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Lot 8245
Warhol, Andy (1928 Pittsburgh/PA – New York City 1987), nach Zwei Arbeiten: a) Dollar Sign. Digital Print/Papier, re. u. im Druck bez. und li. u. mit Bleistift Ex. 734/3.000. Bildmaß 50x 40 cm und b) Uncle Sam. Digital Print/Papier, re. u. im Druck bez. und li. u. mit Bleistift Ex. 4.012/5.000. Bildmaß 24x 24 cm.
Lot 147
Dr. Joseph Scheer (German/American, B. 1958) "Actias Dubernardi" Digital print on heavy watercolor paper. Pencil signed, dated (2006), titled, and numbered (2/12) lower margin. Provenance: comes from the collection of Mr William Tippit, friend of Dr Scheer and owned the property that Dr Scheer would visit in Florida and where some of the images were taken for this series.Image Size: 40 x 30 in. Sheet Size: 46.5 x 34 in. Unframed. Joseph Scheer is a Professor of Print Media, and Co-Director/Founder of the Institute for Electronic Arts at the School of Art and Design, Alfred University. His current works, which span print media, video and web based projects, use technology to re-examine nature through interpretive collecting and visual recording. His most recent work has been exhibited at The Brooklyn Museum of Art, Brooklyn, New York and the National Museum of China, Beijing. The National Museum of Sweden, Stockholm and The Field Museum, Chicago, IL, He has published two books about his work; Night Visions, the Secret Designs of Moths, published by Prestel and Night Flyers, published by Nexus Press. To make his astounding prints, artist Joseph Scheer captures incredibly detailed images of moths with a scanner originally designed for film and transparencies. The tiny micro moths are as small as .25 inch and the giant Silkmoths have wings spans up to 5 inches. Using a special scanner that has a programmable focus for different depths of field, he scans each specimen between 7 and 40 times using different points of focus. Then he painstakingly reassembles them choosing only parts from the files that are in focus. The scanner records so much information—67 million data points per square inch—that a single specimen may take a full day to scan. The data files generated are huge: some of his many layered images are up to 10 Gigabytes before processing. With resolution that high, scans can be enlarged 2,700 percent and still be perfectly clear.
Lot 141
Dr. Joseph Scheer (German/American, B. 1958) "Samia Cynthia" Digital print on heavy watercolor paper. Pencil signed, dated (2005), titled and numbered (AP) lower margin. Provenance: comes from the collection of Mr William Tippit, friend of Dr Scheer and owned the property that Dr Scheer would visit in Florida and where some of the images were taken for this series.Image Size: 30 x 40 in. Sheet Size: 34 x 46.5 in. Unframed. Joseph Scheer is a Professor of Print Media, and Co-Director/Founder of the Institute for Electronic Arts at the School of Art and Design, Alfred University. His current works, which span print media, video and web based projects, use technology to re-examine nature through interpretive collecting and visual recording. His most recent work has been exhibited at The Brooklyn Museum of Art, Brooklyn, New York and the National Museum of China, Beijing. The National Museum of Sweden, Stockholm and The Field Museum, Chicago, IL, He has published two books about his work; Night Visions, the Secret Designs of Moths, published by Prestel and Night Flyers, published by Nexus Press. To make his astounding prints, artist Joseph Scheer captures incredibly detailed images of moths with a scanner originally designed for film and transparencies. The tiny micro moths are as small as .25 inch and the giant Silkmoths have wings spans up to 5 inches. Using a special scanner that has a programmable focus for different depths of field, he scans each specimen between 7 and 40 times using different points of focus. Then he painstakingly reassembles them choosing only parts from the files that are in focus. The scanner records so much information—67 million data points per square inch—that a single specimen may take a full day to scan. The data files generated are huge: some of his many layered images are up to 10 Gigabytes before processing. With resolution that high, scans can be enlarged 2,700 percent and still be perfectly clear.
