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Lot 390
Toshi Yoshida (Japanese, 1911-1995). Woodblock print titled "Plum Tree with Magpie," depicting a pair of magpies perched on the mossy branch of a plum tree. Signed along the lower right and titled along the lower left; there is a Japanese inscription along the left margin.Height: 10 3/4 in x width: 15 3/4 in.
Lot 419
Pierre Bonnard (French, 1867-1947). Original lithograph titled "Portrait of a Man," 1902. From the artist illustrated book titled "Daphnis et Chloe," 1902, published by Parisian art dealer and print publisher Ambroise Vollard (1866-1939).Sight; height: 8 in x width: 7 1/2 in. Framed; height: 19 1/4 in x width: 16 3/4 in.
Lot 435
Group of four contemporary prints. Two prints depicting a coffee service on a checkered tablecloth, one in grayscale and one in color, both illegibly signed and dated 1980 along the lower right and titled "TAMA" along the lower left. One Georgette Batlle (American, b. 1940) print depicting a semi trailer from behind, pencil signed and dated 1974 along the lower right and numbered 9/22 along the lower left; illegibly titled along the lower center. One print depicting a brightly colored woman titled "The Sugarbread Homes;" illegibly signed and dated 1980 along the lower right, titled along the lower center, and numbered 2/60 along the lower left.Height ranges from 29 1/2 in to 41 1/4 in. Width ranges from 26 in to 43 1/4 in.
Lot 445
One portfolio of nine prints titled "Asian Contemporary Art in Print in Celebration of the Asia Society's 50th Anniversary 2006," published by the Asia Society in honor of their 50th anniversary. This portfolio features works by Amanda Heng, Michael Lin, Lin Tian Miao, Jiha Moon, Navin Rawanchaikul, Nilima Sheikh, Wilson Shieh, Yuken Teruya, and Wong Hoy Chong, with a colophon by Xu Bing. Edition: 46/100. The portfolio is housed in a clamshell box.Provenance: Collection of Bruce Dayton & Ruth Stricker Dayton, Minnesota.Portfolio; Height: 21 in x width: 25 1/4 in x depth: 1 1/2 in. Print (Each, approximately); Height: 20 in x width: 24 in.
Lot 446
Donald Sultan (American, b. 1951). Linocut on Arches Cover White paper titled "French Cypress 2" from "Tramp Pictures - Cypresses and Stacks." Pencil initialed, titled, numbered 3/15, and dated June 28, 1982 along the left margin. This print is the second in a series of five linocuts. Published by Blum Helman Gallery and Carmen Gimenez.Sight: 15 1/4 in x width: 6 in. Framed; Height: 25 1/2 in x width: 19 3/4 in.
Lot 447
Donald Sultan (American, b. 1951). Linocut on Arches Cover White paper titled "French Cypress 1" from "Tramp Pictures - Cypresses and Stacks." Pencil initialed, titled, numbered 3/15, and dated June 28, 1982 along the left margin. This print is the first in a series of five linocuts. Published by Blum Helman Gallery and Carmen Gimenez.Sight; Height: 15 1/4 in x width: 6 1/4 in. Framed; Height: 25 1/2 in x width: 19 3/4 in.
Lot 450
Group of six framed artworks. Includes one Pablo Picasso (Spanish, 1881-1973) print depicting a mother and child, two landscape watercolors signed "Marlinde," one Bradi Barth (American, 1922-2007) drawing depicting a pair of young lovers, and two abstract drawings.Sight; Height ranges from 10 in to 10 3/4 in; width ranges from 6 3/4 in to 7 3/4 in. Framed; Height ranges from 15 1/2 in to 21 1/2 in; width ranges from 12 1/2 in to 18 in.
Lot 550
Print on board after "Portrait of a Young Man" by Bronzino (Agnolo di Cosimo di Mariano) (Italian, 1503-1572). The fashionable young man depicted gazes over his shoulder, his left hand resting on his hip, while his right hand marks his place in a book.Provenance: from the collection of an important Minnesota institution.Sight; Height: 37 1/2 in x width: 29 1/4 in. Framed; Height: 44 1/4 in x width: 36 in.
Lot 552
Group of six framed works including five photographs and one print depicting the facades of buildings and city scenes. With one print titled "Post Office, Sackville Street, Dublin," depicting a bustling Dublin street scene.Provenance: from the collection of an important Minnesota institution.Sight; Height ranges from 23 1/2 in to 30 1/2 in; Width ranges from 19 1/2 in to 35 1/2 in. Framed; Height ranges from 34 3/4 in to 42 1/4; Width ranges from 31 in to 46 1/2 in.
Lot 553
Peter Lik (Australian, b. 1959). Photograph titled "Beyond Paradise," depicting a pier in Key West, Florida, stretching out into the vibrant blue ocean. Silver halide print. Signed and numbered 480/950 along the lower right.Sight; Height: 19 1/4 in x width: 58 1/2 in. Framed; Height: 37 in x width: 76 in.
Lot 555
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting a figure carrying a load up a curving path in the mountains. Silver gelatin print. Hand signed along the backing to the lower right of the photograph.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 14 3/8 in x width: 10 in. Matted; height: 20 in x width: 16 in.
