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Lot 512

An oil painting, garden gate, and a framed landscape print after Ingham

Lot 13

Vasquez del Rio-'Notre Dame de Paris' (View of the Cathedral with Figures in the foreground), mid-20th Century oil on hardboard, signed recto, titled and signed verso, approx 49cm x 41cm, within a gilt and painted carved frame, together with two watercolours and a print.

Lot 50

After Salvador Dali-Illustration for Dante's Divine Comedie, mid-20th Century colour print, editioned 271/500 in pencil recto, label verso, approx 29cm x 23cm.

Lot 57

Philip Sutton-'No 4, View from Mr Eastgates House, Fiji', woodblock print, signed in pencil recto, titled and dated 1964 verso, sheet size approx 64cm x 62cm, within a pine frame.

Lot 76

A late 19th Century chromolithograph, 'Rule Britannia', within a maple frame, together with another print.

Lot 82

James Daniels-Portrait Study of a Female Nude in profile sitting on a Bed, a Window beyond, 20th Century pastel, signed, within an ebonized frame, together with a 19th Century sepia print after Fred Morgan and a 20th Century oil on canvas, Still Life Study.

Lot 91

Continental School-Tondo Miniature Landscape with Classical Buildings and Temple, Figures nearby, early 19th Century reverse painting on glass, diameter approx 6cm, within a gilt frame, together with a print, Tondo Landscape, within a turned wood frame.

Lot 115

After David Shepherd-'Scotsman '34' (Study of the Steam Locomotive Train), late 20th Century colour print, signed in pencil and with publisher's blindstamp, approx 48cm x 82.5cm.

Lot 121

After David Shepherd-'Scotsman '34' (Study of the Steam Locomotive Train), late 20th Century colour print, signed in pencil, and with publisher's blindstamp, approx 48cm x 82.5cm, within a gilt frame.

Lot 142

An oval overpainted print, 'Catherine Vane Davison', inscribed verso, in a gilt frame.

Lot 179

After Sir William Russell Flint-Models for Goddesses, mid-20th Century colour print, signed in pencil, approx 48cm x 65cm.

Lot 182

A late 19th Century reverse photographic print with additional colour, Figures in Conversation on a Loggia, within a painted and gilt composition frame, together with a collection of five decorative pictures.

Lot 186

A.J Keene-Seascape with Birds hovering above the Water, early 20th Century watercolour, signed, together with an early 19th Century monochrome print titled 'Tunbridge Wells', dated 1809, and four decorative prints on glass.

Lot 38

A COLOURED MAP OF 'BARKSHIRE' by Robert Morden, 14" x 16"; a coloured print of a Scotsman raising a glass and a print of Westminster Bridge (3).

Lot 81

A VICTORIAN NEEDLEWORK TAPESTRY decorated Indian elephant with howdah and attendant figures, 15" x 14 1/2" and a circular coloured print of the Virgin, Mother and Child in a gilt frame (2).

Lot 146

AN ITALIAN MONOCHROME ENGRAVING by Agostino Tefanelli, the Virgin Mary with attendant figures, 13" x 16", in gilt frame; a further print of the Virgin Mary and the Infant Jesus (2).

Lot 147

A PAIR OF VICTORIAN THEATRICAL PRINTS - Mr Creswick as Hamlet and Mr G Bennett as King in Hamlet, maple wood frame and a further theatrical print with sequin decoration, 18" x 21 1/2" and 13" x 9 3/4" overall measurements (2).

Lot 195

CAMBRIDGE UNIVERSITY INTEREST - a pair of Dighton prints, a view of St John's College and a view of Magdalen College; a Rowlandson print, market place; an Ackermann print, front of Trinity Hall and a reproduction speed map of Cambridgeshire (5).

Lot 191

"Science in Modern Life", a set of six volumes with bindings attributed to Talwyn Morris printed by the Gresham Publishing Company, London 1909, in full green cloth, together with a Sotherbys of Belgravia catalogue and a print mounted on a wooden board (8)

Lot 335

A Limited edition Japanese woodblock print by Yoshijirou Urushibara 1888-1953 entitled 'Roses', label verso, 28x36cm, framed and glazed (Illustrated)

Lot 48

AFTER PHILIP WEST (BRITISH, 20TH CENTURY), "Southern Patrol", Spitfires over chalk cliffs, limited edition coloured print, number 761 of 850, signed in pencil by the artist and seven former spitfire pilots. 18" x 30". And after Stephen Brown (British, 20th century), "Blenheims over Norfolk", Bristol Blenheim MKIV's of 105 squadron, limited edition coloured print number 56 of 350, signed in pencil by the artist. 19" x 29". (2).

Lot 50

AFTER MICHAEL J CLARK ( BRITISH LATE 20TH CENTURY), "Bullfinches on Apple blossom", limited edition coloured print number 128 of 600, signed in pencil by the artist. 24" x 24".

Lot 63

AFTER JOHN MORRIS (MODERN WELSH), "Adeiladau Fferm", limited edition coloured print number 85 of 650, signed by the artist. 6.5" x 17.5".

Lot 79

VALERIE WYNNE -WILLIAMS, Welsh landscape with cottages, coloured print. 12" x 17.5".

Lot 80

SIR KYFFIN WILLIAMS (WELSH BORN 1918 LLAGEFNI, ANGLESY, DIED 2006), "Welsh Black Bull", (Graig Goch Berwyn XIV), limited edition coloured print number 26 of 75, signed in pencil. 16.5" x 23.5".

