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Lot 1659

Artist: Keith Haring (American, 1958 - 1990). Title: "Six Necks". Medium: Lithograph. Date: Composed 1985. Printed 1986. Dimensions: Overall size: 11 3/4 x 11 3/4 in. (298 x 298 mm).Lot Note(s): Signed by Haring in gold marker. A proof (?) from the unknown edition, presumed small (c250?). White wove paper. The full sheet. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records located. A print from the “portfolio” of 20 lithographs commonly referred to as “Keith Haring’s Coloring Book [1986].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29107-3-600]

Lot 1669

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Shipboard Girl [postcard edition]". Medium: Color offset lithograph. Date: Composed 1965. Printed 1994. Dimensions: Overall size: 5 7/8 x 4 1/8 in. (149 x 105 mm). Image size: 4 7/8 x 3 5/8 in. (124 x 92 mm).Lot Note(s): Initialed in black marker, lower right; signed in black marker, verso. Edition unknown, presumed small. White thick coated paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Corlett II.6 & Doering/Von der Osten 12, both for the full-size print. Provenance: Through the McEvoy family, San Francisco, California; Private collection, Bethesda, Maryland. Comment(s): Postcard published on the occasion of the exhibition "The Prints of Roy Lichtenstein" at the National Gallery of Art, Washington, D.C., 1994. Rare when signed. Image copyright © Estate of Roy Lichtenstein. [25205-1-225]

Lot 1699

Artist: Keith Haring (American, 1958 - 1990). Title: "Rumble". Medium: Lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 1/8 x 8 3/4 in. (232 x 222 mm).Lot Note(s): Signed by Haring in silver marker. A proof (?) from the edition. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29473-2-600]

Lot 1708

Artist: Keith Haring (American, 1958 - 1990). Title: "Ringing Telephone". Medium: Lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 1/8 x 8 11/16 in. (232 x 221 mm).Lot Note(s): Signed by Haring in silver marker. A proof (?) from the edition. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29483-2-600]

Lot 1792

Artist: Keith Haring (American, 1958 - 1990). Title: "One for All". Medium: Lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 1/8 x 8 11/16 in. (232 x 221 mm).Lot Note(s): Signed by Haring in silver marker. A proof (?) from the edition. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29482-2-600]

Lot 1824

Artist: Rafael Coronel (Mexican, 1931-2019). Title: "Niño Frans Hals". Medium: Color offset lithograph. Date: Printed 1978. Dimensions: Overall size: 24 3/4 x 18 7/8 in. (629 x 479 mm). Image size: 24 3/4 x 18 7/8 in. (629 x 479 mm).Lot Note(s): Signed with the signature stamp, lower right; dedicated with the stamp, lower left verso; signed in the plate, lower left. Print #128 from the edition of unknown size (c150-200?). Cream lightly textured wove paper. Printed to the sheet edges. Fine impression. Very good to fine condition. Comment(s): Rafael Coronel, born in Zacatecas, State of Zacatecas, is the son-in-law of Diego Rivera and the brother of Pedro Coronel. His representational paintings have a melancholic sobriety, and include faces from the past great masters, often floating in a diffuse haze. Image copyright © Rafael Coronel. [28014-5-225]

Lot 1936

Artist: Georges Braque (French, 1882 - 1963). Title: "Le cygne". Medium: Original color collotype. Date: Composed 1947. Printed 1962. Dimensions: Overall size: 14 x 11 3/4 in. (356 x 298 mm). Image size: 13 11/16 x 10 7/8 in. (348 x 276 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated TP, lower left. Light cream wove paper. Ample margins. Fine impression. Very good to fine condition. Comment(s): Authorized by and printed under the supervision of Braque shortly before his death. This print, from a limited edition, was not issued separately; rather, in a signed and numbered portfolio. Braque applied a complimentary signature to several AP, TP, and numbered impressions. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [21778-3-150]

Lot 1950

Artist: Georges Braque (French, 1882 - 1963). Title: "La charrue". Medium: Original color collotype. Date: Composed 1959. Printed 1962. Dimensions: Overall size: 8 3/16 x 14 in. (208 x 356 mm). Image size: 7 7/16 x 13 in. (189 x 330 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated TP, lower left; signed in the plate. Light cream wove paper. Ample margins. Fine impression. Very good to fine condition. Comment(s): Authorized by and printed under the supervision of Braque shortly before his death. This print, from a limited edition, was not issued separately; rather, in a signed and numbered portfolio. Braque applied a complimentary signature to several AP, TP, and numbered impressions. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [21783-3-150]

