TSUCHIYA KOITSU (1870-1949), THE POND OF SARUSAWA, NARA ON A RAINY EVENINGBy Tsuchiya Koitsu (1870-1949), signed Koitsu with seal 'Shin'Japan, dated 1941Color woodblock print on paper. Vertical Oban. Signed Koitsu with 'Shin' seal on the bottom right corner of the image along with Baba Nobuhiko publisher seal on the left margin. Entitled Nara Sarusawa no Ike (Sarusawa Pond at Nara). This print appears to be part of the “export” version as it has the title and Koitsu signature written in the Latin script in the bottom margin. Vertical inscription along the right margin.Sarusawa Pond and the silhouette of Kofuku temple Pagoda on a rainy evening. The daylight still lingers at the horizon. The orange lights from the houses and streetlamps cast their reflections on the dark water surface.SIZE of the sheet 40.5 x 26.5 cmCondition: Great impression, registration and vivid colors. Very minor wear.Tsuchiya Koitsu (1870-1949) was a renowned landscape artist and a student of the famous Meiji-era print designer Kobayashi Kiyochika (1847-1915). He gained prominence as a designer of shin hanga (New Prints) for major woodblock print publishers from the early 1930s to 1940. Tsuchiya Koitsu's prints were known for their dramatic use of light and interesting color effects, influenced by his teacher Kiyochika. While some critics praised his work, noting its quality on par with famous shin hanga landscape artists like Kawase Hasui, Kasamatsu Shiro, and Yoshida Hiroshi, others criticized his heavy-handed design and unconventional color sensibility.
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TSUCHIYA KOITSU (1870-1949), SENGAKUJI TEMPLE AT TAKANAWABy Tsuchiya Koitsu (1870-1949), signed Koitsu with seal 'Shin'Japan, dated 1933Color woodblock print on paper. Horizontal Oban. Signed Koitsu with 'Shin' seal on the bottom left corner of the image. With Doi Hangaten publisher watermark 'Doi' located on the top-left corner. Vertical inscription along the right margin.An evocative night scene of the Sengakuji Temple in the evening during rainfall. Beautiful colors illuminate the street as reflected light bounces off it. SIZE of the sheet 26.8 x 39.8 cmCondition: Great impression, vivid colors and registration. Wear commensurate with age with very minor browning.Tsuchiya Koitsu (1870-1949) was a renowned landscape artist and a student of the famous Meiji-era print designer Kobayashi Kiyochika (1847-1915). He gained prominence as a designer of shin hanga (New Prints) for major woodblock print publishers from the early 1930s to 1940. Tsuchiya Koitsu's prints were known for their dramatic use of light and interesting color effects, influenced by his teacher Kiyochika. While some critics praised his work, noting its quality on par with famous shin hanga landscape artists like Kawase Hasui, Kasamatsu Shiro, and Yoshida Hiroshi, others criticized his heavy-handed design and unconventional color sensibility.
TSUCHIYA KOITSU (1870-1949), TOMONOTSUBy Tsuchiya Koitsu (1870-1949), signed Koitsu with seal 'Shin'Japan, dated 1940Color woodblock print on paper. Vertical Oban. Signed Koitsu with the 'Shin' seal along the right margin of the image along with a black 6mm Watanabe publisher seal below it. Entitled Tomonotsu from the series Seto Naikai (Inland Sea). Vertical inscription along the left margin.Sailboats quietly float in the waning glow of sunset at a harbor in Tomonotsu.SIZE of the sheet 38.5 x 26.6 cmCondition: Great impression, good colors, with slightly trimmed margins and minor browning of paper commensurate with age. Two minor binding holes on the left margin and negligible residue of tape.Tsuchiya Koitsu (1870-1949) was a renowned landscape artist and a student of the famous Meiji-era print designer Kobayashi Kiyochika (1847-1915). He gained prominence as a designer of shin hanga (New Prints) for major woodblock print publishers from the early 1930s to 1940. Tsuchiya Koitsu's prints were known for their dramatic use of light and interesting color effects, influenced by his teacher Kiyochika. While some critics praised his work, noting its quality on par with famous shin hanga landscape artists like Kawase Hasui, Kasamatsu Shiro, and Yoshida Hiroshi, others criticized his heavy-handed design and unconventional color sensibility.Museum comparison:An identical print is in the collection of the Art Institute of Chicago, reference number 1990.607.280. Another identical print is in the collection of the Museum of Fine Arts, Boston accession number 52.45.