Lot 97

AFTER SIR WILLIAM RUSSELL FLINT R.A., "The judgment of Paris", coloured print, a limited edition of 850, with fine art trade guild back stamp. 20" x 30".

Lot 102

AFTER G BENINGFIELD, study of a Kingfisher, limited edition coloured print number 153 of 500, signed in pencil by the artist. 14" x 11.5".

Lot 103

AFTER ROBERT TAYLOR, (BRITISH 20TH CENTURY), "Duel of Eagles" coloured print signed in pencil by Douglas Bader and Adolf Galland. 15.5" x 21".

Lot 108

ROBERT TAYLOR, (BRITISH, 20TH CENTURY), "Flight of Eagles", signed in pencil by artist and Adolf Galland, a limited edition coloured print. 12.5" x 19". Expensive frame.

Lot 153

A Chinese moulded tea brick, moulded design of ancient ruins and script in bold relief, in moulded frame, 16 x 14in., together with a framed elephant print

Lot 347

A colour print after Frank Wootton, entitled Blenheim Will Fly Again, view of a sqaudron of aircraft in flight, the mount autographed by six fighter pilots, 17 x 24in.

Lot 350

A print of Worthing from the Signal House, 4 x 6.5in., two other engravings, Robin Hood Bay and Whitby and one other picture, all framed

Lot 353

W. Russell Flint - colour print entitled 'A Question of Attribution', signed in pencil on right, printed lower left, c.f&r 1963, 21 x 17in.

Lot 364

A hunting print after H. Alken, entitled Renewal of Acquaintance with Hounds, engraved by J. Harris, 14 x 20in.

Lot 367

A small oil on board, country cottages, 9.5 x 7.5in., together with a Canaletto print, Venice, both framed

Lot 3070

AUTOGRAPH. – H. Rider HAGGARD. A signed photographic print [N.p.: n.d.] (236 x 181mm.) Depicting a portrait of the author, pasted on a card mount. (Some scuffing and soiling).

Lot 3077

PHOTOGRAPHS. – An album of mounted albumen-print photographs and prints. [N.p.: n.d. but circa 1890.] Folio (523 x 376mm.) The album containing approx 295 mounted photographs and 114 mounted prints, the majority of photographs titled in manuscript below the image. (Somewhat affected by damp, some fading and spotting.) Contemporary half-calf (worn). Note: the photographs depict views of Pompei, Gokak, Poona, Bombay, Cairo, Jerusalem, Constantinople, Athens, Cheddar and other locations in Britain, social history scenes and views of works of art.

Lot 42

After Chad Coleman, "Green Machine",coloured Print, limited edition number 114/300 and two others, (3).

Lot 138

Chislehurst, coloured print and other various Prints.

Lot 200

Condé, after Cosway, "Andromatche and Ascanius", 18th Century coloured Print and three others, (4).

Lot 379

18th Century monochrome Print of putti, in a floral border, after Pergolesi, gilt frame and one similar, (2).

Lot 387

After Gordon Frickers, "Ice Maiden", limited edition coloured Print, pencil signed by the artist 6/750.

Lot 388

After Redoute, Coloured Print of a rose, gilt frame.

Lot 399

Monochrome Engraving, Head and shoulders portrait of The Rt. Hon. William Pitt, gilt frame and a coloured Print of George III, gilt frame, (2).

Lot 400

Coloured Print, After Moreland 'Gipsies'.

Lot 405

Modern Print of flowers, in a gilt frame.

Lot 412

Coloured Engraving of Lambeth and a monochrome Print H.M.S. Royal Adelaide.

Lot 413

After Calcott "Crossing the Stream", coloured Print, framed.

Lot 416

After Barbara Murray, "Coulon", limited edition coloured Print, pencil-signed and inscribed, numbered 6/200 and two others, similar, (3).

Lot 423

Photographic Print of a swan.

Lot 427

Coloured Print, "High Street, Market Harborough" and two similar, (3).

Lot 222

A part set of three early 19th century shooting prints By H. Alken each 40cm x 49cm; two prints of birds, by J. Gould & H.C. Richter, each 54cm x 37cm; and a print of a woman, by P.W. Somkins, titled 'Mrs Siddon's', circa 1797, 30cm x 24cm -6

Lot 370

VINTAGE 'SHELL OIL' COLOURED ADVERTISMENT PRINT, after Rene Vincent and depicting petrol pumps and vintage car, 48cm x 74 cm in original frame

Lot 371

VINTAGE 'SHELL' COLOURED ADVERTISMENT PRINT, 'The Leading Line' depicting a row of vintage racing cars 48cm x 74cm in original frame

Lot 471

SIR WILLIAM RUSSELL FLINT, Three Young Victorian Ladies, one on a swing, signed print, 59cm x 53cm

Lot 485

CRAIG CAMPBELL (GOLFING INTEREST), Jack Nicklaus, Tears of Joy, limited edition print 31/200, signed; and Craig Campbell, The Look of The Tiger, Limited edition print 2/150, signed

Lot 495

WILLIAM RUSSELL FLINT, Girl on Skis in Snow Scene, limited edition coloured print 621/850, 26.5cm x 35cm

Lot 496

WILLIAM RUSSELL FLINT, Casual Assembly, print, signed in pencil, 4835cm x 63.5cm

Lot 136

An 18th century coloured print, View of Magdalen College, Oxford, image size 46cm by 30cm; together with two etchings, views of Oxford

Lot 160

19th Century, after Rembrandt van Bijn, The Deposition, an oleograph, varnished print

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