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Lot 854

A print, La malade, the patient, 52 x 70cm, plus frame and glazed

Lot 856

A Ltd Ed print, after Judy Boyes, An Old Cumbrian Kitchen, signed and num 608/850, 26 x 38cm, plus frame and glazed

Lot 857

A Ltd Ed print, after Steven Townsend, little owl, signed and num 255/400, 30 x 22cm, plus frame and glazed

Lot 859

A Ltd Ed print, after Judy Boyes, Back door Rydal, signed and num 128/850, 27 x 20cm, plus frame and glazed

Lot 527

* LOUISE RITCHIE,COLOUR TREEmixed media on paper, signed, titled label versoimage size 34cm x 48cm, overall size 55cm x 69cm Mounted, framed and under glass. Label verso: The Compass Gallery, Glasgow. Note: Louise Ritchie is a Scottish artist, lecturer and creative facilitator working in independent and collaborative contexts, embracing many processes and experimental pathways. She graduated from Duncan of Jordanstone College of Art and design in 1990 with A BA (Hons) Fine Art and MFA Art &Humanities Graduate of DJCAD, Dundee, Louise is a lecturer on the BA (Hons) Contemporary Art Practice Programme at City of Glasgow College / UWS University of West of Scotland. She is also a former President of the Society of Scottish Artists (SSA) and has won several major awards including, most recently, the Duncan of Jordanstone MFA Art & Humanities Prize 2018. Her practice examines a range of tangential explorations, overlaps and collaborations that articulate the process of creativity curiosity. Multi -faceted, contrary fascinations sweep broadly and loosely with a range of media spanning public art commissions, independent works, printmaking, performative and lens-based works, to large spatially situated paint/print-forms. Exhibiting widely in the UK and abroad including London, Bulgaria, China, Belgium and France, Louise has also co-created projects for Angus Council as an Artist in-residence and her work is in several major collections including The Mirror Group, London, University of Dundee, City of Glasgow College Art Foundation and Dundee City Council.

Lot 532

* WILLIE RODGER RSA RGI (SCOTTISH 1930 - 2018),THE NEIGHBOUR'S CATwatercolour on paper, signed and titled label versoimage size 19cm x 14cm, overall size 30cm x 25cm Framed and under glass. Note: The Royal Scottish Academy website describes Willie Rodger as "one of the most significant artist-printmakers in recent Scottish art history". Born in Kirkintilloch in 1930, Rodger studied Graphics and Printmaking at Glasgow School of Art from 1948 to 1953. He received a rigorous education from a course that, at the time, only accepted the most skilled draughtsmen. By graduation Rodger had already sold two prints to the Victoria and Albert Museum, London, and went on to a career in advertising. However, he became disillusioned with the cut and thrust of the commercial world and an opportunity to change careers and return to Scotland came about with a teaching vacancy at Lenzie Academy, then as Principal Teacher of Art at Clydebank High School, a post he held until early retirement in 1987. He was elected to the Royal Scottish Academy in 1989 and awarded an honorary doctorate by the University of Stirling in 1999. In The Scottish Contemporary Art Auction of 28th February 2021 lot 562 "Reverie" by Willie Rodger established a new auction record for a print by the artist selling at £1200 (hammer).

Lot 553

* HENDERSON CISZ,NEW YORK BY NIGHTlimited edition glazed box canvas print, signed and numbered 55/195, further titled certificate versoimage size 57cm x 57cm, overall size 74cm x 74cm Framed. Note: Certificate of authenticity included with this lot.

Lot 577

* HANNAH FRANK (SCOTTISH 1908 - 2008), GARDEN (1932)lithograph, signed in pencil, titled and dated 1932image size 31.5cm x 27.5cm, sheet size 43cm x 32cm, overall size 45cm x 35cmFramed and under glass.Note: "Garden (1932)" is one of the rarest Hannah Frank signed prints. A previous example of this print was sold (by McTear's) for £650 (lot 526 The Scottish Contemporary Art Auction 27th September 2020). Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than three times higher than those achieved less than a decade ago. Note: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of prints of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy demand for her work after exhibitions in Edinburgh and Glasgow. Only a few of these prints were ever signed by Hannah who found the task of numbering and signing "tiresome". A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).

Lot 587

* TOM MACKENZIE (SCOTTISH 1947 - 2018),ON CIOCHcoloured etching on paper, signed, titled and numbered artist's proof from an edition of 50image size 50cm x 40cm, overall size 76cm x 66cmMounted, framed and under glass.Note: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, Mackenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. In The Scottish Contemporary Art Auction of 12th September 2021, three colour etchings by Tom Mackenzie sold for hammer prices of £300, £320 and £340.

