We found 314783 price guide item(s) matching your search
There are 314783 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
314783 item(s)/page
Lot 439
A gold and black cut velvet print sleeveless cocktail dress V neck, a gold brocade sleeveless cocktail dress, a black velvet halter neck top, a black velvet evening dress, a black silk jacket with white lace and black silk matching dress labelled Miss K K Torronto, a white lace bodice over white silk lining, full length black skirt, a 1950's black wool full circle skirt, Hattie Carnegie navy blue silk dress with matching jacket the navy blue printed with red abstract pattern, the jacket with bow fastening and three quarter length sleeves, a 1950's printed cotton sleeveless shirt dress in greys and white, lacking belt (8)
Lot 401
Three 1950's full circle skirts, two cotton with bright print, a stiffened felt full circle skirt printed with flowers and gold thread, a dark gold-coloured open knit jumper with short sleeves, labelled 'Special Coral', and three embroidered cardigans, one black and white with bugle beads and white bead detail, navy blue embroidered with sequins and beads, and also on the back and a black wool embroidered cardigan with faux pearls and bugle beads, and a cream wool cardigan with wool embroidered detail to the front (8)
Lot 105
Anthony Eyton (b. 1923) Silkscreen print "Uluru (Ayer's Rock)", limited edition, signed titled and numbered 21/75 in pencil within margin, dated '08, framed and glazed, image size 44.5cm x 45.5cm, bears Menier Gallery 2008 exhibition, and Browse & Darby labels verso Condition ReportIn very good condition with no apparent damage or fading.
Lot 444
A lime green mini dress, curled ribbon detail to the bodice, scoop back with button and loop fastening, a 1940's brown crepe day dress, printed with flowers, elbow length sleeves with frill, frill detail to the bodice, a 1960's sleeveless cotton dress, yellow and brown paisley style print, front pockets with white tab and brass button detail, button fastening to the front, labelled 'Sungleam', 1930's rayon dress, yellow, with appliqued flower detail to the collar and tie belt, replaced buttons, 1950's black cocktail dress, printed with bold flower pattern, chiffon sleeves, scoop neck, a 1950's blue polka dot dress, with over skirt, tiered bodice with button detail, full length (6)
Lot 435
1940's wrap day dress or house coat, paisley pattern on a pink ground, a Liberty print cotton dress labelled Dickens and Jones short sleeves, again some stitching loose, a red and white striped woollen jacket labelled Spectator Mayfair three quarter length sleeves, a 1940's knitted jumper fawn colour with knitted cherry decoration, a black evening dress with a black and white chevron insert to the bodice and black and white chevron detail to the sleeves and a navy blue crepe dress with a blue and white polka dot bow to the boat neck line with three quarter length sleeves (6)Condition ReportThe knitted fawn jumper is approx size 12. There is a large hole on the left hand sleeve and a few marks like white paint on it.
Lot 88
A framed Victorian fashion print, the two figures have been 'dressed ' in velvet dresses to depict the fashion, slightly 3-D, various fashion magazines to include two 'Modas Nuevas' 1936 and 1947, a French catalogue for fashion and house furnishings dated 'Hiver 1932-33', a 'Make Do and Mend' leaflet by the Ministry of Information, ' Costumes Manteaux Classique Ete 1965' 'Classic Tailor Made for Ladies Edition de Luxe no 6 1958, and a metal framed and velvet backed ring holder
Lot 491
Two vintage KLM Royal Dutch Airlines advertising posters - "See Twice as Much of Europe in Half the Time", printed in Holland circa 1962 of an earlier 1928 print, printed by L. Van Leer & Co, Amsterdam, the second poster depicting a Fokker plane above galleon and reads "De Vliegende Hollander, Eeins Legende- thanks Werelijkheid", both 103cm x 64cm (2)
Lot 71
Doug Hyde (Bristol, born 1972) 'Love keeps growing', signed, limited edition print. Numbered 21/495, framed and glazed. 78cm x 61cm Condition Report: Overall in good-very good condition. The colours are bright with no apparent fading, tears or staining to the picture. The signature and title are clear. The glazing is intact, the frame has some light scratches, the verso has been sealed and there is a label attached from the gallery however no 'certificate of authenticity'.
