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Lot 197

δ Ben Eine (b.1970)Moniker PrintScreenprint in colours, 2011,signed and dated in pencil, numbered from the edition of 175, on wove paper, with full margins, 520 x 370mm (20 ½ x 14 ¾ in) (framed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 1052

HELEN BRADLEY Garden party, signed, print, 43 x 60cm Condition Report: Available upon request

Lot 1070

ARCHIE FORREST Rebirth, signed, print and inscription, 37 x 46cm and GABRIELLE RIFKIND Abstract, print (2) Condition Report: Available upon request

Lot 1085

GRAEME SHARP Jenny II, monogrammed, oil on board, 28 x 28cm and WILLIAM MONK Oriel College, Oxford, signed, print, 26 x 18cm (2) Condition Report: Available upon request

Lot 1089

CORNELIS GUILLAUME BEVERLOO Open the bird cage, signed, screen print, 67 x 50cm Condition Report: Available upon request

Lot 1090

SPORTING PRINT ENGRAVED BY HUNT Beadsman, 62 x 76cm, The Blacklock Line, print and three others (5) Condition Report: Available upon request

Lot 1091

ARCHIEBALD THORBURN Widgeon and Teal, signed, print, 23 x 32cm, Ptarmigan, signed, print, 35 x 50cm and J.C.HARRISON (3) Condition Report: Available upon request

Lot 100

The Porthmeor Portfolio Eight original prints by Bryan Pearce, John Emanuel, Ralph Freeman, Naomi Frears, Sax Impey, Steve Dove, Roy Conn, and Richard Nott 3/50, each print signed and numbered in pencil in presentation portfolio; together with a Bob Crossley screenprint which was given to the first 20 purchasers of the portfolio. Information: The portfolio was produced to raise funds for the renovation of Porthmeor Studios. 

Lot 129

Exhibition Posters Richard Smith (1931-2016), Drawings, Ashmolean, 64 x 90cm; Tom Phillips (b.1937), lithograph, signed in pencil 60 x 39cm; Tolkien, Exhibition of Drawings, Ashmolean, 1977, 45 x 34cm; Maurice Sendak (1928-2012), Exhibition of Pictures, Ashmolean, 1976, 44 x 35cm; Fourth British Print Biennale, Bradford Art Gallery, 1974, 76 x 51cm; all unframed (5).   

Lot 153

After Laurence Stephen Lowry (1887-1976) The Steps at Wick 56/95, numbered and with blindstamp colour print published by Chelsea Green Editions 64 x 82cm.

Lot 399

Peter Howson (b.1958) The artist`s palette painted with a nude lady signed oil on panel 39 x 30cm; with a Quench: The Beautiful South print, 1999, signed and dated in pencil by the artist (2).

Lot 678

Martin Munkacsi (1896-1963) The Dress, circa 1940 gelatin silver print published in New York, printer's number in pencil (to reverse) 23.5 x 19cm.

Lot 374

AN ENGLISH ENAMEL 'POLITICAL' SNUFF BOX, BIRMINGHAM, CIRCA 1756 rectangular, monochrome painted, the lid after a contemporary satirical print of circa 1756 depicting a fox for Henry Fox, 1st Baron Holland and Thomas Pelham-Holles, Duke of Newcastle, framed by a pair of gibbets inscribed 'THE PILLARS / OF THE STATE' suspending on chains an upended ship and cockerel beneath the motto 'GALTUS [SIC] SO NEAR', the sides each with a further chained ship and cockerel between small fleurs-de-lys to the corners, the underside with a vignette of a weeping Britannia, gilt-metal hinge mounts with waved engine-turning 9.2cm long A version of the satirical print is held by the British Museum (No. J,1.8), whose website interprets it as a 'Satire on the government, represented by the Duke of Newcastle and Henry Fox, and their lack of support for Admiral Byng's expedition to relieve Minorca; the suggestion is that they are influenced by the French', further noting 'Horace Walpole considered this print to be the first caricature on card (Memoirs of the last ten Years of the reign of George II, vol. 2, 1822, p.68, quoted by Stephens)' (https://www.britishmuseum.org/collection/object/P_J-1-8, accessed 08.04.21)

