'Buy Me And Stop One - POTA' signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 62cm (unframed)DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertisingBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 237

•DIABLO (aka Bob Cosford) 'Buy Me And Stop One - SUICIDE' signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 59.5cm (unframed)DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertisingBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 238

•DIABLO (aka Bob Cosford) 'Buy Me And Stop One - VADER' signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 61.5cm (unframed)DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertisingBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 241

•BOB COSFORD (Contemporary) 'Some Girls' 2012, a portrait of Mick Jagger, signed limited edition of 25, blind-stamped and with certificate of authenticity, giclee print on 310gsm German etching paper, the image 50cm x 37cm (unframed)Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 254

•AFTER BANKSY (b. 1974), 'Di-Faced Tenner', double-sided 'ten pound note' colour print on paper, 7.6cm x 14.5cm (unframed)Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 257

•BANKSY (b. 1974) 'Very Little Helps' 2008, signed and numbered 133 of 299 to the margin, screen print on paper, 50.6cm x 37.4cm (unframed)To be sold with Certificate of Authenticity from Pest Control, dated December 15th 2008, with hand numbered and torn 'Di-Faced Tenner'Banksy's screen print Very Little Helps - also known as Tesco flag or Tesco kids - is based on a mural of the same name that he painted on the side of a pharmacy on Essex Road in North London. The mural soon became the subject of public and media speculation and sadly was subsequently vandalised provoking further discussion on the distinctions between street art and graffiti. Today it remains partially damaged with the Tesco flag painted over and replaced with a tag from rival artist King Robbo.In 2008 Banksy released Very Little Helps as a series of 299 signed prints. The screen print version shows a group of three children surrounding a flagpole. Instead of raising a flag, one of them is raising a Tesco branded plastic bag while the other two are pledging their allegiance with their hands on their hearts, against a serene blue background.A cutting reference to Tesco's famous slogan 'Every little helps', the work seems to denounce the presence of the supermarket chain on almost every high street in Britain, and its forcing out of diversity and independence. The choice of the symbol of the flag also seems to emphasise the theory proposed by some political theorists that corporations have been allowed to grow into such big entities under late capitalism that they can almost be considered to be the new nation states.In its barbed critique of Tesco, the work joins previous prints such as Soup Can which focuses on the 'Tesco value' range of soups. In a play on Andy Warhol's iconic Campbell's Soup series, the work seems to highlight the poverty present in our society, a theme that seems even more relevant today when food bank use is increasing steadily year after year under government austerity measures.Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

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