Lot 1965

Artist: Joel-Peter Witkin (America, b.1939). Title: "Journeys of the Mask: A Prince in Hell". Medium: Original vintage photogravure. Date: Composed 1983. Printed 1985. Dimensions: Overall size: 10 13/16 x 11 in. (275 x 279 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Witkin’s controversial and carefully constructed photographs frequently depict macabre, often grotesque scenes, with images including torture, cadavers, hermaphrodites, dwarfs, etc. His works can be found in the collections of The Museum of Modern Art in New York City, the J. Paul Getty Museum in Los Angeles, the National Gallery in Washington, D.C., the Victoria and Albert Museum in London, and the Centre Georges Pompidou in Paris. Image copyright © Joel-Peter Witkin Rare. “Gordon’s” locates only one sale of this image, a silver print which realized $6,953 (£3,840) at Christie's, South Kensington, 6/29/2006, lot #155. Witkin’s controversial and carefully constructed photographs depict macabre, often grotesque scenes, with images including torture, cadavers, hermaphrodites, dwarfs, etc. His works can be found in the collections of The Museum of Modern Art in New York City, the J. Paul Getty Museum in Los Angeles, the National Gallery in Washington, D.C., the Victoria and Albert Museum in London, and the Centre Georges Pompidou in Paris. Image copyright © Joel-Peter Witkin. [29678-2-300]

Lot 1992

Artist: Joel-Peter Witkin (America, b.1939). Title: "I.D. Photograph from Purgatory: Two Women with Stomach Irritations". Medium: Original vintage photogravure. Date: Composed 1982. Printed 1985. Dimensions: Overall size: 10 3/4 x 11 in. (273 x 279 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): According to “Gordon’s Photography Prices” a silver print of this image realized $6,875 at Sotheby's, New York, 4/6/2013, lot #233. Witkin’s controversial and carefully constructed photographs frequently depict macabre, often grotesque scenes, with images including cadavers, hermaphrodites, dwarfs, etc. His works can be found in the collections of The Museum of Modern Art in New York City, the J. Paul Getty Museum in Los Angeles, the National Gallery in Washington, D.C., the Victoria and Albert Museum in London, and the Centre Georges Pompidou in Paris. Image copyright © Joel-Peter Witkin. [29672-2-400]

Lot 2014

Artist: Ansel Adams (American, 1902-1984). Title: "Grove, Lyell Fork, Merced River, California". Medium: Original photogravure. Date: Composed 1921. Printed later. Dimensions: Overall size: 7 3/16 x 9 in. (183 x 229 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition, if any, unknown. High-grade archival paper. The full sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): A rare image. No auctions records of either a silver print or a photogravure located. Image copyright © The Ansel Adams Publishing Rights Trust. [29552-1-600]

Lot 2048

Artist: Edgar Degas (French, 1834 - 1917). Title: "Fete de la patronne [petite planche]". Medium: Original duogravure, after the monotype. Date: Composed 1878-1879. Printed 1948. Dimensions: Overall size: 11 3/8 x 9 in. (289 x 229 mm).Lot Note(s): Numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove Marais "vellum" paper. Wide margins. Fine impression. Very good condition, very crisp, a pronounced platemark, and the expected light tanning to the sheet. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Comment(s): Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29337-2-300]

Lot 2053

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Femme nue assise". Medium: Etching & softground. Date: Composed 1906. Printed later from the original plate. Dimensions: Overall size: 14 7/8 x 11 1/8 in. (378 x 283 mm). Image size: 7 3/8 x 5 9/16 in. (187 x 141 mm).Lot Note(s): Cream wove paper. Full margins, deckle edges. Fine impression. Fine condition. Literature/catalogue raisonne: Delteil 12. Comment(s): Earlier impressions of this print regularly sell at auction for well over $1,000. [25684-3-300]

Lot 2072

Artist: Manuel Alvarez Bravo (Mexican, 1902 - 2002). Title: "El Pez Grande Se Come a los Chicos". Medium: Original photogravure. Date: Composed 1930-32. Printed later. Dimensions: Overall size: 8 x 6 5/16 in. (203 x 160 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Wide margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, San Miguel de Allende, Guanajuato, Mexico. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $26,357 (€17,850) realized at Villa Grisebach Auktionen, Berlin, 11/29/2007, lot #1536. Image copyright © Colette Urbajtel / Archivo Manuel Alvarez Bravo, SC. [29774-2-300]

Lot 2081

Artist: Karima Muyaes (Mexican, b.1960). Title: "Dualidad". Medium: Color monoprint. Date: Composed 1985. Dimensions: Image size: 21 1/2 x 29 3/8 in. (546 x 746 mm).Lot Note(s): Signed and dated, lower right; editioned lower left; annotated in the Artist's hand "Febrero/21/85" in pencil, verso. Print #1 of edition of 1. Cream amate (bark) paper. Printed to the edge of the sheet. Fine impression. Very good condition. Provenance: Collection of the Artist. A Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [24423-0-400]

Lot 2086

Artist: Keith Haring (American, 1958 - 1990). Title: "Double-Headed X Man". Medium: Lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 x 8 1/2 in. (229 x 216 mm).Lot Note(s): Signed by Haring in silver marker. A proof (?) from the edition. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29472-2-600]

Lot 2091

Artist: Keith Haring (American, 1958 - 1990). Title: "Dog Hoop". Medium: Lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 x 8 1/2 in. (229 x 216 mm).Lot Note(s): Signed by Haring in silver marker. A proof (?) from the edition. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29475-2-600]

