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Lot 44

* Fenton (Roger, 1819-1869). Group of the 71st Regiment, Colour Sergeant, 1855, salted paper print on contemporary board, somewhat faded and light old waterstain to lower right corner, image size 13.5 x 17 cmQty: (1)

Lot 46

* Framed Photographs. A large-format portrait of a young woman reading a letter, circa 1910, carbon print, 59 x 42 cm, bevelled wooden frame, glazed, together with an assortment of late 19th and early 20th century photographs, mostly portraits including the Prince of Wales driving a car, 1902, and Franklin D. Roosevelt, horizontal crease, signed in the image, various sizes, all framed and all but one glazedQty: (16)

Lot 47

* Freeman (Robert, 1936-2019). John Lennon and Armour, 1965, gelatin silver print, printed 1987, 29.5 x 22 cm, framed and glazed with photographer's pencil signature 'Freeman' to lower mount right, label to frame verso, overall 51 x 51 cmQty: (1)

Lot 5

[Baker, Thomas]. Memorials of Oldham's Tenement at Crumpsall in the Parish of Manchester, the birthplace of Hugh Oldham, Bishop of Exeter, and founder of the Manchester Free Grammar School, 1st edition, Manchester: Sidney Smith, 1864, 5 pp. plus 3 leaves with albumen print photographs, the first a mammoth print of the cottage at Crumpsall in which Hugh Oldham was born, 25.5 x 37 cm, the second of a fresco on a wall in the cottage, 20.5 x 32 cm, the third leaf with two vignette photographs of coats-of-arms in the cottage, 7 x 5.5 cm, some spotting, stitched as issued and now loose in original cloth boards with covers detached, armorial bookplate to front pastedown, slim folio (51 x 35 cm)Qty: (1)NOTESThe photographer of this rare work is unidentified. Copies located at Manchester Public Libraries and Chetham's Library only.

Lot 51

* Great Britain. A group of 17 photograph albums, mostly late 19th century, containing albumen print topographical views and family scenes, etc., various bindings and sizesQty: (17)

Lot 52

* Great Britain. A group of 18 photograph albums, mostly late 19th century, containing albumen print topographical views and family scenes, etc., various bindings and sizesQty: (18)

Lot 53

* Haskins (Sam, 1926-2009). Nude with Apple, 1972, printed 1999, gelatin silver print, 39 x 29 cm, signed and dated in pencil by the photographer to verso, tipped into a modern aperture mount, together with a typed letter to David [Gruebel-Lee] from Sam and Alida Haskins, dated 28 December 1999 and referencing the photograph with apologies for the lateness of its delivery, plus A New Era Sam Haskins 2000 Pentax Calendar, signed and dated by the photographer in pencil to upper wrapper, otherwise unused, 38 x 52 cmQty: (3)

Lot 59

* India. An album containing approximately 76 albumen print photographs, mostly late 1890s, including views of Simla (7), Delhi (15), Agra (17), and the Golden Temple, mostly 22 x 28 cm and similar sizes, mounted on rectos and versos of stiff card album leaves with pen or pencil captions to mounts, plus one leaf with six cartes-de-visite portraits of Indian people, plus miscellaneous photographs of Gibraltar, etc., and 9 loose gelatin silver prints including views of Aden (some by H. Hands), contemporary cloth gilt, some corner wear, together with three further albums with Indian photography interest, 1890s, including 16 photographs of the Welsh Regiment in India, Ceylon views (6), Peshawar/Khyber (12), Suez (6), etc., including Italy and other countries, many photographs 22 x 27 cm and similar sizes, mounted singly and as multiples on stiff card album leaves with some annotations to mounts, some leaves loose, contemporary half morocco, covers detached and spines deficient, all oblong folioQty: (4)

Lot 6

ARR * Beaton (Cecil, 1904-1980). Dovima wearing Chanel, February 1953, bromoil gelatin silver print with 'Cecil Beaton Photograph' and 'From the Beaton Studio Sotheby Parke Bernet' stamps to verso and circular edition stamp '1/1', 22.5 x 19.5 cmQty: (1)

