Vellum scroll w. beautiful, legible Hebraic manuscript text on 3 attached lvs., total length approx. 215 cm, ca. 1740, rolled on a beautifully turned wooden stick, in the orig. board tube covered with red velvet and w. carved wooden grip and ornamental silver cap (w. rococo-ornament), total length 49 cm. Velvet worn, otherwise in excellent condition. W. certificate description of the Rijksmuseum van Oudheden in Leyden, dated 5 January 1956, signed in print by D.G van Wijngaarden, director of the museum at the time. See the silver Torah-pointer elsewhere in this auction.
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Edition 227/350, signed in pencil by de vries on first page. 30 x 21.5 cm, 87 p. Contributions by: Staakman; Nusberg/Dwiezjenije; de vries; Vieira; Houédard (Op poems in dots); Sharkey (Concrete poem); Deman; Aubertin (L'art dans la société capitaliste), a.o. Exquisite, rare and signed copy. Added: (2) herman de vries Werken 1954-1980. Groningen, Groninger Museum, 1980. Softcover, glassine dustwrappers with a dry tree leaf pressing, loose as issued. 29.5 x 21 cm, 206 p. Text in Dutch and German with plates in b/w, list of works and bio/bibliographic information. Print run of 1.000. Very fine copy. (total 2)
Princen van Orangien, Haer Leven en Bedrijf, of 't begin en voortgang der Nederlandsche Oorlogen. Vervatende een waerachtigh verhael aller Belegheringhen ende Victorien. Amst., Jan Jansz., 1651. 2 parts in 1 vol. (2),104; (2),419,(3) p. Blindst. vellum w. manuscript title on spine, frontisp. with title, title-p. with sm. vignette, 2 portraits by Broer Jansz after Crispiaen vanden Queboren, an armorial print, and 45 double-p. copper engr., incl. a general map of the Netherlands by Petrus Kaerius, a detailed map of eastern Brabant (Heyr-tocht in Brabant), and an engr. of the funeral procession for Maurice at Delft with the caption listing most of the Dutch nobles by name.Occas. mild foxing, some mistakes in pagination, otherwise a fine copy.
traduit sur le texte flamand du douzième siècle, publié par Mr. J.F. Willems. Ghent, H. Hoste, n.d. (ca. 1846). 72 p. W. 4 lithogr. plates by P. Vandesteene, contemp. gilt half mor., sm. 8vo. Upper inner hinge broken, spine faded and w. tear along bottom, corners show wear. Very rare print from the Chronique contemporaine et retrospective (1846).(2) Goethe. Le Renard (Reineke Fuchs). Traduction de Édouard Grenier. Illustré par Kaulbach. Paris, printed by J. Claye for J. Hetzel, 1867. (4), 148 p. W. wood engr. ills., contemp. half. mor., ribbed and gilt spine, w. bookplate of Phons en Mária Schellart on upper pastedown, sm. folio. Endpapers browned, extremities sl. rubbed. Overall a good copy. (total 2)
Ca. 1750. Incl. 1 duplicate. 6 are contemp. handcol. in 2 different hands, all approx. 28 x 36 cm, all w. the address "'t Amsterdam by Ioannes van Keulen" and "Cum privilegio" in the plate.3 prints have a manuscript caption in reverse at the top: (1) De Cascade aan de West zy van de Generelae Tuyn (manuscript: "De watervallen aan de westzy van de tuine van het Loo"). (2) De Cascade aan de Oost zy van de Generale Tuyn ("De watervallen (...)."). (3) De Fonteyn bij de Doorvlochte Naam Voor aen de vijver op 't Loo in Perspectief ("Het terras en speelpaviljoen ende visvyver op het Loo"). 3 prints w. different handcol. on thinner paper: (4) Het perspectief van 't huijs op de zij over de Orangieri op het Loo. (5) Het Perspectief van de Seswegh bij Phuenus op 't Loo. (6) De Fonteyn bij de Doorvlochte Naam Voor aen de vijver op 't Loo in Perspectief. And 1 uncol. print: (7) Het Perspectief vande Groote Fonteyn Venus op 't Loo. Occas. sm. defects but a very fine, and very rare series. Modernised copies from a series of prints w. exactly the same engr. captions publ. by Justus Danckerts at the end of the 17th cent. -and 5 contemp. handcol. optical prints on the same subject (incl. 1 duplicate), ca. 1770. Incl. very fine prints publ. in Augsburg. (total 12)
Enschede, De Poeh, 1984. Hardcover, black cloth-covered boards, 23 x 15.5 cm, 46 pp. Features stamp-like illustrations of queen Beatrix of The Netherlands (1980-2013) in screen print and letterpress. Artists' book, printed and bound by hand. Signed and hand-numbered '11' in colophon from an edition of only 25. This copy dedicated, signed and dated '10 juni 1988' in pen on title-page. Rare.