Lot 2103

Artist: Rafael Coronel (Mexican, 1931-2019). Title: "Dama para Rubens". Medium: Color offset lithograph. Date: Printed 1978. Dimensions: Overall size: 18 7/8 x 24 3/4 in. (479 x 629 mm). Image size: 18 7/8 x 24 3/4 in. (479 x 629 mm).Lot Note(s): Signed with the signature stamp, lower left; dedicated with the stamp, lower left verso; signed in the plate, lower right. Print #128 from the edition of unknown size (c150-200?). Cream lightly textured wove paper. Printed to the sheet edges. Fine impression. Very good to fine condition. Comment(s): Rafael Coronel, born in Zacatecas, State of Zacatecas, is the son-in-law of Diego Rivera and the brother of Pedro Coronel. His representational paintings have a melancholic sobriety, and include faces from the past great masters, often floating in a diffuse haze. Image copyright © Rafael Coronel. [28016-5-225]

Lot 2106

Artist: Keith Haring (American, 1958 - 1990). Title: "Cup Heads". Medium: Lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 1/8 x 8 5/8 in. (232 x 219 mm).Lot Note(s): Signed by Haring in silver marker. A proof (?) from the edition. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29476-2-600]

Lot 2109

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Crying Girl [postcard edition]". Medium: Color offset lithograph. Date: Composed 1963. Printed 1994. Dimensions: Overall size: 4 1/8 x 5 7/8 in. (105 x 149 mm). Image size: 3 5/8 x 4 7/8 in. (92 x 124 mm).Lot Note(s): Initialed in black marker, lower right; signed verso. Edition unknown, presumed small. White thick coated paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Corlett II.1 & Doering/Von der Osten 4, both for the full-size print/mailer. Provenance: Through the McEvoy family, San Francisco, California; Private collection, Bethesda, Maryland. Comment(s): Postcard published on the occasion of the exhibition "The Prints of Roy Lichtenstein" at the National Gallery of Art, Washington, D.C., 1994. Rare when signed. [25210-1-300]

Lot 2140

Artist: Irving Penn (American, 1917-2009). Title: "Colette, Paris". Medium: Original photogravure. Date: Composed 1951. Printed later. Dimensions: Overall size: 10 1/16 x 9 5/8 in. (256 x 244 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): A platinum print of Penn’s classic photograph of Sidonie-Gabrielle Claudine Colette sold at an auction high (per “Gordon’s”) of $20,000 at Christie's, New York, 10/8/2009, lot #750. Image copyright © Conde Nast Publications, New York. [29629-2-225]

Lot 2178

Artist: Robert Mapplethorpe (American, 1946 - 1989). Title: "Breasts". Medium: Original vintage photogravure. Date: Composed 1988. Printed 1988. Dimensions: Overall size: 8 1/8 x 8 1/8 in. (206 x 206 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $37,070 (€27,500) realized at Sotheby's, Paris, 11/15/2013, lot #52. Image copyright © The Robert Mapplethorpe Foundation. [29669-2-300]

Lot 2181

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Boy and Dog in a Johnnypump". Medium: Color offset lithograph. Date: Composed 1982. Printed 1986. Dimensions: Overall size: 8 1/16 x 7 7/8 in. (205 x 200 mm).Lot Note(s): Signed in black marker, lower right; signed and dated in the plate, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Johnnypump is a term used for a fire hydrant in New York City, especially in lower Manhattan and Brooklyn, more so one that's opened in the summer for kids to play in. This print is scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29057-2-600]

Lot 2187

Artist: Robert Motherwell (American, 1915 - 1991). Title: "Black with No Way Out". Medium: Original color photolithograph. Date: Composed 1983. Printed 1983. Dimensions: Overall size: 22 3/4 x 33 in. (578 x 838 mm). Image size: 22 3/4 x 33 in. (578 x 838 mm).Lot Note(s): Signed with the initials in crayon, lower right. Heavy cream wove paper. The full sheet. Fine impression. Fine condition. Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): An uncommon/scarce poster. Published by Tyler Graphics, Ltd. for the exhibition at M. Knoedler & Co., New York, March 16-31, 1983. Features the Motherwell print "Black with No Way Out," printed by Tyler Graphics, Ltd. Image copyright © Licensed by VAGA, New York, NY. [23693-5-100]

Lot 2207

Artist: Irving Penn (American, 1917-2009). Title: "Audrey Hepburn, Paris". Medium: Original photogravure. Date: Composed 1951. Printed 1960. Dimensions: Overall size: 5 x 4 3/4 in. (127 x 121 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): For Vogue. Very rare. According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $68,923 (£48,050) realized at Phillips, London, 5/20/2010, lot #32. Image copyright © Condé Nast, New York. [29711-1-150]