Lot 60

* India. An album of 190 mounted platinum prints, circa 1910, showing views, residencies, Western and indigenous people, tiger hunting, etc., images mostly 8.5 x 11 cm and mounted in groups of 4s on rectos and versos of stiff card album leaves with scattered indistinct pencil captions, plus a further 49 gelatin silver print and platinum print snapshots of Cairo and the Middle East on 5 leaves at rear, contemporary canvas boards, oblong folio (26 x 32 cm), together with a slightly earlier album containing window-mounted platinum prints of views and scenes in India (94), Ceylon (47), West Indies including Martinique, Havana and Jamaica (28) including the Wreck of USS Maine, scattered brief ink captions to some mounts, images 9 x 11.5 cm, contemporary cloth, rubbed, small folio (28 x 18 cm)Qty: (2)

Lot 61

* India. An album of approximately 52 mounted albumen print photographs, circa 1890s, images include a group of Kol girls, Chota Nagpore, mess bungalow, 9th Bengal Infantry, Dorunda, various European groups, two more portraits of a Kol girl, two views of Kandy, images of a Ghurka group and 9th Ghurka Rifles with native soldiers, native recruits for Ghurkas, images of Lucknow, Hooghli, Calcutta, Lundi Kotal Camp, Khyber, etc., plus 7 views of the Andaman Islands, plus a few miscellaneous images of the Pyramids, Switzerland, etc., many images 20 x 25 cm and similar larger format sizes, mounted on rectos and versos singly and as multiples on stiff card leaves with ink captions throughout, partly broken, contemporary half morocco, covers detached and backstrip deficient, oblong folio (26 x 35 cm)Qty: (1)

Lot 62

* India. An assorted group of 7 photograph and snapshot albums, circa 1890s/1940s, mostly gelatin silver print of various sizes including some from earlier negatives, one album with images of the North-West Frontier, circa 1903, containing approximately 32 images, one album with views including the Himalayas, Ceylon, images of the Middle East by Lekegian, plus assorted studio views and snapshots, various bindings and sizesQty: (7)

Lot 65

* Kertesz (André, 1894-1985). The Circus, Budapest, 1920, gelatin silver print, printed circa 1980, signed and dated by the photographer in pencil to verso, 24.5 x 19.5 cmQty: (1)NOTESPierre Borhan, André Kertész: His Life and Work, 1994, p. 81.

Lot 66

* Mason (Herbert, 1903-1964). St. Paul's Cathedral during the Blitz, December 1940, bromoil gelatin silver print, image 28 x 36 cm, pasted on a card mount with aperture mount titled neatly in ink capitals, slight surface scratch to lower centre of image and adhesion marks to left margin under mount (now lifted from image)Qty: (1)

Lot 67

* Middle East & North Africa. A group of 4 photograph albums, circa 1870s/1890s, all with mounted full-plate albumen print photographs, one album including 22 photographs of Suez Canal and environs, by Zangaki, a second album containing 39 views and portraits of Algeria and its people by N.D., a third album including 18 full-plate views of Egypt by Lekegian and 70 amateur snapshots, the fourth disbound album containing 15 albumen print views of Cairo, various sizes, plus other miscellaneous European views, various bindings, 4to/oblong folioQty: (4)

Lot 69

* Middle East. An album containing 52 mounted photographic views by Bonfils, circa 1880s, including views of Damascus, Baalbek, Jerusalem, etc., signed and captioned in the negatives, generally faded, 22 x 27 cm and similar sizes, mounted back-to-back on stiff card leaves, contemporary half morocco, covers detached and spine deficient, oblong folio, together with a second album containing a further 20 full-plate albumen prints of the Middle East and Turkey, many by Bonfils, generally signed and captioned in the negatives, mounted on rectos and versos of stiff card leaves, along with 40 other full-plate albumen print views of the Riviera including two of the earthquake at Diana Marina, 1887Qty: (2)

Lot 7

ARR * Beaton (Cecil, 1904-1980). H.R.H. The Princess Margaret, 1955, vintage bromoil gelatin silver print, seated and half-length in profile with full face and hands resting on the back of the chair in front of her, 37 x 28.5 cm, original mount signed and dated by the sitter in brown ink at foot, 'Margaret 1957' and with Cecil Beaton ink stamp to mount verso, overall 51 x 35.5 cm, together with: Wilding (Dorothy, 1893-1976). Queen Elizabeth II, 1952, gelatin silver print on tissue and card mount with photographer's facsimile signature at foot, image 24 x 19 cm, framed and glazed with desk supportQty: (2)NOTESThe first portrait was taken by Beaton in Clarence House, London, as an official portrait in advance of Princess Margaret's 25th birthday on 21 August 1955.