Lot 261
Untitled, 1994 Jerry Uelsmann Silver Gelatin Print. Signed and dated lower right. Signature on verso of photo, along with date and "untitled". This is the photo that was used for the cover of "Uelsmann / Yosemite" Book by Jerry Uelsmann. Jerry N. Uelsmann is an American photographer and was an early exponent of photomontage in the 20th century in America. Jerry Uelsmann's work is permanently represented in all major collections, including those at the Metropolitan Museum (New York), the Fogg Art Museum at Harvard University, and the Royal Photographic Society (London). He has had one-person shows in museums and galleries worldwide, including the Museum of Modern Art in New York, the Art Institute of Chicago, and the George Eastman House. Mint condition; archival mat and blackened wood frame. Image Size: 12.75 x 10.25 in. Overall Framed Size: 21 x 17 in. Framed behind glass.
Lot 1270
P.M. Caffyn (20th Century), a watercolour, A house and its courtyard, signed and dated 1990 to the lower left, framed, mounted, and under glass, 17cm x 24cm, & 33cm x 39cm overall, together with two other pictures, a monochrome etching of Arncliffe Bridge, after M. Duke Miller (20th Century), and a print of a watercolour depicting the same Yorkshire village
Lot 1283
After Franz Herbelot (20th Century, French), a coloured print, A Parisian scene with the Pont de la Tournelle and Notre Dame, signed to the lower left, framed and under glass, 35cm x 48cm overall, together with another Parisian street scene, after Pierre Emile Gabriel Lelong (20th Century, French)
Lot 1254
A.Bellamy (20th Century, British), a coloured print, 'St Mary's Priory', signed in print and dated '89 to the lower right, framed, mounted, and under glass, 19cm x 24cm & 37cm x 41cm overall, together with three other Ecclesiastical prints, to comprise a monochrome print of the same church, after N.Blackburn (20th Century, British), a coloured print of the King's Own Royal Lancaster Regimental Chapel, after Phil Marriner (20th Century, British), and another of a church interior
Lot 1304
After John Atkinson Grimshaw (1836-1893), a coloured print, 'Winter Moonlight', 28cm x 38cm, & 44cm x 54cm overall, together with three other coloured prints, after Albert Chevallier Tayler (1862-1925), entitled 'Elegant Soiree', Laurence Stephen Lowry RBA RA (1887-1976), entitled 'V.E Day Celebrations', and Helen Layfield Bradley MBE (1900-1979), entitled 'Spring Lane'
Lot 1284
*Local Interest - After William Heaton Cooper RA (1903-1995), a coloured print, 'Blea Tarn', framed, mounted, and under glass, 14.5cm x 20cm, & 24cm x 29cm overallCondition report - This lot appears to be in generally good condition. The frame and glass are both intact. The image is clear and free of discolouration. There are spots of discolouration, however, in the border.
Lot 1232
A.W Bentham (fl. 1893-1906, British), (1) a watercolour, 'The Old Tower of St Albans Abbey', signed and dated 1890 to the lower right, displayed in a card mount, 14cm x 20cm, & 22cm x 30cm overall, together with (2) a gouache painting, signed indistinctly 'Gisbourne', of a romanticised coastal landscape within an oval mount, (3) a pencil sketch, by Percy Lancaster (19th/20th Century, British), depicting The Chain Gate in Wells, Somerset, 24cm x 28cm, & (4) an early 20th Century photographic print of ladies in fashion
Lot 1326
After John Constable RA (1776-1837), a coloured print, 'The Hay Wain', displayed within a gilt moulded frame and under glass, 47cm x 64cm, & 60cm x 75cm overall, together with two other reproduction prints, comprising 'The Print', after Joanne Pemberton-Longman (1918-1973), signed and dated 1963 in print to the lower right, and 'Misty Sunrise', after Anthony Sheath (b.1946, British), framed, mounted, and under glass
Lot 1291
Derek Wilkinson (1929-2001, British), an artist's proof, 'Winter Landscape', signed to the margin and dated 1979, framed, mounted, and under glass, 27cm x 47cm, & 40cm x 60cm overall, together with a limited edition print, by the same artist, entitled 'Drystone Walls - Snow', depicting auburn, tufty grass beside a wall, 6/25, framed, mounted, and under glass, of identical size
Lot 46
JAPANESE WOODBLOCK PRINTS, two, by Yoshiharu (1828-1888) and Toyokuni III (1786-1864) along with three crepe prints by Kunitsuna (1805-1868), Kuniteru (1830-1874) and Fusatana (1854-1888) bought from Kensington Church, Barclays Street, measurement woodblocks 49cm x 38cm, largest crepe print 64cm x 37cm.