Lot 2222

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "April 25, 1964 [from the suite 'Le Gout du Bonheur,' image dated 25-4-64, untitled as issued]". Medium: Original silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 9 3/4 x 12 7/8 in. (248 x 327 mm).Lot Note(s): Signed in crayon, lower right; annotated in crayon, lower left; dated in the plate, upper left. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30012-2-800]

Lot 2223

Artist: Robert Mapplethorpe (American, 1946 - 1989). Title: "Apollo". Medium: Original vintage photogravure. Date: Composed 1988. Printed 1988. Dimensions: Overall size: 8 1/8 x 8 1/8 in. (206 x 206 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $62,507 (£36,000) realized at Sotheby's, London, 11/15/2005, lot #102. Image copyright © The Robert Mapplethorpe Foundation. [29671-2-300]

Lot 2247

Artist: Diane Arbus (American, 1923-1971). Title: "A Castle in Disneyland, California". Medium: Original photogravure. Date: Composed 1964. Printed 1978. Dimensions: Overall size: 15 3/4 x 11 5/8 in. (400 x 295 mm). Image size: 9 7/8 x 10 in. (251 x 254 mm).Lot Note(s): Stamped with the photographer's name, verso. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $95,600 realized at Phillips, New York, 10/17/2003, lot #49. Arbus’s direct, confrontational approach to photography meant that her subjects did not always like their portraits. After seeing his, the writer Norman Mailer famously said, "giving a camera to Diane Arbus is like putting a live grenade in the hands of a child. Image copyright © The Estate of Diane Arbus, LLC. [27152-3-225]

Lot 110

ANDREW BARROW 'Love from around the World', colour print, edition of 10, signed, provenance: Rebecca Hossack Art Gallery, 125cm x 113cm, framed and glazed.

Lot 116

20th CENTURY SCHOOL 'Italian Farm with Poppy Field', screen print, 39cm x 39cm, signed and framed.

Lot 460

A large collection of Modular 70 Colour Photo Processing Equipment including: enlarger, Nikon EL Nikkor 50mm lens, Des 100A Color Analyser, Paterson Print Processor, Micro TPA, Modular 70 Micro Memory, Instructions, Spare lamps, LPL Easil Mask Etc

Lot 1001

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Parallelement". Medium: Original color lithograph. Date: Composed 1900. Printed 1927. Dimensions: Overall size: 7 5/8 x 10 1/8 in. (194 x 257 mm).Lot Note(s): Stamped lower left; stamped verso. Edition of 200. Cream wove paper. Ample margins. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Francis Bouvet, “Bonnard: The Complete Graphic Work” #73, pg. 112, for the full-sized lithograph. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Comment(s): Scarce. This print was authorized by Bonnard, printed under the immediate supervision of Charles Terrasse (Bonnard’s nephew) by D. Jacomet & Cie, Paris, and published by Henri Floury, Paris. Image copyright © Artists Rights Society (ARS), New York/ADAGP, Paris. [29363-1-400]

Lot 1005

Artist: Karima Muyaes (Mexican, b.1960). Title: "Parabola del Mar". Medium: Color linoleum cut. Date: Composed 1989. Dimensions: Overall size: 18 11/16 x 13 13/16 in. (475 x 351 mm). Image size: 11 7/8 x 7 7/8 in. (302 x 200 mm).Lot Note(s): Signed and dated in pencil, lower right; editioned in pencil lower left. Print #1 from the edition of 20. Cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Private collection, San Francisco, California. Comment(s): From the rare portfolio "10 Grabados en Linoleo de Karima Muyaes. Textos de Sylvia Rittner". A listed artist, Muyaes is currently one of the most innovative and talented international painters/printmakers. Her work has sold at Sotheby's (New York City), Swann Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas). In April of 2013 she was chosen as one of the top 34 currently active Mexican artists and featured in a series of articles in the prestigious Mexican newspaper "Milenio" as well as TV appearances. She was honored with an exhibition at the renowned Alliance Francaise, Mexico City, October 3 to October 30, 2013, and her extensive worldwide exhibition history includes a show which travelled throughout Sweden for two years, 2010-2012. [28630-0-300]

Lot 1014

Artist: Man Ray (American, 1890 - 1976). Title: "Pablo Picasso [1933]". Medium: Original photogravure. Date: Composed 1933. Printed later. Dimensions: Overall size: 10 7/8 x 8 15/16 in. (276 x 227 mm).Lot Note(s): Signed in the negative, lower right; stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): A silver print of this image sold (per “Gordon’s”) for an auction record of $ 38,347 (£18,500) at Christie's, London, 11/13/2007, lot #92. Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [29639-2-400]

Lot 1027

Artist: Rufino Tamayo (Mexican, 1899 - 1991). Title: "Ojo y Serpiente". Medium: Color lithograph. Date: Composed 1952. Dimensions: Overall size: 9 7/16 x 7 1/2 in. (240 x 190 mm).Lot Note(s): Signed in pencil, lower right; editioned lower left. Print "R" from the HC edition of 20. Light cream wove paper. Full margins. Fine impression. Fine condition with no issues. Literature/catalogue raisonne: Pereda 46. Provenance: Private collection, Mexico City. Comment(s): Image copyright © Tamayo Heirs/Mexico/Licensed by VAGA, New York, NY. [27660-1-1000]