Lot 71

* Nadar (1820-1910). Self portrait in a hot air balloon basket, produced in his studio, c. 1863, albumen print carte de visite, together with three other cartes-de-visite by Nadar of an unidentified couple, Mrs Mallock and Jack Preston (both identified in pencil to versos), red rule borders with initial lower right and photographer's imprint details to versos, plus three Nadar cabinet cards, circa 1890s, all studies of the same man, possibly an actor, posing in different historical costumesQty: (7)NOTESGaspard-Félix Tournachon (1820-1910), better known by the pseudonym Nadar, was a French photographer, caricaturist, journalist, novelist, balloonist and proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. This is from a series of similar photographs taken by Nadar of himself in a balloon basket in his studio.

Lot 73

* New Zealand. An album containing 38 mounted albumen print views of New Zealand by Frank Arnold Coxhead (1851-1908), circa 1880s, many titled and initialled in the negatives, 14 x 19 cm and similar sizes, mounted back-to-back on stiff card leaves, contemporary half roan with title label to upper cover, covers detached and spine damaged, small oblong folio (19.5 x 27 cm)Qty: (1)

Lot 75

* Nightingale (Florence, 1820-1910). Full-length portrait [by Goodman of Derby], c. 1867, albumen print, visible image size 20.5 x 16 cm, framed and glazed, with clipped autograph 'F Nightingale' pasted to mount beneath, old gilt frame, glazedQty: (1)

Lot 76

* Ponting (Herbert, 1870-1935). Imprisoned in the Ice, from Scott's last expedition to the Antarctic (1910-1913), published by the Discovery Gallery, the Ponting Collection, 1997, gelatin silver print on card, image 40 x 30.5 cm, limitation stamp and manuscript details 151/400 to verso, overall 50 x 40.5 cmQty: (2)NOTESAccompanied by the publisher's certificate of authenticity and stiffened envelope.

Lot 79

* Attributed to Oscar Gustave Rejlander (1813-1875). "Lost" and "Found", c. 1860, two albumen print photographs of young boys, images 8.5 x 5.5 cm, pasted on original paper mounts within printed borders with captions at foot, the first with sub-heading 'Alone in the streets of London', the second with 'And happy at work in the "Home"', additional printed line at foot of each, 'For the other side see Appendix' and 'Same boy as in Frontispiece', together with an albumen print carte de visite of a young woman's head in profile, c. 1860, possibly Mary Rejlander, the photographer's daughter, image 9 x 6 cm, Rejlander's credit details with the address 7 St. George's Terrace, Malden Road, Haverstock Hill to versoQty: (3)

Lot 81

Robinson (Henry Peach). Pictorial Effect in Photography: Being hints on Composition and Chiaroscuro for Photographers to which is added a chapter on combination printing, 1st edition, Piper & Carter, 1869, two mounted carbon prints, one albumen print and three etched plates, illustrations to text, 8 pp. advertisements at rear, original cloth, partly frayed and faded with some wear to extremities, 8vo, together with assorted other photography books and books with mounted photographs including the Cabinet Gallery, 5 volumes, Our Conservative and Unionist Statesmen, 8 volumes, Barraud's Men and Women of the Day, 1888 & 1890, etc.Qty: (approx. 40)

Lot 82

ARR * Rodger (George, 1908-1995). Korongo Wrestlers, Kordofan, Southern Sudan, 1949, printed 1979, gelatin silver print, 20 x 30.5 cm, signed, titled and dated in pencil by the photographer to lower margin, copyright inkstamp to verso with pencil annotations and signatures of the photographer, sheet size 30.5 x 38.5 cmQty: (1)

Lot 85

ARR * Smith (Graham, born 1947). King Edward Bridge, River Tyne, Newcastle, 1977, vintage gelatin silver print, captioned, signed and dated '1978' by the photographer to verso, 25 x 32 cm, aperture mountQty: (1)

Lot 89

* South Africa. An album of 36 mounted albumen print photographs, circa 1890s, showing people, views and street scenes, a few with photographer's identified as Caney, Lloyd or Burg, images mostly 13.5 x 19.5 cm and similar sizes, mounted as multiples to rectos and versos of stiff card leaves with ink captions to many mounts, some photos loose, contemporary cloth, covers detached and backstrip deficient, together with a family photograph album of South Africa, circa 1900, containing approximately 140 mostly gelatin silver print photographs and snapshots on rectos and versos of 28 stiff card leaves, showing civilian life and settings, various sizes, contemporary half morocco, worn, oblong folioQty: (2)

