We found 314753 price guide item(s) matching your search
There are 314753 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
314753 item(s)/page
Lot 252
A collection of ceramics to include a Vienna Cabaret tray, measuring 40cm x 26 cm , in good condition, 6 cups and saucers C1820 made in Staffordshire Adam Buck bat print with pink lustre, there is wear to the lustre as shown, otherwise in good condition, bar odd foot rim nibbles, a continental lidded armorial jar , the lid has restoration a shown, and a continental hand decorated lidded trinket box, please view all pictures for condition and back stamps ( 1 box ) 15 pieces
Lot 130
J Alphedge Brewer (British 1882 - 1938), study of a Cathedral; interior, coloured etching. 68x43cm approx. together with a facsimilie map after John Speed of the British Isles and a coloured print Travelling 1840 Old Station and Derby, North Midland Railway after C Hamilton Ellis. (3) (B.P. 21% + VAT)
Lot 148
C Perilli, after Landseer, study of a dog, possibly Gellert. Oils on board. 40x50cm approx. Framed. together with a coloured print marine print of the Welsh missionary schooner John Williams with printed and handwritten acknowledgement text, together with Jeff Shaw, a study of steam engines, signed. Oils on board. 44x59cm approx. Framed. And Irene Bache (Welsh 20th century), 'Snowdon in an Easter Blizzard', signed. Watercolours. 46x52cm approx. Framed and glazed. (4) (B.P. 21% + VAT)
Lot 172
Elizabeth Pulman (1836-1900), an albumen print portrait of a Maori in traditional dress, titled in the negative 'PULMAN PHOTO AUKND N.Z.', 14cm x 9.5cm, mounted on a paper sheet with a further albumen print portrait of a Maori also titled 'PULMAN PHOTO AUKND N.Z.', 9.5cm x 5.8cm, and nine further albumen print Maori portraits possibly also by Pulman, each 9.5cm x 5.8cm; with a further sheet mounted with an albumen print of a Maori family outside their home, 13.5cm x 23cm, and an albumen print of a river landscape, 20.5cm x 29cm, the sheets each 45.7cm x 59.5cm (2) (at fault)
Lot 175
Isaiah West Taber (American, 1830-1912), an albumen print depicting a shopfront in Chinatown, San Francisco, 19.5cm x 12cm, mounted on a paper sheet, with twenty one further albumen prints depicting urban scenes, some possibly by Taber, to include the Brooklyn Bridge under construction, 16.5cm x 23.5cm, the elevated railroad, Sixth Avenue, New York, 16.5cm x 24cm, and the Salt Lake City Tabernacle, 20.5cm x 30.5cm, all mounted on paper sheets (eight sheets in total, some sheets with multiple prints), the sheets each 45.7cm x 59.5cm; and a card mounted albumen print depicting a New York Christmas street scene, 21.5cm x 31cm, in card mount (9) (at fault)
Lot 190
Keith Henderson (British, 20th century),Elephants hauling teak,Print on paper, trimmed down from a 1930s Empire Marketing Board poster titled 'A Teak Forest of Burma',Glyn Estate label verso,43.5cm x 73.5cm,Framed and glazed,With a further print on paper trimmed down from a 1930s Empire Marketing Board poster titled 'The Empire's Sugar Cane', Glyn Estate label verso, 46cm x 72cm, framed and glazed (2) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Lot 202
After Jacopo Robusti Tintoretto (Italian, 1518-1594),'Bacchus, Venus And Ariadne',Aquatint on paper, Label verso attributing publication to the Medici Society, 42.5cm x 49cm,Ebonised and glazed Dutch frame (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates CONDITION REPORT:The print is framed under glass and has not been removed for inspection. The print surface shows no obvious damage, however the colours are likely to have faded somewhat over time. There is a fragment of brown paper or similar on the chest of the left hand figure. It is not clear if this is attached to the print surface in some way. The frame is structurally sound but shows open joints at all corners, and rubbing and wear to the ebonised finish. We believe the print to date from the early 20th century.
Lot 211
After William Redmore Bigg (British, 1755-1814),'Sunday Morning, A Cottage Family Going To Church',Engraving on paper by William Nutter (ca. 1759–1802), published by William Redmore Bigg, London 1795,50.5cm x 57.5cm,Framed and glazed (at fault)Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates CONDITION REPORTS:The print is framed under glass and has not been removed for inspection. The paper shows a full height near vertical crease to the central area running up through the hand of the child with the stick and through the female figure standing behind. The crease line shows several small scuffs, most noticeable on the female figure's dress. There are further small scuffs visible on the face of the donkey and on the trunk and foliage of the tree. The paper surface shows a ripple and slight puckering across the sheet. The lower margin shows some wear and staining. The frame is structurally sound, but shows wear to the gilt and wood finishes.