Lot 617

* MATT SMALL,BECKY & METALlimited edition print, signed, titled and numbered 4/30image size 79cm x 58cm, overall size 105cm x 81cm Mounted and framed. Note: certificate of authenticity included verso.

Lot 635

* SIMON LAURIE RSW RGI (SCOTTISH b. 1964),WATCHING AND WAITINGmixed media on paper, signed and dated '97, titled label versoimage size 57cm x 77cm, overall size 86cm x 106cm Mounted, framed and under glass. Label verso: The Glasgow Print Studio Gallery, Glasgow.

Lot 678

ROLF HARRIS (AUSTRALIAN b. 1930), BACKLIT GOLDlimited edition canvas print, signed and numbered 2/195image size 39.3cm x 75cmFramed.Note: a certificate accompanies this lot.

Lot 681

ROLF HARRIS (AUSTRALIAN b. 1930),LEOPARD RECLINING AT DUSKlimited edition canvas print, signed and numbered 82/195image size 49.5cm x 60.3cmFramed.Note: a certificate accompanies this lot.

Lot 690

ALEX ROSS (AMERICAN b. 1970),BATMAN: KNIGHT OVER GOTHAMlimited edition colour print on canvas, signed and numbered 19/195image size 56cm x 82cmFramedNote: Nelson Alexander Ross is an American comic book writer and artist known primarily for his painted interiors, covers, and design work. He first became known with the 1994 miniseries Marvels, on which he collaborated with writer Kurt Busiek for Marvel and DC Thomson Comics. Many of his Iconic Limited Edition prints are highly collectable and complete sell outs.

Lot 693

ALEX ROSS (AMERICAN b. 1970),WONDER WOMAN: DEFENDER OF TRUTHlimited edition colour print on paper, signed and numbered 49/120image size 66cm x 96.5cmFramedNote: Nelson Alexander Ross is an American comic book writer and artist known primarily for his painted interiors, covers, and design work. He first became known with the 1994 miniseries Marvels, on which he collaborated with writer Kurt Busiek for Marvel and DC Thomson Comics. Many of his Iconic Limited Edition prints are highly collectable and complete sell outs. A certificate accompanies this lot.

Lot 703

* HEATHER WILSON (SCOTTISH b. 1962),HELLO, SIMONwoodcut print on paper, signed, titled, dated '92 and numbered 6/15image size 4cm x 7cm, sheet size 19cm x 24cm, overall size 32cm x 37cm Mounted, framed and under glass.

Lot 759

* WILLIE RODGER RSA RGI (SCOTTISH 1930 - 2018),BLUE STOCKING SERIESwoodcut and linocut on paper, each signed, titled and numberedimage size 28cm x 22cm each, overall size framed together 51cm x 189cmMounted, framed and under glass.Note: The Royal Scottish Academy website describes Willie Rodger as "one of the most significant artist-printmakers in recent Scottish art history". Born in Kirkintilloch in 1930, Rodger studied Graphics and Printmaking at Glasgow School of Art from 1948 to 1953. He received a rigorous education from a course that, at the time, only accepted the most skilled draughtsmen. By graduation Rodger had already sold two prints to the Victoria and Albert Museum, London, and went on to a career in advertising. However, he became disillusioned with the cut and thrust of the commercial world and an opportunity to change careers and return to Scotland came about with a teaching vacancy at Lenzie Academy, then as Principal Teacher of Art at Clydebank High School, a post he held until early retirement in 1987. He was elected to the Royal Scottish Academy in 1989 and awarded an honorary doctorate by the University of Stirling in 1999. In The Scottish Contemporary Art Auction of 28th February 2021 lot 562 "Reverie" by Willie Rodger established a new auction record for a single print by the artist selling at £1200 (hammer).

Lot 773

* FRANCES WALKER RSA (SCOTTISH b. 1930-),UNTITLEDlimited edition print on paper, signed and numbered 15/45image size 24cm x 25cm, overall size 41.5cm x 42cm Mounted, framed and under glass.

Lot 774

* FRANCES WALKER RSA (SCOTTISH b. 1930-),UNTITLEDlimited edition print on paper, signed and numbered 15/45image size 24cm x 25cm, overall size 41.5cm x 42cm Mounted, framed and under glass.

Lot 775

* FRANCES WALKER RSA (SCOTTISH b. 1930-),UNTITLEDlimited edition print on paper, signed and numbered 15/45image size 24cm x 25cm, overall size 41.5cm x 42cm Mounted, framed and under glass.