Lot 9

ARR * Brandt (Bill, 1904-1983). A resident of Putney, 1939, vintage gelatin silver print, photographer's name stamp and ink caption to verso, 23.0 x 19.7 cmQty: (1)

Lot 90

* South Africa. South African Souvenir, by J.E. Middlebrook, photographer, Durban & Kimberley, circa 1899, an album of 50 mounted collotype scenes, images 14.5 x 19.5 cm, mounted on stiff card leaves and back-to-back with printed captions beneath, original padded morocco gilt, covers detached and backstrip deficient, small oblong folio, together with an album of 60 mounted gelatin silver print views of South Africa, circa 1900, all captioned in the negative with initials J.E.M[iddlebrook], some chemical staining and fading, images 13.5 x 19 cm, mounted back-to-back on stiff card leaves, contemporary cloth, rubbed and damp stained, small oblong folio, plus an album of approximately 50 mounted small format gelatin silver prints of people and scenes around the Gold Coast colony, pencil captions to mounts, contemporary morocco with gilt title and date to upper cover, 'Dodo, June 20th 1899', slightly rubbed, small oblong folio, plus a small album containing 20 views of Barberton, South Africa, circa 1890, gelatin silver prints, images 10 x 6.5 cm, mounted to rectos with neat ink captions, contemporary half roan, rubbed, oblong, 16moQty: (4)

Lot 92

* St. Helena. A group of three unrelated albums with photographs of St. Helena, 1890s/1900s, the earliest album compiled by H.W. Simms of HMS Sparrow, circa 1892, containing a total of approximately 70 albumen and gelatin silver print photographs and snapshots, including colleagues and scenes on St. Helena, plus views of Venice and postcard-size photographs of Bermuda and earthquake destruction at Kingston, Jamaica, images generally faded and poor, contemporary half morocco, rubbed, 4to, the second a midshipman's album relating to HMS Niobe, circa 1900, containing photographs of ship and crew, Walfish Bay, Cuddy Kop, plus images of Boer officers landing at St. Helena, English and Boer, St. Helena (x 2), wigwams made by Boer at St. Helena and Longwood, Napoleon's house at St. Helena (each 15 x 20 cm), plus two views of Corfu, etc., plus two ink and watercolour plans, mostly mounted to stiff card leaf rectos only with neat ink caption and occasional lengthy notes, contemporary cloth, oblong folio, the third album containing snapshots and views in Aden, St. Helena, Mobassa, images 15 x 20 cm and smaller, mounted on rectos and versos of 15 stiff card leaves, contemporary cloth, rubbed and soiled, small oblong folioQty: (3)

Lot 11

A LARGE FRAMED AND GLAZED BANKSY L'ARTE DELLA RIBELLIONE PRINT OVERALL SIZE INCLUDING FRAME - 105CM X 75CM

Lot 12

MODIFIED ART IN THE STYLE OF BANKSY, MADE FROM AN ORIGINAL FRAMED PRINT DEPICTING CHOIR BOYS ON THE STEPS OF A CATHEDRAL, with later addition of a 'Mild Mild West' bear as if one boy is spraying street art while the other looks on, 45 x 39 cm

Lot 13

A COLLECTION OF ASSORTED PRINTS, TOGETHER WITH A FRAMED AND GLAZED MAP OF CORNWALL, REPRODUCTION CADBURYS PRINT ETC.

Lot 14

A COLLECTION OF ASSORTED PICTURES, PRINTS AND MIRRORS TO INCLUDE BEVEL EDGED WALL MIRRORS, THREE KINGS EQUESTRIAN INTEREST PRINT ETC.

Lot 22

A LARGE QUANTITY OF ASSORTED PRINTS TO INCLUDE 'TROTTERS' BY WARWICK HIGGS, NIGEL HEMMING PRINT, DAVID SHEPHERD PRINT OF ELEPHANTS ETC. (QTY)

Lot 25

A LARGE BLACK AND WHITE PRINT OF A LADY ENTWINED BY A SERPENT

Lot 38

GILT FRAMED AND GLAZED ANTIQUE HAND COLOURED ADVERTISING PRINT FOR BROOKES MONKEY BRAND SOAP - 23CM X 35CM

Lot 52

A LARGE QUANTITY OF ASSORTED PICTURES AND PRINTS TO INCLUDE A CRICKET INTEREST PRINT, MAUDE EARL PRINTS AND PICTURE FRAMES (18)