Lot 1028

Artist: Georges Braque (French, 1882 - 1963). Title: "Oiseaux [etude]". Medium: Original hand-colored gouache pochoir on collotype. Date: Composed 1956. Printed 1959. Dimensions: Overall size: 7 1/4 x 9 5/16 in. (184 x 237 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated "H.C." in pencil, lower left. From the edition of 60 Hors Commerce impressions. Cream wove Arches paper. Full margins, as issued. Fine impression with vivid colors. Fine condition. Provenance: From the library of the London gallerist and bookseller Anton Zwemmer (1892–1979), a publisher of the work. Comment(s): Authorized by and printed under the supervision and participation of Braque, four years before his death. Braque applied a complimentary signature to a number of H.C. impressions of this print. The auction record for a pochoir (“Nature morte”) of approximately the same size as our example is SF8,400 ($6,737) realized at Galerie Koller, Zurich, 6/23/2006, lot #Z20/3. A more recent sale (“Nature morte au citron”) at Swann Auction Galleries, New York City, 3/13/2018, lot #367, realized $4,250. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [30037-1-700]

Lot 1038

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Nude with Blue Hair, State I". Medium: Color relief print. Date: Composed 1994. Printed 1994. Dimensions: Overall size: 9 1/16 x 6 in. (230 x 152 mm).Lot Note(s): Signed in pencil, lower right. Edition of 500. Very light cream smooth sturdy wove paper. Ample margins. Fine impression. Fine condition. Literature/catalogue raisonne: See Corlett 287 for the full-size limited edition relief print. Comment(s): Published in 1994 by Tyler Graphics, who printed and distributed the full-size limited edition relief print. Image copyright © Estate of Roy Lichtenstein. [27651-1-600]

Lot 1039

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Nude with Blue Hair [detail]". Medium: Color half-tone silkscreen. Date: Composed 1994. Printed 1994. Dimensions: Overall size: 9 1/2 x 8 7/8 in. (241 x 225 mm).Lot Note(s): Signed in pencil, lower right. Edition of 500. Very light cream smooth sturdy wove paper. Printed to the edge of the sheet. Fine impression. Fine condition. Literature/catalogue raisonne: See Corlett 286 for the full-size limited edition relief print. Comment(s): Published in 1994 by Tyler Graphics, who printed and distributed the full-size limited edition relief print. Image copyright © Estate of Roy Lichtenstein. [26202-2-600]

Lot 1043

Artist: Shiko Munakata (Japanese, 1903-1975). Title: "Nude Female with Leaves". Medium: Woodcut with watercolor handcoloring. Date: Composed 1934. Dimensions: Overall size: 7 7/8 x 5 5/8 in. (200 x 143 mm). Image size: 5 9/16 x 4 9/16 in. (141 x 116 mm).Lot Note(s): Pencil seal in the artist's hand, lower right. Edition unknown, presumed small. Thin cream wove paper. Wide margins. Fine impression. Very good condition. Provenance: Through a relative of the artist, Aomori, Japan; Private collection, Houston, Texas. Comment(s): Extremely rare, especially with the handcoloring, and a splendid example of Munakata's very early work. We could not find any auction records of a Munakata print created before 1935. In 1926, Munakata saw Kawakami Sumio's black-and-white woodcut "Early Summer Breeze," and decided to work on black-and-white prints. From 1928 onwards, Hiratsuka Unichi (1895–1997), another renowned sosaku hanga printmaker, taught Munakata wood carving. In 1929, four of his prints were accepted by the Shunyokai Exhibition, which bolstered his confidence in the new medium. In the following year (1930), four more of his woodcuts were accepted for the Kokugakai national exhibition, thus establishing him in his career. Image copyright © The Estate of Shiko Munakata. [25229-1-1600]

Lot 1048

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Nu". Medium: Original color collotype. Date: Composed c1908. Printed 1927. Dimensions: Overall size: 10 x 7 5/16 in. (254 x 186 mm).Lot Note(s): Stamped lower right; stamped verso. Edition of 200. Cream wove paper. Ample margins. Fine impression and coloring. Very good to fine condition. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso (stamp telegraphs through to recto). Comment(s): Scarce. This print was authorized by Bonnard, printed under the immediate supervision of Charles Terrasse (Bonnard’s nephew) by D. Jacomet & Cie, Paris, and published by Henri Floury, Paris. Image copyright © Artists Rights Society (ARS), New York. [29354-1-300]

