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Lot 945
A folio of maps, West Country & London to include: Admiralty Charts: Cape Elizabeth to Portsmouth Harbour (Maine) 1962, Die Jade (Wilhelmshavn) 1974 (attached to cover of folio), Gran Canaria to Hiero 1972, Plymouth/River Tamar 1973 & Poole Harbour 1972; OS six inch to one mile series 1907/1919, thirteen: Antony, Bere Ferrers, Botus Fleming, Calstock, Devonport, Gunnislake, Landulph, Pillaton, Polbathic[k], Rame, St. German’s, St. Stephen’s & Saltash also seven OS flat sheet 1:25,000 (1959/72 series): Bere Ferrers, Burgh Island, Callington, Plymstock & Plymton, Stoke Climsland, St. German’s & Tavistock; also reproductions of famous London maps: a colour printed copy of Frans Hogenberg’s map of London (1572) on cartridge paper GLC 34 x 38cm; four A3 sheets copied from William Morgan’s map of London 1682, black & white (London Topographical Society); nine sheets reproduced from Rocque’s map of London 1746 (each 57 x 43cm): Bethnal Green, Cornhill/London Bridge, Mile End, Moorfields, Royal Row, Shadwell, Shoreditch, Spitalfields & Whitechapel; Jacob de Feuille’s map of London (after Hollar, c. 1690, GLC) 64x 54cm; six sheets reproduced from William Faden’s map of London 1819 each 54 x 58cm (PRO Harben Bequest): Bank & London Wall, Bethnal Green, Commercial Road, Old Street/Bunhill Fields, Shoreditch, Whitechapel Road, also a colour print of early C19th panorama painting 37.5 x 27cm of ships in a harbour, mounted (qty)
Lot 304
MILITARIA - TERENCE CUNEO, C.V.O., O.B.E., R.G.I., F.G.R.A. (BRITISH, 1907-1996) 'The Raising of the Green Howards' by Col. Francis Luttrell, at Dunster castle, 1688, colour print, limited edition 516/850, signed by the artist lower right and by Lieut.-Col. Walter Luttrell, M.C. Lower left, 67.5cm x 77cm, framed and glazed.
Lot 263
SIR WILLIAM RUSSELL FLINT, R.A., R.O.I. (SCOTTISH, 1880-1969) 'Esperanza', colour print, published by W.J. Stacey, 1953, limited edition of 660 (unnumbered), signed lower right, 43.5cm x 59cm. Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 266
SIR WILLIAM RUSSELL FLINT, R.A., R.O.I. (SCOTTISH, 1880-1969) 'Rosalba', colour print, published by The Medici Society, 1960, limited edition of 750 (+6; unnumbered), signed lower right, 46cm x 58cm. Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 265
SIR WILLIAM RUSSELL FLINT, R.A., R.O.I. (SCOTTISH, 1880-1969) 'Sara', colour print, published by The Medici Society, 1965, limited edition of 850 (+6; unnumbered), signed lower right, 42cm x 64cm. Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 197
'Opening Time is Guinness Time'advertising poster with a toucan opening a bottlelithograph, published by John Waddington Ltd., Leeds74 x 49cmCondition Reportoverall: 78.5 x 53cmDiscolouration to the paper with light creasing. Spots and speckles of surface dirt. A 35cm faint brown vertical line to the right hand side, with staining and watermarks to the bottom of the print, please see images. Not viewed out of glazed frame.
Lot 196
'My Goodness My Guinness' advertising poster of a zookeeper and crocodilelithograph, published by Mills & Rockleys, Ipswich74 x 49cmCondition Reportoverall: 78.5 x 53cmPaper discolouration, time staining and creasing. A 23cm diagonal fold to the lower right corner. There is a 4cm white mark to the lower right corner where it appears the print may have been overpainted, please see images. Not viewed out of glazed frame.
Lot 665
sAfter Keith Broomfield The Dambusters - War Time Survivors of No.617 Squadron Signed Print, including Commander In Chief Bomber Command Arthur Harris and Group Captain Leonard Cheshire (signature unverified). Also 40th Anniversary of Battle of Britain silver plaque, two Battle of Britain plates and an RAF first day cover.