Lot 718

A LARGE MODERN CHINESE FLORAL PRINT 56 X 69 CM

Lot 733

A MODERN LTD EDITION W.CORBETT COASTAL PRINT 50 X 50 CM No 32/125

Lot 8

A FRAMED GLAZED GOLF INTEREST PRINT WITH INSET GOLF BALL LOWER RIGHT, OVERALL SIZE INCLUDING FRAME 64 CM BY 74 CM

Lot 109

SAS Interest - after F. Field black and white print, depicting tactical firearms unit, brass plaque reads: Presented to the C.R.W. 22 SAS by the Royal Gibraltar Police Tactical Firearms Unit approx 28 w x 22.5 h cms, framed and glazed; an original watercolour depicting SAS Tactical Firearms Unit  during operations, signed Bernard, approx 51 x 41 cms, a framed Regimental Collect of the Special Air Service Regiment, approx 17 x 30 cm and a Warriors poster designed by C. Hawley and signed by the author of 'Sharpening the Warriors Edge' Bruce K. Siddle and Tod Speed. (4)

Lot 110

Limited edition David Rowlands entitled 'Mess Meeting at Wadi Tubal, Western Iraq, 16th February 1991 nr 129/150, signed in the upper margin by General Norman Schwarzkopf, General Sir Peter de la Billiere and the lower margin Peter Ratcliffe approx 52 w x 69 h cms. This meeting took place behind enemy lines during Operation Granby. Sergeant Major of 22 SAS, WO1 P Ratcliffe, who was commanding one of the four columns, called an extraordinary meeting of 22 SAS Warrant Officers' and Sergeants' Mess, this being the first opportunity since assuming his appointment as RSM on 3rd December 1990. This is believed to be the first ever Mess Meeting to be held behind enemy lines. The four mobile columns continued to operate behind the lines for a further 3 weeks. The margins are signed by the following:General H. Norman Schwarzkopf Commander in Chief, General Sir Peter de la Billiere Commander British Forces Middle East, Lt Col. J T Homes CO22 SAS; Warrant Officer P. Ratcliffe RSM 22 SAS and David Rowlands the artist, complete with certificate of authenticity. This includes a further limited edition print by Peter Archer entitled 'The Convoy' nr 23/850 with printed quotes by General H. Norman Schwarzkopf and General Sir Peter de la Billiere KCB, KBE and DSO, approx 63 x 45 cms, framed and glazed. 

Lot 111

SAS Interest - limited edition John Hamilton print, entitled 'Attack on Pebble Island Airstrip' nr 7/850, signed in pencil in the lower right margin, approx 59 x 41 cms, un-framed, together with a colour print after Ernest Crofts (1847-1911) entitled Quatrebras to Waterloo, approx 64.5 x 33 cms, framed and glazed. (2)

Lot 112

Three David Shepherd prints, including a limited edition print entitled 'Patrol Action in Malaya', nr 222/850 signed in pencil to the lower margin, printed in Coventry by Printcraft, approx 60 x 42 cms, a limited edition print entitled 'Evening In the Desert' - 1942 nr 424/850 approx 86 x 49.5 cms, published by Royle Print Ltd together with another unsigned print by David Shepherd entitled '4th Parachute Regiment' Oosterbeek Cross Roads 22nd September 1944, published Cotswold Collotype (part of the Francis Frith publishing company), approx 96 x 59 cms. (3)

Lot 116

Pair of Indonesian copper plate print block, depicting dancing figures, approx 21 w x 29 h cms, supported on ebonized stands. 

Lot 35

Football memorabilia. This lot includes Andy Goram's keepers gloves worn for Scotland & Glasgow Rangers; a signed photograph print of Paul Scholes; signed photographic print of Michael Owen; signed photograph of Wayne Rooney; photographic print with signatures of Emmanuel Petit and Patrick Viera (the only two players in the history of the game to win The League, FA Cup, World in the same year 1998); signed picture of Dennis Bergkamp.

Lot 397

After Henry Martens (1860) coloured print, entitled 'The Life Guards', engraved by John Harris, approx 70 w x 59 h cms, framed and glazed. Note: The Life Guards is the senior regiment of the British Army and part of the Household Cavalry, along with Blues and Royals. 

