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Lot 1

Andre Bicat 1909-1996- Statue in a city street; lithograph in colours, signed and numbered 25/30 in pencil, 58.5x79cm: together with one other example of the same print: Edwin Ladell, 1914-1970- lithograph in colours, signed, titled and inscribed 'Artist's Proof' in pencil, 59x77cm: together with a quantity of other 20th century artist's prints by different hands, most signed and numbered, including examples by: Margaret Hunter, b.1948, C M Penny, Hilda Bernstein, Olwen Jones, b.1945, Anthony Bamber, Rupert Shephard, 1909-1992 and E Helmer, (a lot), (unframed)

Lot 1

After Sir Peter Markham Scott, 1909-1989- Mallards flying over marshland; colour reproduction print, 37x60cm

Lot 1

George Gardner 16th century- 'Wirtenberg Dvcatvs...', 1579; engraved map, 42x53cm: Italian School 18th century- 'Sepulchrum Metellorum nune vulgo Copo Di Bove...'; engraving on laid: After Francesco Piranesi 1758-1810- 'Sepolero di Cecilia Metella...'; reproduction print: together with an 18th century engraving of Granada and Barcelona, and two further early 19th century Italian engravings of ruins, (6)

Lot 1

After Vincent R Balfour-Brown 1880-1963- 'Astir in the Covert'; colour reproduction print, publ by Brotherton Gallery Ltd 1978, signed and dated 1908 within the plate, numbered 562/850 in pencil, 26x33.5cm

Lot 1

After Richard Caton Woodville II 1856-1927- 'All That Was Left of Them'; chromolithograph printed in colours, signed within the plate, 51x71cm: Manner of Thomas Shotter Boys 1802-1874- 'Hyde Park Corner'; reproduction print, together with a further ten reproduction prints of similar subjects. (12)

Lot 1

Ann, Duchess of Norfolk late 20th century- 'Chalk Cliffs above the River Arun, oil on board, signed, 43x55cm: After Montague Dawson 1895-1973- 'Off Valparaiso'; reproduction print: British school late 20th century- Map; watercolour, (3)

Lot 1

After William Russell Flint 1880-1969- St Mark's Square Venice; colour reproduction print, signed in pencil, bears FATG blind stamp, 39.7x51.5cm: E Piot- Figures in a landscape; oil on canvas board, signed, Robert Rogers- 'Worm in the Bud'; oil on canvas board, bears label for Holborn Art Exhibition attached to the reverse: together with one other abstract composition by the same hand, and three other pictures, one a townscape by William Bratt, (7)

Lot 1

Atfer Francois Vivares 1709-1780- Architectural elevation after R & J Adam, originally publ 1770; reproduction print, 51.5x38.5cm: together with seven other reproduction prints after the same suite, all in matching decorative frames, (8)

Lot 1

A Contemporary Colour Reproduction Print of a Gentleman standing with a Prize Bull, 29.4x26.5cm

Lot 1

Frank Lewis Emanuel 1866-1948- Sailing vessels; pencil with touches of watercolour, signed, 11x16.5cm: E R Pratt late 20th century- Floral study; watercolour, signed and dated '85: together with a print of a galleon, (3)

Lot 1

Fay Pomerance b.1912- 'Night Traffic'; watercolour, bears labels for SWA exhibition 1966 attached to the reverse 48.5x37.5cm: together with four works on paper and prints by different hands and an over-painted reproduction print after Sir Frank Brangwyn, (6)

Lot 1

European school early 20th century- Sunflowers; oil on board, 60x33cm: together with six other oil and print studies by and after various hands, also to include an inlaid wooden tray and a electroplated metal tray, (7)

Lot 1

Valerie Orchard, Signed Print/Etching, ‘Dawn Light’, number 16 of 25, dated 1965, plate size 13” x 18”

Lot 1

After Arthur Leonard Cox b.1879- 'Autumn The Repast', publ 10 Clarke Street, Bristol, by Frost & Reed Ltd, print sellers of Bristol & London 1952; mezzotint printed in colours, signed in pencil, bears blind stamp, 56x71cm: together with four similar signed colour mezzotints after the same hand, (5)

Lot 1

Minnie Fry 20/21st century- 'Ascending Cloud'; etching, signed and numbered 1/30 in pencil, 40x48cm: together with seven other oils and print studies to include examples by: Judith Lyons, Silvia Shaw, Monica Winner and others, (8)

Lot 1

Tom Whitehead 1886-1959- 'Three Nuns'; hand-coloured etching, signed in pen, 17.5x25cm: Robert Wallace Hester b.1866- Two puppies and a basket, after E Cladwell, publ May 2nd 1891 by J P Mendoza King St St James'; etching, signed by both print maker and artist in pencil, 22x27cm: After Sir William Orpen 1878-1931- 'The Breeze' and 'The Draughtsman and his Mode'; reproduction prints, printed signature on each, (4)

Lot 1

A Carter early 20th century- Sailing boats; oil on canvas, after J M W Turner 1851-1775, signed, 40x61cm: British school 20th century- Forest view, oil on canvas, signed: After R Southy 19/20th century- 'On the Leign, Dartmoor'; reproduction colour print, (3)

Lot 1

A carved and giltwood circular Florentine frame with shell and scroll decoration, diameter 69cm, containing a coloured print.

