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Lot 618
A late Victorian pen and ink study of a huntsman in an embarrassing predicament on a beach, signed with initials bottom left WSH and dated 78, with ink inscription below, 11 x 18 cm, a coloured print showing a further hunting scene with Jorrocks, a late 19th century sepia coloured photograph of a shooting party and a framed cover of Country Life Magazine dated June 14th 1930 showing the Aga Khan leading in Blenheim, the winner of the Derby (all framed)
Lot 443
A miscellaneous collection to include an antique zinc lined copper pan with applied handle and a copper lid, a small Victorian copper kettle with turned ebonised handle, a simple copper vessel with lion mask, a vintage cardboard merchant's box for Palethorpes Sausages, a selection of "Find the Fault" party game cards, a framed monochrome print depicting a young woman, a selection of Masonic effects etc etc
Lot 613
A collection of 19th century and other pictures and prints including an oil painting on board, still life with fruit, 30 x 24 cm, two Lionel Edwards coloured prints, showing the Avon Vale Hunt 38 x 51 cm, and the Beaufort Hunt - Kill Above Sodbury Vale, a pair of coloured prints after Morland - The Door of the Village Inn and The Dairy Farm, a dramatic late Victorian coloured print of a fireman rescuing a young girl - Saved, a copy of the Bristol Mirror Newspaper dated June 6th 1840, etc (all framed) together with four volumes of The Foxhound Kennel Stud Book dating from the 1930s and 1940s, etc
Lot 644
A collection of 19th century and other miniature portraits, frames, etc including a late 18th century engraving of a little boy in a landscape setting, a black and white engraving inscribed verso G A Fichte, a small coloured print portrait of Napoleon, etc together with a late 19th century pen and ink study of two elegant ladies, signed Maude Trelarny, a similar study of a lady and gentleman on a beach, signed William Parkinson and dated 94, etc
Lot 591
A collection of 19th century and other prints and engravings including a novelty coloured print from the R Evan Sly's New and Amusing Mechanical Prints Series showing an elegant lady with aperture to the bonnet to allow various humorous faces to appear, 27 x 21 cm together with a similar lithograph showing Mr & Mrs Caudle in bed, an 18th century coloured engraving after Charpentier showing a classically draped female figure accompanied by a dog and cupid, an embossed copper icon showing The Virgin and Child with various painted detail, 37 x 34 cm, etc
Lot 636
A collection of works relating to Louis Wain and including two black and white prints of cats watching birds and kittens with Father Christmas, a coloured print showing Louis Wain's studies of Professor Frederick's Performing Cats, all 24 x 33 cm approx together with a watercolour study after Louis Wain of a cat wearing a blue dress and apron, holding a broom, bearing signature bottom left Louis Wain, 22 x 17 cm (all framed)
Lot 647
A collection of pictures and prints including an oil painting on board after John Constable showing Salisbury Cathedral, signed bottom right A Locke and dated 18, 24 x 34 cm, a watercolour of a country house, signed bottom left J Lawson, a signed limited edition coloured print - Caricature of Wine Tasting, signed Tim Bulmer, two black and white etchings of river scenes, reproduction sporting prints, etc together with three black and white photographs showing The Queen and Prince Philip at Badminton Horse Trials with the Duke of Beaufort etc
Lot 587
A substantial oil painting on canvas in the 19th century manner showing a harvesting scene with hay cart and figures beside a river, signed bottom right Wheeler, 138 x 107 cm in moulded gilt frame together with a coloured print with oil effect finish of a procession of teddy bears, 35 x 116 cm (displayed beneath table adjacent)
Lot 642
A pair of early 20th century coloured mezzotint type engravings of country landscapes after Constable, both signed in pencil bottom left John Cothie Webb, published 1916 and with Frost & Reed labels verso, 40 x 53 cm in gilt frames together with a watercolour of a winter landscape with hayricks, signed bottom right Leonard T Saunders, with label verso Cloak of Winter, 23 x 32 cm, a coloured print after Cecil Aldin - The Bluemarket Races, The Arrival On The Course, 28 x 41 cm, a signed coloured limited edition etching by Annette Johnson - Night Sail, edition 13/150, etc (all framed)
Lot 671
A pair of gouache studies of Indian landscapes with blossom trees, female figures carrying water from a lake, etc, signed Yalavatti, with labels verso F B Yalavatti, with Bangalore address, 30 x 46 cm in simple black frames together with a set of ten tiles with painted decoration of Indian dancers composing a panel, signed bottom right G G Gokhali, dated 1962 and inscribed Vitrum, 30 x 77 cm overall, also together with a coloured print of a snake charmer
Lot 630
