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Lot 244

The Great Virgil Magic Poster c' 1950's The Great Virgil at the Henry Clay Auditorium, Lexington, USA, his acts including "Weird Execution On Mars!", "The Great Trunk Mystery" & "Sawing A Woman In Half". The black background with clashing red/yellow print creates a suitably eerie impression. Poster conservation paper-backed, with old foldlines (including wear & slight paper loss to these), various creases & closed tears (longest 7" from bottom rim), several small areas of infill to paper loss etc, poster 14" x 39"

Lot 367

Thurston Magic Poster (later print) Believed to be a later print of a late 1920's poster (but a different size to the common repros). The same poster design was re-used with the promotional text at the bottom reading "The Wonder Show Of The Earth" later being upgraded to "The Wonder Show Of The Universe". Un-folded & in excellent condition, 20 1/2" x 27"

Lot 415

Ventriloquist various, James Burns or Squeaking Tommy print and wording from book/magazine 1804, Edgar Bergen brochure for film "Letter of Introduction, with photographs James Burns died 1796

Lot 51

Hogarth Masquerade Print Described as "A Facsimile of Hogarth's Engraving" (the original c' 1724), entitled Masquerades & Operas, Burlington Gate" & showing a crowd led by the devil entering the Masquerade house with a sign "Faux's Verity of Hand". In original plastic stickered sleeve, 9" x 12"

Lot 131

Albrecht D RER (1471-1528) 'The Deposition of Christ'In our opinion the work is 19th century. There is a damage to the print on the right side near the middle.  (W: 27,8 x H: 38,7 cm)

Lot 450

BANKSY (1974) 'Love is in the air', offset print on 33T record and record sleeve (numbered 43/100)AttributedThis work does not come with a certificate or letter of authenticity and is therefore attributed to Banksy (L: 31 x W: 31 cm)

Lot 451

BANKSY (1974)'The dog's walker'Offset print on 33T record and record sleeve (numbered 43/100)Attributed toSize: 31 x 31 cmThis work does not come with a certificate or letter of authenticity and is therefore attributed to Banksy (L: 31 x W: 31 cm)

Lot 513

Helen BrownPoppy HillA limited edition woodcut print No.33/35Signed in pencil to the margin16 x 16.5cm ***Artists Resale Rights may apply to this lot***

Lot 523

Sir Kyffin WilliamsA village by a loch and hillsA limited edition print, No.22/15048 x 66cmInitialled in pencil to the margin**Artist resale rights may apply**

Lot 524

Sir Kyffin WilliamsCottage by a roadA limited edition print, No.69/10031 x 50cmInitialled in pencil to the margin**Artist resale rights may apply**

Lot 136

ROYAL AND POLITICAL INTEREST; A SMALL COLLECTION OF EARLY 19TH CENTURY ITEMSComprising a Pitt Club badge, the silver gilt badge for the London Pitt Club, the front centred with a Tassie paste cameo of William Pitt the Younger, within a surround inscribed NON. SIBI.PATRIAE. VIXIT, with a laurel leaf drapery and bow surmount, the reverse inscribed In Memory Of The Honble Wm Pitt Died 23 Jan 1806 Aged 47, centred with Pitt Club and with an engraved name Richard Potts Esqr; together with a carved hardstone cameo of George IV, in original leather bound case; Pellatt & Green, a Crystallo Ceramie (sulphide) of George III, the profile of George III signed to the reverse Pellatt & Green Patentees London; and a pseudo pocket watch celebrating the ascension of William the 4th, the white dial with black Roman numerals, centred with the profile of William IV Size/dimensions: Pitt Club badge 5cm long Gross weight: 64 gramsOffered for sale with a receipt from Donohoe regarding the Pitt Club badge, and print out of further information, dated to 1984; and a receipt from Howard Phillips for the George III Crystallo Creamie, dated 3rd July 1984An example of Pitt Club badges can be found in the collections at the V & A Museum and The British MuseumCondition Report: This is a pseudo pocket watch, there is no movementAll items have wear commensurate with age and use, the cameo of George IV is actually a carved hardstone. Some small nicks and nibbles to the sulphide of George III particularly to the edges of the piece. Condition Report Disclaimer

