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Lot 38
Apollo Astronaut Alan Bean signed colour 14x 11 inch print of his painting That's How It Felt to Walk on the Moon. Has full details printed on the back American naval officer and aviator, aeronautical engineer, test pilot, and NASA astronaut; he was the fourth person to walk on the Moon. He was selected to become an astronaut by NASA in 1963 as part of Astronaut Group 3. Before becoming an astronaut, Bean graduated with a Bachelor of Science degree in Aeronautical Engineering from University of Texas at Austin and re-joined the U. S. Navy he served as an enlisted member for a year after his high school graduation. In 1956 he received his naval aviator wings and served as a fighter pilot. In 1960 he graduated from the U. S. Naval Test Pilot School, flew as a test pilot and was The New Nine selection finalist in 1962. He made his first flight into space aboard Apollo 12, the second crewed mission to land on the Moon, at age 37 in November 1969. He made his second and final flight into space on the Skylab 3 mission in 1973, the second crewed mission to the Skylab space station. After retiring from the United States Navy in 1975 and NASA in 1981, he pursued his interest in painting, depicting various space related scenes and documenting his own experiences in space as well as those of his fellow Apollo program astronauts. He was the last living crew member of Apollo 12. Slight corner creases. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 55
Ten Concorde pilots signed 10 x 8 inch b/w limited edition Concorde print. Includes Brian Walpole, Viv Gunton, Paul Douglas, Mike Bannister, Tim Orchard, John Lidiard, Pete Finlay. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 123
* JESSIE ISABEL GARROW (SCOTTISH 1899 - 1993), BY CANDLELIGHT watercolour on paper image size 25cm x 25cm, overall size 41cm x 41cm Mounted, framed and under glass. Note: Born on 15 April 1899, Jessie was the daughter of Robert (born 1867), described in the 1901 census as a stationer, and his wife Grace. Throughout Jessie's time at the GSoA, the family lived at 17 Montgommery Road in Newlands and, according to the electoral roll, this continued to be Jessie's home until the 1930s. Jessie's paternal grandfather, also Robert Garrow, was partner and then successor to Sir James Lumsden, founder of James Lumsden and Sons, book publishers and wholesale stationers in Glasgow. Lumsden and Sons were best known for their short runs of high quality childrens books, which often included striking illustrations, and examples can be seen in the University of Glasgow Library. Two of Jessie's drawings appear in early editions of 'The Palette', a GSoA annual which included articles by staff and students and plates of their works. In Volume one of the Palette (1919, GSAA/PUB/6), a drawing by Jessie of 'Delilah and the Philistines' appears on page 14, while on page 44 there is a plate of a 'Wood block print' by fellow student Ian Cheyne (1895 – 1955), who would later become her husband. Jessie regularly exhibited at the Royal Glasgow Institute for Fine Arts between 1919 and 1925, mainly showing watercolours, and also at the RSA as Jean Isabel Garrow. She is known to have produced illustrations for Blackie the publisher and was one of the illustrators for "The Ringdove Story Book" published by Blackie and Son in 1927. In 1935, along with her husband Ian Cheyne, she returned to GSoA as a" Visitor / Examiner External Assesor (Commercial Art)". Very little of her work seems to have survived and she is probably best known for "The Wave" a stylish coloured woodcut now known through a contemporary illustration in 'The Studio' (1924).
Lot 128
* WALTHER KLEMM (GERMAN 1883 - 1957), ADDITIONAL PLATES TO THE DECAMERON drypoint etching with colours, each plate signed and numbered 30/100 plate size 15cm x 10cm, sheet size 25.5cm x 16.5cm, overall size 27cm x 19cm Within the original (distressed) cloth binding (11). Note: Klemm exhibited at the Vienna Secession and founded the Bauhaus print shop at Weimar.