Lot 382

A GROUP OF FOUR ENGLISH ENAMEL 'ROYAL PORTRAIT' PATCH BOXES, SOUTH STAFFORDSHIRE, LATE 18TH / EARLY 19TH CENTURY oval, one lid decorated with the Prince Regent (later George IV) after a print of 1817 from the portrait by William Marshall Craig (died 1827) above blue lobed sides, one decorated under the title 'HIS RHP WILLIAM HENRY' (later William IV) above a green waisted body, one decorated above the title 'Princess Royal of England' (Princess Charlotte, later Queen of Württemberg) and with lilac body, and one transfer printed above the title 'DUKE of YORK' (Prince Frederick) and with pink body 4.8cm longest

Lot 383

A GROUP OF THREE ENGLISH ENAMEL PATCH BOXES OF THEATRICAL INTEREST, SOUTH STAFFORDSHIRE, EARLY 19TH CENTURY all oval, one lid decorated with a profile of the child actor Master Betty (William Henry West Betty (1791-1874) under the title 'THE YOUNG ROSCIUS' above a pink waisted body, one with a transfer print oval of Edmund Kean within gilt scrolls flanked by gilt leafage on a pink ground and with floral painted sides, and one painted with a view titled 'THEATRE ROYAL / DRURY LANE / Erected 1812' above a blue lobed body 5cm longest

Lot 466

˜Ⓖ A GOLD BROOCH MOUNTED IVORY PANEL, GERMAN, PROBABLY ERBACH, MID 19TH CENTURY the oval panel finely openwork carved as a recumbent stag and four further deer shelter under a tree, the gold mount with waved rim embellished with blue taille d'épargne enamel and engraved scroll foliage 6.9cm long excluding pin The scene is probably taken from a print after Johann Elias Ridinger (1698-1767), the Augsburg artist and printmaker famous for his wildlife subjects. Surrounded by the Oden forest, the small town of Erbach was nicknamed 'Elfenbeinstadt' (Ivory Town) because of the concentration of carvers found there. Part proceeds to benefit The Grange Festival

Lot 99

WW2 Royal Naval Withdrawal from Greece Distinguished Service Cross Group of Six, Awarded to Lieutenant Commander Mammatt Who Was Taken Prisoner of War When HMS Hareward Was Sunk off the Coast of Crete, consisting of Distinguished Service Cross with silver hallmarks and officially dated 1941 to reverse, George VI Naval General Service medal 1915-62 with two bars Palestine 1936-1939 and Minesweeping 1945-51 “LT DCR J E MAMMATT R.N”, 1939-45 star, Atlantic star, Africa star and 1939-45 star. Medals are mounted for wear. Accompanied by a leather case with gilt tooled initials and a re-print photograph of Mammatt in uniform. Medals remain in good overall condition. John Edward Mammatt, was born in March 1913. He was appointed a Midshipman in January 1931 and was serving as a Lieutenant in the destroyer HMS Hostile on the outbreak of hostilities in 1939. It was whilst serving with HMS Hostile that he saw extensive action off Norway and in the Mediterranean, right up until her mining and loss off Cape Bon on 23 August 1940. HMS Hostile arrived off Norway in March 1940, fresh from patrolling the South Atlantic, and was heavily engaged in the First Battle of Narvik in the following month, initially in a duel with the Roeder, which with HMS Hotspur she left ablaze, and latterly, alongside the HMS Havock, with the HMS Ravenfels, which was destroyed. That done, HMS Hostile escorted the battered HMS Hotspur to safety. The ship was then ordered to the Mediterranean, Serving in Mountbatten’s 5th Destroyer Flotilla, and was present when HMS Kelly was badly damaged by a torpedo on 9th May. Finally, in July, shortly before her demise off Cape Bon, she was present in the action fought off Calabria, known as the battle of Punta Stilo. Mammatt next joined the destroyer HMS Hereward, and was subsequently present in her during the withdrawal from Greece, for which he was awarded his Distinguished Service Cross. The award appeared in the London Gazette 11th November 1941, “For gallantry and distinguished services in operations in Greek waters”. HMS Hereward would finally fall victim to Stukas of 111/St.G.2 north of Plaka on 29 May 1941, during the evacuation of the island of Crete. David A. Thomas’ Crete 1941, The Battle at Sea, describes the event, “At 0625 when the force was in the middle of the [Kaso] Strait the Hereward on the port side of the screen came in for the next attack. The first few Stukas were evaded, but another, diving low, let go a stick of bombs, one of which exploded near her foremost funnel. She swung out of line, her speed crippled and she had 450 troops aboard. Admiral Rawlings was now faced with another grim choice, the second only in a few hours: whether to send another destroyer to assist Hereward or whether to abandon her to her fate. To detach another destroyer would invite almost certain destruction, for the main hope of salvation against these aircraft attacks lay in concentration. The fact that the coast of Crete lay only five miles away helped persuade Rawlings to leave the Hereward to her own devices. As the force continued on its way the Hereward was last seen heading slowly for the coast, her guns still engaging enemy aircraft. She was commanded by Lieutenant-Commander W. J. Minn, Cunningham’s Flag Lieutenant in the Hood. At length Hereward was abandoned two miles north of Plaka and all those on board who survived were taken prisoner - but for the intervention of an Italian Red Cross seaplane, which circled over the survivors as they came ashore, two Stukas intent on attacking them may well have increased her casualties. As it transpired, these were already of a dramatic nature, for having departed Heraklion earlier that day with 450 troops, and of course her own complement of around 150 officers and ratings, the Italian naval authorities could only muster a total 229 survivors by the time they issued an official statement.” John Edward Mammatt, who was among those taken prisoner, was duly incarcerated in assorted Italian P.O.W. camps at Sulmona, Padula and Gavi, prior to being moved to a Stalag at Spittal in Austria in September 1943. From there he was transported to Stalag IV B at Muhlberg in Germany and thence to Marlag Und Milag Nord, at which latter camp he was liberated at the War’s end. Mammatt, who was advanced to Lieutenant-Commander with seniority from October 1944, received his Distinguished Service Cross at an investiture held on 11 December 1945. He continued to serve in the Royal Navy after the war and was involved in minesweeping operations.