Lot 70
Doug Hyde (Bristol, born 1972) 'That Friday Feeling!', signed, limited edition print. Numbered 180/295, framed and glazed. 44cm x 61cm Condition Report: Overall in good-very good condition. The colours are bright with no apparent fading, tears or staining to the picture. The signature and title are clear. The glazing is intact, the frame has minimal scratches and slight irregularities to the frame. The verso has been sealed and there is a label attached from the gallery however no 'certificate of authenticity'.
Lot 69
Doug Hyde (Bristol, born 1972) 'Tulip Hill', signed limited edition print. Numbered 112/295, framed and glazed. 56cm x 77cm Condition Report: Overall in good-very good condition. The colours are bright with no apparent fading, tears or staining to the picture. The signature and title are clear. The glazing is intact, the frame has some light scratches, the verso has been sealed. No 'certificate of authenticity'.
Lot 68
Doug Hyde (Bristol, born 1972 ) 'One in a million!', signed limited edition print. Numbered 156/295, framed and glazed. 63cm x 65cm Condition Report: Overall in good-very good condition. The colours are bright with no apparent fading, tears or staining to the picture. The signature and title are clear. The glazing is intact, the frame has some light scratches, the verso has been sealed and there is a label attached from the gallery however no 'certificate of authenticity'.
Lot 424
The Great Train Robbery - Sketch Master Products Board Game - an original vintage 'The Great Train Robbery' board game, appearing complete (unchecked) and autographed in several places by members of the gang. Signed to the box lid by Ronnie Biggs and Bruce Reynolds, the print of the box lid art signed by Biggs, Reynolds, artist David Weston and one other unidentified, the instructions ditto, and the two-piece board signed twice by Biggs and once by Reynolds. Box condition AF. Unique piece of Great Train Robbery memorabilia. The Great Train Robbery was the robbery of £2.6 million from a Royal Mail train heading from Glasgow to London on the West Coast Main Line in the early hours of 8 August 1963, at Bridego Railway Bridge, Ledburn, near Mentmore in Buckinghamshire, England. After tampering with the lineside signals in order to bring the train to a halt, a gang of fifteen, led by Bruce Reynolds, attacked the train. Other gang members included Gordon Goody, Buster Edwards, Charlie Wilson, Roy James, John Daly, Danny Pembroke, Jimmy White, Ronnie Biggs, Tommy Wisbey, Jim Hussey, Bob Welch and Roger Cordrey, as well as three men known only as numbers "1", "2" and "3". A 16th man, an unnamed retired train driver, was also present. With careful planning based on inside information from an individual known as "The Ulsterman" (erroneously named as Patrick McKenna in 2014), the robbers escaped with over £2.6 million (equivalent to £53.5 million today). The bulk of the stolen money was never recovered. Though the gang did not use any firearms, Jack Mills, the train driver, was beaten over the head with a metal bar. Mills' injuries were severe enough to end his career. After the robbery, the gang hid at Leatherslade Farm and famously used the money in a game of Monopoly - unwittingly incriminating themselves whilst doing so as the Monopoly set was used to garner finger prints of the suspects and was instrumental in the Police arresting most of the gang. The ringleaders were sentenced to 30 years in jail.