TAKAHASHI SHOTEI (1871-1945), SEKIYADOBy Takahashi Shotei (1871-1945), signed Takahashi Shotei and sealed 'hiroaki' Japan, dated 1936Color woodblock print on paper. Nishiki-e. Signed Takahashi Shotei and sealed 'hiroaki'. Titled Sekiyado in the 1936 Watanabe Catalogue as number 242.Fishing boats head home against the setting sun with geese flying overhead. The sky retains a reddish hue, and the faint lights from the houses and boats provide the only illumination in the otherwise dark composition.SIZE of the sheet 38.5 x 17.4 cmCondition: Excellent condition and vivid colors. Very minor browning, commensurate with age.Takahashi Shotei (1871-1945), also known as Hiroaki, was a prominent Japanese woodblock print artist of the late 19th and early 20th centuries. He is best known for his landscape prints, particularly those featuring scenic views of Japan's countryside and urban scenes of Tokyo during the Taisho and Showa periods. Shotei's prints are characterized by their simple yet evocative style, with a focus on naturalistic details and atmospheric effects.
Floral print cotton dress three quarter sleeves trimmed with velvet by Droopy & Brown of York 84cm bust, brown and cream pattern overdress with underskirt and sleeves brown crepe by Bindi of Melbourne t/w brown and black floral dress long sleeves bodice and sleeves and hem trimmed with lace by Angela Gore of London 88cm bust manmade fibre
A collection of four Buckingham Palace Household Christmas cards, each bearing a pasted colour print, 1956, 1957 (x2), 1959, gatefold cards with printed messages, together with a typescript of plans for songs to be included in a Christmas concert [possibly at Sandringham], on five foolscap sheets, sent for appraisal to the Duke of Edinburgh, and a three-page duplicated typed list of homeopathic medicines 'For the Queen’s disposal from 47a Welbeck St, London 1953' (with a date of 1958 added later), plus a small quantity of royal ephemeraProvenance: By descent of Henry Ramsay Maule (1915-1981), author and journalist who for 21 years was a British Correspondent for New York Daily News specialising in stories relating to the Royal Family. Maule collected and formed a personal archive during the 1950s to 1970s
Leonardo da Vinci. A Treatise on Painting, first edition in English, London: J. Senex & W. Taylor, 1721. Engraved frontispiece, title page printed in red & black, 35 engraved plates, five of which are folding, pp. [xviii], 189, 16pp. index, 3pp. publisher's advertisements. Octavo, worn panelled calf, ffep featuring mounted grisaille watercolour portrait of Leonardo da Vinci, captioned as 'a camera sketch from a large & authentic Print', the verso with manuscript notes, a 'Remark, on Pictures at Osmaston'. Contents very well-preserved & bright, a few folded corners and small marks in places, contemporary owner inscriptions and handling marks on title, binding worn with upper board detachedThe first edition in English of the influential Trattato della pittura, compiled from numerous manuscripts after Leonardo's death
Winston Churchill (1874-1965). A wartime cigar partially smoked by Churchill and preserved in a 1940s olive jar bearing provenance label on British governmental stationery, 'This cigar was smoked by Mr. Churchill on August 29th 1944 at Rabat, Morocco, at a dinner party given for him by Mr. and Mrs. Stonehewer Bird’. The contemporary manuscript label in the hand of Stonehewer Bird. Together with a black & white press photograph of Churchill outside 10 Downing Street, gelatin silver print, signed in black ink by Churchill, 19.8cm by 13.9cm, framed & glazed, and a hand-painted plaster figurine of Churchill (3)Provenance: By descent of Sir Hugh Stonehewer Bird, a British diplomat who served as Consul-General, Morocco (Rabat), during 1943-45
Derbyshire History, Risley School. A Victorian scrapbook of 26 pencil sketches, 1877-1906, some signed with initials, 'C.W.G.' (C.W. Groves, schoolmaster at Risley), including an album print photographic group portrait of the pupils at Risley School, March 1883, with a M.S. Key providing names, together with three oak framed photographs, two being C. W. Groves. The pencil sketches include arch / topo views in Risley, Matlock, Repton, Brighton, Coniston Water, Isle of Man
![Waugh, Evelyn. [Scoop]. Hard News, illustrated by Steven Spurrier, a self-contained short story and evidently the first appea](https://cdn.globalauctionplatform.com/f5bd8c5e-2f91-4139-9b4d-b0190129e957/46f73350-8793-481e-b8e8-b02200d14a6b/468x382.jpg)
Waugh, Evelyn. [Scoop]. Hard News, illustrated by Steven Spurrier, a self-contained short story and evidently the first appearance of what would become Scoop [published the same year by Chapman & Hall]. The text corresponds to chapters 2-12 of Book II in the finished novel, some of it verbatim, some expanded or amended to suit the short story format. Collectors of first editions should appreciate the significance of an important author's contributions to magazines and periodicals, this after all being the true first appearance in print of Waugh's accomplished satire of journalism [presumably not documented until now]. Internally good & bright, covers creased & worn. Britannia and Eve, Vol. 16, No. 3, pp. 42-45, 117-122, March 1938