Lot 254

Chris Rogers - London, a poster print, signed lower right hand corner, 84 x 60cm, framed together with a New York poster, framed 60 x 83cm.Location: RWB

Lot 283

Mixed frameless antiquarian prints and watercolours to include an Oriental woodblock print of a Vermilion Bamboo originated by Nisabiro ltoLocation: RWB

Lot 55

A large mixed lot comprising hats, tights, books, mirrors, ceramics, glass, vintage empty glass perfume bottles, a print, a cushion and ornamentsLocation: LWB

Lot 260

A 19th century print, Hunting Scene, chromolithograph, 54cm x 73cm

Lot 191

Helen ClarkeBradford Dale, Youlgravesigned, watercolour, 18cm x 25cma "Barny" Barnfather print, View in The Peak (2)

Lot 197

Engraving, Morning Walking Dress; another; L'Art De La Mode print (3)

Lot 236

Advertising pot lids including Cracroft's Areca Nut Tooth Paste, a red print Woods Cherry Tooth Paste, etc; apothacary bottles; poison bottles, etc

Lot 250

W Ward ARA, by, Thomas Weaver, after, A Prized Bull in a Pastoral landscape, mezzotint, 45cm x 59cm, framed; a watercolour sketch of three pet dogs, 23cm x 32cm; a hunting print; other prints (5)

Lot 229

SIGNED LIMITED EDITION PRINT 5/30 TITLED "MEMORY" BY BRIDGET TEMPEST (1957-) F/G

Lot 410

LTD EDITION PRINT N0 370 SIGNED IN PENCIL ENTITLED ANTICIPATION BY GILLIAN HARRIS, WATER COLOUR OF A GAME DOG WITH BIRD BY P. WILLIS F/G

Lot 579

LIMITED EDITION LITHOGRAPHIC PRINT 33/250 THE BATTLE OF THE NILE SIGNED IN PENCIL SF SMITHEMAN F/G WITH A CERTIFICATE OF AUTHENTICITY