Lot 425
The Great Train Robbery - an original Monopoly Money 100 Bank Note from the set famously played with by the robbers whilst hiding out after the robbery at Leatherslade Farm. The note covered in black fingerprint dust, and features an official Police tag to the rear, likely highlighting a finger print. Used as evidence in the original court trial which saw several of the gang members imprisoned. Signed to the front by gang member and mastermind, Bruce Reynolds (1931-2013). The Great Train Robbery was the robbery of £2.6 million from a Royal Mail train heading from Glasgow to London on the West Coast Main Line in the early hours of 8 August 1963, at Bridego Railway Bridge, Ledburn, near Mentmore in Buckinghamshire, England. After tampering with the lineside signals in order to bring the train to a halt, a gang of fifteen, led by Bruce Reynolds, attacked the train. Other gang members included Gordon Goody, Buster Edwards, Charlie Wilson, Roy James, John Daly, Danny Pembroke, Jimmy White, Ronnie Biggs, Tommy Wisbey, Jim Hussey, Bob Welch and Roger Cordrey, as well as three men known only as numbers "1", "2" and "3". A 16th man, an unnamed retired train driver, was also present. With careful planning based on inside information from an individual known as "The Ulsterman" (erroneously named as Patrick McKenna in 2014), the robbers escaped with over £2.6 million (equivalent to £53.5 million today). The bulk of the stolen money was never recovered. Though the gang did not use any firearms, Jack Mills, the train driver, was beaten over the head with a metal bar. Mills' injuries were severe enough to end his career. After the robbery, the gang hid at Leatherslade Farm and famously used the money in a game of Monopoly - unwittingly incriminating themselves whilst doing so as the Monopoly set was used to garner finger prints of the suspects and was instrumental in the Police arresting most of the gang. The ringleaders were sentenced to 30 years in jail.
Lot 436
Photographic print albums of North Western Locomotive and Railway scenes with full indices of items (3), comprising first album of 200 black/white gloss postcard prints of BR LM locomotives, second album of 200 prints this time including BR Wr subjects, third album of 60 large size colour and black/white prints from the 1960s to 1980s, F-G, (3)
Lot 443
Collection of framed prints and diagrams books (6), comprising framed prints and diagrams with a Signal diagram of Rawtenstall, GCR Locomotive print No. 298, Best kept station certificate 1938, Opening day Glasgow-Garnkirk, Engineering arrangement for GNR No.1, Employment notices GWR, P-G, (6)
Lot 502
After Xu Beihong (1895-1953) A Chinese hand scroll study of a horse, ink and colour on paper, 96 cm x 44 cm to/w a 20th century Tang Yin print of a maiden mounted as a scroll, 72 cm x 37 cm and another scroll painting of a bird perching over flowers, ink and colour on paper with inscription and seal, 96 cm x 52 cm (3)
Lot 92
Poster of "Mr. Brainwash" from 2012 Banksy vs Van Gogh and was featured at his London Show exhibition.The reason is one of Mr. Brainwash's rarest and most sought-after motifs.It is in good general condition. The great popularity of the pattern, the almost new condition and the limitation to such a small number of pieces turn this print into a real collector's item and a must-have for Mr. Brainwash fans. Image 80 x 60 cm - Framed 97 x 77 cm
Lot 212
ANDRADE, Manuel Carlos de.- Luz da liberal e nobre arte de cavallaria.- Lisboa: Na Regia Officina Typografica, 1790.- XXVI, 454, [1, 1 br.] p.: 93 gravuras, 1 retrato; 35 cm.- E., Good copy, very clean and complete (retains the final errata page, with the blank verso), of one of the most beautiful books printed in Portugal in the 18th century and, certainly, one of the most sought after. Inocêncio states that some intended to attribute the work to the 4th Marquis of Marialva, chief equerry, but this has not yet been confirmed. The 93 engravings, of which 22 are foldable (all well folded and placed), represent mainly attitudes of the horse in teaching and are opened on copper plate by several engravers, mainly Luís Fróis, but also Manuel Alegre, Luís Fernandez Piedra and others, according to originals by Joaquim Carneiro da Silva (Ernesto Soares, História, 1076). Print 76 (p. 390) presents a curious inscription: Silva del. — H. Queverdo aqua forti et terminé par J. J. Droüet 1792 (engravers not mentioned by E. Soares). The prince regent, future king D. João VI, is represented in engravings 21, 29, 53 and 59 (E. Soares and Ferreira Lima, Dictionary of Iconography, 1549 B). Allusive vignettes at the beginning of books I and VI. Portrait of the Prince Regent with a slight stain on the lower margin, a smaller stain on the lower edge of approximately 30 pages in the middle of the volume and a small tear on the fold of the last engraving, without lack of support. 19th century binding, fully sheepskin, with painted patina, preserving the original marbled paper endpapers. Inocêncio, V, 386. Ameal, 108. Torrecilla, 25 ([Edición] digna de las magníficas ediciones ilustradas del caballero Pluvinel y del duque de Newcastle).
