We found 314753 price guide item(s) matching your search
There are 314753 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
314753 item(s)/page
Lot 102
Michener (James A.) The Modern Japanese Print: An Appreciation, number 173 of 510 copies signed by the author, with 10 original prints, most woodblocks, each numbered and signed in pencil by the artist and tipped into mount, original cloth, uncut, original wooden slip-case (a little rubbed), folio, Rutland, Vt. & Tokyo, 1962.⁂ The artists comprise: Hiratsuka Un'ichi, Maekawa Sempan, Mori Yoshitoshi, Watanabe Sadao, Kinoshita Tomio, Shima Tamami, Azechi Umetaro, Iwami Reika, Yoshida Masaji and Maki Haku.
Lot 107
Moorhouse (Paul) John Hoyland, exhibition catalogue, number 26 of 300 copies signed by the artist and with a numbered and signed silk-screen print loosely inserted, 1999 § Gooding (Mel) John Hoyland, signed by the artist on half-title, 2006, illustrations, many colour, original boards with dust-jackets, 4to (2)
Lot 136
Pictures and Prints - John Hoppner RA (1758 - 1810), after, The Countess of Oxford, Printed by Raphael Tuck & Sons Ltd., coloured print after the mezzotint, 43cm x 31cm gilt frame, 61cm x 50cm overall; another, similar, signed in pencil by Arthur Hogg, coloured mezzotint, 45cm x 43cm, gilt frame, 69cm x 64cm (2)
Lot 14
Hunting Interest - Lionel Edwards, after, The Rufford Hunt, print; the vendor's uncle was for a time leader of the hunt, his copper and silver plated hunting horn, a photograph of the gentleman with Prince Charles on horse back, sepia postcards with the then Prince of Wales at Winkburn Hall, 1928; Cecil Aldin, after, A Busy High Street with Numerous Coaches and Figures, 37cm x 60cm (5)
Lot 1209
A Royal Doulton Long John Silver character jug, D6335; a Victorian mahogany tea caddy; a workbox; a Chinese export ware ginger jar and cover, drilled as a lamp base, 30cm; a pair of late Victorian Wedgwood plates; a pair of graduated oval trays, glass inserts with birds; a circular print, framed and glazed; a charger moulded in relief with tavern scene; qty
Lot 212
*Kunisada II (Utagawa, later called Toyokuni IV, 1823-1880). Three bijin portraits from the series Imayo sanjuno so [The Modern Thirty-two Types], published by Fujiokaya Keijiro, 1859, together three prints, oban tate-e nishiki-e, colour woodblock prints, each with insets designed by Gengyo, each signed 'Toyokuni-ga', date seals and publisher's marks, some overall toning, 36 x 25.5cm (14 x 10 ins), plus Utamaro School, a group of 8 shunga prints, early 19th century, oban yoko-e nishiki-e, colour woodblock prints, slightly creased to edges, 25 x 34 cm (10 x 13.5 ins), and Kawarazaki (Shodo, 1889-1973), Oriental Lily, 1954, oban tate-enishiki-e, colour woodblock print, artist's seal to lower left, printed title and date to margin, edges partly untrimmed, sheet size 40 x 28 cm (17.75 x11ins) (12)
Lot 252
*Elgar (Edward, 1857-1934). Signed portrait with autograph musical quotation signed, circa 1920s, bistre print from a William Rothenstein chalk drawing, signed and dated 1919 in the image, 18.5 x 13cm, signed in ink in the lower part of the image in a shaky late hand by Edward Elgar with a musical quotation, additionally signed in pencil by the artist to lower margin and to right above printed caption, framed and glazed (1)
Lot 282
*Bernhardt (Sarah, 1844-1923). Signed cabinet card, circa 1890, albumen print photograph, original card mount, signed by Bernhardt in thick ink over the printed signature to lower margin, adhesion remains to mount verso, 16.5 x 11 cm, together with Gosse (Edmund, 1849-1928), Autograph letter signed letterhead of 17 Hanover Terrace, London, 4 March 1918, to Mrs [Wanda Maria] Max-Muller, thanking her for the copy of Knut Hamsun's book 'Markens Grode' ['Growth of the Soil'] and noting that though he is not fond of the author's books usually 'I expect to like this one better, as you approve of it', one page, 8vo, plus Jellicoe (John Rushworth, Admiral, 1859-1935), Typed letter signed, 'Jellicoe' as Admiral of the Fleet, HMS New Zealand at sea, 4 October 1919, to Miss E. Kennard, thanking her for the letter and 'essay written by a small girl at school. I have read the essay, which I now return, with much interest and appreciation', some age wear and spotting, small tear with loss to upper blank margin, one page, 4to, plus a quantity of miscellaneous autograph material including a Victorian album and leather wallet (a small box)
Lot 289
*Cody (William Frederick "Buffalo Bill", 1846-1917). Signed studio portrait of William F. "Buffalo Bill" Cody, circa 1904, gelatin silver print photograph, showing Cody on horseback with a studio backdrop, embossed studio namestamps of James E. Hunt, Clarendon Road, North Kensington, [London], original board mount, 22 x 26 cm, the lower mount trimmed down and signed 'Compliments W.F. Cody "Buffalo Bill" to F.J. Sims, May 20th 1904', paper browned but ink dark and strong, photographer's studio embossed stamp, mounted as an integral pair in window mount, framed and glazed, together with a full-length gelatin silver print photograph of F.J. Sims in ceremonial dress, 31.5 x 17 cm, mount browned, identification details to verso Francis John Sims, CB MVO. (2)
