We found 314783 price guide item(s) matching your search
There are 314783 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
314783 item(s)/page
Lot 216
A limited edition signed colour print after Amanda Gooseman "Rhyme 'n' Reason - Going to post" limited edition signed print 152/850 signed by the artist, signed by jockey and trainer David Elsworth along with a framed & glazed limited edition print, `Corbiere` signed by the artist S.J. Wingate. H.66 W.72cm. (largest)
Lot 440
W P Mundy: a limited edition print, swan upping, 13/450, in white painted strip frame, a print of Henley-on-Thames, and a similar print of Pegwell Bay near Margate, in wooden strip frames, two scenes of Prague, in strip frames, a map after Saxton: "Saxton's map of Oxfordshire, Buckinghamshire and Berkshire", and another map of "Northamptonshire", in ebonised strip frames
Lot 247
A quantity of military prints depicting the changing fashions of uniform 1660's - 1925 together with a Battle of Balaclava print, a reproduction 1610 map of The Armes of those honourable families born of titles of Buckinghamshire by John Speed together with an oil on canvas, S Ganster - Gumtrees, signed and dated '83 to the lower right hand corner, in a gold painted frame together with a Wynn Appleford oil on paper entitled 'Devon Lane in Winer' signed lower right hand corner, mounted in a black frame and mixed watercoloursLocation: RAM
Lot 84
F Merkens - Old Chelmsford/Widecombe in the Moor - landscape with cottages, oil on board, signed lower left corner, 30cm x 46cm, mounted in gilt frames, The Meeting of Burns and Scott, a Victorian print after the original oil painting by C Martin Hardie depicting an interior with the first meeting between Robbie Burns and Walter Scott 40cm x 63cm, mounted in a glazed gilt frameLocation: LWF
Lot 125
Olympics Jonathan Edwards Signed Big Blue Tube Edition colour Print. Limited Edition 268/500. Signed in black ink. Print measures 23x 17 inches approx overall. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 142
Boxer Roy Jones Jr and Artist Pat Killian Signed 29/250 Print by the Artist Killian. Mounted. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 463
Football Ron 'Chopper' Harris Signed 16x12 inch Colour Print Showing Harris and one other Lifting a Trophy. Housed in a Frame Measuring 21x17 inches overall. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 464
Football Chelsea Star David Webb Signed 16x12 inch Black and White Print Showing Webb Heading the winning Goal Vs Leeds in 1970 FA Cup Final. Signed in pencil. Limited Edition 175 of 300. Housed in a Lovely Frame Measuring 20x16 Inches Overall. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 465
Football Pele Signed Colour Print Housed in a Presentation Frame with Named Plaque. Signed in black ink. Image Shows Pele Embracing Bobby Moore in 1970. Frame Measures 26 x 19 inches approx. overall. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 53
Artist Terry Harrison Signed Colour Print titled The Oval Measuring 18 x 9 inches overall. Signed in pencil. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 569
Football Geoff Hurst signed 16x12 They Think Its All Over It IS Now 20x14 black and white print picturing the iconic image of the Hat trick goal. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 57
Renowned Artist Ivan Berryman Signed Colour Print Titled Ayrton Senna McLaren MP4/7. Limited Edition. Measures 20 x 14 inches. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 134
Charles Johnson Payne (1884-1967)'Carpet Beaters v Bobbery Wallahs', coloured print, signed in pencil bottom left 'Snaffles', 49.5cm x 74cmThere is no glass in this frame. Overall wear and some scuffs to the frame. Some foxing and staining in places, some slight marks as expected. Would require reframing. Stuck down to board. Small holes top centre - Possibly old infestation, unknown.
Lot 153
After Cecil Aldin (1870-1935)The Grand National - The Canal Turn, coloured print, 158/800 blind stamp Chelsea Green Editions, 36cm x 57cm and a Palladian type Country House print, 32cm x 48cm (2)At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.
