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Lot 142
A Bradbury Building matte shot test print from the production of Ridley Scott's sci-fi classic Blade Runner. Due to a medical condition that prevented him from leaving Earth, replicant designer J.F. Sebastian (William Sanderson) lived in the Bradbury Apartments. Los Angeles' historic Bradbury Building was utilized by the production as part of the film's dystopian look.This large print of the building's winding interior was created for a shot in which the memorable "Blade Runner blimp" flies overhead, and is visible through the Bradbury's ceiling windows. The shot was achieved as a matte painting shot would have been, but an oversized photograph of the real location was used in place of a painting. This photo was a test for that matte shot setup and is printed in full color on heavyweight glossy Kodak poster stock. It exhibits creasing from being rolled for storage and some wear along its edges, but it remains in good overall condition. Dimensions: 30" x 44" (76.25 cm x 112 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $1,000 - 1,500
Lot 171
A hand-painted mothership lighting concept illustration from the production of Steven Spielberg's sci-fi film Close Encounters of the Third Kind. A massive, brightly lit, alien mothership crash-landed at Devils Tower, where its extraterrestrial passengers formally met the humans in the film's iconic finale.This artwork was used to plan the composite shot. It consists of a photo print of the live-action scene adhered to black illustration board with a clear plastic cel taped over it and a hand-painted illustration of the elaborate lighting scheme of the mothership, likely rendered and labeled "M76-1" on the reverse by production illustrator George Jenson. It is in good overall condition with some wear from use and age. Dimensions: 6" x 11" (15.25 cm x 28 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $2,000 - 3,000
Lot 174
A hand-painted Devil's Tower base shot concept illustration from the production of Steven Spielberg's sci-fi film Close Encounters of the Third Kind. Roy Neary (Richard Dreyfuss) and Jillian Guiler (Melinda Dillon) secretly climbed Devils Tower to reach the UFO landing site.The concept artwork was used to plan out the composite shot and consists of a hand-painted background depicting a helicopter and mountainside rendered onto a sheet of paper adhered to white illustration board with a cut-out photo print of the live-action scene affixed on top to act as the foreground. Dimensions: 8" x 12" (20.5 cm x 30.5 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $1,000 - 1,500
Lot 202
Aladeen's American flag costume from Paramount Pictures' political farce The Dictator. Aladeen and his advisor Nadal were mistaken for helicopter terrorists.This costume includes a nylon American flag print tracksuit, a white cotton T-shirt hand-stenciled with an American flag, an American flag-patterned cotton baseball cap with a Global Caps retail sticker, a 6-point metal sheriff's star pin, a New York Yankees keychain necklace, a single red canvas sandal with three silver star patches, and a white sock. The outfit is in fair overall condition, with a hole burned into the shoe by production and the sock exhibiting significant wear.Estimate: $800 - 1,200
Lot 25
Sergeant Apone's (Al Matthews) screen-matched U.S. Colonial Marines armor costume from James Cameron's sci-fi horror sequel Aliens. Apone and his group of Colonial Marines helped Ellen Ripley (Sigourney Weaver) investigate the desolate moon LV-426. Designed by Emma Porteous and constructed by master armorer Terry English, this lot includes components related to several characters in the film. The central element is the body armor's camouflage-patterned chest, back, and shoulder plate armor assembly that was hand-formed in aluminum. It is stenciled "APONE" on the upper chest and marked "APONE No1" in the interior, and specifically screen matches to shots of the marines preparing to load into the A.P.C. vehicle in the film. It features foam padding in the body and a waffle-pattern foam, unique to film-used Aliens armors, in the shoulder armor pieces. The other armor components included are the abdominal guard, comprised of original aluminum armor plates from the film and a replica soft vinyl pad patterned from an original, and a pair of camouflage-patterned aluminum shin guards marked "BILL PAXTON", for the character Hudson. The knee caps on the shin armor are replicas created by Terry English from aluminum, and the strapping on the shin armor has been re-done. The jacket included is labeled "FROST" and is made in the custom USCM-style camo print done for the film; the jacket also features custom patches for USCM, Sulaco, American flag patches and a custom C. & G. Costumers LTD wardrobe label marked "Ricco (Frost)". An original pair of USCM pants is included; a replica set of webbing and a pair of replica boots of the style seen in the film completes the ensemble for display.This costume is in excellent overall condition with some signs of wear from production, including some sections of heavy paint wear on the armor, and general wear to the soft components.Estimate: $40,000 - 60,000
