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Lot 1000
*Battle of the Somme. A contemporary colour cartoon print after Preston Cribb, titled So(m)me Tank!, published by J.F.E. Grundy, 4&5, Adam St. Strand. London, W.C., printed signature and dated (19)16 lower left, depicting an imaginary beast like machine firing upon German troops, 49 x 31cm, framed and glazed (1)
Lot 1005
*Grenadier Guards. A group of items relating to Colonel Pasley John Dirom, Grenadier Guards, including a letter to Dirom from Sir Henry Raeburn, R.A., dated 29 November 1819, detailing a portrait of the recipient, presented in a glazed frame with a copy print of the portrait plus a copy of an auction catalogue for Messrs. M. Knockler & Co., 28 July 1928 (lot 126) with description of letter, together with a powder horn engraved 'Capt. Dirom, Grenadier Guards, Lisbon 1827', 50 cm long (2)
Lot 52
Of Louis Mountbatten interest - a silver photograph frame, London 1924, of arched rectangular form, inscribed "Presented to S. T. Lord Louis Mountbatten", 35 x 25 cm, containing a photographic print of a half length portrait, after Lazlo, signed on the mount Louis Mountbatten and dated 1925, stamped verso "Paul Laib, Fine Art Photographer, 3 Thistle Grove, Drayton Gardens, S. Kensington".
Lot 311
Lenin posters published in Russia, 1969 "Lenin and Now Very Much Alive" - Lenin posters published in Russia, 1969 Signed to print 14/V 1969, circulation 100,000 copies, order No. 5304 (each poster has order number printed at the bottom); Published by Lenizdat, Leningrad, Fontanka, 59; printed by Volodarskovo Lenizdata; Compiled by A. S. Budyak; Edited by Z. A. Aleksyeva Compiler: A. S. Budyak Editor: Z. A. Aleksyeva Signed to print 14/V 1969. Circulation 100,000 copies. Order No. 5304 (nb. Each poster has a similar print v small at the bottom with different 'order no.s') Lenizdat, Leningrad, Fontanka, 59 Printing name Volodarskovo Lenizdata in book form with loose posters inside 43 x 30cm (17 x 12in)
Lot 337
§ Jesus College Quincentenary Print Portfolio The full portfolio of 10 screenprints by John Bellany, Albert Irvin, Barry Flanagan, William Turnbull, Kim Lim, John McLean, John Hoyland, David Mach, Richard Long and Eduardo Paolozzi: John Bellany, 'Aurora', signed lower left "John Bellany", image 57 x 42 cm, sheet 76 x 56 cm; Albert Irvin, 'Jesus', signed and dated lower left "Irvin '95", image 64 x 47 cm, sheet 76 x 56 cm; Barry Flanagan, 'Untitled', initialled lower right "BF", image 43 x 33 cm, sheet 57 x 75 cn; William Turnbull, 'Untitled', signed and dated lower right "Turnbull 95", sheet 71.5 x 52.5 cm; Kim Lim, 'Syncopation', signed and dated lower right "Kim Lim 1995", sheet 55.5 x 66 cm; John McLean, 'Cuthbert Cockalorum', initialed and dated lower left "JM '95", sheet 76 x 56 cm; John Hoyland, 'Tree of Life', signed lower right "John Hoyland 96", sheet 62 x 46 cm; David Mach, 'Princess', signed lower right "Mach", sheet 55.5 x 74.5 cm; Richard Long, 'River Avon Mud and Rio Grande Dustlines', signed centre lower "Richard Long", sheet 76.5 x 56 cm; Eduardo Paolozzi, 'A Logical Picture of Facts is a Thought. Tractatus 3. 21-22', signed and dated lower, right "Eduardo Paolozzi 1995", image 59.5 x 44 cm, sheet 76 x 56 cm all signed, numbered and inscribed in pencil screenprints, 1995, edition 9/100, with blind stamps, all encased in one black box frame with removable back (10) Other Notes: The present portfolio was published by Jesus College, The University of Cambridge, in 1996 to commemorate the college's Quincentenary and to rasie funds for the college. The artists featured in this portfolio were chosen because they had some connection with Jesus College, for instance the works of Flanagan, Turnbull, Bellany, Irvin and McLean have been exhibited at the College, and Sir Eduardo Pailozzi was elected into an Honorary Fellowship of the college. Printed by Gresham Studio Ltd. Cambridge in an edition of 100, with 10 artist's proofs, 10 publisher's proofs, 2 G.S.L. Archive copies, 2 college exhibition copies and 2 printer's proofs All in very good condition. Very loosely stuck down to backing card, but easily removable.