Lot 618
WWII RAF Signal Manual, for VHF Radio Equipment, Normandy to the Baltic book by Field Marshall Montgomery and banquet programme for City Livery Club 1935, Ronald Wong framed RAF print Tornado and Lancasters ltd edition 975/1000 (approximately 75cm x 54cm) Eric H Day framed watercolour "The Spitfire's" (approximately 69cm x 55cm).
Lot 424
P. Masin, Oil on board copy of ‘Buying Flowers’ by Victor Gabriel Gilbert, interior and clothing of figures amended but overall composition of the work is the same (potentially an overpainted print). Signed ‘P. Masin’ in pen to lower right, in gilt frame. Viewing advised. 29cm x 39.5cm.
Lot 370
Clarke Hutton (British, 1898-1985), ‘Mother and Child’ original printer’s proof (c. 1950’s). Black and white unframed print of a mother and child. Predominantly working as an illustrator, Hutton became one of the most eminent and influential book illustrators of his time. Hutton also exhibited paintings at the Royal Academy and The British Museum, the Tate Gallery, the Victoria & Albert Museum and National Gallery of Canada are among public collections which hold examples of his work. 27cm x 35cm.
Lot 412
Judy Massingham (British, 1927-1977), ‘Winter Morning’, colour woodcut print on paper, numbered, titled & signed in pencil. Edition 42/65, framed and glazed. 'Mrs E. J Massingham Studio 7, Oak Hill Way, Hampstead, NW3 7LR' Studio address label affixed to reverse. Judy Massingham’s work is also held in the Government Art Collection. 31.5cm x 32.5cm.
Lot 373
Donald Hamilton Fraser RA (British, 1929-2009), Seascape, limited edition screen-print. Signed and numbered in pencil, limited edition 151/175. Fraser was famed for his abstract landscape paintings; this work was exhibited at the Royal Academy Summer Exhibition 2009 in the Central Hall. Framed and glazed. 57.5cm x 43cm. (Frame measures 79.5cm x 66cm.)
Lot 358a
Gerald Coulson framed print unidentified G & W locomotive pulling coaches, approx. frame size: W80cm x H55cm, generally good plus (small paper label residue - top R/H corner), plus South Yorkshire Railway perspex framed plan of Barnsley Stations by Marcus Keane, approx. frame size: W66cm x H55cm. Qty 2
Lot 241
Stephen Doig (British, b. 1964), "Born Champions" limited edition print. Signed by the artist Stephen Doig and Olympic gold medalists Sir Steve Redgrave & Matthew Pinsent. Stephen Doig is a celebrated artist specialising in drawing great sporting moments. This piece is numbered 28/850 of a limited edition print. COA by Hamilton Bland of Sporting Memorabilia Warwick.
Lot 435
Sam Francis (American, 1923-1994). Monotype on handmade paper titled "Chariot," 1985. This print depicts an abstract composition of amorphous forms in various colors such as red, blue, yellow, black, and green. Signed in pencil along the lower right. Original artist pencil inventory number on the lower edge of the verso "GTW-VF-VB. 03-#2-1985." With detached gallery labels.Provenance: Pamela Auchincloss Gallery, Santa Barbara, California; Flanders, Minneapolis, Minnesota; Private Minnesota Collection.Lot Essay:Sam Francis came to be an artist under unlikely circumstances. After serving the Air Force during World War II, Francis was injured during flight test maneuvers and subsequently hospitalized. It was while he was recovering that he first began to paint. Francis went on to graduate from the University of California, Berkeley in 1950 with a degree in art and began his European travels. His first stop was Paris, where he studied Monet’s “Water Lilies†and developed a relationship with the Matisse family and artists such as Al Held, Joan Mitchell, and Jean-Paul Riopelle. He went on to develop and maintain studios in Bern, Paris, Tokyo, Mexico City, New York and Northern and Southern California.Sam Francis was considered a revolutionary master of color, space, and light. His works call to various art movements - New York Abstract Expressionism, Impressionism, Art Informel, and color field painting. They are characterized by bright, vibrant splashes of color against a luminous white background. Francis took great interest in the creative process, but his understanding of the relationship between color and light set him apart from contemporaries such as Jackson Pollock and solidified him as a key player in contemporary art history.Height: 30 in x width: 25 1/2 inCondition: The sheet is in excellent condition with no tears, rips, losses, or restorations. The colors are bold and bright. Along the verso there are two areas of framer's tape along the top left and right edge. There are two rectangular areas of skimming to the sheet along the upper left and right corners of the verso. Each measure 1 inch x 1.5 inches. Purple and red spots along the verso original to the artistic process. It is possible that there is very light wear along the deckled edges. There are natural areas of unevenness to the paper due to the handmade nature of the material. Not framed.
