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After Lady Butler (Elizabeth Southerden Thompson, British 1846-1933) THE LAST REMNANTS OF AN ARMY, a monochrome print, a single Afghan soldier on horse back during the first Afghan war 1842, printed by permission of the Fine Art Society, within a card mount and moulded frame, under glass. 40cm x 64cm Condition Report: Some discolouration and foxing spots, some knocks to frame.
AFTER L.S. LOWRY COLOUR PRINT `The Removal`, Industrial town scene 17 1/2" x 21 1/2" (44.5cm x 54.6cm) (bears note verso `Limited edition No. 9/1000 produced by The Lowry to celebrate Andrew Kalman support) and BILL HILL PAIR OF SMALL COLOUR PRINTS title verso `Down our Street` and `Lamp Lighter` signed to mount in pencil 5 1/2" x 4" (14cm x 10.2cm) (3) EST 75-125
WILLIAM HOGGARTH (R.I.) SMALL WATERCOLOUR DRAWING Coastal scene at sunset signed 2 3/4" x 3 1/2" (7cm x 8.9cm) N. WARD SIGNED LIMITED ORIGINAL ETCHING `Breydon Bridge` under construction m 1986 5 1/2" x 18" (13.9cm x 45.7cm) and TERRY KILLAGAN LIMITED EDITION COLOUR PRINT `Henley` 5 1/4" x 7 1/4" (13.3cm x 18.4cm) (3) EST 40-60
Winston Spencer Churchill, signed photograph of Churchill with General ??? and his body guard, signed and dated 47 in the margin, the print 40 x 50cms, together with four large format photographs of Churchill apparently on board HMS Prince of Wales during the Trans-Atlantic journey to meet President Franklin D. Roosevelt in August 1941, another large format photograph of Churchill in the uniform of the RAF wearing a fez and a photographic reproduction of Churchill in the War Room, (7)
Patrick Scott HRHA (b.1921) UNTITLED III (FROM MEDITATIONS) carborundum print with gold/palladium leaf (no. 8 from an edition of 50) signed and dated in the margin lower right; numbered lower left; with blind stamp of Stoney Road Press lower right by in., 0 by 0cm. Stoney Road Press; Private collection All uniformly framed. Sheet size: 28.5 by 28in. From a compilation of seven hand-made carborundum prints which re-examine the artist`s introspective approach to creation as seen in his earlier works on canvas. Published in collaboration with Stoney Road Press in May 2007.
Patrick Scott HRHA (b.1921) UNTITLED IV (FROM MEDITATIONS) carborundum print with gold and palladium leaf; (no. 8 from an edition of 50) signed and dated in the margin lower right; numbered lower left; with blind stamp of Stoney Road Press lower right 24 by 24in., 60.96 by 60.96cm. Stoney Road Press; Private collection Dunne, Aidan, Patrick Scott Text, Liberties Press, Dublin, 2008, pp.182-183 (illustrated) All uniformly framed. Sheet size: 28.5 by 28in. From a compilation of seven hand-made carborundum prints which re-examine the artist`s introspective approach to creation as seen in his earlier works on canvas. Published in collaboration with Stoney Road Press in May 2007.
Patrick Scott HRHA (b.1921) UNTITLED V (FROM MEDITATIONS), 2007 carborundum print with gold and palladium leaf; (no. 8 from an edition of 50) signed and dated in the margin lower right; numbered lower left; with blind stamp of Stoney Road Press lower right 24 by 24in., 60.96 by 60.96cm. Stoney Road Press; Private collection Dunne, Aidan, Patrick Scott Text, Liberties Press, Dublin, 2008, pp.182-183 (illustrated) All uniformly framed. Sheet size: 28.5 by 28in. From a compilation of seven hand-made carborundum prints which re-examine the artist`s introspective approach to creation as seen in his earlier works on canvas. Published in collaboration with Stoney Road Press in May 2007.
