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Lot 218
A Chamberlain's Worcester bough pot and cover c.1815-20, the D-shape form split into three panels separated by raised columns surmounted by lion masks, the central panel painted with figures on an old brick bridge above a waterfall, the two smaller panels with landscapes on a gilt vermicelli ground, the stepped cover with two roles of holes and an artichoke finial, titled in the gilt to the base with 'The Bridge and great Cataract at alata', 20cm across. (2) Cf. Geoffrey Godden, Chamberlain's Worcester, pls.344 and 345. This example appears to be an interesting transition between the two forms, having the flattened columns of the later model, but the bun feet of the earlier. The central scene is copied from a print in James Bruce's 'Travels in Abyssinia'.
Lot 362
A Worcester small cylindrical mug dated 1757, printed in black with a head and shoulders portrait of the King of Prussia, and a print of Fame blowing a trumpet flanking a vignette of military trophies and flags, signed RH Worcester for Robert Hancock, and with an anchor rebus for Richard Holdship, 8.7cm. Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 1998. The centre flag on the military print is the rare version inscribed 'Russians' rather than the more usual 'Welham'.
Lot 243
An English enamel patch box of naval interest c.1798, printed and hand-coloured with Britannia seated on the shore before a tall masted ship, a pyramid obelisk to her right, the sides and base enamelled in a pale peach, the interior cover fitted with a mirror, a little cracking, 4.4cm. This print may well relate to Nelson's victory at the Battle of the Nile in 1798, which saw the captain promoted to Baron Nelson.
Lot 68
A large and rare creamware commemorative jug 1st half 19th century, printed in black in Liverpool with a portrait of Lord Nelson, flanked by two putti emblematic of Fame and Fortune, above a diagram of ships titled 'Battle of the Nile', the reverse with a ship at sail, beneath the spout painted in black with 'William Baker born September 12th 1806', a little chipping to the foot, fine crack to the spout, 22.5cm. Cf. John & Jennifer May, Commemorative Pottery 1780-1900, pl.154 for this rare print of Nelson.
Lot 365
A rare Worcester finger bowl and stand c.1758, printed in black with the River Scene print, with mallard ducks to the bowl, the stand with swans swimming before a kingfisher on a low branch and a standing heron in the distance, a little wear to the black line rim, 14.7cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2002.
Lot 344
Two Worcester blue and white plates c.1770-80, one printed with the central design of the Carnation and Fruit Sprigs pattern, the other with the Gilliflower Print, the latter with bands of osier moulding to the rim, hatched crescent marks, 21.3cm max. (2) Provenance: the Professor Richard Clarke Collection. The main flower in the Carnation and Fruit Sprigs print is a refined version of the more common Gilliflower pattern, although the fruit sprigs themselves are lacking on this particular plate.
Lot 194
A London delftware charger c.1770, painted in blue with a maiden reclining on a rocky outcrop and attended by a young shepherd, beneath a tall sponged tree and before a ruined archway, small rim chips, 34cm. The figures are copied from an engraving by Charles Albert von Lespiliez after François de Cuvilliés in Morceaux de Caprice. See Frank Britton, London Delftware, p.161 for a similar example and a copy of the print from which it derives.
Lot 370
An early Worcester saucer c.1754, printed in black in 'Smoky Primitive' style with The Flute Lesson, a couple seated beside garden statuary and beneath a leafy tree, 12cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2002. Paper label for the Dr C M Signy Collection, no. 14. The print derives from Le Maître Galant (La leçon de flute) by Nicholas Lancret. The engraving was taken from an earlier one by JP Le Bas, another version being published later by Robert Sayer in 1766.
Lot 345
Two Worcester fluted dessert dishes c.1775, one square and printed with the Carnation and Fruit Sprigs pattern, the other of lobed form and printed with the more common Gilliflower Print, hatched crescent marks, 27.3cm max. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Delph Antiques, Dublin in 2002. Cf. Branyan, French and Sandon, Worcester Blue and White Porcelain 1751-1790, II.C.22 and 23 for comparisons of these two prints.
Lot 373
A Worcester bell-shaped coffee cup c.1760-65, printed in black with Les Garçons Chinois, the reverse with a rare print of The Solitary Fisherman, wishbone handle, 6.2cm. Provenance: the Professor Richard Clarke Collection. Paper label for the Watney Collection. Cf. Phillips, The Watney Collection Part III, lot 950.
Lot 405
A Worcester King of Prussia mug dated 1757, printed in black with a titled portrait of Frederick II of Prussia pointing towards an arrangement of victory motifs, the reverse with a print of Fame blowing a trumpet, signed in the print R H Worcester for Robert Hancock, and with an anchor rebus for Richard Holdship, 8.8cm high.
Lot 371
An early Worcester teabowl c.1755, printed in black in the 'Smoky Primitive' manner with La Cascade, a courting couple promenading in a garden while further figures recline in the background, the reverse with a fountain from the original print, 8cm dia. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2001. This print derives from an engraving by G Scotin, after a painting by Jean-Antoine Watteau, which is in the Wallace Collection.