Lot 198

A PAIR OF AQUAMARINE AND DIAMOND DROP EARRINGS PENDANTSThe briolette cut aquamarines within a garland and floral surround of brilliant cut diamonds, suspended from articulated millegrained collet set diamonds, to a leaf shaped surmount, approximately 1.38 carats total, stamped 750, with stud fittingsSize/dimensions: 4.6cm longGross weight: 10 gramsCondition Report: There are some nibbles to the aquamarines, one has a finger print like inclusion which catches the light when turned, some smaller typical inclusions. The settings has some light wear, the diamonds are bright and lively, all present and correct Condition Report Disclaimer

Lot 287

A gilt oval mirror, 60cm x 49cm; another, circular; needlework pictures; Ladies of Fashion print

Lot 37

Pictures and prints - Quimet Sabate, by and after, Outside the ‘Cafe des Varietes’, print laid onto canvas, 79cm x 136cm; Gaston Moreau, Mountain Landscape with Chalet, signed, oil on canvas, 50cm x 100cm; Middle Eastern interior with figures, oil on board; etc, (4).

Lot 2036

Fleece Press.Yorke (Malcolm), 'Today I Worked Well - The Picture Fell Off The Brush', The Artistry of Leslie Cole.The Fleece Press, 2010, limited edition of 500, oblong quarto, quarter cloth; Francis (Julian), Tom Chadwick and the Grosvenor School of Modern Art.The Fleece Press, 2012, limited edition of 150 standard copies (of 360), large quarto, mounted original print frontis, plates, quarter cloth;Walters (Tom), Edward Walters, Printer and Engraver ....The Fleece Press, 2013, limited edition of 240 (220 for sale), quarto, mounted and other plates, quarter cloth, slipcase. (3)

Lot 2077

Mozart (Wolfgang Amadeus).Les Misteres d'Isis Opera en Quatre Actes ... Arrange eh Mis en Scene par Lachnith.Paris: Sieber, no date [c.1801], folio, vocal score, [4], 365 engraved pages, plate number 1666 throughout, title page signed by Sieber lower right with two faint stamps, annotation to several pages, corner folds, bookplate of the 7th Earl of Harewood, letter in mounted envelope identifies the work as the 'first print ... of the 'Magic Flute' music ... published and performed in Paris in 1801 ..' half vellum binding (rubbed and edgeworn).

Lot 2081

Bizet (Georges).Carmen, Opera Comique en 4 actes ... Poeme de H. Meilhac et L. Halevy, Musique de Georges Bizet.Paris: Choudens Pere et Fils, no date, [4], 351 pages, vocal score, plate 3082, title page inscribed and signed by the composer, binding weak with hinge gaping in places, two gutters margins taped, two lower corners repaired, repaired tear at p.119, several tears without loss of print, a little staining, worn quarter crimson roan binding.

Lot 478

16 x Japan Military Occupation Banknotes, comprising: Malaya: 2 x $1000 [ND1945] obv. MU in red block letters (Pick M10b); 2 x $100 [ND1944] obv. MT upright in black block letters (Pick M8a); $10 [ND1944] obv. sloping MP block letters (Pick M7c); $5 [ND 1942] obv. MK in block letters (Pick M6c); 3 x $1 [ND1942] obv. MO; MS block letters (Pick M5c); 50 cents [ND1942] obv. MT (Pick M4b); 10 cents [ND1942] obv. M/AN (Pick M3b); 3 x 5 cents [ND1942] obv. ML (Pick M2a); and 1 cent [ND1942] obv. M/AD (Pick M1b); and Philippines 10 pesos [ND1942 obv. PD in red block print (Pick 111) together with Japan 'Secondary' 5 yen [ND1942] obv. one red seal left (Pick 43a); 2 x German Federal Republic 5 deutsche marks 1980 (Pick 30b), VF to AUNC; and Bank of England £1b Series C signed Page, AUNC. Generally VG to Fine unless otherwise stated.