Lot 727
Andy Warhol - "Tree Frog" from 'Endangered Species' - USA, 1983. Silkscreen in colors. 38 x 38. This work is an unsigned and Unnumbered Printer's proof, outside of the edition. Printed by Rupert Jasen Smith, New York. The print does not have the AWAAB stamp. Publisher stamp on the verso, printer's blind stamp.
Lot 678
Katsushika Hokusai, a Japanese ukiyo-e painter and printmaker, is widely celebrated for his profound influence on Japanese art and his iconic woodblock print series "Thirty-Six Views of Mount Fuji," which includes the iconic "The Great Wave off Kanagawa." Active during the Edo period (1760s–1840s), Hokusai's art is characterized by its intricate detail, vibrant colors, and innovative compositions.Key points about Hokusai's artistic legacy include:1. **Ukiyo-e Tradition**: Hokusai was a master of ukiyo-e, a popular art form during the Edo period that focused on woodblock printing and depicted scenes from the "floating world" of urban life, nature, entertainment, and more.2. **The Great Wave off Kanagawa**: Perhaps Hokusai's most famous work, "The Great Wave off Kanagawa," captures the power and beauty of nature. The towering wave and Mount Fuji in the background reflect his skill in combining dramatic composition with delicate detailing.3. **Mount Fuji Series**: Hokusai's "Thirty-Six Views of Mount Fuji" series showcased his mastery of composition, depicting the iconic mountain from various angles and in different atmospheric conditions. This series was instrumental in solidifying his reputation.4. **Variety of Subjects**: Hokusai's oeuvre encompassed a wide range of subjects, including landscapes, nature, portraits, mythological creatures, and genre scenes. His ability to breathe life into these subjects made him a versatile and innovative artist.5. **Experimentation and Innovation**: Hokusai constantly pushed the boundaries of his craft, experimenting with techniques, perspectives, and color palettes. He embraced new ideas while respecting traditional artistic values.6. **Influence on Western Art**: Hokusai's art had a profound impact on Western artists and the development of the Japonisme movement in the 19th century. His compositions, use of color, and mastery of line influenced artists such as Vincent van Gogh and Claude Monet.7. **Illustrative and Technical Skill**: Hokusai's technical skill and attention to detail were matched by his illustrative storytelling. His works often conveyed narrative elements, capturing moments frozen in time.8. **Enduring Legacy**: Hokusai's influence continues to reverberate through contemporary art and popular culture. His prints remain highly sought after by collectors and his legacy is celebrated in exhibitions, publications, and artistic tributes.Katsushika Hokusai's legacy as a pioneering ukiyo-e artist and master printmaker is deeply intertwined with his ability to capture the beauty of nature, the spirit of Japanese culture, and the essence of life during the Edo period. His iconic works continue to resonate with viewers worldwide, offering glimpses into a world of both artistic mastery and timeless creativity.Enamel.Measures 1.25.
Lot 878
Katsushika Hokusai, a Japanese ukiyo-e painter and printmaker, is widely celebrated for his profound influence on Japanese art and his iconic woodblock print series "Thirty-Six Views of Mount Fuji," which includes the iconic "The Great Wave off Kanagawa." Active during the Edo period (1760s–1840s), Hokusai's art is characterized by its intricate detail, vibrant colors, and innovative compositions.Key points about Hokusai's artistic legacy include:1. **Ukiyo-e Tradition**: Hokusai was a master of ukiyo-e, a popular art form during the Edo period that focused on woodblock printing and depicted scenes from the "floating world" of urban life, nature, entertainment, and more.2. **The Great Wave off Kanagawa**: Perhaps Hokusai's most famous work, "The Great Wave off Kanagawa," captures the power and beauty of nature. The towering wave and Mount Fuji in the background reflect his skill in combining dramatic composition with delicate detailing.3. **Mount Fuji Series**: Hokusai's "Thirty-Six Views of Mount Fuji" series showcased his mastery of composition, depicting the iconic mountain from various angles and in different atmospheric conditions. This series was instrumental in solidifying his reputation.4. **Variety of Subjects**: Hokusai's oeuvre encompassed a wide range of subjects, including landscapes, nature, portraits, mythological creatures, and genre scenes. His ability to breathe life into these subjects made him a versatile and innovative artist.5. **Experimentation and Innovation**: Hokusai constantly pushed the boundaries of his craft, experimenting with techniques, perspectives, and color palettes. He embraced new ideas while respecting traditional artistic values.6. **Influence on Western Art**: Hokusai's art had a profound impact on Western artists and the development of the Japonisme movement in the 19th century. His compositions, use of color, and mastery of line influenced artists such as Vincent van Gogh and Claude Monet.7. **Illustrative and Technical Skill**: Hokusai's technical skill and attention to detail were matched by his illustrative storytelling. His works often conveyed narrative elements, capturing moments frozen in time.8. **Enduring Legacy**: Hokusai's influence continues to reverberate through contemporary art and popular culture. His prints remain highly sought after by collectors and his legacy is celebrated in exhibitions, publications, and artistic tributes.Katsushika Hokusai's legacy as a pioneering ukiyo-e artist and master printmaker is deeply intertwined with his ability to capture the beauty of nature, the spirit of Japanese culture, and the essence of life during the Edo period. His iconic works continue to resonate with viewers worldwide, offering glimpses into a world of both artistic mastery and timeless creativity.Measures 1.25 inches.Enamel.