New York, Aperture, 2016. Signed by the author and photographer, hc w. dust-j, red cl. folder in red cl. handmade slipcase w. 2 C-prints, 23.5 x 28.7 cm, signed and numb. 23/25 on verso.The 1st C-print shows Elena (31), a dancer at the strip club inside the Hotel Zhemchuzhina called Art Klub, where she has been working for 18 months. The 2nd shows Hamzad Ivloev (44), ex-policeman in Karabulak, who, when his checkpoint was under attack, threw himself onto a grenade to save the rest.
Stipple-engr. w. aquatint by F. Cazenave after L. Boilly, sheet size 64.5 x 48.5 cm, publ. in Paris "Chez l'auteur", n.d.Professionally backed and restored in corners/ margins (trimmed inside the plate-mark), sl. foxed. Still an acceptable copy for such a large print. Atlas Van Stolk 3962. W. added documentation: a sm. exhibition catalogue on optical prints held at Atlas Van Stolk in 1982, this print is catalogue no. 1 and reproduced. -and a photocopy of an article by C.J. Caldenbach, "De optica, een leerzaam kijkvermaak", publ. in De Boekenwereld, year 1, nr. 2 p. 3-12 and nr 3. p. 4-12. Here, this print is also reproduced and the 1st ill.: "1. De optica. Aquatint, naar L. Boilly door J.-F. Cazenave. De vrouw is Louise Sébastienne Gély, de tweede echtgenote van Danton. Het jongetje is waarschijnlijk Antoine Danton, het zoontje uit zijn eerste huwelijk."
van het Oude en Nieuwe Testament, in het koper geëtst door den vermaarden en kunstryken Jan Luiken, en met nieuwe en leerzame beschryvingen opgeheldert. Amst., Joh. Cóvens en Corn. Mortier, 1729, 2nd ed., (10),67 [=76]; (2),44 p., 15 lvs,, w. 5 lettered double-p. engr. maps (incl. a worldmap) and 62 numb. double-p. plates (incl. frontisp.), 30 engr. vignettes on 15 plates at the end, contemp. blindst. panelled vellum, folio. Marg. waterst. at the end; plate 39 w. large closed tear. Vellum torn at top and foot of spine, and otherwise a bit scratched/ stained. A good copy of this monumental printbible, one of the main works of Jan Luiken. The first edition appeared in 1708. This second edition is enlarged with 2 pages of explanatory text to every print, with 5 engraved maps and the 30 vignettes of the "Grooten Bybel" of Mortier (1700). Klaversma/ Hannema 160/ 161; Van Eeghen/ Van der Kellen 429, p.666; Poortman II, p.131.
Col. dye-transfer print, 39.7 x 59.7 cm (sheet size 60.5 x 48 cm), ca. 1971 (?), signed in pencil on verso, but also titled and dated by another hand in pencil verso. Framed under passe-partout.Some wrinkling along upper and lower edges, probably from the wet printing process, narrow margins. Rare.
Posthumous print published in collaboration with H.P. / De Tijd and George Mulder Foundation, 1991. Colour print on thick white stock (hts paper), 80 x 78.5 cm, image size 63 x 65.5 cm. With embossed stamp 'George Mulder Foundation H.P./De Tijd’ on lower right corner. Verso features stamp Keith Haring@George Mulder Foundation 1991, numbered 230/500 in pencil. Paper moderately bubbled, with slight irregularities along the extremities, image in very good state.
