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Click here to subscribe* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013),EASTER REFLECTION, BARGAlimited edition giclee print on paper, signed and numbered 36/55image size 34cm x 30cm, overall size 61cm x 53cm Mounted, framed and under glass.Condition report: Condition is good overall, with no visible signs of damage, restoration or known issues. Print is signed in pencil, by the artist.
STEVE MCCURRY (AMERICAN b. 1950),SHARBAT GULA, AFGHAN GIRL, PAKISTAN offset lithographic colour print, signed in pen lower right image size 49cm x 33cm, overall size 76cm x 58cm Mounted, framed and under glass.Note: Steve McCurry took his most recognised portrait, ''Afghan Girl'', in a refugee camp near Peshawar, Pakistan in 1984. The image itself was named as ''the most recognised photograph'' in the history of the National Geographic magazine and her face became famous as the cover photograph on the June 1985 issue. The photo has also been widely used on Amnesty International brochures, posters, and calendars. The identity of the ''Afghan Girl'' remained unknown for over 17 years until McCurry and a National Geographic team located the woman, Sharbat Gula, in 2002.
* IAIN FAULKNER (SCOTTISH b. 1973),MUSElimited edition giclee print on paper, signed and numbered 43/150, titled certificate versoimage size 51cm x 51cm, overall size 83cm x 81cm Mounted, framed and under glass. Note: certificate of authenticity attached verso.Note 2: Scottish artist Iain Faulkner graduated from Glasgow School of Art in 1996 with a BA in Fine Art. He has had numerous solo shows in the UK, USA, France, Switzerland, Spain and Italy. He is represented by the prestigious Albemarle Gallery (London). His work appears in many private and corporate collections and in 2010 he was commissioned to paint the European Ryder Cup Team member portraits. Faulkner's work highlights moments of withdrawal and consolidation, where the subject turns inward. The images imply a sense of a nomadic existence. The fact that the face is obscured or turned away, allows us to see the figure as an everyman, a player both familiar and universal. They conjure ideas of modern-day, male heroes. Solitary and brooding, these figures suggest alienation, but also speak of autonomy and resilience. Many of Iain Faulkner's paintings have been published as limited edition fine art prints and they sell in prolific numbers. His original work very rarely appears at auction but a 150 x 150cm oil on canvas titled ''At The Bar'' sold at McTear's 17.11.2013 lot 1829 for £5800 (hammer) and his limited edition signed prints have sold more than once in our auctions for prices of £500 (hammer).
* HANNAH FRANK (SCOTTISH 1908 - 2008),IN THOUGHTS FROM THE VISIONS OF THE NIGHT WHEN DEEP SLEEP FALLETH ON MEN (1930) lithograph on paper, signed in pencil, titled and dated 1930image size 36cm x 25cm, overall size 55cm x 40cm Mounted, framed and under glass.Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
Art Deco lame bias cut, sleeveless, full length evening dress with abstract floral pattern in rust and pale lime green on eau de nil background with circular skirt, pin tucked side details and piped neck and armholes , together with a 1950s rosebud print shirt waister Summer dress, bearing label Lo Rocco Model Cepea cotton Condition Report: Con. Evening dress in good wearable condition Light stains to underarmsMeasurements:Underarm to underarm 110cm, hips approximately 112cm Undulating hem, so armpit to longest length approximately 126cm Mid centre neck to highest part of hem approximately 117cm Summer dress Good wearable condition Underarm to underarm 104cm, waist 81cm, back of neck to hem 81cm Side zip
Paul Scheurich (1883-1945): ensemble d'épreuves d'essai pour 'Das Huendchen der Marquise Pompadour' ainsi qu'un exemplaire du livre, 1919 Paul Scheurich (1883-1945): Set of trial proofs (Probedrucke) for 'Das Huendchen der Marquise Pompadour', 191913 trial proofs aside from the edition, and a print of Cupid, together with the book of the same name published by Fritz Gurlitt Verlag, Berlin, the largest: 28 x 21cm (15)For further information on this lot please visit Bonhams.com
Paul Scheurich (1883-1945): dessin d'une scène de ballet et ensemble d'impressions sur le thème du théâtre et de l'opéra, années 1920-1930 Paul Scheurich (1883-1945): A ballet drawing and selection of prints from theatre and cabaret, 1920s-30sComprising: a drawing of a ballet scene (16 x 17.7cm), a print with the scene from the Strauss opera 'Ariadne auf Naxos' (38 x 29cm), two prints depicting vaudeville scenes signed 'Scheurich 38' (each 42 x 27cm) and a print depicting a Paris cabaret (30 x 40cm) inscribed in pencil on the reverse '17. Jahrgang der Freunde grafischer Kunst 1929', each signed by Scheurich (5)For further information on this lot please visit Bonhams.com
