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Lot 552

Mari Mahr, Chilean b.1941- "Georgia O`Keeffe - New York, 1925"; c-print, signed, dated `81 and titled on the mount, 38.5x47cm: together with another c-print by the same artist entitled "Georgia O`Keeffe - New Mexico, 1931", signed, dated `81, numbered 3/25 and titled in pencil on the mount, 39x47cm, (2)

Lot 553

John Blakemore, British b.1936- "Ambergate, Derbyshire, 1978"; gelatin silver print, signed and titled in black pen, 30x38.5cm: together with another gelatin silver print by the same artist entitled "Rocks and Tide", 1977, 30x38cm, (2) (may be subject to Droit de Suite)

Lot 567

John Humphrey Spender, British 1910-2005- "Lützowplatz, Berlin", 1934; gelatin silver print, signed, titled and dated in pencil, with `Humphrey Spender` blindstamp, 39x26cm, (may be subject to Droit de Suite)

Lot 587

Don McCullin FRPS CBE, British b.1935- "Hue, 1968, Vietnam"; gelatin silver print, signed and titled beneath the plate, 40x30cm, (unframed), (may be subject to Droit de Suite)

Lot 609

Bill Brandt, British 1904-1983- "Albany Mansion", 1945; gelatin silver print, verso with artist stamp, publication stamp `14 May 1945, Shaef Field Press Censor` and various inscriptions in pencil and pen, 22.5x18cm, (may be subject to Droit de Suite)

Lot 610

Bill Brandt, British 1904-1983- "Clifford Bax", 1945; gelatin silver print, verso with artist stamp, publication stamp `14 May 1945, Shaef Field Press Censor` and various inscriptions in pencil and pen, reading, `Clifford Bax...resident in Albany for 13 years... photographed here as he is usually seen by his fellow `Albanians", reading at his desk near the window of his ground floor flat`, 22.5x18cm, (may be subject to Droit de Suite)

Lot 611

Bill Brandt, British 1904-1983- "Irish-Speaking Peasant in Connemara", c.1946; gelatin silver print, verso with artist`s stamp and inscriptions in pen and pencil, 25x19.5cm, (may be subject to Droit de Suite)

Lot 629

Roni Horn, American b.1955- "Untitled (To Nest)", 2001; digital ink-jet print in colours, published by Counter Editions, signed and numbered 22/100 on the reverse, 40x60.7cm

Lot 660

Fay Godwin, British 1931-2005- `Untitled` from the Glassworks, Pioneer series, 1990; c-prints, a pair, ea. 22.5x34.5cm: together with a further untitled c-print from the Glassworks, New Zealand series, all in matching black brushed frames, 22.5x34.5cm, (3), (may be subject to Droit de Suite)

Lot 691

Ida Kar, Russian/British 1908-1974- "Barbara Hepworth" 1954; gelatin silver print, 27x23cm, (may be subject to Droit de Suite)

Lot 692

Ida Kar, Russian/British 1908-1974- "Sandra Blow" 1957; gelatin silver print, signed, 19.5x22cm, (may be subject to Droit de Suite)

Lot 693

Ida Kar, Russian/British 1908-1974- "William Scott" 1954; gelatin silver print, signed, 17x17cm, (may be subject to Droit de Suite)

Lot 698

John Houston, Scottish 1930-2008- "Matsushima Bay"; monoprint in colours, signed, titled and dated 1989, 88x106cm: together with a woodcut entitled "Temple Garden on a Rainy Day, Kyoto", publ. Glasgow Print Studio 1989, signed, titled and numbered 18/30 in pencil, 56.5x75cm, (2), (may be subject to Droit de Suite)

Lot 713

Julian Otto Trevelyan RA, British 1910-1988- "West Wind"; etching with aquatint printed in colours, numbered 32/50 and titled in pencil, with printed signature and monogram beneath the plate, 35x47.5cm, (may be subject to Droit de Suite) Note: a number of editions were not completed at the time of Trevelyan`s death; from 1990 his print dealer Bohun Gallery and the artist Mary Fedden continued to organised posthumous prints, Fedden designed a monogram to be printed with a rubber stamp of Trevelyan`s signature so that these posthumous prints could be easily recognised.