Lot 703
A 19th century coloured engraving of a parrot with pink and blue plumage, 29 x 26cm together with a set of three further coloured prints of parrots, a coloured botanical print, a well detailed study of the branch of a peach tree with fruit, butterfly, caterpillar etc, various sizes, 50 x 34cm max, all framed
Lot 715
A signed coloured framed print after Leonard Boden showing a three quarter length seated study of the Duke of Edinburgh in highland dress, signed in pencil bottom right, 63 x 50cm together with an early 20th century bust length sepia portrait photograph of a young man, signed in pencil bottom right, Dennis Moss Peckman, Stroud 38 x 30cm in oak frame with gilt slip
Lot 725
An early 20th century oil painting on board of a Dresden city scape with paddle steamer on the river, signed bottom left A Prufer, inscribed Dresden, dated 1920, 27 x 49cm in black and gilt frame, together with a coloured print on board of a 17th century style floral still life in swept gilt frame 77 x 67cm overall
Lot 732
A signed coloured limited edition print after Barry Walding - Brabazon - Lord of the Skies, showing the Bristol Brabazon MKI September 4th 1949 over Filton, signed in pencil by artist with further signature, possibly of the pilot, edition number 348/850, 39 x 57cm together with a further signed coloured limited edition print of an aviation subject - Eagles Over the Steppe, after Grahame Lothian with various pencil signatures, edition number 889/1000, 50 x 83cm both framed
Lot 748
A 20th century oil painting on canvas of a clown, signed bottom left U Alund, 90 x 30 cm approx in wooden frame with cream coloured slip together with a continental coloured print of a girl holding a kitten, inscribed verso Brave Margo, 72 x 52 cm approx, a further signed coloured print of female figures, a pastel study of pigs signed S Whitaker, etc, all framed
Lot 751
An early 20th century oil painting on canvas of a street scene with figures arriving at church, signed bottom right T Langley, 53 x 58 cm approx in moulded gilt frame together with a late 19th century sepia photograph of a group of young men, many wearing straw boaters and dated 1895, also together with a coloured print of a house facade with black cat and bicycle
Lot 756
A contemporary oil painting on board showing Tanfield Bridge in the Yorkshire Dales with incised signature bottom left Dallas, 30 x 60 cm approx in wooden and gilt frame together with a signed coloured limited edition print of The Woolpack Inn, signed in pencil bottom right Alan Stuttle and further signed by Stan Richards, etc, edition 3/500, 40 x 56 cm approx in gilt frame, four framed sets of reproduction cigarette cards by John Players & Ogden all showing poultry, further prints of topographical subjects, etc
Lot 777
A framed collection of three sheets of pencil, ink, charcoal and watercolour ornithological studies by Andrew Waddington including wading birds, crossbills, etc all three sheets signed, maximum sheets size, 27 x 38cm in wooden and gilt frame, overall frame size 85 x 90cm, together with an artists proof woodcut type print also by Andrew Waddington showing an owl at moonlight, signed bottom right, with inscribed label verso Twilight Owl, A/P, by Andrew Waddington 1977, 22 x 18cm in simple black frame
Lot 786
An 18th century oil painting on canvas of a scene with a red coated young man accompanied by two dogs being reprimanded by a woman with a baby on her back, 24 x 30cm in gilt frame, together with a coloured print of a 17th century style gentleman in wide rimmed black hat 27 x 20cm in deep black frame, an Oriental 19th century needlework panel, possibly, with floral detail, a pair of black and white engravings after Sir Edwin Landseer, High Life and Low Life, etc
Lot 795
A 20th century oil painting on canvas of a standing bulldog, signed bottom right E P Rotherham, 35 x 45cm in gilt frame with linen slip, together with further prints relating to dog subjects including a signed coloured limited edition print after Nora Howarth, showing a Staffordshire Bull Terrier and a further terrier on a sofa, a signed etching of the head of a Setter dog by Alice Bamwell, a humorous coloured print of the head of a Terrier after Cecil Aldin, etc together with a portfolio of coloured prints after Canaletto
Lot 796
A quantity of 19th century and later pictures and prints including a print after Lucy Dawson showing a wirehaired dachshund, a late 19th century black and white etching of a musical performance after L Balesterien, a watercolour of a continental garden scene with blossom tree, an oil painting on canvas of a still life of a vase of poppies indistinctly signed bottom right, an early 19th century watercolour of landscape with pond and cottage with cattle in burrwood frame with gilt slip etc
Lot 800
A 19th century coloured print-portrait of Major General Gordon, 34 x 24cm in gilt frame together with the life of General Gordon published 1885, a black and white engraved portrait of Field Marshall The Right Hon Viscount Wolseley, a coloured print of a 17th century style man in lace collar, signed bottom right T Hamilton Crawford, a coloured print of a Royal Horse Artillery charge, after Harry Payne with printed calendar for 1902 inscribed T Freeman, Fruiterer and Confectioner, a 19th century coloured print of a regiment summond to Waterloo, etc
Lot 813
An early 20th century Japanese coloured woodblock print of two characters and a seascape with waves, birds in flight, etc 36 x 26cm, an oriental painted scroll with character riding on a large fish and a further similar scroll with painted decoration of a male musician standing on a stool beside a lake, a naive style painting on canvas of figures and a dog on a beach signed bottom right Billie Cook, an a further oil painting of flowers by the same hand, a pair of late 19th century coloured engravings after Watteau showing French romantic scenes, a set of four mounted black and white engravings of 18th century style interior scenes with figures and a scenes after Fragonard, etc
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314766 item(s)/page