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After Terrence Cuneo 'Evening Star, End of an Era', coloured print. 56 x 71cm approx. Together with a coloured print of a winter scene and abstract river scene, coloured print. Together with an assortment of other furnishing prints, maps, Pears type print of a young Robin Hood, etc. (8)(B.P. 21% + VAT)
AFTER LAURENCE STEPHEN LOWRYYachtsnumbered '200/850' (in lower margin)limited edition print, published by the Henry Donn Gallery in association with the City of Salford Art Gallery43 x 59cmARRCondition reportThe sheet is generally sound; very light discolouration to left and right borders, otherwise good condition overall. Framed and under glass, unexamined out of frame.
JOHN PIPER (BRITISH, 1903-1992) (3)Eye and Camera, Red, Blue and Yellowsigned in pencil 'JohnPiper' (in lower margin)sreenprint in coloursimage size 40 x 60.5cm(unframed)together with two other signed copies of the same screenprint(3)ARRCondition reportSome creases and foxing to borders and margins.Some light foxing and surface dirt visible in images, mainly to white/pale areas. One print better than others.
JOHN PIPER (BRITISH, 1903-1992) (3)Eye and Camera, Red, Blue and Yellowsigned in pencil 'JohnPiper' (in lower margin)sreenprint in coloursimage size 40 x 60.5cm(unframed)together with two other signed copies of the same screenprint(3)ARRCondition reportSome foxing to borders and margins.Some light foxing and surface dirt visible in images, mainly to white/pale areas.Small vertical tear approximately 3cm long to upper centre margin/border on one print.
MENASHE KADISHMAN (ISRAELI, 1932-2015) (4)Woodland (Yellow)each signed, dated and inscribed 'M Kadishman 1970 A/P' (in lower margin)set of three screenprintsthe largest 77 x 63cmtogether with Cracked Earth, printer's proof by the same hand(4)(unframed)Condition reportSmallest print with white background has some foxing and surface dirt/pale marks. Also a minor crease to lower margin.The others have some minor marks ion places, mostly to margins and the odd minor crease to the odd corner or border.Prints lifting/curling at ends where previously rolled up.
FRANCIS BACON (1909-1992)Study of a portrait of John EdwardsLithograph, 68 x 50.3cm (94.5 x 68cm sheet size)Signed and numbered 105/180Condition Report: Very good overall conditionSlight undulations at top of the sheet Purchased from The Blue Leaf Gallery, Dublin 2002 for €10,000We have not removed the print from the frame
A framed image of Pablo De Sarasate, likely a vintage photographic print signed in pen by Pablo De Sarasate and dated 8-11-95. Frame measures 10.5 x 15cm. Provenance: from an astonishing collection of classical music ephemera which includes autographs from many of the 20th century's most renowned conductors and composers. Collected over many years by a former orchestral manager of Liverpool Philharmonic.
A vintage postcard depicting the home of Richard Strauss in Garmisch, bearing handwriting, a date (1939) and signature by Richard Strauss. Measures 13.5 x 8.5cm. With a modern print depicting the image from the postcard. Provenance: from an astonishing collection of classical music ephemera which includes autographs from many of the 20th century's most renowned conductors and composers. Collected over many years by a former orchestral manager of Liverpool Philharmonic.
After Kenneth McDonough - 'Baron von Richthofen Jagdstaffel', limited edition colour print, 87/850, signed by the artist in pencil in the margin, 50cm x 70cm including margin.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
TOONDER, M.A. -- VERHAAK, P. De Bommelparade. 3e herz. dr. (2019). Prof. ill. & w. loosely inserted numb. and signed print by T. Artz. 4°. Obrds. Printed in 500 copies. -- M. TOONDER. Tim MacNab zoekt copy. 2012. Owrps. -- Id. Tom Poes en de wilde wagen. - Tom Poes en de wiselschat. - Tom Poes en het huilen van Urgje. - (1967). 3 vols. 4°-obl. Owrps. (A bit browned). -- Id. Met uw welnemen. 1973. Fol.-obl. Owrps. -- Added: Keychain w 'Oude Schicht'. -- And 15 o. by/on T. (22).