Lot 26
Pvt. Frost's (Ricco Ross) screen-matched helmet from James Cameron's sci-fi horror sequel Aliens. Pvt. Frost was amongst the Colonial Marines sent to LV-426 to investigate the loss of contact with the Hadley's Hope colony. This helmet screen-matches to the one Frost wears for the majority of the film.Built around a U.S. M1 military helmet, this helmet includes a cover in the custom USCM camo-print fabric made for the film, hand-painted neck armor plates fabricated by master Aliens armorer Terry English, a helmet camera, custom earpiece, a drop-down light-up eyesight (one light still functions), and a chinstrap. The name "FROST" is stenciled on the back, and a piece of tape inside the helmet has the name "FROST" handwritten on it. The helmet is in good overall condition with some wear from production and age, including scuffs to the pain and stains to the fabric cover. This is one of only a couple screen-matched, principal character Aliens helmets in private collections.Dimensions: 12" x 10" x 11" (30.5" x 25.5" x 28")Contains electronics; see electronics notice in the Buyer's GuideContains mechanical components; see notice in the Buyer's GuideEstimate: $30,000 - 50,000
Lot 297
Gladiator adversary armor from Ridley Scott's Academy Award-winning historical drama Gladiator. Gladiators portrayed the legionnaires of Scipio Africanus during a reenactment of the Battle of Zama at the Colosseum.This lot consists of a dark goldtone padded foam cuirass with shiny golden piping along the edges, leather straps, a leather and synthetic fur cheetah print cape secured with leather ties, and "5A Ricardo" marked on the interior for stunt performer Ricardo Cruz, as well as a second, loose matching cape. The lot is in good overall condition with visible wear from handling and age, including discoloration and some deterioration to the foam.Estimate: $1,500 - 2,500
Lot 386
A Bruce the Shark blueprint from the production of Steven Spielberg's shark thriller Jaws. The blueprint originates from the early production stages of conceptualizing the infamous man-eating shark.The blueprint features the film's title and lists the art director as Joe Alves and set designer as F.T. Wurmser. The print also notes the scale as "1/6 Full Size." The piece features the print of a hand-drawn great white shark that measures over 19 feet, according to the measurement scale at the bottom of the page. The blueprint is torn and shows signs of discoloration, from both production use and age, and remains in fair and fragile condition. Dimensions: 20 3/4" x 55" (30 cm x 24 cm x 1 cm)Estimate: $1,200 - 1,800
Lot 434
A set of hand-drawn storyboards with notes and a script from Peter Yates' 1983 fantasy adventure Krull. The items in this collection come from pre-production of the film. The 146-page script, held within a red binder, has handwritten annotations and highlighted portions throughout. It's written by Stanford Sherman, dated September 1980, and features the film's early working title of The Dragons of Krull. Also included are 52 pages of hand-drawn storyboards, 10 pages of concept art sketched in graphite and ink on vellum, 22 pages of storyboard and production notes, and a small print of the film's poster. The lot is in good overall condition with some wear from use and age, including tearing. Dimensions (largest): 14" x 17" x 1/4" (36 cm x 43 cm x 1 cm); (smallest): 10" x 8" x 1/4" (25 cm x 20 cm x 1 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $500 - 700
Lot 569
A screen-printed "Rocky" sweatshirt from Sylvester Stallone's Oscar-nominated boxing sequel Rocky III. Rocky Balboa (Stallone) trained for his fight with Clubber Lang (Mr. T) in Las Vegas, while Balboa's cutman Al (Al Sivani) supported him by wearing one of Paulie's (Burt Young) "Rocky" sweaters that promoted the fight.This black cotton and polyester sweater (size XL) features "Rocky" screen-printed in yellow on the front and "Sony" marked in ink on the tag. It is in good overall condition with some fading to the print from age.Estimate: $1,000 - 1,500
Lot 633
A Starfleet Command Fleet Ops Center guest badge from the science-fiction prequel series Star Trek: Enterprise. Visiting species such as the Vulcans, Andorians, and Tellarites wore green guest badges while they visited Starfleet's Fleet Operations Center to discuss the formation of a Coalition of Planets, a precursor to the eventual United Federation of Planets. The plastic badge is green with white text and a white border, and features a small security hologram sticker and logos for Starfleet Command and the United Earth. Too small to be seen on screen, the fine print on the badge includes quotes from Star Trek, The Blues Brothers, Buckaroo Banzai, and a Beatles song. The badge is clipped to a plain black braided nylon lanyard.It is in excellent overall condition, with minimal wear from production.Dimensions: 24" x 2" x 1/2" (61 cm x 5.5 cm x 1.5 cm)Estimate: $400 - 600
Lot 681