Lot 480
David Rathman (American, b. 1958). Etching and aquatint on paper titled "That’s as Fair as I Know How to Make It." Pencil signed and dated 2002 along the bottom edge. Editioned 1/18 along the bottom right edge. Titled along the top edge of the print.Unframed; height: 17 in x width: 14 1/2 in. Framed; height: 21 in x width: 18 3/4 in.Condition: There are no visible tears, losses, or restorations when inspected under UV light. There is some undulation to the sheet. The artwork is floated in frame. Light wear to the frame; framed under glass; not inspected out of frame.
Lot 329
Albrecht Durer (German, 1471-1528). Woodcut on laid paper titled "Saint John Before God and the Elders" from "The Apocalypse." The print depicts St. John confronted by a heavenly host above a landscape with castles. Monogrammed in plate along the lower center.Literature: Bartsch 63, Hollstein 166.Sheet; height: 15 1/2 in x width: 11 1/4 in. Mat; height: 20 in x width: 16 in.Condition: There are no visible rips, creases, losses, or restorations. The sheet is toned. There are brown stains throughout the recto and verso; visible in the lot listing. A few minute spots of foxing. The artwork is affixed to a matboard with two pieces of clear tape along the upper right and left corners of the verso. The artwork is housed between two matboard; not framed.
Lot 458
Pat Steir (American, b. 1940). Aquatint on Magnani Pescia Satinato bright white paper titled "Beautiful" depicting one of the artist's signature waterfall forms, 2008. Pencil signed and dated along the lower right. From an edition of 120; inscribed "ed. 120" along the lower left. Printed by Carol Weaver and Johee Kim and editioned by Carol Weaver and Felix Harlan. Published by the Madison Print Club. With a printing information sheet signed by Carol Weaver.Image; height: 17 3/4 in x width: 7 3/4 in. Framed; height: 31 in x width: 23 3/4 in.Condition: The colors are bold and deep. The impression is clear. There are no visible rips, losses, stains, or restorations. Framed under glass; light wear to the frame; not inspected out of frame.
Lot 453
Howard Hodgkin (English, 1932-2017). Pair of aquatints titled "Bed" and "Breakfast" with hand coloring in orange gouache on Arches mould made paper depicting fields of orange color. Each initialed in pencil and numbered 25/50 along the lower center. Printed and published by Petersburg Press, London.Reference: Heenk 45-46.(Each) Sight; height: 8 in x width: 12 in. Framed; height: 17 3/4 in x width: 22 in.Condition: There are no visible tears, losses, or restorations visible to either print. Each are floated in the frame. There is a light undulation to the lower print pictured; slightly more undulation to the upper print pictured. The upper print is framed under plexiglass; the lower print is framed under glass. Light wear to both frames; both not inspected out of frame.
Lot 397
LeRoy Neiman (American, 1921-2012). Lithograph on paper print titled "North Seas Sailing" depicting an energetic ocean scene with figures sailing on a yellow boat, 1981. Pencil signed along the lower right; editioned 116/300 along the lower left.Sight; height: 21 1/2 in x width: 29 in. Framed; height: 32 3/4 in x width: 39 3/4 in.Condition: The piece shows no visible tears, creases, or losses. No visible sign of restoration under UV light. The color is bold and bright. Light undulation to the sheet. Framed under plexiglass; not inspected out of frame; very light wear to the frame. The verso was not inspected.
Lot 461
Carol Summers (American, 1925-2016). Woodcut print tiled "Vasudeva Carries the Infant Krishna Across the Yamuna River, Further Upstream" depicting an abstract composition in blue, white, and green, 1996. From an edition of 75. Pencil signed along right margin. Summer's works are known for their soft, painterly quality with bleeding edges and jewel toned prints. He is additionally known for having trained with Louis Schanker and his works are held in the collections of the Whitney, the Victoria & Albert Museum, the Metropolitan Museum of Art, and MoMA.Sight; height: 35 3/4 in x 35 1/2 in. Framed; height: 45 1/2 in x width: 45 in.Condition: The colors are bold and bright. There are no visible rips, losses, or restorations. There are a few minute spots of foxing throughout. The artwork is floated in frame. Framed under plexiglass; some accretions and scuffs to the plexi that do not affect the artwork. Light wear to the frame; not inspected out of frame.