Lot 1052A
LAWRENCE ALMA TADEMA - The Dinner, etched by Leopold Löwenstam, with Print Sellers Association blind stamp, signed by both; A Classical Maiden - etched by Aug Blanchard, signed by both; Unconscious Rivals, photolithograph published by the Berlin Photographic Company, together with a print of Ellen Terry as Sir Galahad and a coloured etching copyrighted by F H Brsler & Company Milwaukee (5) Condition Report: Available upon request
Lot 2146
Workington Hall Printing Plate for a Promissory Note of Ten Shillings. An attractive copper print plate for the Curwen Family of Workington Hall. To the top left is ''WORKINGTON HALL'' and to the top right is the Curwen Family coat of arms and motto ''si je n'estoy'' with the denomination ''TEN SHILLINGS'', Below is a dotted line for the handwritten serial/note number and the year 1797. Below that is ''I Promise to Pay on Demand or Bearer the Sum of Ten Shillings''. This example is particularly interesting as Workington Hall, the Curwen's being Lords of the Manor of Workington and were heavily involved in the First War of Scottish Indepedence (1296 - 1328). The motto, ''Si je n'estoy'' (If I had not been there), is said to come from the words of Sir Gilbert de Curwen, whose late arrival with fresh troops recruited from his estates turned the course of the Battle of Falkirk (1298), giving King Edward victory.
Lot 101
* Herring (Joseph F. Snr.). Four Hunting prints, Vincent Brooks Ltd, circa 1880, four lithographs with contemporary hand-colouring, each image laid on contemporary card (as published), one print with slight browning and one with a short repaired marginal tear, each approximately 175 x 265 mm, uniformly mounted, framed and glazedQty: (4)
Lot 109
* Marine Views. Wright (Bert). London and the Thames, Castlebar Graphics, 1996, coloured photolithograph, titled, signed and numbered in pencil by the artist, limited edition 332/850, 425 x 620 mm, mounted, together with Hanfstaengl (Franz). The Pool of London, circa 1900, hand-coloured photogravure, some mount staining and toning, 445x 640 mm, mounted, with Whishaw (Alexander Y.). Ocean Liner leaving Liverpool, circa 1920, coloured etching, signed in pencil by the artist to the lower right, 415 x 545 mm, mounted, plus Smitheman (S. F.). The SS Great Britain arriving at Liverpool from Australia in 1861, circa 1990, colour print, signed in pencil by the artist to the lower right, limited edition 70/250, 385 x 555 mm, mounted, and The Cutty Sark in the South China Sea, 1872, SS Great Britain arriving in New York on her Maiden Voyage, 1845 [and] SS Great Britain on her first Australian voyage, Hobson's Bay, Melbourne, 1852, together three colour prints, each signed by the artist in pencil to the lower right, each a limited edition of 59/500, 67/500 & 70/500 respectively, each approximately 375 x 540, two mounted, together with another eight 20th century colour prints of marine and civil engineering views, various sizes and conditionQty: (15)
Lot 114
* Payne (Charlie Johnson 'Snaffles'). John Jorrocks Esq. M. F. H. "Tell me a man's a fox hunter and I loves 'im at once" 1923, colour lithograph finished with bodycolour, snaffle bit blind stamp, signed by the artist in pencil to the lower right, uncoloured remarque of a huntsman watching a fox trot across a ride, several repaired closed tears to the lower margin, margins appear to have been overpainted and the title re-written in pencil, overall size 385 x 420 mm, framed and glazed, together with A Sight to take Home and Dream about - But old Jorrocks would have had it - "They were nasty jealous steeple-chasin' little hussies" Fores Ltd [1950], colour photolithograph, uncoloured remarque of two lady point - to - pointers riding a close finish, signed in pencil by the artist to the lower left, faint marking to left-hand margin, overall size 500 x 630 mm, with another framed and glazed example of the same print, somewhat faded, and 'blued'Qty: (3)
Lot 122
* Summers (W.). This print of the Grand Review which took place in Hyde Park on Monday 9th July 1838, in the Presence of her Most Gracious Majesty Victoria, J. Salisbury, circa 1838, hand-coloured aquatint after W. Heath, trimmed to the image on three margins, one repaired closed tear affecting image, two small holes to image, 460 x 520 mm, mounted, framed and glazedQty: (1)
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