FONTANA -- MUSEUMJOURNAAL voor moderne kunst. Serie 9 nrs. 5/6. Ed. by W.A. Beeren (a.o.). Otterloo, 1964. W. blue multiple by Yves Klein and some plates, loosely inserted: red bifolium of Museumnieuws. Owrps. w. central medallion in black surrounded by 24 punched holes, signed "L Fontana 64" in print. (Wrps. partly sunned/sl. stained, front cover w. annot. in pencil "Hr. Beeren", back cover w. date 1964 in pen above the usual black bar across the printed date, bookblock tender, occ. underlinings in pen, outer margin faintly stained). NOTE:This issue is important not only due to Fontana and Klein, but also due to the bibliography 'Nieuwe konseptie / zero/ nul / nieuwe tendenzen' by H. de Vries and the article '0 = nul'. Museumjournaal (later Kunst & Museumjournaal) was issued from 1955 to 1996 by a cooperation of Stedelijk Museum Amsterdam, Gemeentemuseum Arnhem, Van Abbemuseum Eindhoven, Groninger Museum and the Kröller-Müller Museum.
WAPLINGTON, N. & A. McQUEEN. Working Process. Bologna, Damiani Editore, 2014. 304 pp. 4°. Ocl. w. dust-j. (still sealed). In ocl. slipcase & or. printed publisher's cardboard box. NOTE:Printed in a limited edition (56/100) and with original signed and numbered print (29.5 x 23.5 cm.) by Waplington (=McQueen behind the scenes at the fashion shoot p. 36 from the book).
STICHTING DE ROOS, UTRECHT -- NIJHOFF, M. Het uur U. 1989. W. 23 fine silk-screen prints by Jeroen Henneman & 1 separate print signed by the artist. Sm-8°-obl. Or. stabsewn wrps., Japanese style. Loose in double ocl. binder w. bone closing pin. Bound by G. v. Daal. -- H.N. WERKMAN. Teksten. 2003. 4°. Or. clothbacked brds, front side w. lettering in felt. -- H.C. ANDERSEN. De schaduw. 1992. W. ill. by M. Bode. Ohcl. -- (3). NOTE:Printed in a limited and numbered edition of 175 copies. - St. De Roos 137, 142, 161.
WILSON, A. The making of the Nuremberg Chronicle. Amst., (1978). Prof. ill. Fol. Ocl. w. dust-j. -- J. CARTER. & P.H. MUIR, ed. Printing & the mind of man. A descriptive catalogue illustr. the impact of print on the evolution of western civilisation during 5 centuries. (1st ed., Lond., 1967). Prof. ill. 4°. Ocl. w. dust-j. -- Th. SUÁREZ. Early mapping of Southeast Asia. (1999). 4°. Or. bind. w. dust-j. -- M. McLEAN. The Cosmographia of Sebastian Münster. Describing the world in the Reformation. (2007). Ocl. w. dust-j. (Spine faded). -- And 4 o. (8).
CHILDREN'S BOOKS -- KLEINE PRINT-BYBEL, DE. Waar in door verscheide afbeeldingen een meenigte van Bybelsche spreuken verklaart werden. Tot vermaak der Jeugd, (...). Uit de Hoogduitsche in de Hollandsche taal overgezet (d. G.P. Hondius). Amst., J. Pauli, 1720. (7); (12) lvs. W. engr. front., engr. ti-vign. & 150 engr. each w. sev. illustr. replacing the words of the Bible, all in cont. handcolouring. Sm-8°. Cont. cf. (Bind. restored, thumbed/soiled in places, margins a bit brittle at beginning and end). NOTE:Rare first edition in contemporary handcolouring. Buijnsters, Bibl. Ned. school- en kinderboeken, 952; De hele Bibelebontse Berg, p. 186 for details on the history of this bible for children; Poortman I, p. 166.
JAPAN -- HERWIG, H.J. & J.S. MOSTOW. The hundred poets compared. A print series by Kuniyoshi, Hiroshige, and Kunisada. 2007. -- I. KLOMPMAKERS. Of brigands and bravery. Kuniyoshi's heroes of the Suikoden. (1998). -- D.R. WEINBERG. Kuniyoshi, the faithful Samurai. (2000). -- 3 vols. Prof. ill. 4°. Ocl. w. dust-j. -- And 2 o. on Kuniyoshi. (5).
David Bowie (British, 1947-2016) and Rex Ray (American, 1956-2015)'Ziggy 2002', limited edition print , signed by both and numbered in pencil 975/2002,height 43cm x width 28cmCondition: Very good rolled condition. David Bowie commissioned this artwork from Rex Ray to mark the 30th anniversary of the album 'The Rise & Fall of Ziggy Stardust And The Spiders From Mars'.

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314766 item(s)/page