Lot 1

A gilt picture frame box, the rising lid with a coloured print, "Le maitre de Musique", 36.5 x 29.5cm.

Lot 1

Oil Painting of a full Standing Nude Kathy Lloyd by Paul Lake, original painting for a print issued by the Sun Newspaper with letter of ownership approx. 36" x 48" (f/g)

Lot 1

19th century Le Blond-style print of children playing by a cottage, 12 x 16 cm, oval, framed and glazed

Lot 1

After John P Cowan. Canada Geese over water, reproduction colour print, signed in pencil to the margin, Trade Guild blind stamp, published by Venture Prints, image size 19¼" x 26¾", framed.

Lot 1

After David Shepherd. "Kudu" reproduction colour print, limited edition 200/250, signed in pencil to image, 21¾" x 29¾" framed.

Lot 1

A Belgian river view - reproduction, colour print, 27" x 32", framed.

Lot 1

After Montague Dawson. "The Gallant Mayflower" reproduction colour print, signed in pencil to margin, Trade Guild blind stamp, published by Venture Prints, 1970, image size 24" x 29¾"; together with a colour print "Wise Old Elephant" after David Shepherd, framed (2).

Lot 1

After Victor Venner. "The Jockey's Trainer" coloured print, c.1903, 10" x 7½" framed.

Lot 1

A large quantity of 19thC blue and white transfer print dinner ware, including tureens and meat plates

Lot 1

SIR FRANK BRANGWYN R.A. R.W.S. (1867-1956), BRIDGE OVER AN ITALIAN RIVER, signed in pencil, coloured print, with Fine Art Trade Guild stamp, framed.

Lot 1

Peter Gabriel signed limited edition photograph by Maplethorpe A limited edition print titled Peter Gabriel Shaking The Tree Sixteen Golden Greats featuring two headshots of the singer. The print is signed Peter Gabriel in black marker pen and is numbered 58/125. Framed and glazed. Overall measurements approx. 12.5 x 23 inch (32 x 58 cm) £100-150US$180.00-270.00

Lot 1

Donovan Sunshine Superman poster circa 1967 Psychedelic poster designed by Martin Sharp, metallic finish with black and blue print on silver ground. Each Measures approx. 22 x 32 inch. (56 x 81 cm) £100-150US$180.00-270.00

Lot 1

Martin Sharp SEX poster Metallic poster designed by Sharp and printed by Big O Posters Ltd, blue, pink and black print on silver ground. Measures approx. 20 x 30 inch. (50 x 76 cm) £100-150US$180.00-270.00

Lot 1

* Elvis Presley signed security shirt with badge A Las Vegas Hilton security shirt with multi-coloured Hilton logo print. These special, rare shirts were worn exclusively by the Wells Fargo Security Service members to distinguish them from Elvis' personal security members. The shirt has a gold Wells Fargo Services Security badge attached to it number 76752. When The Hilton changes its name to The International, the security shirts were sent by the Management to a charity sale. It was discovered that this particular shirt prior to being offered to the charity was signed by Elvis Presley on the left breast pocket. The shirt was subsequently washed with very little damage to the autograph. £500-600US$900.00-1,080.00

Lot 1

*Reed (Kenneth). 'No. 5 Court, Wimbledon', colour print, signed by the artist in pencil, limited edition 496/920, approx. 460 x 620 mm, mounted, together with a modern print showin various tennis strokes, approx. 320 x 240 mm, framed and glazed (2)

Lot 1

* A small metal figure of a gentleman tennis player in shorts playing a back-hand stroke, c. 1940s, on black marble plinth, overall height 18 cm, together with an Arthur Wood Royal Bradwell Sports series treacle-glazed tankard with transfer-print decoration showing what is believed to be Jack Kramer and Margaret Osborne from 1947 Wimbledon championships, handle modelled in the form of a lawn tennis racket, height 13 cm, plus a Tretorn Championship commemorative tin containing six unused tennis balls, c. 1995, three cannisters of unused tennis balls including a set of four Nassau Official Tennis Ball of the 1988 Olympic Games, and two boxed games (8)