A pair of line caricatures of a male and female figure holding a cat and a male figure, both signed with initials JAK, 27 x 20 cm, a further small signed limited edition print of a figure study, indistinctly signed bottom right and also together with a watercolour of a coastal scene, signed bottom left Ron Martin and inscribed verso The Coastal Path From Talland, 34 x 49 cm (all framed)
Lot 683
A coloured print after Susan L Crawford showing the racehorses Arkle, Red Rum and Desert Orchid entitled We Three Kings, 50 x 75 cm in wide pine frame together with a signed coloured limited edition print after Paul Apps showing an elephant, signed in pencil bottom right, edition 66/350, titled Once A Baobab, with certificate and biographical details verso, 41 x 56 cm in wooden frame
Lot 684
An oil painting on canvas in the 19th century manner showing a marine scene with sailing vessels, steam ship, etc, signed Rbt Moore bottom left, 55 x 80 cm in gilt frame with linen slip together with a coloured print of a 19th century marine scene, 55 x 70 cm in wooden frame (displayed on stairwell)
Lot 583
A signed coloured print after Sir William Russell Flint showing a continental town square with classical buildings, figures, etc, signed in pencil bottom right, published in 1969 by Frost & Reed Limited, with Alexander Gallery, Bristol label verso and inscription - La Voulte Sur Rhone, 47 x 62 cm in gilt frame
Lot 493
P W Tomkins after J T Serres/ The Attack on the Danish Fleet and Batteries, off Copenhagen , the Second of April 1801/published July 4 1801/aquatint engraving, 43cm x 71cm/G Humphrey after a Naval Officer/ The Interior of a Midshipman's Berth/published 1821/hand coloured print, 19.5cm x 39.5cm/Allan Gwynne-Jones/ Fishing Boats in Dover Harbour/signed, inscribed and dated 1944/etching, 19.5cm x 25cm/and sundry prints
Lot 483
By and after William Daniell/Anglesey and Hollyhead/eight handcoloured engravings, 16cm x 23.5cm/and another print of Wales Condition Report: These prints are framed and glazed and complete although the paper has gone rather brown. The titles are: View of Caenarvon Castle from Anglesea Beaumaris Castle, Anglesea The Rope Bridge near Lighthouse, Holyhead View of Puffin Island near Angelsea Harbour Lighthouse, Holyhead The Entrance to Amlwch Harbour Black marble quarry near red wharf bay, Angelsea
Lot 718
A quill pen reputed to have been used by Robert Southey, enclosed in a scroll of paper inscribed 'The pen which was mended by Robert Southey the Poet Laureate and used by him August 8th 1838 Wednesday 1/2 past 11 o'clock whilst staying at Lineshall? A memorable pen mended and used by so great a man', another quill pen, a print depicting a marble bust of Southey and another print
Lot 466
Lumbstocks after Daniel Maclise /Wellington and Blucher meeting after the Battle of Waterloo/dated 1875/engraving, 41.5cm x 122cm/Provenance: Plas Gwyn, Anglesey Condition Report: This print is stained with marks that have leached through from the pine back boards. It has been in a dusty attic for many years. The actual image is quite good and its a fine impression it is in a very dirty frame and is glazed
Lot 886
Two signed George Best autobiography dust jackets, for "Blessed" and "Best, God's Gift", both signed in black marker pen; sold with an unsigned colour photo print of Best in action for Manchester United, 36 by 51cm., 14 by 20in.; sold with three copies of a letter of authenticity confirming that this lot came from the personal collection of Phil Hughes, George Best's agent, manager and close friend (6)
Lot 411
An autographed 1973 Barbarians v New Zealand print titled "Dramatic Start", a limited edition print signed by the artist Simon Smith numbered 101/3995, printed with a transcript of Cliff Morgan's famous TV commentary, and signed above the lower margin in pencil by Cliff Morgan, Phil Bennett, J P R Williams, John Pullin, John Dawes, Tom David, Derek Quinnell and Gareth Edwards, suspended within double glazing, white metal frame, 63 by 83cm., 25 by 32 3/4in.
Lot 153
A supplement print issued by "The Gentlewoman" magazine 9th June 1894 portraying The Ladies' Golf Championship at Littlestone in Kent, b&w vignettes of named players and scenes on the course, mounted, framed & glazed, 45 by 55cm., 17 3/4 by 21 3/4in.; sold together with a small framed overpainted humorous print after the Fife artist "Cynicuis" featuring a priest brandishing a golf club and chasing a goose that has stolen his golf ball (2)
Lot 874
An autographed Manchester United 1968 European Champions print formerly owned by Bill Foulkes, from a limited edition of 50, this numbered 5, Bill Foulkes's shirt number from the final, individually signed in biro by the 11 United finalists, mounted, framed & glazed, 61 by 35.5cm., 24 by 14in. A printed note on the back of the frame explains that this print was produced on the occasion of the 25th anniversary of the 1968 European Cup win. Each player received four copies of the print, one of which had an edition number that coincided with their Wembley shirt number. Sandy and Sheena Busby both received one, and the other four were retained by the artist.
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314796 item(s)/page