Lot 1060

Artist: Rafael Coronel (Mexican, 1931-2019). Title: "Niña de Nezahualcoyotl". Medium: Color offset lithograph. Date: Printed 1978. Dimensions: Overall size: 24 3/4 x 18 7/8 in. (629 x 479 mm). Image size: 24 3/4 x 18 7/8 in. (629 x 479 mm).Lot Note(s): Signed with the signature stamp, lower left; dedicated with the stamp, lower left verso; signed in the plate, lower right. Print #128 from the edition of unknown size (c150-200?). Cream lightly textured wove paper. Printed to the sheet edges. Fine impression. Very good to fine condition. Comment(s): Rafael Coronel, born in Zacatecas, State of Zacatecas, is the son-in-law of Diego Rivera and the brother of Pedro Coronel. His representational paintings have a melancholic sobriety, and include faces from the past great masters, often floating in a diffuse haze. Image copyright © Rafael Coronel. [28011-5-225]

Lot 1063

Artist: Keith Haring (American, 1958 - 1990). Title: "Naples Suite #27 [untitled]". Medium: Lithograph. Date: Composed 1983. Printed 1989. Dimensions: Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm).Lot Note(s): Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29756-2-400]

Lot 1065

Artist: Keith Haring (American, 1958 - 1990). Title: "Naples Suite #12 [untitled]". Medium: Lithograph. Date: Composed 1983. Printed 1989. Dimensions: Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm).Lot Note(s): Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29741-2-600]

Lot 1077

Artist: Ansel Adams (American, 1902-1984). Title: "Mt. Williamson, Sierra Nevada, from Manzanar, California". Medium: Original photogravure. Date: Composed 1944. Printed later. Dimensions: Overall size: 6 1/16 x 7 1/4 in. (154 x 184 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Narrow margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): One of Adams’s most popular images, the silver print regularly selling at auction for over $25,000. Image copyright © The Ansel Adams Publishing Rights Trust. [29587-1-800]

Lot 1099

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 20, 1964 #10 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 X, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 5/8 in. (327 x 244 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC[or]CR[or]CBK[or]CB[or]C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30033-2-1600]

Lot 1100

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 20, 1964 #09 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 IX, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 3/4 in. (327 x 248 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): An unsigned impression of this print was offered at $1,395 by Pamono Inc., New York and Berlin, as of April 6, 2020. Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30032-2-1600]

Lot 1124

Artist: Keith Haring (American, 1958 - 1990). Title: "Man Riding Dog". Medium: Lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 3/16 x 8 5/8 in. (233 x 219 mm).Lot Note(s): Signed by Haring in silver marker. A proof (?) from the edition. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29128-2-800]

Lot 1140

Artist: Manuel Alvarez Bravo (Mexican, 1902 - 2002). Title: "Los Obstaculos". Medium: Original photogravure. Date: Composed 1929. Printed later. Dimensions: Overall size: 7 x 8 3/8 in. (178 x 213 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Wide margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: Corcoran Gallery of Art, Álvarez Bravo, pl. 18; Turner Publications, Manuel Álvarez Bravo: 100 years, 100 days, pl. 10; Urbajtel, Manuel Álvarez Bravo: Photopoetry, p. 43. Provenance: Private collection, San Miguel de Allende, Guanajuato, Mexico. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $50,000 realized at Phillips, New York, 4/4/2017, lot #244. “One of Bravo's most important images, this surreal photograph of wrapped carousel horses, with its enigmatic title, was taken a few years after the end of the armed struggle that had consumed Mexico for a decade and which had upended the social and political norms. Its imagery likely has overtones of that upheaval.” Image copyright © Colette Urbajtel / Archivo Manuel Alvarez Bravo, SC. [29767-2-600]

Lot 1157

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "L'Estampe et l'affiche [print]". Medium: Original color lithograph. Date: Composed 1893. Printed 1927. Dimensions: Overall size: 10 1/8 x 7 13/16 in. (257 x 198 mm).Lot Note(s): Stamped, lower center; signed with the initials in the plate, lower left; stamped verso. Edition of 200. Cream wove paper. Ample margins. Fine impression and coloring. Very good condition; tape remains verso. Literature/catalogue raisonne: cf. Francis Bouvet, “Bonnard: The Complete Graphic Work” #44, for the full-sized lithograph. The poster advertised “L’Estampe et l’affice,” an arts magazine edited by Clement Janin and Andre Mellerio. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Comment(s): Scarce. This print was authorized by Bonnard, printed under the immediate supervision of Charles Terrasse (Bonnard’s nephew) by D. Jacomet & Cie, Paris, and published by Henri Floury, Paris. Image copyright © Artists Rights Society (ARS), New York/ADAGP, Paris. [29365-1-400]

Lot 1170

Artist: Leopoldo Mendez (Mexican, 1902 - 1969). Title: "La Revolution que hace Arte". Medium: Linoleum cut. Date: Composed 1929. Printed 1929. Dimensions: Overall size: 11 5/8 x 8 1/8 in. (295 x 206 mm).Lot Note(s): Signed in the matrix with the initials "LM", the "L" lower left and the "M" lower right. Cream wove paper. Wide (full?) margins. Fine impression. Fine condition. Provenance: The Estate of Jaled Muyaes. Comment(s): A very rare Mendez print. Image copyright © 2018 Artists Rights Society (ARS), New York / SOMAAP, Mexico City. [30133-0-500]