Lot 312
Paulosie Sivuak (Inuit, 1930-1987). Serigraph and stencil on paper titled "Hawk with Young" depicting a mature hawk with several hatchlings in a nest, 1986. Printed by Eliassie Aupaluk, Tania Qumaluk, and Maggie Ittukallak. Pencil numbered 20/50 along the lower left; syllabics along the lower center; dated along the lower right.Sight; height: 16 1/2 x width: 11 3/4 in. Framed; height: 21 1/2 x width: 16 in.Condition: The print appears to be in good condition with no major rips, creases, losses, or restorations. Light wear along the extreme edges; there is a minute loss to the lower right corner. The print is floated in frame. Light wear to the frame; framed under glass; not inspected out of frame.
Lot 310
Kavavaow Mannomee "Qavavau Manumie" (Inuit, b. 1958). Lithograph and stencil on paper titled "Blue Bird" depicting a bird in flight, 1993. Pencil inscribed in syllabics and titled along the lower left; inscribed "lithograph and stencil," numbered 31/50, and inscribed "Dorset 1993" along the lower center; signed in English and syllabics along the lower right.Sight; height: 29 3/4 x width: 22 1/4 in. Framed; height: 36 1/4 x width: 29 in.Condition: The print appears to be in good condition with no visible creases, rips, losses, or restorations. Possible light wear along the deckled edges. The print is floated in frame. Light wear to the frame; framed under glass; not inspected out of frame.
Lot 477
David Rathman (American, b. 1958). Etching and aquatint on paper titled "Montana's Killing Me." Pencil signed and dated 2002 along the bottom edge. Editioned 1/18 along the bottom right edge. Signed along the top edge of the print. From a suite of five prints.Unframed; height: 17 in x width: 14 1/2 in. Framed; height: 21 in x width: 18 1/2 in.Condition: The item is in great condition with no visible tears, creases, or losses. The paper is floating on the frame; all four margins are visible. No visible sign of restoration under UV light. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 418
Malcolm Haynie Myers (American, 1917-2002). Intaglio print titled "The Journey" depicting a knight on a horse, 1956. Pencil signed and dated along the lower right; numbered 20/30 along the lower center; titled along the lower left.Sight; height: 20 in x width: 24 1/2 in. Framed; height: 29 in x width: 33 3/4 in.Condition: No visible tears, creases, or losses. No visible sign of restoration under UV light. Due to the original color of the sheet, it is difficult to discern whether the paper is toned or not. Along the margins, there are a few scattered light brown marks; please see the listing image. Along the lower margin, there is soiling. The surface appears to be stable. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 311
Kenojuak Ashevak (Inuit, 1927-2013). Lithograph on paper titled "Attentive Birds" depicting a flock of seabirds looking to the right, 1992. Syllabics in plate along the lower left; pencil titled along the lower left; inscribed "lithograph," numbered 46/50, and inscribed "Dorset 1992" along the lower center; signed in English and syllabics along the lower right.Sight; height: 20 in x width: 25 3/4 in. Framed; height: 24 1/2 x width: 30 1/4 in.Condition: The colors are bold and bright. There are no visible crease, rips, losses, or restorations. Possible light wear along the deckled edges. The print is floated in frame. Light wear to the frame; framed under glass; not inspected out of frame.
Lot 332
Group of five 18th century prints including:One French print depicting a revelrous atmosphere titled "Vue, Representant la Punition des Cocus volontures comme cel a se pratique ordinairment a Venize."One British print depicting the Hampton Court Palace titled, "A View of the Royal Palace of Hampton Court."One French print depicting the Sons of Liberty tearing down a statue of King Georg III at Bowling Green titled "La Destruction de la Statue Royale a Nouvelle Yorck."One French print depicting the St. Lawrence River in Quebec, Canada titled "Vue de la Basse Ville a Quebeck."One French print depicting the port in Le Havre, France titled "Le Port du Havre."Sight; height ranges from 9 3/4 in to 11 3/4 in; width ranges from 15 1/2 in to 16 in. Framed; height ranges from 13 1/2 in to 15 3/4 in; width ranges from 19 1/4 in to 19 3/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
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314766 item(s)/page