Lot 412

James Gillray (British, 1756-1815) The First Kiss This Ten Years! - or - The Meeting of Britannia & Citizen François print with hand-colouring, published by H. Humphrey, London, 1803, approx 20 x 38 cms, framed and glazed. 

Lot 95

* Talbot (William Henry Fox, 1800-1877). The Round Tower, Windsor Castle, 1844, salted paper print from a calotype negative, 21.5 x 17.0 cm (sheet size 22.5 x 18.5 cm)Qty: (1)NOTESProvenance: Sotheby's, London, 27 October 1978, lot 64.

Lot 140

COLLECTION OF ELEVEN REVERSE GLASS MEZZOTINTS 18TH & 19TH CENTURY comprising: 'The Rt Honble Earl of Loudoun', Ramsey Pinxt, Spooner Fecit, 43cm high x 42.5cm wide; 'His Royal Highness Prince Edward &C &C', Morland Pinxt, Richard Houston fecit, 41cm high, 30.5cm wide; 'Maria Countess of Coventry', 47cm high, 37cm wide; 'Pastora', Ryall 7 R.Withy, Fleet Street, 45cm high, 34.5cm wide; 'Beating and Trailing for a Hare', J.Seymour invent, T.Burford delin etg fecit, 36.5cm high, 46.5cm wide; 'Going to Cover', Published July 14 1794 by John Fairburn, Map, chart and print seller, No. 146 Minories, London, 31cm high, 41cm wide; 'Partridge Shooting', Pubd Dec 1804 by Stamp and Son, 74 Leather Lane, London, 31cm high, 41.5cm wide; 'Going Out in the Morning', Published according to act of parliament, June 20th 1753, J.Seymour invt, T.Burford del at fect, 36cm high, 46.5cm wide, 'Woodcock Shooting', Pubd. Dec 1804 by Stampa & Son, 74 Leather Lane, London, 42cm wide, 31.5cm high; and an untitled print depicting two stabled horses, Seymour pinx, T.Burford fec,(46cm wide, 36cm high)Provenance: Property from Kilmany House, Fife

Lot 143

JOHN BOULTBEE AFTER THE DURHAM OX Print after the original engraving by J Whessell(50cm x 60cm (19.75in x 23.5in))Provenance: Property from Kilmany House, Fife

Lot 151

ELEVEN BLACK AND WHITE FRAMED PRINTS OF BALLOONING INTEREST 20TH CENTURY, AFTER 18TH AND 19TH depicting various views of balloons in flight, including examples such as 'Globe Aerostatique, Dedie Monsieur Charles', 'An Exact Representation of Mr. Lunardi's New Balloon', 'Royal Vauxhall Balloon Crossing the Rhine Near Coblentz', TOGETHER WITH a print entitled 'The Aerostat, worked by manual power, Invented by W.Miller, M.R.C.S'(all approximately 38cm x 40cm (15in x 15.75in))Provenance: Property from Kilmany House, Fife

Lot 446

A collection of pictures and prints, to include Disney print titled How to Swim and Pluto the Purchase, a view of Studley Fishing Lodges by Eve Speight, an artist signed etching of a portrait and an embroidery screen (6)

Lot 450

Pat Cleary. Tour DE France, 1994, the Prologue, Chris Boardman, artist signed limited edition print number 509 of 750, 35cm x 56cm.

Lot 451

Pat Cleary. Tour DE France 14th July 1993, Stage 10 Showing Tony Rominger and Miguel Indurain, artist signed limited edition print number 177 of 750, 35cm x 55cm.

Lot 453

Snaffles (Charles Johnson Payne 1884-1967). Blood and Quality, coloured print number 112, 39cm x 32cm,  a print after Lyle Edwards, and a cream and gilt frame, the mount painted with flowers on silk. (3)

Lot 455

An oriental silk picture, decorated with children playing etc., within a geometric border, 86cm x 41cm, and a print signed W Baldwin.

Lot 456

John Trickett (b.1952). Jack Russell's, an artist signed limited edition print number 398 of 695, 43cm x 34cm, and an artist signed print after Jill Evans of a Jack Russell, and a watercolour signed J Herbert of an Old English Sheep dog (3).

Lot 458

E.J Maybury. Old Houses, Tewkesbury, and St Bartholomew's Hospital Bristol, artist signed etchings, 22cm x 14cm, and a print after Picasso, The Dove of Peace (3).

Lot 465

A 19thC coloured print of the Reverend John Wesley, published by Brumby and Clarke of Hull, 51cm x 37cm.

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