SS. Rosario virginis matris devotis a deo opt. max. collata. Antw., Th. Galle, 1610. Sm. 4to. Engr. title-p., 4 letterpress p. and 15 numb. plates, very finely bound by F. Bedford in full crushed brown mor., both covers with double gilt fillet border and blindst. borders, corner fleurons, gilt board edges, gilt and ribbed spine, a.e.g., w. old bookseller's ticket of Robson & Kerslake (London) on upper pastedown. Bound w.: (2) Jan Swelinck. D. Catharinae Senensis virginis SS. ord. praedica torumvita ac miracula selectiora formis aeneis expressa. Paris, Thomas de Leu, n.d. (ca. 1610). Num. engr., incl. title-p. and 33 numb. plates. Plate 32 misprinted w. paper flaws. Very rare. Not to be confused with the print series with exactly the same title by Theodorus Galle, published in 1603. And bound w.: (3) Th. Galle. Vita et miracula S.P. Dominiici praedicatorii ordinis primi institutoris. Antw., Th. Galle, 1611. Engr. title-p., 4 letterpress p., frontisp. portrait, 32 engr. plates and 8 letterpress p. w. descriptions of the plates in Dutch. Excellent copy, plates in very good condition, all together in a very fine signed binding.
Amsterdam/ Eschenau, NRC Handelsblad/ herman de vries, 2015. Edited by Colin Huizing et al. Cardboard box with title along the edges and a gold-leaf point to the front, 44 x 31 x 3 cm. Contains four posters with latin texts which were placed in the city of Venice during de vries' the biennial presentation at the Dutch pavilion in 2015.The posters were also published as artists' interventions in four consecutive issues of Nrc-handelsblad, added here in a special print, each with a real gold-leaf point. Edition of 216 designed by herman de vries and Remco van Bladel. Numbered and signed by herman de vries along colophon-strip along the edge of the box. As new.
Incl. lithogr. leaflet "Naar Engeland. Goedkoope biljetten naar London via Vlissingen-Harwich" by A. Mouron-Cassandre. Amst., Print L. van Leer. 23 x 13.5 cm.Added: (2) Talens & Zoon. Carbon paper. Unopened box. Des. G.J. van Lerven (?), ca. 1930. 35 x 23 cm. (3) 4 poster stamps: Joy (des. Kiljan), 2 copies; Droste; De Vries Robbé; and Nederlandsche Nijverheids Tentoonstelling. Rott., 1928. Sample paper bag. (total 3)
Large allegorical engr. by Johann Jacob Kleinschmidt (1687-1772) after Johann Elias Ridinger (1698-1767), publ. by Kleinschmidt, ca. 1730, sheet size 86 x 59 cm.Partially repaired tear in left half, folded several times, a few sm. imperfections. A good copy for such a large print. An interesting allegorical engr., showing a curious mix of Indian and Western elements.
"The funeral procession of the most illustrious prince Maurits (1567-1625)". Amst., Nicolaas I. Visscher, 1626. 65 x 102 cm. Engr. overview of the procession on 4 loose sheets.Without the surrounding letterpress text, title-strip (attached at the top) lacks a few sm. portions, lower left leaf restored in left margin, a few other restorations such as repaired tears, and w. strips of sellotape from former mounts verso. All prints w. faded unidentified collector's mark verso. A reasonably good copy of an extremely rare print. -and 3 others, incl. a smaller version of the same procession. (total 4)
Cologne, Walther König/ Jablonka, 2021. Edited by Rafael Jablonka. Hardback (in slipcase), 37 x 31 x 4.5 cm, 272 pp. with 240 colour ills. This is the deluxe limited edition of 300 copies, numbered XXI. Inserted in rear sleeve is a signed print, Loculus 2020, an oil pigment silkscreen monotype on White Stonehenge paper, 34 x 28 cm, signed P. Taaffe 2020, numbered XXI in pencil on verso. Heavy item almost 4 kg. Both the original drawing and book are in mint state. The publication is dedicated to the American artist Philip Taaffe’s paintings from the last 35 years. In the 1970s, Taaffe (b.1955) studied at the Cooper Union in New York under the tuition of Hans Haacke.