Lot 788

* DAVID MCCLURE,MOONLIGHT SONATAlimited edition print on paper, signed, titled and numbered 1/12 image size 48cm x 57cm, overall size 62cm x 73cm Mounted, framed and under glass.

Lot 791

* TRACEY EMIN,2002 BBC FOUR 'EVERYBODY NEEDS A PLACE TO THINK'limited edition of 1500 screen print of handkerchief image size 52cm x 53cm, overall size 59cm x 60cmFramed and under glass. Note: Original invitation and box included. Everybody Needs a Place to Think, is a highly collectable limited edition screen-print on a handkerchief created by YBA artist Tracey Emin. Emin was commissioned by the BBC to create a gift to accompany the VIP invitation to their launch party of BBC Four. The work bears the text inscription "Everybody Needs a Place to Think", the text "BBC Four" (three times), an image of a dog with a bone, and Tracey's printed signature and date of 2002. This work was accompanied by an original card invitation to the launch party for BBC Four on February 28, 2002. The invitation also includes printed text by Tracey Emin in her recognizable handwriting outlining the event details and noting "Please bring this invitation with you, otherwise, you're not going to get in, Love, Tracey X." While attendees were able to keep the handkerchief, they were forced to surrender the invitation, making this full set especially uncommon and collectable.

Lot 801

AFTER BANKSY,RUDE SNOWMANprint on paperimage size 29cm x 17cm, overall size 51cm x 38cm Mounted, framed and under glass.

Lot 813

* DAVID SHRIGLEY,CHOCOLATE IS NOT THE PROBLEMlithograph on 150g silk paperimage size 77cm x 57.5cm, overall size 83cm x 63cm Framed and under glass.Note: Original exhibition print made on the occasion of David Shrigley’s solo exhibition DON’T TOUCH THE WORMS at Copenhagen contemporary. Note 2: David Shrigley attended Glasgow School of Art from 1988-91 where he studied environmental art. He works in many disciplines including drawing, photography, painting, sculpture, animation and music. The variety of projects he is involved with are multi-faceted ranging from the video for Blur’s ‘Good Song’ to ‘Kingsley’ Shrigley’s mascot for the Scottish football team Partick Thistle to ‘Really Good’ a sculpture of a bronze fist with upraised, out of proportion thumb which he created for the Fourth plinth in Trafalgar Square. Shrigley was created an O.B.E. in 2020 for services to the visual arts. Recent notable exhibitions include those in Glasgow, Germany and Sweden and he was nominated for the Turner Prize in 2013. His work is held in a number of important public collections including the National Galleries of Scotland and Tate.

Lot 821

* DAVID SHRIGLEY,LOOK AT THIS (2020)lithograph on 150g silk paperimage size 77cm x 57.5cm, overall size 83cm x 63cmFramed and under glass.Note: Original exhibition print made on the occasion of David Shrigley’s solo exhibition DON’T TOUCH THE WORMS at Copenhagen contemporary.

Lot 822

* DAVID SHRIGLEY,I MADE MY MARK (2020)lithograph on 150g silk paperimage size 77cm x 57.5cm, overall size 83cm x 63cm Framed and under glass.Note: Original exhibition print made on the occasion of David Shrigley’s solo exhibition DON’T TOUCH THE WORMS at Copenhagen contemporary.

Lot 104

BANKSY 'Kate Moss', screen print on paper, published by West Country Prince, red stamped on verso, limited Edition 31/500, 70cm x 70cm, conservation white box framing.

Lot 147

DRINKS TRAYS, a set of three, 50cm x 45cm x 30cm, tropical print design. (3)

Lot 35

JAGUAR PRINT COW HIDE RUG, approx 200cm x 210cm.

Lot 85

GINGER JARS, a pair, foliate print ceramic, 30cm H. (2)

Lot 86

TABLE LAMPS, a pair, 47cm x 27cm, tropical print ceramic. (2)

Lot 4011

D hawthorne (British 20th century): 'Venice II', limited edition screen print signed titled numbered 4/25 and dated 1987, 34cm x 25cm

Lot 4012

Eric Gill ARA (British 1882-1940): Study from 25 Nudes, woodcut print unsigned dated 1938, 34cm x 34cm

Lot 4027

After Alan Stenhouse Gourley PROI (Scottish 1909-1991): 'Harvest', textured print on board 25cm x 34cm

Lot 4030

After Trevor Stubley (British 1921-2010): 'Holmfirth', colour print unsigned 55cm x 82cm

Lot 4089

After HRH Charles Prince of Wales (British 1948-): View in the South of France, limited edition colour print No. 3 pub.2002, certificate verso 23cm x 38cm

Lot 4098

English School (early 20th century): Chickens and Cocks Running Amok in Barn, oil on panel unsigned together with another similar signed H King and an ornate oval frame containing a print aperture 38cm x 29cm (3)

Lot 23

Antique print titled 'Prospect of Stirling' [Frame measures 36x52cm]

Lot 196

A limited edition [16/650] horse racing print titled 'A Portrait of Lester Piggot' Signed in pencil by himself. Signed by the artist Frank Brown. [81x68cm]

Lot 198

A Limited edition [469/850] horse racing print titled 'Nashwan' by Claire Eva Burton. Signed in pencil. [67x81cm]

Lot 381

A Japanese block print depicting a perched bird, Antique coloured print of a bird and original art work depicting a house.