Lot 129

Lowestoft tea bowl printed with the Good Cross Chapel print within shaped borders (hairline)

Lot 157

Worcester cup and saucer printed with garden statuary and obelisk on cup and unusual unrecorded print on saucer (chip to cup)

Lot 666

After Paul Cézanne (French 1839-1906), Landscape, framed lithographic print, 20x25ins.

Lot 185

Mixed pictures to include a signed FA Cup Final Arsenal 1971 print, a Victorian oil painting and an architecture printLocation:

Lot 228

Jane Belcher, oil on board, titled 'Sunday Afternoon' A/F, together with a framed and glazed Marsha Heath watercolour and a small print 'The Red Dress' by Kate GreenwayLocation: RWM

Lot 256

Brian Bennett - Vale of Aylesbury, oil on board, 35cm x 16cm, artists name to the lower right hand corner, in a modern silver and gold coloured frame together with a small limited edition print by K.F Watt entitles Stormy LawagerLocation:

Lot 114

* Rondot (Michael). Lightning Legend, colour print numbered 149/650, signed by the artist and Roland Beamont, Jimmy Dell and Johny Squier, with blind stamp lower left, sheet size 42 x 59 cm, mount aperture, framed and glazed, frame size 54 x 70.5 cm, together with a mixed collection of aviation prints including 8 signed Les Vowles QTY: (11)

Lot 2

An early Tunbridge ware print and paint decorated Pope Joan board, of rotating circular compartmentalised form, four compartments painted with flowers, four with colour prints, two of Brighton Pavilion, one of the chain pier with water wheel and promenade and one unidentified, the outer border inscribed 'Matrimony/Intrigue/Game', with painted floral sprays and colour prints of playing cards, 30cms dia., 7cms high. From the collection of Dr. Brian Austen

Lot 204

An early Tunbridge ware whitewood paint and print decorated sewing clamp, the turned frame below a circular box painted with a band of flowering pansies enclosing a circular colour print titled 'Pavilion', below a screw top painted with berried leaves below the original velvet infill, near mint, 15cms high, 6.8cms max. dia. From a distinguished UK Private Collection

Lot 211

An early Tunbridge ware white wood print and paint decorated pin cushion, of circular waisted form with line decoration below the original velvet infill, the domed base with an untitled view of Brighton Pavilion, remnants of ribbon suspension, 5cms dia. From a distinguished UK Private Collection

Lot 213

A red leather sewing box for a child, probably relating to the Tunbridge trade, of rectangular form with wallet form enclosure inscribed in gilt 'Forget Me Not', the interior of the lid with a monochrome print depicting white cliffs of Dover, pier and castle, the lower section compartmentalised, 8.2 x 5.2 x 3.2cms.   For a similar example see our sale June 15th 2022, Lot 60, with a print of Brighton Pavilion and dated 1837. From a distinguished UK Private Collection

Lot 22

An early Tunbridge ware white wood, print and paint decorated box, of rectangular form, line painted sides with oval inlaid escutcheon, the lid with a circular printed map of Ireland, within laurel painted border and outer painted border incorporating anchor spandrils, probably re-painted, the compartmentalised interior in original pink paper, 12.5 x 7.5 x 4.7cms. From the collection of Dr. Brian Austen

Lot 23

An early Tunbridge ware white wood print, paint and inlaid box, of rectangular form, plain sides with oval inlaid escutcheon, the veneered lid with a circular print of 'Pope's Universal Prayer' within a painted border and an outer inlaid border, the interior in original pink paper, lacking divisions and with later ink inscription 'Mary Louisa, January 1852', 12.5 x 7.5 x 4.2cms. From the collection of Dr. Brian Austen

Lot 237

An early Tunbridge ware white wood paint and print decorated combination pin cushion and tape measure, on original blue silk suspension ribbon, the circular body with line painted sides, the top with unusual red ground with wreath decoration, domed velvet pin cushion and tape spindle, original inked tape reduced, the obverse with unusual colour print with white cliffs below buildings and a ship offshore, 5cms dia.