Pierre-Auguste Renoir (French 1841-1919) "Le Chapeau Epingle" (La Fille de Berthe Morisot et sa Cousine), circa. 1894, etching.plate size 12cm x 8.5cm (4.75in x 3.25in)Condition report:The print is in good, original condition. There are some minor areas of browning and cockling across the paper. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
William Lionel Wyllie R.A. (1851-1931) "Cobles at Newbiggin, Northumberland", signed in pencil in the margin, etching.plate size 21.5cm x 49.5cm (8.5in x 19.5in)Condition report:The print is in fair, original condition. There are extensive spots of foxing and mould across the paper and the mount together with areas of browning and minor staining. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
William Lionel Wyllie R.A. (1851-1931) "Lobster Fishers", signed in pencil in the margin, titled on gallery label - 'Robert Dunthorne, The Rembrandt Gallery, Liverpool' verso, etching, together with "Wyllie's Marine Painting in Water-Colour", with twenty-four examples by the artist printed in colour, published in 1901 by Cassell and Company, Limited.plate size 18.5cm x 23.5cm (7.25in x 9.25in)Qty: 2Condition report:The print is in good, original condition. There are some minor spots of foxing across the paper and the mount. The print is framed and glazed. The frame has some knocks and losses.
William Lionel Wyllie R.A. (1851-1931) "Running Home in Time", signed in pencil in the margin, titled on gallery label - 'James Connell and Sons Ltd.' verso, etching.plate size 19cm x 24.5cm (7.5in x 9.75in)Condition report:The print is in good, original condition. There are some minor spots of foxing across the paper and the mount. The print is framed and glazed. The frame has some knocks and losses.
WW2 Collection of 7 Coulson and Taylor Military Artwork Pamphlets. Winter Ops by Coulson, Alone at Dawn by Coulson, Band Of Brothers by Robert Taylor, Strike and Return by Robert Taylor x3, No Turning Back by Robert Taylor. A Typed Letter from the Director of Fighting High Publishing Steve Kitchener. Also included in this lot is a 10x8 Colour Print Showing A Lancaster Bomber. Good Collection. Good Condition. Est.
A group of pictures relating to cock fighting, to include: A pair of prints of hens and cockerels, 15.5 x 22cm; after William Hogarth, Pit Ticket, The Cock-Pit Royal, engraving, 25.5 x 33cm; a mixed media and paper collage of a cockerel wearing spurs, 21 x 16cm; after William Small, In the early days of our century - popular sport in 1800, reproduction print, 24.5 x 33cm; after Henry Alken, a pair of reproduction engravings of cock-fighting scenes, 31 x 21.5cm; and after Margaret Dovaston, Recollections of the Past, reproduction print, 22 x 26cm (8)
Five modern oil paintings and two others; including, still life with strawberries plumbs and grapes, oil on board, 44 x 54cm; madonna and child, oil on a wooden plank, 62 x 40cm; landscape, oil on canvas, 26 x 36cm; street scene, watercolour on paper, 30 x 32cm; print of a girl with a bird, signed and numbered along the bottom, screen print on paper, 58 x 41cm (5)
A group of four pictures; including, a print of ships by St Helena, 31 x 49cm; print of a ship 'Homeward Bound', 47 x 57cm; a sampler with riders and trees, 47 x 34xcm; design with flowers, watercolour on paper, 55 x 43cm. four in the lot (4)Condition report: Paper appears to be stable, some cracking around the edges of the print of ships by St Helens. Staining and discolouration throughout the image.Appreciable staining and discolouration to the print of Homeward BoundFraying and holes throughout the sampler with discolouration commensurate with age.Paper has some cracking across the surface but otherwise stable. Crack in the glaze and minor chipping to the foliation on the frame commensurate with age
Group of pictures; Michael Stennett (British 1946-2020), army officers with accompanying text, mixed media, various sizes, and a portrait of a king, oil on canvas. Together with two pencil studies of an Edwardian gentleman, each signed and dated 'Stennett 81', pencil on paper, 23.5 x 17cm; 27.5 x 17cm Provenance: The studio of Michael Stennett; Michael Stennett (British 1946-2020), portrait of a topless man, signed and dated 'Stennett 2007' (lower left), print on paper, 20 x 15cm Provenance: The studio of Michael Stennett
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