Lot 215
After Thomas Walmsley (Irish 1763/4-1805),'View on the River Dee near Bala',Hand-coloured aquatint on paper applied to canvas, engraved by Francis Jukes (1745-1812), published by Francis Jukes, London 1792,The plate 35cm x 44cm,The sheet 35.5cm x 44.5cm,Framed and glazed (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates CONDITION REPORT:The print is framed under glass and has not been removed for inspection. The print shows age-related darkening to the paper and probable fading to the colours. The canvas backing is not taut on the stretcher, resulting a broad ripple across the sheet. The lower margin shows some staining throughout. The frame is structurally sound, but shows ingrained dirt, wear and chipping to the gilt finish throughout. The glass shows a crack to the lower right corner. There appears to be some dust or similar trapped between the glass and the print surface.
Lot 216
After Robert Smirke RA (British, 1753-1845) and John Emes (British, 1762–1810),'A Meeting of the Society of Royal British Archers in Gwersyllt Park, Denbighshire',Aquatint on paper by Cornelis Apostool (1762-1844), published by John Emes, London 1794,The plate 48cm x 61cm,The sheet 48cm x 61cm,Framed and glazed (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates CONDITION REPORT:The print is framed under glass and has not been removed for inspection. The print surface shows foxing throughout, most noticeably in the top right quadrant, with further staining to the margins in the lower left quadrant. The paper shows a slight vertical ripple on the left side of the sheet. The frame is structurally sound, but shows chips and wear to the surface finish and losses to the moulded details.
Lot 217
After Johann Zoffany (German, 1733-1810),'The Embassy of Hyderbeck to Calcutta, from the Vizier of Oude, by way of Patna, in the Year 1788, to meet Lord Cornwallis',Hand-coloured mezzotint on paper, engraved by Richard Earlom (1743-1822), published 1800,The plate 53cm x 68.5cm,The sheet 53cm x 68.5cm,Framed and glazed Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates CONDITION REPORT:The print is framed under glass and has not been removed for inspection. The sheet shows age-related darkening throughout. The top edge shows a vertical tear approximately 6cm long 24cm in from the right hand edge of the sheet. There is a scuff penetrating through the paper 10cm in from the right hand edge of sheet, with further small tears emanating from the scuff. There are further non-penetrating scuffs to various areas of the sheet, most noticeably below the elephant's trunk. The lower margin of the print show various stains and watermarks along its length. The frame appears to be structurally sound, but shows wear to the gilt highlights.
Lot 233
'The Austin 12 & 20 H.P. Garage Chart', print on paper mounted on canvas, early 20th century, published by the Austin Motor Co Ltd, Longbridge, Birmingham, the chart 64cm x 99cm, framed, 88cm x 111cm overall (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Lot 168
Horse Racing Tony McCoy signed 21x17 overall framed and mounted colour montage print celebrating his 4000 winner at Towcester racecourse 7th Nov 2003 riding Mountain Tunes. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 200
Ron Chopper Harris signed 16x12 inch black and white print pictured celebrating with the FA cup with his Chelsea teammates. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 205
Geoff Hurst signed 16x12 inch 1966 World cup final colour print pictured celebrating with his England teammates. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 214
England 1966 World Cup Heroes Jack Charlton and George Cohen signed 20x14 inch colour print pictured celebrating after the 1966 world cup final. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 102
Fine Photo Album of India Album by John Saché, Album containing 33 albumen prints, 9 x 11 inch, by John Saché and 1 print inscribed Saché and Murray. Pasted in album verso and recto. Views include images in Calcutta, Delhi, Agra, Lucknow, Bombay, Hymelia and Nainital. Caves of Elephants and Tower in Residency images. The album dates from 1868-72. Condition: Well presented album with titles below images. Some yellowing to images, some edge fading, light surface marks. Some images have scattered white spots from processing. Most have good contrast.Very good and complete binding. John Saché (1824-1882) was resident in India from the early 1860s to early 1870s. His career is not well documented. (Hugh Ashley Raynor).
Lot 103
A Good Album of India, Calcutta, by Samuel Bourne, Large album containing 14 albumen prints inscribed Bourne. Each print is 8 1/2 x 11 1/2 inches and include views in Calcutta of Barrackpore Park, River Hooghly and Maidan, Eden Gardens and Tolly's Nullah, also prints of Agra. All images are titled on the page. Remainder of album contains images from Malta, Gibralter and the UK. Condition: Prints are neatly pasted in. Images are yellowing and some light surface marks. Album is complete, binding is very good. Some light foxing to leaves.