Four pairs of Jimmy Choo heels, Four pairs of Jimmy Choo heels, to include a pair of nude patent leather heels, a pair of tri-colour patent leather heels, a pair of glitter heels, and a pair of leopard print heels, sizes 35, 351/2 and 36 (UK sizes 2-3)(4).Overall condition good to fairNude patent leather heels - size 35, signs of occasional wear, some light scuffs to sole, with sticker still attached, with dustbag, a couple of pen marks to one shoeTri colour patent leather heels - size 36, unworn, with dustbagGlitter heels - size 35 1/2, signs of light wear, scuffs to sole, with dustbagLeopard print heels - size 35 1/2, scuffs to sole, signs of light wear
Jonson (Ben).- Jonsonus Virbius: or, The Memorie of Ben: Johnson revived by the Friends of the Muses, first edition, [edited by Bishop Brian Duppa], lacks final blank, first couple of gatherings trimmed close at lower edge with loss of signatures and catchwords, ink annotations to endpapers and text, occasional foxing, later green calf, gilt, a little soiled, [STC 14784; Pforzheimer 562], Printed by E.P. for Henry Seile, 1638.⁂ This elegiac collection, collected in tribute to Ben Jonson who had died in August of the previous year, includes works by Francis Beaumont, Henry King, William Cartwright, Owen Feltham and John Ford. It also includes Edmund Waller's first appearance in print on d3/4.Scarce at auction with only two appearances since 1964.Provenance: The Earl of Northesk (bookplate); G. Furman (ink name to front endpaper and extensive notes throughout)
Marvell (Andrew) The Rehearsall Transpros'd: The Second Part, first edition, with initial licence-to-print leaf, lacking final blank, bookplate of Giles Lyttons Strachey, scattered foxing and browning, last few gatherings with very small worming to lower margin, hinges repaired, later half calf, rebacked, retaining much of original backstrip, [Wing M882], 8vo, for Nathaniel Ponder at the Peacock in Chancery Lane near Fleet-Street, 1673.⁂ The second part of Marvell's witty attack on the Anglican cleric Samuel Parker, published in the preceding year. Marvell's work had elicited several responses, including from Parker himself.
BUXTON EDWARD N. Short Stalks, Second Series, Comprising Trips in Somaliland, Sinai, The Eastern Desert of Egypt, Crete, The Carpathian Mountains & Daghestan. 2 maps in pockets. Frontis & illus. Orig. pict. brown cloth, internal foxing & spotting. 1898; also Henry Zouch Darrah, Sport in the Highlands of Kashmir, 1 map (only) in pocket, illus., small quarto, orig. cloth, creasing & wear, zebra print endpapers, Rowland Ward, 1898. (2).
A E JOHNSON: W HEATH ROBINSON, London, A & C Black, 1930 re-print, coloured frontis and plates as list, original pictorial cloth plus W HEATH ROBINSON & K R G BROWNE: HOW TO LIVE IN A FLAT, London, Hutchinson [1936], first edition, original pictorial cloth soiled plus LANGSTON DAY: THE LIFE AND ART OF W HEATH ROBINSON, London, Herbert Joseph, 1947 first edition, original cloth, spine dulled (3)
Matchbox Models of Yesteryear pair of Pre-production trial models - YCH02/1 Ford Model TT Van "Ronald McDonald House" (1) darker red body, lighter yellow roof and chassis, trial decals with missing trademark towards rear character, lighter gold parts and wheels, screwed base without tampo print, (2) similar to production colours, riveted base but without tampo, also trial decal with missing trademark towards rear figure - generally Near Mint unboxed. (2)
Matchbox Superfast a group of triple pack Made in Macau "Super Value Pack" each containing three various models including Lamborghini Countach LP5000 in yellow, Mercedes Benz 300E in metallic blue, Jeep Cherokee "Mr Fixer", Porsche 959 - grey with tampo print to roof, Camaro Iroc-Z28 - yellow, plus various MB38 Ford Model A Promotional Vans - generally Near Mint to Mint on Good to Excellent blister cards. (16)
Matchbox Models of Yesteryear 2 x "Ronald McDonald's House Camp Quality" 1999 Collectors Gift Sets comprising Ford Model TT Van and Ford Model A Van (1) Ford TT in red with yellow chassis and roof, tampo print to base - Ford Model A with dark blue chassis and roof panel, (2) Ford Model TT all in red with tampo print to base - Ford Model A in pale blue with tampo print to base - both models with chrome 12-spoke wheels - Near Mint to Mint in Excellent boxes. (2)
Matchbox Superfast MB44 Skoda 130LR Rally Car - white body with blue and red racing number 44 tampo print which includes "Duckhams" tampo print to rear doors, red rear spoiler/engine cover, blue plastic China base, telephone dial wheels - Excellent with some discolour to base and light box rubs to roof in a Excellent Plus 1992 copyright Volkswagen group Skoda Auto all card box.