Lot 556
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "The Raft," executed 1930, depicting a woman steering a raft through the water with a pole. Silver gelatin print. Hand signed along the backing to the lower right of the photograph.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 12 3/4 in x width: 10 in. Matted; height: 20 in x width: 16 in.
Lot 557
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Zhang Daqian (Cypress Trees)," executed 1963, depicting the painter Zhang Daqian (1899-1983), a close friend of Chin San Long's, seated on a stone with a staff under the superimposed image of a cypress trees. Silver gelatin print. Hand signed along the backing.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 13 1/4 in x width: 10 1/2 in. Matted; height: 20 in x width: 16 in.
Lot 558
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "To Anchor at Even Tide," depicting a misty harbor scene. Silver gelatin print. Signed in ink along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 12 in x width: 15 in. Matted; height: 17 1/2 in x width: 19 7/8 in.
Lot 559
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting a nude woman reclining against a boulder in a wooded environment. A dramatically silhouetted tree is superimposed over the left side of the composition in the artist's iconic composite photography technique. Silver gelatin print. Hand signed along the backing to the lower right of the photograph.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 13 1/2 in x width: 10 5/8 in. Matted; height: 20 in x width: 16 in.
Lot 560
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Spring Fantasia," executed 1945, depicting a boat floating through mist behind the dramatic silhouette of branches. Silver gelatin print. Signed in ink along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 15 3/8 in x width: 11 5/8 in. Matted; height: 21 7/8 in x width: 16 1/4 in.
Lot 3220
George Rodrigue (American, 1944-2013), Blue Dog. Limited-edition print. Signed and numbered 173/1000 in pencil to margin. Framed and glazed. Image size 46 x 80cm. With accompanying book: George Rodrigue and Lawrence S. Freundlich, 'Blue Dog' (New York: Viking Studio Books, 1994).Condition Report: The limited-edition print appears to be in very good condition, with no immediately visible wear or damage. It seems to have been well preserved by its current framing.
Lot 3188
Eduardo Paolozzi (British, 1924-2005), 'Universal Electronic Vacuum, 1967'. Screenprint. Signed and numbered 30/75 in pencil to margin. Framed and glazed (with damage to glazing). Image size 85 x 60cm. Condition Report: The print is in generally good condition, with some slight creasing and minor surface marks. The glazing is badly damaged, but this does not appear to have affected the artwork itself.
Lot 3247
Kaws and Fairchild Paris, limited-edition print featuring Kate Moss. Lithograph on handmade paper. Signed Fairchild Paris, numbered 12/50 and bearing authentication stamps. Image size 34.5 x 27cm. Sheet size 58 x 38cm. Unframed.Condition Report: Large crease along width of sheet in the centre. Rough cut edges to paper. See additional photos for closer details.
Lot 3214
Chris Noble, 'Out of the Way', lithograph, signed and numbered 35/45 in pencil to margin, framed and glazed, 17 x 10.5cm; landscape etching, signed Courtois in pencil to margin, 9 x 20.5cm, framed and glazed; Jean Thomas, limited-edition landscape etching, signed in pencil to margin, framed and glazed, 12.5 x 10cm; Miggie Bruce, 'Bramleys in Embryo', watercolour, 12 x 17cm, with four further prints, including fabric print by Diane Kotsnaficas. (8)
Lot 3160
Joe Tilson (British, b. 1928), 'T-Slot', 'Dart', 'Ziggurat 3', 'Ziggurat 4', 'Freeway 2', 'Trio' (1965). Print. Each section signed, dated and numbered 26/70 in pencil. Sheet size 68 x 100cm. Condition Report: Extensive wear and general marking, with a lot of mould to mount and to the sheet itself.
Lot 3179
Peter Blake (British, b. 1932), 'Costume Life Drawing'. Screenprint. Signed and numbered 117/125 in pencil to margin. Framed and glazed. Image size 43 x 22cm.Condition Report: Print in good condition, with minimal visible wear. There is some wear to the frame, which does not appear to have affected the image itself.
Lot 3177
Peter Blake (British, b. 1932), 'Tatooed Lady' (1984). Print. Signed and numbered 23/100 in pencil to margin. Framed and glazed. Image size 110 x 51cm. Condition Report: Generally good condition, with some foxing to the image itself. Aside from this, there is general wear to the frame and glazing, which largely does not appear to have carried over to the image itself.
Lot 3216
§ Lincoln Townley (British, b.1972). 'Michael Caine, chrome edition' limited edition print depicting Michael Caine. 2020. From an edition of 5. With artist's blind stamps, numbered 5/5 with Lincoln Townley studio certificate of authenticity verso signed by the artist. Image size 40cm x 40cm. Lincoln Townley explores the darker side of the human personality, painting abstract portraits of celebrities. Townley's work has been featured in The Royal Academy in 2015 and 2016. He has been commissioned to paint the world's biggest icons by Mastercard and commissioned by The British Academy of Film and Television Arts Los Angeles to paint celebrities in 2016 and 2017. His painting of boxer Muhammad Ali sold for $623,000 in 2017. Described by Michael Caine as "The next Andy Warhol" Townley has exhibited widely including a Retrospective at The Saatchi Gallery, London 2016. Provenance: purchased directly from the artist's studio. Edition is sold out. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information. Condition Report: § Very good condition, with no discernible damage.
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314796 item(s)/page