Lot 1

* The "Streamline Red Star" lawn tennis racket by Hazell Sports Goods Manufacturers, London, c. 1930s, distinctive triple-strut frame, restrung by Wyndham Ewens, Bristol, manufacturers transfer-print labels, leather grip, length 68 cm (with associated advert) Good original condition. Owned from new by Yvonne Watkins (nee Chudleigh), President of Cornwall L.T.A. (1)

Lot 1

* A pair of "Combat" tennis rackets manufactured by Donnay, Belgium, c. 1950s, laminated wood frames with open throats, unstrung, finished in cream and green with manufacturer's transer-print labels, length 68 cm (weight 13.5 oz and 12.5 oz) Rare. (2)

Lot 1

* An "Owen Davidson" tennis racket, manufactured by A. G. Spalding & Bros., Belgium, c. 1960s, the wooden frame with white ash bow, finished in gold, burgundy and white, with transfer-print portrait of Davidson, length 68.5 cm, together with a "Top-Flite" racket by Spalding (U.K.), c. 1968, the wooden frame finished in white and black with manufacturer's transfer-print labels (indicates rough/smooth on handle), length 68.5 cm Both in good original condition. (2)

Lot 1

* A pair of Dunlop "Maxply Fort" Lew Hoad Autograph tennis rackets, c. 1962-65, laminated wood frames, white painted shoulders, manufacturers transfer-print labels including oval portrait of Lew Hoad, contemp. covers, length, 68.5 cm, together with an early 1960s Dunlop "Maxply" racket and an early 1970s ditto (4)

Lot 1

*Bateman (H.M., illust.). "The Umpire Who Confessed He Wasn't Looking!", c.1950s, mounted col. print showing appealing cricketers and embarrassed umpire, framed and glazed, overall approx. 44cm x 55cm, together with a framed and glazed team photograph of "Leigh Cricket Club - Season 1911", overall approx. 36cm x 46cm First item signed on mount in black ink by H.M. Bateman. (2)

Lot 1

*Print. A Cricket Match between Sussex and Kent, mid 19th century, uncoloured litho., some toning, approx. 450 x 600 mm, framed and glazed (1)

Lot 1

*Print. Some Representative Cricketers, late 19th century, wood engraving featuring twenty-four head and shoulders portraits including W.G. Grace, Lord Harris, W.W. Read, etc., each captioned and surrounded by a stylised floral border, approx. 400 x 595 mm, framed and glazed (1)

Lot 1

*Russell (Jack). Moment of Victory, 1990, colour print showing England beating the West Indies at Sabina Park for the first time in 16 years, signed by the artist and ten players in pencil, image approx. 510 x 760 mm Limited edition 368/405. (1)

Lot 1

*Print. "Bogey", early 20th century, surreal golfing chromo. by WAW, approx. 400 x 320 mm, with original pen and ink sketch by WAW including artist's inscription inset to mount, framed and glazed See illustration inside rear cover of this catalogue. (1)

Lot 1

*Print. The Old Course, St. Andrews, Surveyed & Depicted by A.Mackenzie, March 1924, coloured map of St. Andrews golf course, with attached autograph slips in ink of Harry Vardon (Open champion 1896, 1898, 1899, 1903, 1911 & 1914) and William Auchterlonie (Open champion 1893), approx. 320 x 630 mm, framed and glazed (1)

Lot 1

*England v Scotland 1877. A mounted albumen print of the England team of 15 players in their England colours and caps, on the occasion of the match against Scotland on 5th March 1877, approx. 19 x 23.5 cm, neatly captioned in ink at head, mount somewhat soiled, together with another similar albumen print group photo of the England team and of similar vintage, similar size, no caption or date, mount spotted and sl. damaged at corner, plus an autograph letter from the Secretary to the Rugby Football Union, dated February 1887, to an unnamed player [possibly C. J. C. Touzel or H. Springmann], inviting him to be first reserve forward for the England v Scotland match at Manchester on 5th March, one page, integral blank pasted to album leaf, plus the photograph album of Charles J. C. Touzel including an albumen print team photo of the England v Scotland 1887 team, dressed in casual wear, photo somewhat marked and faded, names identified in ink beneath, an albumen print team photo of Cambridge Rugby Football team in full kit, plus an albumen print photo of Wells Town Rugby football team, four further group photos of Cambridge students in suits and bowler hats, three of these with ink name identifications beneath, all prob. late 1870s, plus numerous window-mounted cartes-de-visite of family and fellow students, many with ink name identifications loosely inserted, plus another cartes-de-visite album relating to the Touzel family, some with pencil name identifications, both contemp. morocco, with clasp, rubbed, 4to, plus a few related news cuttings pasted to three album leaves Charles John Cliff Touzel (1855-99) studied at St. John's College, Cambridge, in the mid 1870s. He played rugby for England twice, in the first two of the fifteen-a-side matches, on 5th February 1877 against Ireland, and a month later on 5th March against Scotland. The news cuttings include several mentions of H. Springmann and a match report for the England v Scotland game in March 1887 in which he played as a forward. The Cambridge University Rugby Union Football Club had been founded in 1872 and the CURUFC officials helped to formulate the laws of the game. (8)