Lot 351
§ Gwen Raverat (British, 1885-1957) Horses at night signed lower right "G Raverat" and inscribed with title lower left a hand-coloured woodblock print, in a white painted frame 14 x 19cm (5 x 7in) Under glass and with a little discolouration around the edge of the image and a little browning to the cream surround.
Lot 413
Natalia Sergeevna Goncharova (Russian, 1881-1962) Almond Blossom limited edition gouache au pochoir print on Arches paper, from an edition of approximately 25, circa 1916-1920 56 x 37cm (22 x 14in) Provenance: The Artist's studio, Paris; Mme. Alexandra Tomilina-Larionova, Paris; Private Collection. Literature: Another of the present pochoir prints from this series is reproduced in Dr Anthony Parton's book 'Goncharova: The Art and Design of Natalia Goncharova' (pub July 2010 by Antique Collectors' Club Ltd ) p. 280, pl. 345. The painting on which the pochoir was based is also reproduced in this same book, p. 478, pl. 624 and is in the collection of Jack Wakefield. The present pochoir print comes from a very small limited edition, and as such they are rarely seen on the market. Because these are gouache au pochoir, each print in the edition is slightly different to the others. The designs are the same, but the difference lies in the intensity of the inks and the different ways in which the ink has been applied through the stencil. None of the prints in this edition are signed or numbered
Lot 414
Natalia Sergeevna Goncharova (Russian, 1881-1962) A Rayist design for the Diaghilev staging of the ballet "Le coq d'or" signed lower right with initials"NG" limited edition gouache au pochoir print, circa 1916-1919, from an edition of approximately 25 51 x 31cm (20 x 12in) Provenance: The Artist's studio, Paris; Mme. Alexandra Tomilina-Larionova, Paris; Private Collection. Literature: The present pochoir print is reproduced in Dr Anthony Parton's book 'Goncharova: The Art and Design of Natalia Goncharova' (pub July 2010 by Antique Collectors' Club Ltd ) as a full-plate colour image, p. 252, pl. 301. Other Notes: A lovely Rayist design for the Diaghilev staging of the ballet Le coq d'or. This is one of a limited edition of gouache au pochoir prints. The works are executed on a folded sheet, folded size 51x31,5cm , image size 29x19.5cm. The edition was limited to approximately 25. A few examples of these pochoir prints were offered at Sotheby's in the1980s/1990s and since then only a few have been seen on the private market. The approximate date of execution can be established because some of these pochoirs were distributed at a charity soirée, 'Chants et Ballets Russes' held at the Théâtre des Champs Elysées, Paris, on Monday 8th December 1919 in aid of the French Hospital relief effort to Russia Unframed. Colours fresh and good.
Lot 424
§ After Salvador Dali (Spanish, 1904-1989) 'Narcissus Telephonans Inundis' inscribed lower left "EA" and bears signature in pencil lower right lithograph Condition in general is fine. A litle fading overall to the paper. Some minor surface scratches to the print. An Arches France blind stamp on the mount lower left
Lot 443
Roni Horn (American, b.1955) To Nest digital ink-jet print in colours, published by Counter Editions 2001, numbered 22/100 verso 40½ x 60cm (16 x 23in) Condition in general is fine. There is some dirt and old tape marks on the glass. The tacking tape/glue fixing the print to the mount is visible at the corners. There is some very minor scuffing to the edges of the print but this is not very noticeable.