Lot 238

An early Tunbridge ware white wood print and paint decorated circular box, of bulbous form, the pull off domed top with an untitled view of Brighton Pavilion with horsemen and elegant figures by railings within a leaf and floral painted border, 5.6cms max. dia., 5.5cms dia.

Lot 25

Two early Tunbridge ware white wood print decorated boxes, both of rectangular form with sliding lids, one decorated with a monochrome rectangular print titled 'Margate Pier', the other with a circular view titled 'New London Bridge', small loss to one corner of lid, both lined in original pink paper and lacking internal divisions, each 11.5 x 7.5 x 4.5cms. (2) From the collection of Dr. Brian Austen

Lot 250

An early Tunbridge ware inlaid and print decorated white wood box of square form, the sliding mahogany lid with multiple inlaid borders and with an oval sepia print within inlaid border internally titled 'A Perspective View of Tunbridge Wells Walks Published and Sold By J. Sprange Bock ......', warp to lid, compartmentalised interior lower section interior painted over, 15.5 x 15.5 x 4.5cms.   Jasper Sprange 1746-1823 was a publisher based in Tunbridge Wells, who produced many prints, labels, hand bills, etc.

Lot 251

An early Tunbridge ware print and paint decorated white wood sewing pannier decorated in the chinoiserie style, the lid with a titled colour print 'The Chain Pier and Marine Parade, Brighton', and showing the donkey wheel, within a gold on black leaf decorated border. The front and back with sloping sides over a box base fitted with a compartmentalised drawer, the whole decorated in gilt on black with buildings and flowers. The lid interior with a monochrome titled print 'A View Of The West Front of the Pavilion', the box lined in pale blue paper, swing carrying handle, the lid with later hinges replacing pins, 21.5 x 15.5 x 23.5cms with handle up.

Lot 252

An early Tunbridge ware print and paint decorated small sewing pannier, the pin hinge lid with a colour print of Brighton Pavilion with carriages and figures to the fore within a simulated rosewood border and painted surround, the slanting sides with two circular colour prints to the front depicting the Pavilion South Gate and Stables and a distant view of the Pavilion - from Cavendish Square, (c. 1825), swing handle, compartmentalised interior in original red paper, 12.5 x 10 x 10cms with handle up.

Lot 253

An early Tunbridge ware print decorated white wood box, the sliding lid with monochrome titled print 'March In The Isle Of Ely Cambridgeshire, Geo. Shepherd. Del, S. Lacey Sc.', original pink paper lining, 13.5 x 9.2 x 4.2cms.

Lot 255

An early Tunbridge ware print decorated rosewood sewing box attributed to George Wise, of sarcophagol form, the lid with an oval colour print of the Menai Bridge (built 1826), within a typical Wise gilt and black oval border with outer inlaid borders, brass ball feet, the interior in original pink paper and inscribed in ink 'This Belonged to dear Lucy Mother to WHT 28th Sept. 1840', 15.2 x 10.5 x 7cms.

Lot 257

Two very rare early Tunbridge ware print decorated disc form waxers, comprising an example with titled colour print 'Parade' and to the reverse two female figures at the spring head and inscribed 'A Tunbridge Gift', 2.2cms, the other with monochrome print titled 'The Monument' and to the reverse 'A Present From A Friend', 2mcs. (2)

Lot 258

An early Tunbridge ware print decorated white wood hanging pin cushion of circular form, one side with a titled colour print 'The Bath Tunbridge Wells', the other 'Parade Tunbridge Wells', lacking ribbon surround, on blue ribbon suspension, 5.2cms dia.