Lot 290
*Cody (William Frederick "Buffalo Bill", 1846-1917). Autograph letter signed, 'W.F. Cody', letterhead of Buffalo Bill's Wild West, Pahaska Tepee, Touring Great Britain, no date, circa 1904, to Mr Sims, a brief five-line note in a very difficult and awkward hand seemingly telling Sims that he is sending 1 ounce of something under separate cover, gilt embossed letterhead (offset where folded), one page with integral blank, 8vo, together with a gelatin silver print photograph of Sims and his wife on the occasion of their golden wedding, 16 x 21 cm, original mount with identification details to verso A rare letter from Cody's UK tour. (2)
Lot 465
Hardy (Thomas). The Well-Beloved, A Sketch of a Temperament, 1897, top edge gilt, original gilt decorated green cloth, boards lightly marked, 8vo, together with Under the Greenwood Tree or The Mellstock Quire, A Rural Painting of the Dutch School, 1940, numerous black and white wood engravings by Clare Leighton, original green cloth in dust jacket, covers lightly marked, spine toned and slightly rubbed to head and foot, 4to, plus Far From The Madding Crowd, limited edition 419/1500, numerous black and white illustrations by Agnes Miller Parker, including one loose print signed by the illustrator, original quarter calf in slipcase, slightly rubbed, 8vo, and 25 further volumes by Thomas Hardy, mostly original cloth, G/VG, 8vo (28)
Lot 550
Osbourne (Thomas). The Harleian Miscellany: Or, A Collection of Scarce, Curious, and Entertaining Pamphlets and Tracts, As Well in Manuscript As in Print, Found in the late Earl of Oxford's Library, volumes 1-8, 1744-46, bookplates to front pastedowns, some minor toning, volume 1 rebound with new endpapers and modern gilt decorated calf spine retaining contemporary calf boards, volumes 2-8 in uniform contemporary gilt decorated full calf, boards and spines rubbed with minor loss, 4to, together with Sandby (W.), Dialogues of the Dead, 1740, period inscription to front endpaper, some minor toning and marks, contemporary full calf, boards and spine slightly rubbed, 8vo, and Savile (George), Miscellanies Historical and Philological: Being a Curious Collection of Private Papers found in the study of a Noble-Man, lately Deceas'd, printed for J.T., 1703, some minor marks, rebound retaining contemporary embossed full calf boards and spine, slightly rubbed, 8vo, plus other 18th and 19th century historical and ecclesiastical reference, including The General History of Polybius, volumes 1-3, by Mr. Hampton, 1809, mostly leather bindings, condition is generally good/very good, 8vo/folio, (52 volumes) (2 shelves)
Lot 555
Masanao (Amano & Wiedemann, Ed. Julius). Manga Design, 1st edition, 2004, numerous colour and black and white illustrations, with DVD to rear, original wrappers, 4to, together with Martignette (Charles G. & Meisel, Louis K.), Gil Elvgren, The Complete Pin-Ups, 2008, numerous colour illustrations, original purple boards in dust jackets, large 8vo, and Scarfe (Gerald), Line of Attack, 1st edition, 1988, numerous black and white illustrations, plus loose colour print signed by the artist, original red cloth in dust jacket, covers lightly rubbed, 4to, plus other modern illustrator and comic book reference and related, mostly original cloth in dust jackets, G/VG, 8vo/4to (2 shelves)
Lot 71
*Hudson (William Henry, 1841-1922). Autograph letter signed, 'W.H. Hudson', 40 St Luke's Road, London, 17 November 1910, to an unidentified recipient concerning a bird that the correspondent had heard 'piping at 3.40 in the morning. I doubt that it was a starling. The bird is now very abundant in London but at this time of year it does not roost on or above houses. It has its regular working plans, as a rule in the parks, & usually in thickets of evergreen bushes...', thanking him for what he says about the author's books and doubting that there will be many more of them but that he hopes 'to finish one - on birds as it happens - on which I am engaged now', 3 pp., deckel edges, small 8vo, together with British Birds, with a Chapter on Structure and Classification by Frank E. Beddard, 1st edition, 1895, 16 plates including eight chromolithographs, illustrations to text, erratum slip tipped in, some minor spotting, old ownership signature to front endpaper and coloured print of a kingfisher to front pastedown, top edge gilt, original cloth gilt, slightly rubbed and soiled, 8vo The book to which Hudson alludes is probably 'Rare, Vanishing and Lost British Birds' which was published from a compilation of his notes by Linda Gardiner in 1923, the year after the author's death. (2)
Loading...-
314753 item(s)/page