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Lot 1132
SPENCER ROBERTS (1920 - 1997) Framed, signed in pencil, limited edition print of a two owls perched in a tree. Inscribed in plate `Published in 1975 by Alexander Gallery Publications Limited, Bristol England`. 44cm x 63.5cm. Provenance: R. J. Moulston Gallery, Warwickshire. See label verso.
Lot 1215
LIONEL EDWARDS R.I. (1876 - 1966) One framed, and one unframed, signed in ink, prints, showing hunting scenes. One signed, dated 1950 and inscribed in print, `Trinity Foot Beagles,` The other signed, dated 1948 and inscribed in print, `N. Cotswold`. Together with a framed, unsigned, Robinsons, Bristol print showing a hunting scene, and another unframed, signed with intials in print, D. S. H., print of a busy summer garden and cottage, and Lionel Edwards book, `Beasts of the Chase`, published 1950, London. (4) Various dimensions. Average: 31cm x 40.5cm.
Lot 302
A group of three 18th Century porcelain coffee cups, to include two Worcester first period transfer printed examples, one bat pattern, the other with Oriental landscape with bridge and boats to foreground A/F, both with strap handle, one with workman`s mark, the other with crescent mark with a hard paste porcelain cup with transfer print of Oriental landscape A/F, tallest approx. 6cm high.
Lot 790
A group of prints to include a J. Gould and H. C. Richter framed colour print of yellow cheeked parakeets, printed by Hullmandel & Walton, three framed colour prints of Australian animals, framed print of a drawing by Captain Westmacott of a blow hole, three framed colour prints of birds by J. Gould and H. C. Richter, printed by Hullmandel & Walton, including one of hummingbirds, quail, and wagtails, two framed prints of birds, drawn and published by John Audubon FRSE FLE, engraved by R. Havell Jnr. and printed and coloured by R. Havell Snr., and a print of a crested fly-catcher and nest, largest approx. 115cm high, 83cm wide, 11 pieces.
Lot 795
A group of prints to include four French maps, by A. H. Brue, `Oceanie Cinquieme Partie Du Monde`, maps 37 - 40 of Japan and French Polynesia, North America, New Holland (Australia) and Galapogos islands, dated 1817, framed coloured map of the Channel Islands, with illustrations by H. Winkles, engraved by E. Radclyffe and map by J. Rapkin, published by John Tallis & Co., three 20th Century adverts for Packard cars, unframed, framed print of a harbour scene, framed signed oil on canvas by J. Downton, titled `The Sheep Camp`, framed leaf painted with woodland scene, colour print of two scenes of Malvern, published by H. Guy, unframed, framed print `Lake Illawarra`, framed A to Z map of Birmingham, A to Z map of England & Wales, and map of British Isles, largest approx. 117cm high, 95cm wide, 16 pieces.
Lot 811
A parcel lot of George Baxter and Le Blond prints to include Crystal Palace, oval with lady and dog, set of six portraits, to include Napoleon, Robert Peel, Duke of Wellington and 19th Century Royalty, lady in church doorway, soldier`s farewell, Heidleberg castle A/F, Baxter forgery of old lady and child, etching of Napoleon and officers on horses on vellum by Messonier dated 1880, framed 5 print samples of Baxter, a framed example of 12 scenes and a book on Baxter and his work printed in 1919 by Maggs Bros., 17 pieces.
Lot 863
A group of cartoon prints, to include a framed and glazed McLachlan print of a badger hunt with the caption `Badgers! Go get`em!`, dedicated by the artist `Best wishes - Edward McLachlan`, a framed and glazed print by McLachlan of a restaurant scene, dedicated by the artist, a framed and glazed print by McLachan, with the caption `Dropping the Pilot` dated 1993, a framed and glazed cartoon of a personnel office, dated 1991, a framed and glazed print by McLachan, and a glazed and framed cartoon print by the same artist, dedicated to Anthony Graham and signed, all approx. 50cm high, 37cm wide, 6 pieces.
Lot 864
A group of satirical cartoon prints, to include a Noel Foxy print, dedicated and signed by the artist, another cartoon print, dedicated and indistinctly signed, a cartoon print of lottery winners, a Colin Whittock print, signed and dedicated by the artist, a cartoon print of James Bond, signed by the artist David Haldane, two prints signed and dedicated by the artist Mike Turner, a Bestie cartoon signed and dedicated by the artist, and one colour print signed and dedicated by the artist, indistinctly signed, all framed and glazed, approx. 36cm high, 50cm wide, 9 pieces.
