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Lot 333
Bernard Green, British 1931-1998- Still life of bottle and fishes; oil on canvas board, 50.5x40.5cm: together with a pencil study of a female nude, a screenprint titled `Peel`, signed, titled, dated `76 and numbered 8/20 in pencil and a reproduction print by and after the same artist, (4), (may be subject to Droit de Suite) Notes: Born in 1931, Bernard Green studied at Birmingham College of Art & Design. He was a painter, print maker and sculptor. His early paintings explored the use of line and colour, creating illusions of space using colour on flat surfaces. In 1977 he moved to Pembrokeshire in Wales where the landscape became a source of inspiration and where he started to explore themes based on his dream sequences, religion and the human condition. His work was exhibited at The Royal Cambrian Academy, The Royal Birmingham Society, Royal West of England Academy, the Royal Society of Painters Etchers & Engravers and at various gallery exhibitions in England and Wales. His prints were pressed on his large Columbian proofing press (circa 1853) which following his death in 1998 went on display at the Swansea Print Workshop. He became well known in Wales. He produced a series of embossed linocuts featuring views of Pembrokeshire and in the 1980s was commissioned by HM the Queen to produce a view of Caernarfon Castle as the subject for the Royal Telemessage. In 1986 he was artist in residence at the Graham Sutherland Gallery in Picton. His work is in various collections including HM the Queen, British Telecom, Lloyds Bank, Gulf Bank, Kuwait, National Library of Wales, Derby Museum, Haverfordwest Museum & Gallery, Scolton Manor Museum.
Lot 334
Bernard Green, British 1931-1998- "Still life"; screenprint in colours, signed, titled, inscribed Artists Proof and dated 1966 to the mount, 40.5x31cm: together with fifteen other screenprints in colours by the same artist of various subjects including nudes, cathedral, seahorses, (16), (unframed) (may be subject to Droit de Suite) Notes: Born in 1931, Bernard Green studied at Birmingham College of Art & Design. He was a painter, print maker and sculptor. His early paintings explored the use of line and colour, creating illusions of space using colour on flat surfaces. In 1977 he moved to Pembrokeshire in Wales where the landscape became a source of inspiration and where he started to explore themes based on his dream sequences, religion and the human condition. His work was exhibited at The Royal Cambrian Academy, The Royal Birmingham Society, Royal West of England Academy, the Royal Society of Painters Etchers & Engravers and at various gallery exhibitions in England and Wales. His prints were pressed on his large Columbian proofing press (circa 1853), which following his death in 1998, went on display at the Swansea Print Workshop. He became well known in Wales. He produced a series of embossed linocuts featuring views of Pembrokeshire and in the 1980s was commissioned by HM the Queen to produce a view of Caernarfon Castle as the subject for the Royal Telemessage. In 1986 he was artist in residence at the Graham Sutherland Gallery in Picton. His work is in various collections including HM the Queen, British Telecom, Lloyds Bank, Gulf Bank, Kuwait, National Library of Wales, Derby Museum, Haverfordwest Museum & Gallery, Scolton Manor Museum.
Lot 335
Bernard Green, British 1931-1998- "Temple to Constable II"; screenprint in colours, fifteen, eleven signed, numbered from an edition of 15, signed and dated `74 in pencil, four test prints, ea. 58.5x59cm: together with a further suite of screenprints by the same artist entitled "Cul de Sac II", nine, five signed, titled and dated `74 from an edition of 20, one A/P and three test prints, ea. 59.5x65.5cm, (24), (unframed), (may be subject to Droit de Suite) Notes: Born in 1931, Bernard Green studied at Birmingham College of Art & Design. He was a painter, print maker and sculptor. His early paintings explored the use of line and colour, creating illusions of space using colour on flat surfaces. In 1977 he moved to Pembrokeshire in Wales where the landscape became a source of inspiration and where he started to explore themes based on his dream sequences, religion and the human condition. His work was exhibited at The Royal Cambrian Academy, The Royal Birmingham Society, Royal West of England Academy, the Royal Society of Painters Etchers & Engravers and at various gallery exhibitions in England and Wales. His prints were pressed on his large Columbian proofing press (circa 1853), which following his death in 1998, went on display at the Swansea Print Workshop. He became well known in Wales. He produced a series of embossed linocuts featuring views of Pembrokeshire and in the 1980s was commissioned by HM the Queen to produce a view of Caernarfon Castle as the subject for the Royal Telemessage. In 1986 he was artist in residence at the Graham Sutherland Gallery in Picton. His work is in various collections including HM the Queen, British Telecom, Lloyds Bank, Gulf Bank, Kuwait, National Library of Wales, Derby Museum, Haverfordwest Museum & Gallery, Scolton Manor Museum.
Lot 351
Peter Kitchell, British late 20th/early 21st century- "Orca Belly I" and "Earth Swollen Feelings"; lithographs printed in colours, two, ea. signed, titled and numbered in pencil, ea. 75x114cm: Jo Scott McCarthy, British late 20th/early 21st century- "No Time To Wonder"; lithograph printed in colours, signed and numbered in pencil, 35.5x44.5cm: Michael Banks, British late 20th/early 21st century- "Neon I"; digital print on aluminium, signed, titled and dated 2001 on the reverse, 96x151cm., (part unframed), (4), (may be subject to Droit de Suite)
Lot 375
After Andy Warhol, American 1928-1987- "Flowers", published by Sunday B Morning; screenprints on museum board paper, suite of ten images depicting flowers in various colour combinations, ea. stamped in blue to the reverse, ea. 91.5x91.5cm, (10) (unframed) Note: this lot is accompanied by a certificate of authenticity from the publisher Sunday B Morning for the suite of ten prints and individual certificates of authenticity for each print
Lot 968
A South East Asian picture of figures within a landscape, possibly Balinese or Burmese, 20th century, bearing script to the bottom, framed and glazed 71cm high x 58cm wide; with a reproduction print of an Italian poster for Parmigiano-Reggiano Bertozzi Parma, framed and glazed, 114cm high x 83cm wide, (2).
![KAREL APPEL [DUTCH 1921-2006], COLOR AQUATINT & CARBORUNDUM INTAGLIO PRINT, no. 49/110, 1977, 28" X 35": Flying](http://lot-images.atgmedia.com/SR/33875/2886779/2037-2013617123747_468x382.jpg)
Lot 312
A large print of Cunard line `Queen Mary` Launched at Clydebank: in heavy wooden frame, probably during refit after WWII, with small plaque stating Cunard White Star line `Queen Mary` Launched at Clydebank 1934, originated from an ex-Cunard employee, believed originally displayed at Cunard Offices, F-G, two areas of tape damage and small puncture
Lot 194
Spode tea service circa 1820 bat printed with landscapes, to include a teapot and stand, two cream boats, slop bowl, and saucer dish, two lidded sucriers, thirteen cups and saucers and one other similar teacup and saucer, (39) Condition report: wear to the gilt and occasional scratches to print on many pieces. One cup has a crack to the handle, one saucer with body crack. One sucrier has a restuck finial, the base is stained. the other sucrier cover has stains. The teapot has a star crack to the body. One cream boat has firing cracks.
Lot 203
Two pearlware coffee pots circa 1800 one possibly Liverpool painted in underglaze blue with `L` to the base, the second with transfer print decoration, (4) 25cm high Condition report: Painted coffee pot: old yellowing restoration to the finial and the spout. Minor glaze nicks and crazing. Printed coffee pot: flat chip to the spout and to the base. Overall crazing.
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