Amst., 1970s. Gelatine silver print.Added: (2) A.J. Otto. Paardenslager ten Katestraat 79. (3) Fa. Jonker Slijterij. Korte Nieuwendijk. All 30.5 x 40 cm. Photographer's stamp on verso. From the archives of Posthuma de Boer. As publ. in: Arnoldussen/Posthuma de Boer. Buurtwinkels, 2011. (total 3)
Brussels and Hamburg, Lebeer Hossmann Éditeurs, 1975. Artists' book with numerous collages, assemblages, stamps and illustrations, loosely inserted in a printed portfolio. Signed, dated and numbered in the colophon 32/75, with another signature and unique handwritten comment on the title page reading 'admettre s'etre trompé sur l'art'. Contains 22 leaves and 3 double leaves, 31 x 22 cm, in graphically designed original cardboard box with handwritten title in chalk.This is a copy of the special edition of 75 copies containing the signed title page and four collages marked as originals by stamps (sample of cloth, shard of mirror, folded gauze bandage, section of map). The first edition of the work appeared in 1962/63 in a small print run. Near mint copy.
op de Zinnebeelden in naamdicht. N.pl., n.publ., n.d. (ca. 1821). 8 p. 4to. W. wood engr. device ("In ijver werkzaam") on title-p., wood engr. endpiece, title and final p. within dec. wood engr. borders, signed by author in print. Without binding, loose sheets.Rare, beautifully printed publ., containing 7 poems, the first without title, the others titled: Dichtkunst; Toonkunst; Schilderkunst Bijtelkunst; Rederijk-kunst; and Drukkunst. Each poem is an acrostic and printed vertically. (2) Speele van zinne, of proeven van dichtmatige voorstellingen op uitgegeven woorden. Door J.J.W. N.pl., n.publ., n.d. (ca. 1820). 8 p. 4to. W. wood engr. device on title-p. and wood engr. endpiece, title and final p. within dec. wood engr. borders. Without binding as issued, loose sheets. Very (if not extremely) rare playful publ. Contains 3 parts of 2 pages each (dated October-November 1782), each with a list of "twaalf zelfstandige uitgetrokken woorden", followed by poems ("Voorstelling") using those words and the verbs "Bedelen", "Verkwisten" and "Overwegen". (total 2)
(1) Game of Winnie Winkle. Martin Branner. Famous Artists Synicate, ca. 1930. Board game in orig. box. Sl. restored edges.(2) Winnie Winkle no. 1. March 1948. (3) 2 pennants Sjors for Panorama, ca. 1955. (4) Subscription card and pin Sjors Weekly, ca. 1965. (5) Booklet Stedelijke Muziekschool Beverwijk, 1986. Cover ills. Frans Piët. (6) Curtain Fabric Sjors, 1960s. (7) Silkscreen print Sjors en de Duikboot. Signed and numb. Frans Pïet. 31 x 16 cm. -and 3 more items. (total 10)
Catalogue for the exhibition by the Venezuelan Op and Kinetic artist Jesús Rafael Soto (1923-2005). Striking cover with moveable sliced paper strips displaying the artists’ name in blue print.Softcover, 23 x 23 cm, 32 pp. Some toning to the cover, tiny pen mark on front cover, scratch on blue back cover, else in very good condition. Rare.
Contemp. handcol. engr, sheet size 48.5 x 34 cm. Publ. in Paris by Nicolas Bonnart, ca. 1680-1700, under passe-partout.Right margin w. stain and tears repaired w. paper verso, sl. creased. Rare, especially in this handcol. state. Very fine large print. (2) "Uitwendige vertoning des toren van Babel." Engr., 31 x 19.5 cm. 1725. From Calmet, Het algemeen groot historisch, ooerdeelkunding, chrologisch, geografisch, en letterlyk naamen woord-boek, van den gantschen H. Bybel, under passe-partout. Sl. foxed/ browned. (total 2)
Zurich, Seedorn Verlag, 1983. Original ill. cardboard cover, 33 x 32.5 x 1.5 cm, 90 pp., 86 offset graphics in iris print, four text sheets. Signed edition of 150, this one numbered 128/151. All copies are unique, containing a selection of 86 of a total of 12.986 handmade iris prints, marked on reverse with a numbered stamp. Moderate stain on cover, interior very good. Jan Voss (born 1945) is a German artist living in Amsterdam where he has been operating the artist-run bookstore Boekie Woekie since 1986. Voss studied at the Dusseldorf Academy of Fine Arts with Dieter Roth in the late 60s/early 70s. Making artists’ books has become a major aspect of his multimedia-based practice.