Lot 1174

Artist: Rafael Coronel (Mexican, 1931-2019). Title: "La Extinta". Medium: Color offset lithograph. Date: Printed 1978. Dimensions: Overall size: 24 3/4 x 18 7/8 in. (629 x 479 mm). Image size: 24 3/4 x 18 7/8 in. (629 x 479 mm).Lot Note(s): Signed with the signature stamp, lower right; dedicated with the stamp, lower left verso; signed in the plate, lower left. Print #128 from the edition of unknown size (c150-200?). Cream lightly textured wove paper. Printed to the sheet edges. Fine impression. Very good to fine condition. Comment(s): Rafael Coronel, born in Zacatecas, State of Zacatecas, is the son-in-law of Diego Rivera and the brother of Pedro Coronel. His representational paintings have a melancholic sobriety, and include faces from the past great masters, often floating in a diffuse haze. Image copyright © Rafael Coronel. [28015-5-225]

Lot 1177

Artist: David Alfaro Siqueiros (Mexican, 1896 - 1974). Title: "La Arena Traicionada". Medium: Original color offset lithograph. Date: Composed 1950. Printed 1950. Dimensions: Image size: 14 1/4 x 19 1/4 in. (362 x 489 mm).Lot Note(s): Edition of 900, of which only a few survive. Full margins. Fine impression. Good condition; a crease verso, not visible recto. Provenance: Ex-collection Jaled Muyaes, Mexico City. Comment(s): Extremely rare. Executed in 1950 by Siqueiros specifically for the rear pastedown and rear endpaper (one piece) for Pablo Neruda's famous "Canto General," published in 1950 by Neruda himself in Mexico City. The book, now itself exceedingly rare, was limited to 900 copies. There was a small overrun of the Siqueiros print (as well as the Rivera print used as the front endpaper/pastedown) which Neruda gave to his close friend, Jaled Muyaes. From the collection of Jaled Muyaes and Estela Ogazon. Printed by Talleres Graficos de la Nacion in Mexico City. Please see the article "Del Pincel y la Palabra. Rivera, Neruda, Siqueiros" at http://revista.escaner.cl/node/3513 for more detail. Image copyright © Artists Rights Society (ARS), New York. [22615-0-300]

Lot 1190

Artist: Leopoldo Mendez (Mexican, 1902 - 1969). Title: "Jose Gualalupe Posada". Medium: Linoleum cut. Date: Composed 1956. Printed c1965. Dimensions: Overall size: 20 x 36 1/2 in. (508 x 927 mm). Image size: 13 1/4 x 31 in. (337 x 787 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated lower left. A proof (P/A) from the edition of unknown size, presumed very small. Cream thick watermarked wove paper. Very wide margins. Fine impression with very pronounced platemark. Good to very good condition with only minor issues. Comment(s): An extremely large, famous, and rare print. We could not find a sale at auction going back 28 years. The 100th anniversary of Posada's death was observed in 2013. [28036-6-1600]

Lot 1196

Artist: Man Ray (American, 1890 - 1976). Title: "Jacqueline Goddard [solarization]". Medium: Original vintage photogravure. Date: Composed 1930. Printed 1934. Dimensions: Image size: 11 1/4 x 8 11/16 in. (286 x 221 mm).Lot Note(s): Signed "Man Ray" in the negative, lower right; stamped with the photographer's name, verso. Edition unknown, presumed very small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Very scarce. According to “Gordon’s Photography Prices” there have been only four sales of a silver print of this image in the past 35 years. The auction record is $374,500 realized at Sotheby's, New York, 10/14/2008, lot #21. This image was originally created by Man Ray in 1930 as a color solarization portrait. In 1932 he detailed the image and created another color solarization portrait, from which the black and white photogravure is derived. See: wwwmanraytrust.com, pgs.20 & 27. Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [811-2-400]

Lot 1246

Artist: Robert Mapplethorpe (American, 1946 - 1989). Title: "Grapes". Medium: Original vintage photogravure. Date: Composed 1985. Printed 1988. Dimensions: Overall size: 8 1/8 x 8 1/8 in. (206 x 206 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): Rare. According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $68,750 realized at Sotheby's, New York, 4/2/2014, lot #160. Image copyright © The Robert Mapplethorpe Foundation. [29666-2-600]