Patrick Scott HRHA (b.1921) UNTITLED VI (FROM MEDITATIONS) carborundum print with gold and palladium leaf; (no. 8 from an edition of 50) signed and dated in the margin lower right; numbered lower left; with blind stamp of Stoney Road Press lower right 24 by 24in., 60.96 by 60.96cm. Stoney Road Press; Private collection Dunne, Aidan, Patrick Scott Text, Liberties Press, Dublin, 2008, pp.182-183 (illustrated) All uniformly framed. Sheet size: 28.5 by 28in. From a compilation of seven hand-made carborundum prints which re-examine the artist`s introspective approach to creation as seen in his earlier works on canvas. Published in collaboration with Stoney Road Press in May 2007.
Patrick Scott HRHA (b.1921) UNTITLED VII (FROM MEDITATIONS) carborundum print with gold and palladium leaf; (no. 8 from an edition of 50) signed and dated in the margin lower right; numbered lower left; with blind stamp of Stoney Road Press lower right 24 by 24in., 60.96 by 60.96cm. Stoney Road Press; Private collection Dunne, Aidan, Patrick Scott Text, Liberties Press, Dublin, 2008, pp.182-183 (illustrated) All uniformly framed. Sheet size: 28.5 by 28in. From a compilation of seven hand-made carborundum prints which re-examine the artist`s introspective approach to creation as seen in his earlier works on canvas. Published in collaboration with Stoney Road Press in May 2007.
Patrick Scott HRHA (b.1921) BOOK PRINT (from Meditations), 2008 and LIMITED EDITION BOOK carborundum with gold leaf; (1); limited edition book; (1); both no. 47 from an edition of 100 the first signed and dated in the margin lower right; numbered lower left; with blind stamp of Stoney Road Press lower right 14.5 by 14.5in., 36.83 by 36.83cm. Dunne, Aidan, Patrick Scott Text, Liberties Press, Dublin, 2008, p.183 (illustrated) Sheet size: 25.5 by 23ins. First, limited edition hard-backed book Patrick Scott Text by Aidan Dunne Liberties, Dublin, 2008, signed by the artist and numbered [47 from a limited edition of 100].
Harry Kernoff RHA (1900-1974) THE MANAGER oil on board; (1); print; (1) signed upper right; with artist`s name and title on reverse 7.75 by 5.5in., 19.685 by 13.97cm. Emmet Gallery, Dublin; Where purchased by the present owner `Group Exhibition, Painting and Sculpture`, Emmet Gallery, Dublin, c.1979-1980 (catalogue not dated), exhibition no. 35 [£100] (from `Paintings by the late Harry Kernoff` section) The red pencil illustrated is believed to be a "Blood Bank" pencil (given by the Blood Transfusion Board to donors). Also with this lot a print of Kernoff woodcut depicting Two Men Rowing a Curragh, signed with initial `K` in the plate and signed in green ink in the lower margin. (5 by 7ins; framed). (2 Works Total)"
Micheal Farrell (1940-2000) A SHORTER HISTORY, 1982 folio of eight etchings with aquatint, plus eight sheets of letterpress in green linen clam shell case (no. 9 from an edition of 80) each signed, inscribed and dated in the cover margin 14 by 14in., 35.56 by 35.56cm. Origrafica Print Dealers, Sweden; Private collection A series of eight etchings, each one representing a key image in Farrell`s long-running series on postcolonial Ireland, including Miss O`Murphy, Press Politique and the eponymous A Shorter History. Accompanied by eight pages of letterpress by Cyril Barrett. Printed at the Atelier Moret in Paris for Origrafica Malmö, with the aid of the National College of Art, Dublin.
A coloured recruiting poster c 1920, for The South Wales Borderers, “Men of South Wales, Join Your National Regiment” with regimental colours, details, and uniform c 1780 and 1920, etc, pub Gale & Polden, 33” x 22½” on card; a Simkin print of The S W Borderers, and a print of WWI trench position, pencil signature of artist “Gilbert Holiday”. Generally GC (some wear)

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