Lot 50
Frank Meadows Sutcliffe, Fishermen, Whitby Fishermen c1885, 8x6 inch albumen print. Condition: Slight discolouration and fading. Light creasing. Francis Meadow Sutcliffe, affectionately known as Frank, was an important figure in photography, leaving an indelible mark on the visual documentation of Whitby, England, and its environs during the late Victorian era and early 20th century. Sutcliffe's prolific career as a photographic artist captured the essence of life in this seaside town, earning him the moniker "pictorial Boswell of Whitby." Initially embarking on his career as a portrait photographer in Tunbridge Wells, Kent, Sutcliffe moved to Whitby, where he resided for the remainder of his life. Living initially in Broomfield Terrace in Whitby before relocating to Sleights, Yorkshire, Sutcliffe's artistic journey was influenced by his father's connections with notable art figures such as John Ruskin. Despite initial reluctance to engage in what he perceived as a commercialization of his art through photographing holiday-makers, Sutcliffe's studio in Skinner Street, a converted jet grinding and polishing works, became a pivotal space anchoring him to Whitby and the Eskdale valley. Sutcliffe's lens, however, did not focus solely on the picturesque landscapes or the fashionable elite. Rather, he delved into the lives of ordinary people, creating a comprehensive and revealing portrait of late Victorian Whitby and its denizens. Through intimate portrayals of individuals well-known to him, Sutcliffe uncovered the nuanced tapestry of a town and its inhabitants. Sutcliffe's contributions to photography extended beyond his visual artistry. He was a prolific writer on photographic topics, regularly contributing to periodicals and maintaining a column in the Yorkshire Weekly Post. His legacy endures in the collections of institutions such as the Whitby Literary and Philosophical Society and various national collections. As a founding member of the Linked Ring Brotherhood, a society dedicated to advancing photography as an art form, Sutcliffe played a crucial role in elevating the status of photography in the art world. In recognition of his significant contributions, he was honored as an Honorary Fellow of the Royal Photographic Society in 1941. Remarkably, at the age of 70, Sutcliffe assumed the role of curator at the Whitby Gallery and Museum, a position he held until his passing at the age of 87 in 1941. Through his lens, words, and curatorial efforts, Francis Meadow Sutcliffe cemented his place as a visionary photographic artist and a dedicated chronicler of Whitby's bygone eras.
Lot 57
Photographs of The Construction of Royal Albert Bridge Saltash, Two framed and glazed prints showing the erection of the bridge. 1 dated 1854 is an illustration, the other is a later print of an image from 1857 showing the main span being positioned. The Royal Albert Bridge was designed by Isambard Kingdom Brunel. Surveyed in 1848, construction began 1854. The bridge was opened by Prince Albert in 1859.
Lot 58
Various Period Photographs of Queen Victoria, A group of images relating to Queen Victoria. A glazed and framed print of the funeral cortège passing Apsley House by Dorrett & Martin with description, a photograph of the Queen in a cart with donkey, glazed and framed. A positive image sandwiched in glass and a small portrait mounted in marble block.
Lot 59
Glass Plate Negatives of HUDC Fire Brigade, Group of glass plate negatives including HUDC Fire Brigade (Harrow Urban District Council?). Images of firemen on horse drawn vehicles in late 19th century. Soldiers and interesting shop frontage with Fry's chocolate advertising. Whole plate (19) with one framed print. *Please note, images have been inverted for viewing purposes only* Condition: Very good with sharp, clear images.
Lot 60
Early Photograph of Whitworth & Co. Manchester Workshop, Large framed and glazed image showing the Steam Engine erecting shop at Joseph Whitworth & Co. Manchester c1869. Published by Thomas Agnew & Son's of Manchester. 12 x 14 inch, pasted on card, image with details of various steam engines being assembled. Joseph Whitworth started his company in 1833 after moving to Manchester from London. In 1841, Whitworth developed a standard for screw threads. Noted for producing quality parts for building machining tools and complete machines. Also noted for producing arms and armaments during and after the Crimean war. After Joseph's death the company merged with his rival, Armstrong to form Armstrong Whitworth Co. Condition: Print is yellowing and board discoloured under frame. Good, sharp image.
Lot 65
The 64 Pillard Hall, Futtehpore, Sikri c1875, Photograph by Samuel Bourne, The 64 Pillard Hall, Futtehpore, Sikri c1875. 9 x 11 inch albumen print. Bourne 1366 inscribed in the negative. with one other, lake scene 8 x 12 inch, Bourne 1622 inscribed in the negative. Both mounted. Condition: Small creases, edge fading. Staining to mounts. Strong images.
Lot 74
FRANCIS BEDFORD (1815-1894), Photographs of North Wales c.1870, albumen prints, all unmounted, two views of Porthmadog harbour with sailing ships, signed and titled in the negative 'Bedford 488 Portmadoc and Harbour' and 'Bedford 431 Portmadoc Harbour and Garth'; two further views, ' Bedford 447 Snowden from Aberglaslyn Road' and 'Menai Straights from Angelsey Column Bedford 304', featuring the Britannia Bridge (designed by Robert Stevenson and completed 1850) all 12.5cm x 20cm; a large print signed in the negative 'Bedford 1612 The Pass of Llanberis and Lakes', 19.5cm x 28.5cm; with two further prints attributed to Bedford and numbered 520 and 522, the Llanberis Pass and Lakes, both 16cm x 21cm (7 prints)
Lot 100
A SILK AND HAIR WORK PICTURE OF 'ROME IN ITS ORIGINAL SPLENDOUR' LATE 18TH CENTURY In an eglomise surround, titled in English and French, gilt frame Image 25 by 38cm Together with a print of the same subject possibly after Robert Sayer Provenance: Bonhams, The Sampson and Horne Collection, 28 April 2010, Lot 316
Loading...-
314753 item(s)/page