Lot 26

An early Tunbridge ware white wood print decorated miniature paint box, of rectangular shallow form, the sliding lid with a central cut corner print of a woman in a garden landscape with two naked children. The interior with three divisions complete with paint cakes, one with black on orange printed label 'Fine Water Colour', 11 x 6 x 1.4cms. From the collection of Dr. Brian Austen

Lot 262

Three small early Tunbridge ware boxes, comprising a rectangular burnt wood example, the pin hinge lid painted with flowers, 12.5cms, another in white wood, the pin hinge lid with oval colour print of a country house within painted spandrils, 10.2cms, and a rectangular white wood box with pin cushion top, the sides decorated in pen work with oak leaves and acorns, 13.2cms. (3)

Lot 263

An early Tunbridge ware print and inlaid rosewood small sewing box of sarcophagol form, the lid with a cut corner rectangular colour print view of the City of Oxford, slight loss to printed border, within a geometric inlaid outer border. Brass basket of fruit ring side handles, brass ball feet, diamond ivory escutcheon, interior in original pink paper lacking tray, 19.5 x 14.5 x 12.5cms.   Ivory Self-declaration Submission Reference Number G7HGWJ38

Lot 264

An early Tunbridge ware print and paint decorated white wood small sewing pannier, the domed lid with a painted panel of a country house within multiple painted borders, line decorated swing handle, interior re-lined, 13.5 x 13.5 x 17cms with handle up.

Lot 27

Four Brighton related rectangular gaming trays, comprising an example with a reduced circular colour print of Brighton Pavilion within floral and dash painted borders, 9.2 x 7.2cms, and a set of three mahogany gaming trays each with black on green printed label 'Childs and Son, 51, Kings Road, Brighton, Desk and Dressing Case Makers, Toys, Baskets, Leather Work, Glass, Papier Mache, Cutlery, Brushes, Combs and C', 10 x 7.2cms. (4) From the collection of Dr. Brian Austen

Lot 273

Mauchline ware - ten pieces, all black ground rectangular boxes comprising - (floral/Souvenir of The Isle of Man), 7.5cms, (floral/Terrace and Rink, Brighton Aquarium), 6.5cms, (floral and insect/Winchester Cathedral), 6.5cms, (floral/The Granville Hotel, Ramsgate), 6.6cms, (floral/ Maesllwch Castle, Glasbury), 9.2cms, (floral / The West Pier and Beach, Brighton), 7.5cms, (landscape / A Greeting .....), 10.5cms, two floral print boxes and another depicting an arab on camel, base loose, 9.5cms. (10)

Lot 283

Mauchline ware - seven pieces, comprising a rectangular box (colour oval print - Sussex Labourers Homes), 16cms, another (floral print wavy gold and black border), 12cms, another (colour print girl with doll and dogs), 11.5cms, another (flowers - May You Experience all the blessings of Christmas .....), 11.5cms, another (floral print with wavy gold and black border), 9.5cms, another (flowers and verse), 8cms, and a book - Golden Links - Birthday Text - Book (landscape print cover - With Best Wishes), 11 x 8cms. (7)

Lot 284

Mauchline ware - eight pieces, comprising three rectangular boxes all with interior table scenes, (A Disputed Point/x 2, A Game of Chance), largest 15cms, a rectangular black ground playing card box (flowers - ace of spades), 11.2cms, a rectangular box (colour print, seaweed and shell / The Pier Southsea, Hants), 13.2cms, a rectangular box (colour print, flowers), 11cms, a book - The Golden Text - Book (colour floral print / A Wish .....), 9.2 x 8cms, and a needle book, worn (flowers / A Wish .....), 8.5cms. (8)

Lot 295

Two Tartan ware snuff boxes, the larger example (Albert) with applied statue print to lid, interior with 95% foil and stamped to lid interior with Royal Arms and 'Smith Mauchline Manufacturer to His Majesty', wooden hinge, 10.2cms, and a smaller example with pin hinge lid (M'Farlane), fancy gilt borders, some congealing to varnish, unlined, 6cms. (2)

Lot 298

Tartan ware - four pieces, comprising a scarce domed brooch with sculpture print within gilt wavy border (Clan Stuart - on back), pin mounts stamped 'B. and A.S. patent', 5cms, a purse in steel frame (M'Beth), 10cms, a swivel notelet (M'Pherson), 8.5cms, and a plaster case (Caledonia), front label 'Superior Court Plaister', back label 'If Scissor, Knife or Pin .....', 6.2 x 4.5cms. (4)   In relation to the first in July 1861 Davidson, Wilson and Amphlet registered a design for a Tartan circular brooch followed later the same year by a patent for Ornamenting Surfaces with cut out photographs of statuary.