Ed. Hripsime Visser and Urs Stahel. München, Schirmer/Mosel, 2005. 160 p. 33 x 25 cm. Cl. covered grey slipcase containing hc book, ill. dust-j., w. 69 col. plates, text in German and English. Collector's ed. w. orig. photogr. of Rineke Dijkstra titled "Chiopy, Poland, July 29, 1995", C-Print, 18 x 24 cm, printed in 2005.Book and print are from an ed. of 100 copies, this one numb. 95/100 and titled in pencil. Very good copy.
Krefeld, Kaiser Wilhelm Museum, 1961. Three stunning screen prints on cardboard in Yves Klein blue, pink and gold by Yves Klein (1928-1962), 32 x 23.5 cm each. The golden print is coated with gold leaf on cardboard. Framed as triptych, 48.5 x 100 cm. The prints were inserted in the catalogue (added to the lot) published for Klein's exhibition Monochrome und Feuer at Museum Haus Lange, Krefeld 14 January - 26 February 1961. 32 x 23.5 cm, 12 pp. Ills. b/w and colour. Text by Paul Wember. Provenance Henk Peeters, stamped by the Dutch Zero artist on interior of the catalogue's back cover. The prints and catalogue are in mint condition. (total 2)
Nieuwe Christelijke Scheurkalender, 1883 (...) De inhoud van den kalender zal verrijkt worden met eene levensbeschrijving van den onvergetelijke zeeheld Adml. Michiel Adriaansz. De Ruiter, versierd met 12 platen. Amsterdam, B.H. Blankenberg, 1883. 84.5 x 58 cm. With tipped-in brightly coloured lithographic print, by Fresling & Co, Amsterdam. Consisting of 2 parts mounted together, with folding lines, tear in upper margin, edges sl. frayed. (2) Alom is de inteekening opengesteld op Thomas Carlyles beroemd werk over de Fransche Revolutie van 1789-'93 (...) Met circa 300 prachtige platen en portretten, verschijnt in ± 20 afleveringen à 30 cent per aflevering. Vucht, Maatsch. tot Expl. v.d. Drukkerij Bogaerts, ca. 1892. 115 x 81 cm. With tipped-in brightly coloured lithographic print. Torn along fold. lines. (total 2)
Letterpress and cliché print, leaf size 32 x 39 cm (leaf), printed in black on bright yellow paper w. stamp "prova" in black verso.With central vertical fold; a bit creased in margins, but a very good copy. Eventually published in Let mots en liberté futuristes (Milan, 1919). 'A Tumultuous Assembly: Numerical Sensibility' is an example of tavole parolibere (free-word pictures). In this print, the subject of which is Italy’s victory in World War I, Marinetti drew from a visual collage and parole in libertà (words-in-freedom) and eschewed regulations of grammar and syntax to create a work that can be interpreted both visually and aurally. The work liberates numbers, signs, letters, and images from their functional responsibilities, exaggerates forms, and juxtaposes diverse elements, thereby producing unexpected associations. The Futurists celebrated the potential of war, drawing analogies between weaponry, such as torpedoes and bombs, and Futurist poetry. Here, Marinetti combined innovative typography, found elements (such as the image of the drummer boy on the left and the strips of letters and numbers throughout the composition), and dramatic variations in scale to create a dynamic composition representing a celebrating crowd'. (www.metmuseum.org)
Bébert, Rotterdam, 1984. Folio in black wooden box consisting of 24 sheets, loose as issued: 6 signed and numbered black lithographs, print R. Brattinga, Steendrukkerij Amsterdam, each blindstamped; 6 sheets of text (poetry) and 12 Opalux sheets, including 1 sheet with the entire poem in Dutch and its German translation by Anne Stolz; half-title, title, colophon, 6 blank protective sheets -and 2 red ruled ones. No. 78/137. Excellent copy.