Lot 717

Sir Eduardo Paolozzi KBE RA, Scottish 1924-2005- "Landscape", I, II & IV, publ. Glasgow Print Studio; etchings, three, all signed, dated 1990 and numbered 15/25 in pencil, (from an edition of 25 plus 5 A/P`s, 2 P/P`s), in matching black brushed metal frames, ea. 60x45cm, (3) (may be subject to Droit de Suite)

Lot 726

Victor Pasmore, British 1908-1998- "Images on the Wall - Print A"; etching with aquatint printed in colours, signed, dated `92 and numbered 18/50 in pencil, 30x30cm, (may be subject to Droit de Suite)

Lot 742

AMENDMENT: The `Easter Festival` print is not included in this lot- Julian Otto Trevelyan RA, British 1910-1988- "Harbour"; etching with aquatint, signed, titled and numbered 37/50 in pencil, 34.5x47.5cm: Julian Otto Trevelyan RA, British 1910-1988- "Easter Festival"; aquatint printed in colours, signed, titled and numbered 40/100 in pencil, 34.5x47.5cm: After Julian Otto Trevelyan RA, British 1910-1988- "Harbour", publ by Schools Prints Ltd., printed by the Baynard Press, 1946-1947, from the edition of approximately 3000, 49.5x76cm., (3) (part unframed) (may be subject to Droit de Suite)

Lot 749

Dame Elisabeth Frink CH DBE RA, British 1930-1993- "Corrida", published by Leslie Waddington Prints Ltd., printed by the Curwen Studio in 1973; lithograph in colours, signed and numbered 24/72 in pencil, 57x77cm: together with one other print from the Corrida suite, signed and numbered 24/72 in pencil, 57x77cm., (2) (unframed)

Lot 790

Edward Allington, British b.1951- "Queen of Proofs", 1990; bronze sculpture and c-print, from an edition of 6, sculpture 37x49x51.5cm, c-print 73x57cm, (2), (may be subject to Droit de Suite) Provenance: with the Lisson Gallery London, according to the label attached to the reverse of the frame of the print

Lot 804

Helen Chadwick, British 1953-1996- "Wreath to Pleasure #1", 1992-93; cibachrome print on aluminium faced MDF, in a glazed powder coated steel frame, tondo, dia. 110cm, (may be subject to Droit de Suite)

Lot 915

John Dillwyn Llewelyn (1810-1882), albumen print, The Upper Fall, Penllargare, Wales, c. 1852, framed and glazed.

Lot 916

Robert Henry Cheney (1801-1866), Albumen print, Robert & Alfred Cheney, Capel-Cure, Lindisfarne, Holy Island, England, c.1859-60, framed and glazed, (2).

Lot 917

William Plumphrey (1817-1905), Salt Print, The Minster, from the school of Design, York, c. 1852, framed and glazed.

Lot 484

After Charles Napier-Hemy, "Through Sea and Air", modern colour print.

Lot 490

After Frank Wootton, "The Damn Busters", signed limited edition colour print, 339/850.

Lot 505

After Terence Cuneo, "H.M. Queen Elizabeth II", signed limited edition colour print.

Lot 507

After Robert Taylor, "Lancaster" colour print, signed by Leonard Cheshire.

Lot 515

After Campbell Black, "Mallard over a Lake", signed limited edition colour print, 117/280 and another colour print after R. W. Milliken, (2).

Lot 531

After Frank Wootton, "April Morning: France 1918", coloured print to commemorate the 75th Anniversary of the Royal Air Force, signed limited edition 439/850.

Lot 535

After Sanderson Well, Pair of sporting prints, another coloured print and a cockfighting print, (4).

Lot 536

Martin Thomlinson, Coloured prints, (one framed and one unframed) and another print after Robert Sulley, (3).

Lot 77

W Hogarth: framed and glazed 18th century black and white print; Oh The Roast Beef of Old England, engraved by C Mosley & W Hogarth (later frame).

Lot 247

SALON CHAIR, in turquoise velvet with dog print on back, 64cm W.

Lot 396

R. SAYER AND J. BENNET, `Palemon and Lavinia`, print on wove paper, 35cm x 25cm.

Lot 672

Maurice Cockrill print of The Beatles over Penny Lane Sign (137/200)

Lot 685

Six large prints by R.L. Howey around Whitby, unframed, print by ``Flinders`` 1997. ``Warwickshire v Somerset`` at Edgbaston and seven small prints by R.L. Howey around Whitby (14)

Lot 433

A gilt-framed oil on board `Durham Cathedral` and an oil over a print based portrait of a lady (2)

Lot 441

Black and white print - `Finding`, a photograph of a ship, a small oil of an Alpine scene, a needlework picture and a quantity of unframed drawings

Lot 455

A modern framed limited edition L.S.Lowry print, 97/150

Lot 466

Tom McGuinness, signed limited edition print, ``Night Shift No.3``, 22/25 and a Fred Lawson watercolour, landscape