Lot 1278

Artist: Andy Warhol (American, 1928 - 1987). Title: "Flowers ("Blue & Green")". Medium: Original color silkscreen. Date: Composed 1978. Dimensions: Overall size: 27 1/2 x 27 1/2 in. (698 x 698 mm). Image size: 24 3/8 x 24 3/8 in. (619 x 619 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann pp.213-214; II.64-73. Comment(s): Very scarce, and rare signed. The auction record for the same image of this print (signed and by a different printer) is $3,600 realized at Swann Galleries, NYC, February 5, 2013, lot 251. This "Flowers" image is slightly different from those of the limited edition published in 1970. According to Feldman/Schellmann (pg. 214, fourth edition, 2003) "prints exist which differ from the published edition (example illustrated on previous page)." The example illustrated on pg. 213 is our example, with different colors. Based on a photograph of hibiscus flowers by Patricia Caulfield in "Modern Photography," June, 1964. The text lower left to right reads: "Andy Warhol - Flowers - Silk Screen - 1964 - coll. Harry N. Abrams - © 1978 Leo Castelli Gallery - Posters Original, Ltd. No. M 57." Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29230-6-2400]

Lot 1281

Artist: Andy Warhol (American, 1928 - 1987). Title: "Flowers ["Red" - Nouvelles Images]". Medium: Original color silkscreen. Date: Composed 1970. Dimensions: Overall size: 27 1/2 x 27 1/2 in. (698 x 698 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Very good condition; would be very good to fine but for a one inch tear in the upper left margin, not into the image, would be masked out by the mat when framed. Literature/catalogue raisonne: cf. Feldman/Schellmann pp.213-214; II.64-73. Comment(s): Scarce, and rare signed. The auction record for another impression of this print (signed) is $3,600 realized at Swann Galleries, NYC, February 5, 2013, lot 251. This "Flowers" image is slightly different from those of the limited edition published in 1970. According to Feldman/Schellmann (pg. 214, fourth edition, 2003) "prints exist which differ from the published edition (example illustrated on previous page)." The example illustrated on pg. 213 is our example and that sold by Swann, with different colors. Based on a photograph of hibiscus flowers by Patricia Caulfield in "Modern Photography," June, 1964. Published by Nouvelles Images, France, 1970. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29231-6-2400]

Lot 1283

Artist: Georges Braque (French, 1882 - 1963). Title: "Fleurs rouges". Medium: Original hand-colored gouache pochoir on collotype. Date: Composed 1956. Printed 1959. Dimensions: Overall size: 7 1/4 x 9 3/8 in. (184 x 238 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated "H.C." in pencil, lower left. From the edition of 60 Hors Commerce impressions. Cream wove watermarked Arches paper. Full margins, as issued. Fine impression with vivid colors. Fine condition. Provenance: From the library of the London gallerist and bookseller Anton Zwemmer (1892–1979), a publisher of the work. Comment(s): Authorized by and printed under the supervision and participation of Braque, four years before his death. Braque applied a complimentary signature to a number of H.C. impressions of this print. The auction record for a pochoir (“Nature morte”) of approximately the same size as our example is SF8,400 ($6,737) realized at Galerie Koller, Zurich, 6/23/2006, lot #Z20/3. A more recent sale (“Nature morte au citron”) at Swann Auction Galleries, New York City, 3/13/2018, lot #367, realized $4,250. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [30036-1-700]

Lot 1292

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Femme nue couchée (tournée à droite), 1re planche". Medium: Original drypoint. Date: Composed 1904. Dimensions: Overall size: 9 13/16 x 11 5/8 in. (249 x 295 mm). Image size: 5 x 7 3/4 in. (127 x 197 mm).Lot Note(s): Signed with the artist's signature ink stamp (Lugt 2137a), lower right. Small edition. Cream wove paper. Very wide margins. Fine impression. Very good condition; a few unobtrusive fox marks; remains of hinging tape, verso. Literature/catalogue raisonne: Delteil 13. Provenance: Swann Auction Galleries, New York City. Comment(s): According to “Gordon’s Print Prices” the auction record for another impression of this drypoint is $9,600 realized at Swann Auction Galleries, New York City, 5/3/2017, lot #286. [30076-2-1000]

Lot 1297

Artist: Shiko Munakata (Japanese, 1903-1975). Title: "Female Nude in Garden II". Medium: Color woodcut in brown ink. Date: Composed 1934. Dimensions: Overall size: 6 1/8 x 5 15/16 in. (156 x 151 mm). Image size: 5 7/8 x 4 9/16 in. (149 x 116 mm).Lot Note(s): Edition unknown, presumed small. Thin Japan paper. Narrow top and bottom margins. Fine impression. Good condition; mounted to stiff board as issued; some scattered foxing in the image. Provenance: Through a relative of the artist, Aomori, Japan; Private collection, Houston, Texas. Comment(s): Very rare and a splendid example of Munakata's very early work. We could not find any auction records of a Munakata print created before 1935. In 1926, Munakata saw Kawakami Sumio's black-and-white woodcut "Early Summer Breeze," and decided to work on black-and-white prints. From 1928 onwards, Hiratsuka Unichi (1895–1997), another renowned sosaku hanga printmaker, taught Munakata wood carving. In 1929, four of his prints were accepted by the Shunyokai Exhibition, which bolstered his confidence in the new medium. In the following year (1930), four more of his woodcuts were accepted for the Kokugakai national exhibition, thus establishing him in his career. Image copyright © The Estate of Shiko Munakata. [25225-1-1200]

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