Lot 1

*Print. Le Football de Salon, large early 20th century poster of boys playing rugby, approx. 390 x 510 mm (1)

Lot 1

*Print. "Titch", c.1900, chromo. print of a rugby player wearing a Cambridge Univeristy Rugby blazer about to kick the ball, image approx. 320 x 160 mm, framed and glazed (1)

Lot 1

A coloured screen print, R B Kitaj Mort, 22/70, signed. 32 x 22"

Lot 1

An Edwardian oval print, young woman 19.5"x 15.5"

Lot 1

A print, Masters of suspense - football signed by David Beckham 14" x 19"

Lot 1

AN ARTISTS PROOF OF 'THE GEFFRYE MUSEUM' by Valerie Thornton and a print of 'The Whittington Press (2)

Lot 1

A SET OF 12 JOHN LEECH PRINTS, framed in three groups of four, depicting a variety of scenes of social commentary, each print 5 1/2" x 9" (see illustration)

Lot 1

*Hokusai (Katsushika, 1760-1849). Waterfall, 1831-32, Japanese colour woodblock print, approx. 340 x 230mm, framed & glazed (1)

Lot 1

*Kunichika (Toyohara (1835-1900)). Portrait of actor & actress in blue kimonos, c.1860-65, japanese colour woodblock print, approx. 340 x 220mm, mounted, together with Kunisada (Utagawa, 1786-1865), Two portraits of an actor dancing, c.1845-50, Japanese colour woodblock prints, both approx. 350 x 250mm, mounted, plus other various Japanese woodblock prints (a portfolio)

Lot 1

*Kunisada I - Toyokuni III (1786-1864). Japanese colour woodblock print of a group of people watching fireworks, mid 19th c., approx. 350 x 250mm, together with Portrait of the oiran Oshu of the Tamaya Tea House, mid 19th c.; The actors Nakamura Daikichi (in a female role) and Onoe Baiko in an unidentified Kabuki play, mid 19th c.; Kabuki Actor Iwai Kumesaburo as Hisamatsu, mid 19th c., orig. Japanese colour woodblock prints, each approx. 370 x 250mm, plus two others similar (one framed & glazed) (6)

Lot 1

*Kuniyoshi (Utagawa, 1797-1861). Portrait of woman in blue costume, c.1830s, Japanese colour woodblock prints, some spotting, approx. 360 x 240mm, framed & glazed, together with Kunisada & Hiroshige II, 'Woman & servant', c.1860, Japanese colour woodblock print, close-trimmed to image, approx. 330 x 210mm, framed & glazed, plus four others similar (6)

Lot 1

*Blake (Peter, 1932-). Babe Rainbow, 1968, coloured lithograph on tin, a few minor marks, approx. 66 x 44 cm, together with a copy of the Tate Gallery Catalogue of the Peter Blake Exhibition, 1983,num. col. and b & w illusts., orig. stiff wrappers, square 4to, with a souvenir col. print 'The Owl & the Pussycat', signed by the artist, contained in orig. envelope, plus a copy of the Robert Fraser Gallery Catalogue of the Peter Blake Exhibition, 1965 (3)

Lot 1

*Grant (Duncan James Corrour, 1885-1978). A set of four colour lithograph posters for the G.P.O., c. 1940s, together four colour lithographs entitled 20,011 Telephonists, 41,271 Engineering Workmen, 79,242 Postmen & 7,681 Telegraph Messengers, the first print with a few minor marginal tears, repaired to lower margin, sheet size approx. 510 x 635 mm (20 x 25 ins) (4)

Lot 1

*Guinness Prints. A series of six colour lithographs by Rosamund Steed, David Gentleman, Carel Weight, Alistair Grant, Leonard Rosoman, & Richard Guyatt, c. 1950s, together six colour lithographs (Sailing at Cork by Rosamund Steed, Doggett's Coat & Badge by David Gentleman, Cup Tie by Carel Weight, Pigeon Racing by Alistair Grant, Royal Albert Dock, London by Leonard Rosoman & Radcliffe Camera by Richard Guyatt), one or two minor marks to margins, generally in good condition (Carel Weight print with some marginal foxing), sheet size approx. 505 x 630 mm (19.75 x 24.75 ins) (6)

Lot 1

THOMAS RILEY Etching. Together with a Pierre Bonnard print.

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