Lot 488
Ernest Mountaut (French, 1879-1936) Turcat-Méry cars, possibly racing in the 1904 Gordon Bennett Cup signed lower right within the print "E Mountaut" hand-coloured lithograph 28 x 80cm (11 x 31in) Other Notes: In May 1903 Henri Louis Rougier finished in 11th place in the Paris-Madrid race driving a 45 hp Turcat-Méry. He was also classified 9th in the heavy car class. On 17 June 1904 Rougier competed in the Gordon Bennett Cup race in Germany driving an 80 hp Turcat-Méry, finishing in third place. Rougier was victorious in the 1911 Monte Carlo rally, coming first place driving a Turcat-Méry 25 hp. The front grilles depicted in the present lithograph correlate with photographs of Turcat-Méry taken in 1904. Without glass. A little loose in the frame. Paper is browned
Lot 111
*Visions of Speed: The Art of R. A. Nockolds. Eleven (of 12) Artist's Proofs of Roy Nockolds' work prepared for a Private Edition of only 250 printed (850 copies planned), of an album published by Thackwell & Company, in 1999, the images were produced from the original glass plates on which Nockolds' recorded his studio work and are printed on high quality laid art paper. All of the prints are marked 'Proof' in pencil in the lower margin together with full titles, and nine of the eleven are also shown as hand-painted (by either Niki Hayles or Wayne Burrows). The only missing print is Number 16 (Road Race), the remaining pages in the complete volume of 28 leaves being text or photographs. Loosely contained in the front and back covers of what would have been the final publication, each of the dark grey hardback cloth covers (decorated with a repeated triangular winner's flag design), measuring the same size as the prints, 12 x 21in (31 x 53cm), the prints are all in pristine condition (1)
Lot 213
*A circa 1905 Motoring Accident. A colour lithographic print illustrating a rear entrance tonneau motor-car with two young sailors about to throw a spare tyre to a third sailor, who has fallen from the car into a duck pond, in good condition with good colour, framed and glazed with a gilt insert, 18 x 13 ins (46 x 33 cm) (1)
Lot 366
Patterson (Frank). The Patterson Book: 150 Line Drawings, 1st edition paperback, Temple Press, Summer, 1948, covers worn, pages browning with age, otherwise clean and sound; The Second Patterson Book, First Edition hardback in board covers, Temple Press, November 1952, lacks the dust-jacket, vertical tear to the half-title, the first and last few leaves foxed, but otherwise sound, a very good copy of The Patterson School of Etching, a 16-page cord-tied illustrated pamphlet with brown card covers, together with its original dispatch envelope, and a box and lid, measuring approximately 18 x 15 x 1 ins, and containing 20 copies of a large format Patterson print entitled 'The Record Man' from a print run limited to 250 copies, a large quantity of a smaller format Patterson print with the title "Good Luck!", a small selection of other Patterson prints, and other miscellaneous colour prints, mainly of hobby horse subjects (with duplicates) (a quantity)
Lot 41
*SEM - Motoring Frieze. A street scene in Paris, circa 1905, a colour lithographic print by 'SEM' (Georges Goursat - 1863-1934) in the Bibliotheque des Arts Decoratifs Caricature style showing horses, a carriage and a motor-car in profile, framed and glazed, the image 14 x 40 ins, also, a photo-canvas picture of a circa 1908 Benz racing car driven by Victor H‚mery (2)
Lot 90
Monkhouse (George). Mercedes-Benz Grand Prix Racing 1934 - 1955, 1st edition, White Mouse Editions, 1984, 207 pp., fully illustrated with numerous black & white photographs, silver boards with black titles in protective plastic sleeve in cardboard slipcase, print lifted on the rear cover, a common problem, hardcover book in an oblong folio style A rare book. (1)
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