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Lot 137
JOHN SPEEDE colour tinted map of Flint/Shire and three further pictures and prints to include TERRY HALPIN watercolour - a winter scene behind a stone wall, 35 x 28cms, TERRY HALPIN oil on board - autumnal countryside scene with stone wall to the foreground, dated '82, both signed, 22 x 27cms and a gilt framed print AFTER GAINSBOROUGH - titled 'Signoria Stone', 38 x 28cms, the Flintshire map 39 x 51.5cms
Lot 136
MIXED PAINTINGS & PRINTS (4) - to include DAVID SHEPHERD limited edition print titled - 'Elephants and Egrets' (318/1300), signed in pencil, 49 x 79cms, PRUDENCE TURNER colourful print mid-century style - showing moored boats and cottages in a harbour inlet, 43.5 x 89cms, THOMAS WINCHETT oil on canvas, titled - 'Llanrwst Bridge early morning', 40 x 65cms, signed lower left and JOAN WILLIAMS limited edition print, titled - 'Shrines in a stoney land', (3/50), signed in pencil, dated '74, 45.5 x 61.5cms
Lot 93
PAINTINGS & PRINTS ASSORTMENT (7) - Indistinctly signed print on board - horse and foal, 30 x 40cms, watercolour - boat rudder to foreground on quayside, 41 x 44cms, GRAHAM BRACE print (104/300) - 'The Parrog, Newport', printed signature, 22 x 40cms, UNSIGNED PRINT - Collier Brigg, oval mounted with label verso, 24 x 22cms, a tapestry - Tall Ship, unsigned, 59 x 32cms, OIL ON BOARD - Conical tapered monument with puddles to the foreground, 55 x 42cms and OIL ON BOARD - bonneted lady holding a terrier and wine glass to the foreground, 55 x 42cms
Lot 1072
Collection of five wooden boxes, one with hinged lid, copper edge, detailed corners and jade coloured detailing to top, small wooden box with hinged lid, mother-of-pearl circle detailing to lid, another rectangular box, small with domed hinged lid with mother-of-pearl circle detail to lid, a rectangular wooden square box with hinged lid with printed medieval print to lid and a larger rectangular felt lined shallow cutlery box
Lot 232
Reproduction map of Eastern Asia and map of Oxfordshire After G Havell Engraving"The Blenheim Leaving the Star Hotel, Oxford", published January 1831 by George Havell, Yarnton, Near Oxford, engraving by F J Havell Late 19th/early 20th century schoolLithographic print Woman in Victorian dress by window, unsigned, 40.5cm x 30cm Rosemary Richardson (20th century)Oil on canvas"The Dancing Horse Spanish Fiesta", signed and dated 69 lower right, paper label verso, 54cm x 45cm (5)
Lot 517
A selection of football memorabilia relating to Newcastle United F.C., including: signed limited edition print of Keegan; print of Kevin Keegan by Tom Chantrell; signed photographs of players including: Alan Shearer, Kevin Keegan, and others; together with 'The Smile of A Legend' print of Sir Bobby Robson.
Lot 549
-- Aus dem Besitz des Herausgebers Tilman Falk-- Hollstein, F. W. H. German engravings, etchings and woodcuts. 1400-1700. Bände I-XCV in 98 Bänden. 27 x 20 cm. OLeinen mit goldgeprägtem RTitel und OSchutzumschlägen (diese teils mit Gebrauchsspuren). Amsterdam, Roosendaal, 1949-2019. Immer noch das unübertroffene Referenzwerk für das Druckgraphische Œuvre der deutschen Holzschnitt-Meister: "With the research into the artists starting with the letter W, the series Hollstein’s German Engravings, Etchings and Woodcuts, ca. 1400-1700 series is nearing completion. Over the years, several researchers and editors have contributed to the publications in this series, after the retirement of Tilman Falk, as editor we have been welcoming Rainer Schoch of the Graphische Sammlung des Germanisches Nationalmuseums Nürnberg and Guilia Bartrum of the British Museum as his successors. The last years Simon Turner has joined the team of editors for Hollsteins German series. Before, the late Karel G. Boon of the Rijksmuseum print room, and Fedja Anzelewsky, director of the Berlin print room, have acted as editors in the period until 1975" (Verlagswerbung). - Aus der Sammlung von Dr. Tilman Falk (1935-2020), dem bedeutenden süddeutschen Kunsthistoriker, der in Zusammenarbeit mit dem niederländischen Verlag an mehreren Bänden zu den deutschen Druckgrafikern beteiligt war. Stellenweise mit eigenhändigen Bleistift- und Schreibstiftannotationen von Dr. Tilman Falk, sonst in verlagsfrischem Zustand. - Dabei: The New Hollstein. German engravings, etchings and woodcuts. 1400-1700. 36 Bände. der Reihe. 27 x 20 cm. OLeinen mit goldgeprägtem RTitel und OSchutzumschlägen. Rotterdam, 2001-2019. - Vorhanden sind die Bände Jost Amman (13 Bände), Hans and Martin Bresamer (2 Bände), The Greuter Family (4 Bände), Wenceslaus Hollar (9 Bände, Johann Ulrich Kraus (5 Bände und Nikolaus and Hans Rudolf Manuel (2 Bände).
Lot 405
Kunisada, Utagawa. Yakusha-e - Imayo Oshie Kagami. Porträts der Kabuki-Schauspieler. Japanische Nishike-e Farbholzschnitte. 10 Blätter der Serie. Format Aiban (ca. 36 x 25 cm). Edo (Tokio) 1859-1861.Zwölf der bedeutenden Kunisada-Porträts von Schauspielern des bürgerlichen Kabuki-Theaters, die der Nishike-e Meister stets in einem Spiegelrahmen darstellte. Der ovale Spiegel wird somit zum die Serie vereinheitlichenden Rahmen, der immer wieder mit farbigen Tüchern oder Lackornamenten auf der das Glas des Spiegels umgebenen Leiste individualisiert wird. Oben rechts findet sich in zwei Kartuschen (gelb, grün, blau, grau etc. und in farbiger Abstufung zwischen Rot und Grün mit Weiß in der Mitte) der Name des Schauspielers, unten rechts bzw. links die Signatur des Künstlers Kunisada I. (1786-1865), der hier als Ehrbezeugung zu seinem Lehrer mit "Toyokuni ga" in der roten Toshidama-Kartusche signiert (daher läuft er auch unter Toyokuni III.). Die sorgfältig gedruckten Blätter sind teils struktur- bzw. reliefgeprägt und gehören zu den qualitätsvollsten Beispielen der hohen Kunst des japanischen Farbholzschnitts (Nishike-e). "Kunisada started his career as a pupil of Toyokuni I whose name he adopted in 1844 as Toyokuni III. He changed his names several times - a fact that is a bit confusing for the less experienced ukiyo-e collector. In the ukiyo-e literature and catalogs he is mostly referred to as Kunisada or Toyokuni III. Kunisada was not only a brilliant print maker but also an excellent business man who had great commercial success and was ranked by his contemporaries as the uncontested and best ukiyo-e designer of his time. Kunisada had mainly specialized in yakusha-e - portraits of kabuki actors which were immensely popular at his lifetime" (artelino 15.02.22). - Teils etwas angestaubt und leicht fleckig, Papiere gebräunt, mit gelegentlichen Randläsuren, meist aber gut erhalten, auf festem Papier gedruckt.
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314796 item(s)/page