Lot 897

A FRAMED BLACK AND WHITE PRINT SIGNED GELDART

Lot 909

A FRAMED ARTHUR DELANEY PRINT

Lot 937

A FRAMED LIMITED EDITION MALCOLM BUTLER PRINT 'THE PACKET HOUSE AND BOAT STEPS WORSLEY' 322/500

Lot 938

A VINTAGE FRAMED PRINT ON LINEN DEPICTING THE COMMON METHOD OF BEETLING, SCUTCHING AND HACKLING THE FLAX

Lot 939

A FRAMED VINTAGE PRINT ON LINEN DEPICTING THE METHODS OF WET AND DRY BLEACHING OUTSIDE A BLEACHING MILL

Lot 984

A FRAMED PUNCH PRINT BY FRANK REYNOLDS

Lot 999

A FRAMED LIMITED EDITION 'MEMORIES OF EDINBURGH' PRINT BY STUART MOORE 427/1500

Lot 1015

A FRAMED PRINT 'LA MAISON MAJESTEUSE I' BY KEVIN BLACKHAM

Lot 1029

A FRAMED PRINT OF PRESTBURY AND A FURTHER FRAMED PRINT OF MENORCA

Lot 299A

A FRAMED BLACK AND WHITE PRINT OF ADVOCATES CLOSE EDINBURGH PENCIL SIGNED BY RW STEWART AND A FURTHER BLACK AND WHITE OF A BRIDGE

Lot 49A

A FRAMED ABSTRACT BY DOLF RESERARTISTS PROOF OF ORIGINAL, NOT PRINT ETCHING & LISTED ARTIST, HIS WORK IS IN THE V&A MUSEUM

Lot 810

The S.S. Braemer on the open water, watercolour, monogrammed 'RF' and dated (19)'78 lower right, together with a signed print after Michael Barnfather, 'Spring comes woth Winterbourne', both framed and glazed, 24cm x 38cm & 28cm x 37cm.

Lot 817

J. Ledwick, country road landscape watercolour, signed lower right, together with a signed ltd edition print after Robert Greenhalgh, 'Greton Cockeral', framed and glazed.

Lot 322

3 boxes of misc. to include old glass bottles, brassware, ceramics, poker chip set, photo frames, glass jars, a knot display and a Banksy star wars canvas print etc.

Lot 388

A Schweppe's advertising print and a Ogden's St. Bruno advertising print

Lot 390

Oak framed interior print and another

Lot 393

A signed Peter Markgraf print (possibly River Mersey?)

Lot 396

A framed and glazed print of a steam engine by Petrie

Lot 400

After Haywood Hardy, 'A Short Cut To The Meet', Ltd edition colour print by Thomas Ross Ltd, framed and glazed.

Lot 379

The Use of Globe - The First Voyage of Sir Francis Drake by Sea, reprinted from a tract of 1594, signed wood block print plate, half calf and Spirit Tables of Sykes's Hydrometer 1923 (2)

Lot 430

A coloured illuminated print of the Duke of Cornwall's Light Infantry late 32nd and 46th Regiments, framed and glazed and a coloured print by Princess Mary dated April 1918 "For Freedom" (2)

Lot 438

A Boer War coloured print "Defence of Mafeking" by GW Bacon & Co London, framed and glazed

Lot 499

A selection of Formula One memorabilia including "Tribute to Ayrton Senna" coloured print and one other F1 print, various books, diecast cars, figures etc

Lot 500

A large collection of Formula One memorabilia relating to Michael Schumacher including limited edition 2001 World Champion print signed by artist Tony Smith; numerous mint and boxed diecast F1 cars, 10 various Schumacher caps, various books including Michael Schumacher - The Rise of a Genius, Formula for Success and other related items

Lot 15

A tapestry firescreen, mahogany toilet mirror, print and a framed photograph (4) Condition Report: Available upon request

Lot 168

A Michael Kitchen Hurle print 294/350, a pair of David Stratton Watt prints, 403/500, 425/500, Mary Griese print, 42/500, The Swan Prince print and a wooden wall art of birds (6) Condition Report: Available upon request

Lot 3

A W Russell Flint signed print, a signed oil on board and a print (3) Condition Report: Available upon request

Lot 57

A large Joseph Farquharson "The day sloping towards his Western Bower" and a W Russell Flint print (2) Condition Report: Available upon request

Lot 502

Trevor Price signed print A Bird In The Hand Part 2, 56/150. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 506

Large framed Roger De Souter print Hove To, Off The Needles. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 513

Framed print of The Liverpool Grand Steeple Chase 1839, plate 2, 80 x 60 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

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