Lot 379
AFTER WILLIAM WALCOTT The Arteries of Great Britain to include - "The Thames", "The Mersey", "The Tyne", "The Forth" and "The Clyde", a set of five black and white drypoint etchings, each signed in pencil in margin CONDITION REPORTS Largest measures approx. 35 cm x 15 cm and the plate mark for this print measures 33 cm x 12 cm. All with overall light general wear, but condition appears reasonably good.
Lot 396
AFTER JACK RUSSELL "Gloucester Cathedral", limited edition black and white print, signed in pencil in the margin, two further Gloucester Cathedral colour prints, P REEVES "St. Andrew Church Eastleach (Winter scene)", watercolour, signed lower right, a set of six coloured botanical prints and an Indian silk panel depicting elephants within floral borders
Lot 401
AFTER LESLIE GOVIER "Sun rocks", limited edition screen print No'd. 8/12, STANLEY C ******** "Figures in a churchyard", watercolour, indistinctly signed lower left, 19TH CENTURY CONTINENTAL SCHOOL "Study of a woman beside a well, a Medieval town rising upon hills beyond", a set of four Redouté botanical prints, etc
Lot 409
A framed and glazed photographic print of Diana Princess of Wales wearing black evening gown and sapphire and diamond engagement ring, inscribe "Diana 1987" CONDITION REPORTS Overall with some fading, inscription appears to be in ink, is quite faded and reads "Diana. 1987." with the indentation of some underscoring but which appears to have faded away, some water stains to bottom of the backing card on which the print is mounted, inscription is to the backing card, there is nothing inscribed to the reverse of the backing card, picture is currently housed in a modern plastic frame.
Lot 461
GEOFFREY COURTNEY "Still life with objets trouvé on a table", oil on board, HENRY SIMPSON "Angel visits man in desert", oil, monogrammed bottom right, PETER CAMPBELL "Reclining figure", watercolour and pen, 20TH CENTURY SCHOOL "Abstract study", oil on canvas, unsigned, an early 20th century black and white print depicting a young woman in wedding dress, and two early 20th century oak framed rectangular mirrors
Lot 497
AFTER ARTHUR TURREL "Continental street scene with arched gateway", black and white drypoint etching, signed in pencil, 20TH CENTURY SCHO0OL "Interior scene of classical architecture", watercolour, monogrammed "ATT" lower left, and an 18th century black and white engraved print depicting "Christ College" (trimmed)
Lot 59
Toyokuni III-Kunisada (1786-1865): two Japanese woodblock prints, a samurai standing with a red wrapped parcel, looking worried under a pine tree, with his straw hat on the floor behind him; another depicting a bijin crouching beneath a cedar, both signed, mounted and framed, oban, 33.3cm x 23.6cm, and 33.3cm x 23.5cm, (2). Note: This Samurai print comes from a Tabuki scene of 'Traveller stopping under the pines' (1849), actor Ichimura Uzaemon as Katsusa shichibe kei kiyoshi in the print.
Lot 60
Toyokuni III-Kunisada (1786-1865): two Japanese woodblock prints, a samurai standing outside of palace gates holding a fan; and another depicting a beauty kneeling down, looking alarmed, both signed, mounted and framed, oban, 23.5cm by 33.3cm and 23.4cm by 33.4cm, (2). Note: This samurai print is based on the true story of 'The 43 Ronin', one of the Handsome scenes from Act 3 of the classic drama ' Kanadehon Chushingura'.
Lot 114
Seven late 18th century blue and white tea bowls comprising two fluted Caughley examples printed in underglaze blue with the Pagoda design, augmented with over-glaze gilding, painted 'SO' mark to one and 'S' to the other, 8cm diameter, two Caughley examples, in the 'Mother and Child' pattern and a 'Travellers' print, 8cm diameter (restored), a possibly early Coalport teabowl decorated with a chinoiserie landscape (at fault), and two fluted Caughley teabowls decorated underglaze blue and gilt (7) For the first tea bowl in this lot, see The Caughley Society, 'Caughley Blue and White Patterns', The Caughley Society (Llandysul: 2012) p.174 for a plate of the same design. For the 'Travellers' and 'Mother and Child' print teabowls, see the same book, pages 59 and 63 for illustrations of the same designs
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314766 item(s)/page