Lot 329

Ten larger format pin cushions, comprising a large shamrock carved bog oak cauldron example, 10cms wide, three smaller bog oak examples, a turned ebony pedestal pin cushion, 7.5cms dia., an oval example decorated with shells and coloured print, 9.5cms, and four others. (10) From the collection of Enid Riley Part 4

Lot 331

Reverse decorated glass pin cushions and related pieces, comprising a disc form pin cushion, titled '*** Street Oxford', mirror to reverse, 5cms, another 'Malvern From The ***', mirror to reverse, 4.7cms dia., a pair of needle or stamp book covers, 'Windsor', 3.5cms sq., a disc for a pin cushion 'St Michael's Mount, Cornwall', 4.2cms, a needle book cover 'York Minster', 6 x 4.4cms, and a rectangular wooden box with domed glass circular reverse print titled 'Morecambe Pier', box, 11cms. (6) From the collection of Enid Riley Part 4

Lot 34

Three early Tunbridge ware white wood and card, print and paint decorated pin cushions, comprising a capstan form example in simulated burnt tortoiseshell with circular colour print titled 'Chain Pier Brighton', 6.5cms dia, a pin wheel one side with colour print of Brighton Pavilion indistinctly titled and to the obverse 'Brighton Pier', 5cms dia., and a circular card pin cushion one side with colour print map showing the coast and inland from Sandwich to Reculver, the obverse a colour print of a church perched on the cliff edge (possibly Reculver Church), binding probably an old replacement, 5.2cms dia. (3) From the collection of Dr. Brian Austen

Lot 39

A rare early Tunbridge ware yo-yo, burnt to simulate tortoiseshell, one side with a circular colour print titled 'Brighton Palace', the other 'Brighton Pier', 7.5cms dia. From the collection of Dr. Brian Austen

Lot 40

A rare early Tunbridge ware white wood rectangular paper weight, the simulated rosewood top with a central circular colour print titled 'Palace Brighton', within line inlaid borders, 7.5 x 5.2 x 1.7cms. From the collection of Dr. Brian Austen

Lot 41

A rare early Tunbridge ware white wood, print and paint decorated box, of shallow rectangular form, the sliding lid with an untitled circular colour print depicting Skiskells Library, Broadstairs, within a floral painted diamond and line border within an outer chequer inlaid border, 11.5 x 6.5 x 2.6cms.   This print was Published by T. Wise, Tonbridge, 24th March 1806. From the collection of Dr. Brian Austen

Lot 42

Two early Tunbridge ware white wood print and paint decorated small rectangular box, each with sliding lid, one with a colour circular print depicting Brighton Pavilion within floral spandrils and dash decorated border, the other with circular colour print, depicting the chain pier and gateway entrance, within floral spandrils and dash decorated border, each 5.2 x 4 x 3.2cms. (2) From the collection of Dr. Brian Austen

Lot 428

A well preserved George III red leather covered sewing box with original ivory fittings, circa 1780, of elongated octagonal form, the top and bottom edges with silver bindings, the lid with central silver plaque. The lid interior with a silk panel mounted with a coloured silk print 'The Cottages', over a whitewood compartmentalised tray with red leather lids and tool mounts. The fittings comprising two screw top scent bottles, a set of three ivory and bone cotton barrels, ivory thimble, ivory tape measure, the tape printed in nails, bone needle case/stiletto, steel scissors, a pair of inkwells with plated tops, two three division fixed wooden reels, card needle book and netting cylinder, 24 x 17.5 x 8.2cms.   Ivory Self-declaration Submission Reference Number C72QF5C5 From a distinguished UK Private Collection

Lot 44

An early Tunbridge ware white wood and print decorated circular box, of bulbous form, the domed lid with a colour print titled 'Pavilion', a lady and child by railings in the foreground, a folded hand written note of provenance within, 5.5cms dia. From the collection of Dr. Brian Austen

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