Lot 201
VEGA, Garcilaso de la.- PRIMERA PARTE DE LOS | COMMENTARIOS | REALES, | QVE TRATAN DEL ORI- | GEN DE LOS YNCAS, REYES QVE FVE- | RON DEL PERV, DE SV IDOLATRIA, LEYES, Y | gouierno en paz y en guerra: de sus vidas y con- | quistas, y de todo lo que fue aquel Imperio y | su Republica, antes que los Españo- | les passaran a el...- En Lisboa: En la Officina de Pedro Crasbeeck, 1609.- [9 (i. e. 8), 1 br.], 264 f.: 1 gravura; 27 cm.- E., Garcilaso de la Vega (1539-1616), writer and chronicler, born in Cusco (Peru), became known by the nickname “The Inca”, given his Spanish and Inca ancestry, and was considered the prince of writers of the New World. First edition of one of the three works published during the author's lifetime, dated 1608 in the colophon on the verso of the last page and 1609 in the imprint. The work, divided into nine books, is dedicated to D. Catarina, Duchess of Braganza (1540-1614). Copy missing the 2nd preliminary sheet (signature †2) that should contain the licenses; However, it retains the rare copperplate print, with the author's coat of arms, which is missing from some of the known copies, particularly the BNP one. Title page with minor fault on the outer margin and old ownership; last sheet of the first section (folio †4) shorter, glued to the first of the second section; sheet 184 with strong browning. Otherwise, a clean copy. Modern ownership on free endpaper: Canon Abel Martins - 1872 - Evora - 1,500 Rs. Entire sheepskin binding, contemporary, very damaged, missing free endpapers on marbled paper (not contemporary) and carminated edges. The second part of the work was printed in Córdoba, in 1617. Palau, 354788. Arouca, V 74 (without mentioning the engraving).
Lot 15
A pharmacy pot, faience, blue «wanli» decoration "Flowers" with the coat of arms of the Order of Saint Dominic, Portuguese, 17th C. (1st quarter), mouth with large chip and faults on the glaze, hairlines. Notes: it was part of the “Exposição de Cerâmica Ulissiponense - dos fins do século XVI aos princípios do século XIX” held at the Lisbon Municipal Museum. Lisbon: Lisbon City Council, 1936, p., 1936, p. 15, nº 13 and print s/n., Dim. - 26,5 cm
![CARDOSO, Amadeo de Sousa.- XX dessins.- Paris: edição do autor, 1912.- [2, 1] f.: 20 estampas; 31 cm.- B., Copy no. 68 of the](https://cdn.globalauctionplatform.com/c52a4a5e-b615-45ad-8196-b11800fa666b/1703158f-6e05-4298-8a6a-b12300d5d92e/468x382.jpg)
Lot 189
CARDOSO, Amadeo de Sousa.- XX dessins.- Paris: edição do autor, 1912.- [2, 1] f.: 20 estampas; 31 cm.- B., Copy no. 68 of the print run of 100 printed on Japanese paper, signed by the author, with the following autograph: Reservado para António Roberto da Motta Liz, Paris, 1913. The edition consists of one sheet justifying the print run (530 copies = 30 + 100 + 400), two preliminary sheets, with an introduction by Jérôme Doucet (avant-propos) and 20 numbered prints, reproducing the drawings. Set packaged in its own “chemise” (with justification for the special print run of 30) and editor's cardboard portfolio (with the tie missing), cover with minor defects, copy with minor defects
Loading...-
314783 item(s)/page