A black-and-white Pirate Ship (Millennium Falcon) concept print from the production of George Lucas' Star Wars: A New Hope. This design print, thought to be the work of Joe Johnston, depicts side and birds eye views of what was known during pre-production as the Pirate Ship, later seen on screen as the Millennium Falcon. This version of the ship features three engines, a radar dish, and an elongated hexagonal cockpit.This blueprint is rendered in mixed media on five sheets of glossy illustration paper that are taped together. It is in fair overall condition with creases from folding and wear along the edges.Dimensions: 18" x 24" (45.75 cm x 61 cm)Estimate: $600 - 800
Lot 714
A speeder bike blueprint from Richard Marquand's Star Wars: Return of the Jedi. This production-used blueprint for the iconic vehicle was drafted by chief modelmaker Michael Fulmer.The 3":1' scale print dated 10 April 1982 and labeled "Scooter" shows the bike's top and side views with detailed views of its components, including the engine block and turbine bracket. Markings at bottom note that this blueprint was prepared in haste for the model shop. It exhibits slight discoloration from age and wrinkles from folding, but remains in good overall condition. Dimensions: 36" x 24" (91 cm x 61 cm)Estimate: $1,500 - 2,500
Lot 101
William McFly (Michael J. Fox) and family print from Robert Zemeckis' sci-fi adventure sequel Back to the Future Part III. Marty McFly (Fox) found a photo of his great-grandfather William while looking through a book on the history of Hill Valley. This thin cream-color paper print features a black-and-white image of William McFly and his family, including Fox and Lea Thompson in two roles each, a caption printed in blank ink below it, and a page number ("108"). This piece is in excellent overall condition with only minor wear, including some slight wrinkling and a tiny hole in the top-right corner. Dimensions: 11 3/4" x 8" (30 cm x 20.5 cm)Estimate: $500 - 700
Lot 190
* ANGELA LEMAIRE (BRITISH CONTEMPORARY) TWO ACTORS BEFORE WINDOW linocut print, signed, titled, dated '77 and numbered 1/5 in pencil 31cm x 23cm Mounted, framed and under glass. Note: Angela Lemaire was born in Buckinghamshire and went to the Lyçée Français de Londres and Wispers School in Sussex, then to PLC Pymble in Sydney Australia. She returned to Britain in 1962 and went to Chelsea School of Art, London (1963) and Camberwell School of Arts and Crafts (1964-67, Dip. AD.), where she was taught relief printmaking by Michael Rothenstein. After this she went to Morley College, Lambeth, where she continued etching. The wood-engraver Frank Martin, who taught at Camberwell, gave her a box of wood-engraving tools which had belonged to a colleague of his who had died. With these tools she taught herself wood-engraving; it hadn’t been taught at art-school. She was by then already friends with the wood-engraver and letterer Michael Renton and had watched him at work. She decided she would work principally as a printmaker and with text and image. Angela lives and works in the Scottish Borders and has exhibited widely including numerous solo shows at prestigious galleries around the UK and beyond.
Lot 47
Local interest - Michael Vickery - view of the River Thames near Cliveden with swan to the forefront, watercolour, signed lower right corner, 13 12/2" x 21 2/8", mounted in glazed frame, along with a Philip Martin signed, limited edition print of Boulters Lock, Maidenhead, signed, titled and numbered 713/850 to lower margin, 6 2/8" x 7 1/2", mounted in a glazed frame
Lot 126
‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Baboon (Wiseman 155) Inscribed 3 in pencil to verso Screenprint in five colours on watermarked BFK Rives paper, 1990, co-published by the artist and Curwen Chilford Prints 76.5 x 56.5cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet This print was produced in an edition of 70, 10 APs, 2 PPs, 5 HCs. 2 BAT and 2 archive proofs.
Lot 127
‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Water Buffalo Signed and numbered 26/50 in pencil Lithograph in colours 41.5 x 59cm (sheet) Provenance: The Estate of Dame Elisabeth Frink & Lin Jammet See Edward Lucie Smith, Elisabeth Frink Sculpture Drawings since 1984 (Art Books International) p.153, for the original drawing. This print was produced for the World Wildlife Fund in 1984.
Lot 128
‡ Dame Elisabeth Frink CH, DBE RA (1930-1993) Water Buffalo Lithograph, 1984 42 x 59 (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet See Edward Lucie Smith, Elisabeth Frink Sculpture Drawings since 1984 (Art Books International) p.153, for the original drawing. This print was produced for the World Wildlife Fund in 1984.
Lot 129
‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Water Buffalo Lithograph, 1984 42 x 59cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet See Edward Lucie Smith, Elisabeth Frink Sculpture Drawings since 1984 (Art Books International) p.153, for the original drawing. This print was produced for the World Wildlife Fund in 1984.
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314766 item(s)/page