Lot 334

A 20th Century Russian celestial globe housed in a wooden carrying case and bearing date "1968" and "No. 1430", also bearing labels to interior in Cyrillic and to include "ATTECTAT No 4130.....", together with a framed print ETC

Lot 480

A cased set of two spirit flasks, each with jacket, one inscribed "Whisky" and the other "Gin", together with a horseshoe mounted on a wooden plaque, a silver mounted button hook, a decanter inscribed "BBC Radio Cambridgeshire", a framed and glazed copy of The Horse`s Prayer and a modern print of a horse drawn carriage with a young couple in a town square

Lot 541

AFTER SIR WILLIAM RUSSELL FLINT "Eve and Yasmine", coloured print, signed in pencil, bears blind stamp

Lot 543

After L S LOWRY "Children before farm buildings and a grain barn in a landscape", colour print, an early 20th Century embroidered panel depicting a peacock in a flowering garden and three further prints

Lot 562

20th CENTURY SCHOOL "A floral study of flowering leaves", oil on canvas laid on board, unsigned, a Pears style print depicting a young girl with cage, birds and basket of eggs and a Continental portrait of a young girl wearing a bonnet, colour print (3)

Lot 577

P. WILLETT "Winter in the Lake District", watercolour, signed lower right, NORWICH SCHOOL "Timbered building before cliffs, with figure seated in foreground", monochrome wash, unsigned, EARLY 20TH CENTURY CONTINENTAL SCHOOL "The Market Square, Thun, Switzerland", pastel, unsigned, AFTER SIR WILLIAM RUSSELL FLINT "The Woodrick", colour print, and an Oriental reverse painted on glass panel depicting a Geisha girl (4)

Lot 584

DE GROOTZ "Abstract study", acrylic, signed, and a companion, a pair, together with a reproduction photographic print titled "Cumbria at dawn, David Noton" (3)

Lot 589

A quantity of assorted prints to include a set of four fruit prints, two cockerel prints, two bear prints, a botanical print, a black and white portraiture engraving, a black and white study of a Shetland pony, a black and white engraving of "Barbury Hall" and another similar "Foaty Island", a black and white portraiture print "Col. Robert Smith-Barry RFC", three interior design posters, etc.

Lot 593

AFTER DOROTHY HARDY-a pair of colour prints, AFTER THOMAS BLINKS-a pair of steeplechase black and white engravings by Frank Patton, a coloured hunting print IN THE MANNER OF HENRY ALKEN, a hunting photogravure, and a portraiture print of a young girl

Lot 595

A folio of assorted maps and prints, 12 volumes "The Comedies, Histories, Tragedies & Poems of William Shakespeare", green cloth and gilt tooled boards, and a Victorian print depicting a large family seated at a dining room table awaiting Christmas Pudding within birds eye maple frame

Lot 603

IRENE HARDMAN "Head study of a Collie", pastel, signed lower left, within foliate carved giltwood frame, and a Pears style print depicting a terrier and hen with eggs in a stable interior (2)

Lot 605

AFTER DAVINA OWEN "Lavender Pekins", limited edition coloured print No`d 168/200, signed in pencil in margin

Lot 608

A black and white portraiture print of Napoleon

Lot 122

AFTER GEORGE BAXTER The Great Exhibition 1851 Crystal Palace Coloured Print, 17 x 34 cms Together with a miscellaneous collection, including framed engravings and Chinese rice paper paintings

Lot 137

HULLMANDEL GOULD "Trogon Ambiguus" Colour reproduction print Together with two others (3)

Lot 156

LAURENCE STEPHEN LOWRY (1887-1976) Industrial Streetscape with Figures Colour print, 37 x 26.25cm Signed in pencil (lower right) and stamped lower left Published in 1974 by Venture Prints Ltd.

Lot 171

PEGGIE NOONE, 20TH CENTURY Head Study of a Horse Oil on canvas, 42 x 32cm Signed and dated 1922 together with a signed and editioned horse related print by Mick Cawston

Lot 429

AFTER KUNICHAKA Four Actors in a Kabuki Play Hand-coloured woodblock print, 33.5 x 45cm

Lot 432

JAPANESE SCHOOL, 20TH CENTURY Figures in a River Landscape; Streetscape Colour print, a set of two, 21 x 34cm each (2)

Lot 153

G Alexander, Isle of Wight Meadow Scene, watercolour, Alfred Miller, country scene with girl on a bridge, watercolour, and a Peter Scott print

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