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Lot 240
Terence Cuneo CVO OBE RGI, British 1907-1996 - 'Sketches of H.R.H. Prince Charles' for the painting of The Coronation of H.M. The Queen in Westminster Abbey in June 1953; pencil on paper, signed lower right 'Cuneo' and annotated across sheet, 28.1 x 36.8 cm: together with a limited edition print of 'The Coronation of The Queen Elizabeth II in Westminster Abbey, 2 June 1953', signed and numbered lower right '349', print in colours, image size 53 x 76 cm and a hardback copy of 'The Mouse & His Master: the life and work of Terence Cuneo', New Cavendish Books, London, first published in 1977 and featuring a a detailed narrative of the sitting/sketching of H.R.H Prince Charles at Buckingham Palace (ARR) (3) Provenance: M. Perera, purchased directly from the artist (according to the label attached to the reverse of the frame) Robert Perera Fine Ltd., Lymington; Private Collection, UK, purchased on the 24th October 2010 (according to the copy of the original invoice) Note:attached to the reverse of the frame there is also a copy of 'The Illustrated London News' from the 24th July 1954, which includes an illustration of this work, along with other individual portrait sketches.
Lot 137
RUOLLO contemporary acrylic oil painting on canvas - Mediterranean coastal view, signed lower left, 49.5 x 100cms, contemporary acrylic oil on canvas - continental coastal view with boats, indistinctly signed lower right, 29.5 x 101cms, a colour print - fishing boats, 61 x 80cms, floral woolwork picture with a gilt framed mirror, other pictures, ETC
Lot 117
C H CHAPMAN (British 20th century) oils on canvas, a pair - figures punting with buildings to side, signed, 35 x 47.5cms, H TOMLINSON (1900) watercolour - mountain lake with sailing boats, figure watching to side, signed and dated lower left, 24.5 x 54cms, a pair of watercolour and feather collage pictures of exotic birds, 21.5 x 17cms and a colour fashion print After F H DESCH, 48 x 35cms
Lot 153
FORMULA ONE INTEREST - 'Jarnou Trulli', a framed and glazed OMP top and glove, the top signed, 94.5 x 79cms overall, CRAIG WARWICK limited edition colour print (73/500) - Gerhard Berger and Gean Alesi 1995 Ferrari Formula One team, signed and numbered in pencil, 46 x 82cms and a colour print After Stewart McIntyre '99 Tribute to Eddie Irvine, 58 x 42.5cms
Lot 481
A rosewood and kingwood musical box,19th century, Swiss, playing twelve airs, with zither attachment, tune indicator and Picard-Lion tune sheet, the strung rosewood case with kingwood crossbanding and a coloured print to the hinged lid, cylinder 13in (33cm),case 65cm wide26cm deep18cm highCondition ReportCover with small areas of wear now filled. Movement appears in working order. Air sheet discoloured and losses to two corners.Overall good.
Lot 62
Ulisse Aldrovandi (Italian, 1522-1605)a set of four hand-coloured engravings of birds, taken from 'Ornithologiae hoc est de avibus Historiae libri XII'image 32.5 x 20cm (4)Provenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportFramed 48.5 x 35cm. All prints are in good cosmetic condition with strong colours, the papers are in good condition with no holes or tears and very minor creases. The reverse text/image on each is visible, however, where is text this gives a nice aesthetic quality. All unexamined out of frames, condition of margins unknown. Print 394 with some bleeding to colours around the head, small patches of foxing, some cockling and a small crease/paper imperfection to the bottom half around the bird's legs. Print 395 with small patches of foxing throughout, cockling, small loss of colour to the bird's chest and the reverse image is showing through. Print 409 with some small patches of foxing and minor cockling. Print 430 with small areas of foxing throughout, smudge/mark to top left corner, some minor cockling around the edges and two small handling creases to the bottom lefthand edge. Please see images for more.
Lot 478
A selection of hardback and other books, primarily relating to the north-east, titles including: several volumes of the Heaton Works Journal; Views of the Collieries, by T. H. Hair, 1987 print, in slipcase; The Origins of Northumbria, by Peter Hunter Blair; Newcastle Upon Tyne: A Sketchbook, by Robert J. S. Bertram; Historic Architecture of Newcastle Upon Tyne, by Bruce Allsopp; and others, one box.