Lot 879
Andy Warhol(American, 1928-1987)Moonwalk, 1987Silkscreen in colors on Lenox museum board.Stamped in black on verso, Certificate of Authenticity Moonwalk © Andy Warhol 1987. We the undersigned hereby certify this to be an original Andy Warhol work of art bearing a stamped signature of the artist. Print #: Frederick Hughes Executor Andy Warhol Estate Rupert Jasen Smith Master Printer Ronald Feldman Fine Arts, Inc. Publisher; bears printer's chop mark to lower left corner. There are no signatures printed or otherwise on this print, from the Television, series, posthumously printed.38 x 38in
Lot 625
Andy Warhol(American, 1928-1987)Moonwalk, 1987Silkscreen in colors on Lenox museum board.Stamped in black on verso, Certificate of Authenticity Moonwalk © Andy Warhol 1987. We the undersigned hereby certify this to be an original Andy Warhol work of art bearing a stamped signature of the artist. Print #: Frederick Hughes Executor Andy Warhol Estate Rupert Jasen Smith Master Printer Ronald Feldman Fine Arts, Inc. Publisher; bears printer's chop mark to lower left corner. There are no signatures printed or otherwise on this print, from the Television, series, posthumously printed.38 x 38in
Lot 2124
Sachsen-Altenburg - 5 Mark 1903, Herzog Ernst, 50-jähriges Regierungsjubiläum, ss-vz, Kratzer, Tönung, berieben, Randkerben, Fingerabdruck, 27,79g rau.| Saxony-Altenburg - 5 Mark 1903, Duke Ernst, 50th Anniversary of Government, VF-EF, scratches, toning, rubbed, marginal notches, finger print, 27.79g rough.
Lot 37
Jo DELAHAUT (1911-1992) green, yellow and black "Untitled" silkscreen print, 1956. Signed Jo Delahaut" in pencil lower right and justified 43/60. Numbered 43/60 in pencil lower right. - Weight: 2.08 kg - Shipping unavailable - Region: Belgique - Period: XXeme - Sizes: H 500 MM L 350 MM - At first glance: good condition - Author / artist: Jo DELAHAUT (1911-1992) - Object type: serigraphie de couleur
Lot 1
GEORGE BEST 1960's MATCH WORN MANCHESTER UNITED JERSEYGeorge Best was football’s version of The Beatles. The first true celebrity footballer, Best possessed an incredible ability to dribble the football and a lifestyle to match. To this day, Best is considered one of the absolute best to ever lace up their boots. Best famously led Manchester United to European Cup glory in 1968, the same season he won the Ballon d’Or as the best European Footballer. An exact date for this garment is difficult to discern, but it is believed to date to the early 1960’s of Best's career. This garment was an original squad equipment at Old Trafford, and was worn on the pitch by George Best. George originally gifted the uniform to a fellow player when he moved to America to play in the NASL.The jersey is white with with red collar and long sleeve cuffs, #7 is sewn on back in red fabric too. Correct Umbro label is sewn in the collar and another Umbro print is evident on the lower hem.The jersey is accompanied by a letter of authenticity which states that the vendor got this jersey in 2009 from the collection of the Irish player and Best's teammate Shay Brennan's family
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314783 item(s)/page