Matchbox Models of Yesteryear Y3 1912 Ford Model T Tanker "Express Dairy" colour trial model - green body and tank, white cab roof and filler caps, black seat, gold parts, gold 12-spoke wheels, Express Dairy to header board in blue and white without Y12 cast to base - some slight loss of tampo print to nearside otherwise Excellent unboxed.
Matchbox Models of Yesteryear Y12 Ford Model T Van "Smiths Crisps" - colour trial model - green body without rear door tampo print, gloss black roof and chassis, black seats, gold parts, red 12-spoke wheels with whitewall tyres without Y12 cast to base - some loss of tampo to rear corner - Excellent unboxed.
Magnus Gjoen,British b.1979-There are Some Dead Who Are More Alive Than the Living, 2018;porcelain sculpture in colours,stamped with initials to underside and inscribed 12/50,contained within original branded wooden box,14cm high,together with a giclée print on wove, signed and numbered 12/30 in pencil, 12.6 x 12.6cm,(ARR)(2)Note: together with COA issued by Artrepublic
David Hockney OM CH RA,British b. 1937- iPad Drawing 'No. 281', 23rd July, 2010;8-colour inkjet print on cotton-fibre archival paper,signed, dated and numbered 109/250 in pencil,loose (as issued), contained in the original pink paper wrappers and cloth-covered board,sheet: 55.8 x 43.2 cm,(unframed)(ARR)
Yoshitomo Nara,Japanese b.1959-WOW Project Beach Towel, 2010;digital print on 100% cotton beach towel, from an unnumbered limited edition, published by Art Production Fund, New York, contained inside unopened plastic bag, and accompanied by original label (on a tag affixed to the reverse),size:149.8 x 175.2 cm
Bob Dylan,American b.1941-Train Tracks (blue), 2013;giclée print in colours on 350gsm Hahnemühle Museum Etching wove,signed and numbered 208/295 in pencil,printed by GTZ Fine Art Editions, New York,published by Washington Green Fine Art in association with Black Buffalo Artworks,sheet: 91.5 x 122.5 cm,(unframed)Note: together with COA issued by Washington Green Fine Art.
Damien Hirst,British b.1965-Valium, 2000;Lambda inkjet print in colours on glossy Fujicolor professional paper,indistinctly signed (pen has faded) from the edition of 500,published by Eyestorm, London,sheet: 127 x 127 cm,(framed)(ARR)Provenance: The owner's husband was gifted the work personally by the artist
Norman Parkinson CBE, British 1913-1990,Norman Parkinson With The Beatles, 2016; hardback monograph,together with silver gelatin print (sheet: 25 x 20 cm), signed by Simon Parkinson in black marker, and numbered 131/ 350 to the title page, published by Rufus Stone Limited Editions, Berkshire,'Recycled Leather' Slipcase Edition, contained within original clamshell box,box dimensions: 33 x 32.5 cm, (special edition book + photo)(ARR)
Alfred Eisenstaedt,American/German 1898-1995,Model with veil by hat designer Lily Daché, NYC, 1937;black and white photographic print on smooth wove,signed in black pen, titled in ink and with artist's inkstamp verso,printed later circa 1970s,sheet: 25.3 x 20.3 cm,(unframed)(ARR)Provenance: Property from The Estate of Alfred Eisenstaedt
Bob Dylan,American b.1941-Woman In Red Lion Pub (Yellow), 2008;giclée print in colours on 350gsm Hahnemühle Museum Etching wove,signed and numbered 181/295 in pencil,printed by GTZ Fine Art Editions, New York,published by Washington Green Fine Art in association with Black Buffalo Artworks,sheet: 73.75 x 56 cm,(framed)Note: together with COA issued by Washington Green Fine Art.
The Connor Brothers,British b. 1968- We Are All In The Gutter, 2021; digital inkjet archival print with a screenprinted varnish overlay on Somerset Satin 330gsm paper, signed, dated and inscribed 'SP' in pencil, proofed and editioned at Jealous Print Studio in 2021, sheet: 50 x 75 cm, (framed)(ARR)Note: together with a Certificate of Authenticity issued by the Jealous Gallery.
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