Lot 416
Cressida Campbell (Australian, 1960-) Jacaranda in full blossomwatercolour on incised marine plysigned lower right, created in 200380 x 66cmCressida Campbell was born in Sydney, Australia in 1960, and has since become one of the country's most successful artists. While studying at what is now the National Art School, Cressida developed her idea to combine printing and painting, but she wouldn't fully embrace this technique until several years later. Her work plays with colours and shapes through the portrayal of domestic life and tranquil landscapes. Her still life subjects often incorporate plants, furniture, and everyday decor.Cressida’s process involves engraving a woodblock, and then painting it with layers of watercolour, resulting in both an engraving and a mirror-image print.***CONDITION REPORT***Overall in honest untouched condition, some fine craquelure running vertically through the paint in line with the grain of the board, the base colour of the board shows through the thinner painted areas of the picture, otherwise some light dirt but no real faults noted. Signed lower right, housed in a parcel gilt cream frame, stamped to the stretcher, no other labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 427
§ § Magnus Gjoen (British b. 1979) 'The Darkness'archival pigment inks print on 308 GSM Cotton Rag papersigned in pencil and dated 2019, 41/5046 x 99cm***CONDITION REPORT***Good clean condition with no faults noted, under glass in the original ebonised frame, Enter Gallery label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 4092
Andy Warhol (Pittsburgh, Pennsylvania, 1928 - 1987New York Presbyterian),(attributed to), Marilyn Invitation & Mickey Invitation (2x)(Castelli Graphics) is a miniature version of Andy Warhol's Marilyn (FS II.30) and was created as an announcement for the exhibition Andy Warhol: A Print Retrospective 1963-1981, which runs from November 21 to December 22. 1981 at Castelli Gallery in New York. In addition to his pop art images of Brillo boxes and Campbell's soup cans. Both with signature on the front.17,5 x 17,5 cm.
Lot 4094
Andy Warhol (Pittsburgh, Pennsylvania, 1928 - 1987New York Presbyterian),(attributed to), Marilyn Invitation &Flower Invitation (2x)(Castelli Graphics) is a miniature version of Andy Warhol's Marilyn (FS II.30) and was created as an announcement for the exhibition Andy Warhol: A Print Retrospective 1963-1981 which was on view from November 21 to December 22, 1981 at Castelli Gallery in New York. In addition to pop-art images of Brillo boxes and Campbell's soup cans, both with a signature on the front.
Lot 4093
Andy Warhol (Pittsburgh, Pennsylvania, 1928 - 1987New York Presbyterian),(attributed to), Liz Invitation &Brillo Invitation (2x)(Castelli Graphics) is a miniature version of Andy Warhol's Marilyn (FS II.30) and was created as an announcement for the exhibition Andy Warhol: A Print Retrospective 1963-1981 which was on view from November 21 to December 22, 1981 at Castelli Gallery in New York. In addition to pop-art images of Brillo boxes and Campbell's soup cans, both with a signature on the front.17,5 x 17,5 cm.
Lot 4096
Andy Warhol (Pittsburgh, Pennsylvania, 1928 - 1987New York Presbyterian),(attributed to), Marilyn Invitation(Castelli Graphics) is a miniature version of Andy Warhol's Marilyn (FS II. 30) and was made as an announcement for the exhibition Andy Warhol: A Print Retrospective 1963-1981 which was on view from November 21 to December 22, 1981 at Castelli Gallery in New York. In addition to pop-art images of Brillo boxes and Campbell's soup cans, both with a signature on the front.
Lot 4095
Andy Warhol (Pittsburgh, Pennsylvania, 1928 - 1987New York Presbyterian),(attributed to), Marilyn Invitation (2x)(Castelli Graphics) is a miniature version of Andy Warhol's Marilyn ( FS II.30) and was made as an announcement for the exhibition Andy Warhol: A Print Retrospective 1963-1981 which was on view from November 21 to December 22, 1981 at Castelli Gallery in New York. In addition to pop-art images of Brillo boxes and Campbell's soup cans, both with a signature on the front.
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314783 item(s)/page