Amst., 1960s. 30.5 x 40 cm. Gelatine silver print, photographer's stamp on verso.Added: De Snoepkoningin. Commelinstraat 58, Amst., 1970s. 30.5 x 40 cm. Photographer's stamp and handwritten title on verso. From the archives of Posthuma de Boer. Publ. in Buurtwinkels (cover photo), 2011. (total 2)
From the collections of Bart Boumans and Willy Scholte, 1980s. Including original envelopes. (1) Two lithographed cards from Robert Rehfeldt, 15 x 10.5 cm. One titled 'Petit Paysage Structurelle', signed in print.(2) Correspondence from Jürgen Gottschalk from Worpswede DDR (11x), Birger Jesch from the DDR (5x), Michael Groschopp (22x), Klaus Groh (4x), Bernd Lobach (3x) and miscellaneous items including an invite for a show by Juppiter Larsen at Kunoldstrasse Kassel. (16x). (3) Xeroxed catalogue for a mail art project curated by H.F. Fricker. (4) Offene Briefe (Open Letters), a project initiated by Jürgen Olbrich, consisting of an exercise book sent around in the mail art network to gather contributions. This 'Zeichenheft' was sent to and from Bart Boumans, participants include Robin Crozier, Jürgen Olbrich, Kum-Nam Baik from Korea and some others. (total 67)
Includes: (1) Verlagsverzeichnis/booklist 1974. Original offset print cover by Dieter Rot, signed and dated '74 by the artist in pencil on back cover. Stuttgart/ London/ Reykjavik, 23 x 17 cm, 48 pp. Slightly bubbled, not noticable on exterior. (2) Booklist 1975, Stuttgart/ London/ Reykjavik, 23 x 17 cm, 48 pp. plus 1 loose inlay. Mint copy. (3) Verlagsverzeichnis 1980. Stuttgart/London, 25.5 x 18.5, 28 pp. with inserted invitation card. Mint copy. (total 3)
Artists' poster announcement for a show at 112 Greene Street New York, October 9-28, 1976. Printed on thin newspaper print, 86 x 58 cm, folded 3 times. Some general toning, else in remarkably good state considering the paper type. Sonfist’s Time Landscape, a nine-hundred-square-foot plot of land fenced in at the corner of West Houston Street and LaGuardia Place, is claimed to be the most important example of Land art in New York City since its creation in 1978.
Van deszelfs lustplaatzen en landhuizen, hoven, tuinen, fonteinen, vyvers, gras- en bloemperken. Gemeene en byzondere ry- en wandel-weegen, Malibaan, herbergen en bruggen. Alle naar 't Leven getekent door Daniel Stoopendaal, beschreven door Matthaus Brouerius van Nidek. Amsterdam, P.J. Entrop, 1768.Folio, half roan, marbled boards, allegorical frontispiece w. title and facing expl. of the title print. Title in red and black with engr. vignette, (2),(34) pp., text by G. Tysens; good and complete copy w. 2 large folding maps and 60 numbered engr. on 30 leaves.
Ed. Eli Content and Han Singels. Not publ. Portfolio of 24 works by various Dutch photographers, num. 18 of 24 copies, inlaid in dec. wooden box w. green velvet inside, 43 x 32 x 5 cm.Portfolio "De Slagersvriend 3" was the 3rd of a series of artistic projects publ. in an irregular order. Initiated by Content, 23 different artists made 1 specific work of art for this album. Print run limited to the num. of participating artists, each receiving 1 num. of the ed.
FRAMED OIL ON CANVAS SHIPPING OFF COAST BY P.L. JONES - OIL ON BOARD BY NIELS HANS CHRISTIANSEN - INK WATERCOLOUR OF SHIPPING OFF THE COAST BY PETER MONAMY - PRINT BY ALFRED FULLER - SIGNED INK WATERCOLOUR OF SHIPPING OFF THE COAST BY PETER MONAMY APP.SIZE: 28cm x 38cm OIL ON BOARD BY Niels Hans CHRISTIANSEN APP.SIZE: 40cm x 50cm FRAMED OIL ON CANVAS SHIPPING OFF COAST BY P. L. JONES PROVENANCE: VALUATION BY SOTHEBY'S APP.SIZE: 40cm x 49cm

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314783 item(s)/page