Lot 493

A Limited edition J. McIntosh Patrick print titled 'Highland Lane' [63x72cm]

Lot 100

Charles and Patricia Lester, a mauve silk scarf with cut away decorated panels, a raspberry rouched silk scarf, a turquoise silk scarf in a named drawstring bag and a Liberty floral print scarf

Lot 104

A pair of lined and interlined curtains with floral and animal print decoration, approx. 6' wide x 5' 10'' drop, together with a conforming pelmut

Lot 150

Elliston and Cavell, Oxford, an early 20th century oak ' plantation' reclining armchair with floral print upholstery

Lot 250

A framed and glazed print by Arthur Delaney, signed in pencil to the margin and numbered 434/435 with blindstamp 'Lewis's Manchester City Centre', frame size 50cm x 54cm

Lot 251

A framed and glazed limited edition print by Arthur Delaney signed in pencil to the margin and numbered 277/450, Oxford St, Manchester, published by Grove Galleries Ltd, Manchester, details on reverse, frame size 58cm x 64cm, in good condition

Lot 252

A framed and glazed print by Arthur Delaney signed in pencil to the margin with Arts Guild blindstamp 'The Ardwick Empire', frame size 57cm x 64cm, in good condition

Lot 255

Glynn Thomas artist proof signed print, St Katharines Dock, in a gilt frame, 77cm x 57cm, some fly under glass otherwise good

Lot 258

Three Philip Martin watercolours of Cambridge, a Liz Cooper watercolour of The Cam and a watercolour of Jesus lock and a Lucy Dawson print

Lot 270

An L Munro signed black and white photographic print of a seascape scene, frame size 53cm x 43cm, printed on archival paper on acid free mount, in new condition

Lot 271

A photographic print of a swan on water, frame size 43cm x 53cm, printed on archival paper on acid free mount, in new condition

Lot 272

A photographic print of a Little Owl, frame size 43cm x 33cm, printed on archival paper on acid free mount, in new condition

Lot 273

A photographic print of a Barn owl in flight, frame size 34cm x 44cm, printed on archival paper on acid free mount, in new condition

Lot 485

ALEX KATZ New York 1927 - lebt in New York: Sasha 2. Pigmentdruck (Giclée Print mit Archival Pigmenttinte) 2016. Expl. 65/100 (Gesamataufl 120). Signiert. Verso mit dem Copyright des Künstlers und der Verlegeradresse „Lococo Fine Art Publishers“. Auf kräftigem Vélin (Crane Museo Max). 86 x 86,5 cm (Darstellung und Blatt). Ränder (hauptsächlich im Bereich der Ecken ) gering bestoßen. Katz zählt zu den wichtigsten Repräsentanten des figurativen Realismus. Obwohl in der breiten Öffentlichkeit als Pop Art-Künstler wahrgenommen, versteht er sich selbst als postabstrakter Maler. Charakteristisch für die Porträts von Katz sind überlebensgroße Brustbilder und Köpfe und ihre vereinfachte, flächenhafte, fast schablonenartige Gestaltung, wobei der Gesichtsausdruck, ähnlich wie auf Werbeplakaten, auf das Wesentliche reduziert ist. [bg]

Lot 349

JEFFERYS (THOMAS), THE COUNTY OF YORK SURVEY'D IN..., re-print, pub. Harry Margary, Lympne Castle, Kent; together with BARNES (RACHEL), GUSTAV KLIMT. (2)

Lot 36

A quantity of assorted cased flatware, a caricature print and a modern childs tuckbox (a lot) 

Lot 44

Various Prints & Pictures, including 'The Oriental Vase, after Ed Baynard, a contemporary portrait of a guitarist, and a print after Picasso (7)

Lot 50

An engraving of Robert Burns, after Alexander Nasmyth, in rosewood frame, with a small Burns print and two other pictures and two wallets of cigarette cards (a lot)

Lot 51

A group of hunting themed prints, picture of geese & Kenneth Ansell Print (4)

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