Lot 155
After Thomas Rowlandson (1757-1827) 'A dog fight', hand coloured print, 23cm x 33cm and another by the same 'Sports of a Country Fair', hand coloured print, 24cm x 34cm (2)Both with old labels to the reverse which read 'The Medici Society Ltd, The proprietors of The Kensington Fine Art Gallery, 26 Alfred Place, S. Kensington, SW7'. Both frames with overall wear and some losses. Foxing in places. Some foreign objects under the glass.
Lot 295
§ John Knapp-Fisher (British, 1931-2015) Three Fish, 2003, studio print signature bottom right, 84/850, mounted and framed. Measurements 6.3 x 33.7 cm, framed measurements 28.7 x 53.4 cmJohn Knapp-Fisher (1931-2015) was a British post-war artist who is heavily associated with Pembrokeshire. He began his career in Graphic and exhibition design before becoming a full time artist in 1960. He is best known for his dark, dramatic watercolour paintings and his muted colour palette, often opting for earthy colours with simple dabs of primary as they emerge from the dark wash. Knapp-Fisher favoured subjects such as trees, bogs, hedgerows and the undergrowth over flowers, and was a fervent believer in painting en plein, often seeking his inspiration in his beloved Pembrokeshire. Although he did paint in oil, the majority of his work was created in his preferred medium of watercolour, and he is known for his characteristic letter-box shape paintings. He had a life-long love for the sea, building and sailing his own boats, even spending some years living upon one of his crafts, with seascapes and paintings of his daily catch becoming regular features within his artwork. Knapp-Fisher was elected to the Royal Cambrian Academy in 1992 and has a strong following particularly across the UK and South Africa.
Lot 296
After Johan Zoffany, RA.(1733-1810) Colonel Mordaunt's Cock Match, by R. Earlom, hand-coloured mezzotint, published by Laurie and Whittle, London 1794, with condition defects, including worm holing in the paper, particularly in the lower area of the plate and lower margin, with a significant surface scratch on print surface approximately 8cm in length, a smaller scratch towards upper right corner, possibly laid down, the paper and margins with general surface browning, sold unexamined out of frame, S. 53.4 x 69.8cm a/f
Lot 332
Margaret J. Laing.(act c.1925-1940) Swimming Pool on board Ship, 1.30, lithograph, signed, inscribed as title and dated 1932 in the lower margin, 13 1/2 x 13 1/2 in; three other prints by the artist inscribed 'Summer Evening, 1944'; The Dorcas Society ;and Spanish market; a print depicting Deer; and one other print of Ballerinas attributed to Margaret Laing; six (6)
Lot 242
A collection of Hilditch porcelain, comprising a 'Gaudy Welsh' type teapot and cover, with two similar teacups, a saucer and mug; a 'Family Group' outline print with enamel teacup, saucer, slop basin and plate, 20.5cm diameter; a teacup, saucer and sideplate in the 'Peacock' pattern, a 'Shell Carriage' slop basin, 15.5cm diameter; 'Boy Picking Fruit' (painted) slop basin, 16cm diameter; a teacup and saucer in the puce transfer-printed 'Children Picking Flowers' pattern; a Lavender Sprigged jug, 16cm high; with similar lavender spriged teacup, mug and miniature mug; together with the residue of an imari Edwardian imari tea service, two copies of 'Hilditch Porcelain - A Collector's Guide' by Margaret Hewat & June M. Owen and three posters of cup shapes by various English manufactories (qty, two trays)Provenance: The June M. Owen Collection.Ih
Lot 180
§ PREM SAHIB (BRITISH 1982-) YOUR DISCO NEEDS YOU XXXVI - 2017 Digital print on ceramic tile, signed, titled and dated verso Dimensions:17cm x 20 cm (6.75in x 8in), unframedProvenance:Provenance: To be offered to support The House of St Barnabas (Registered Charity 207242)Based in a Grade 1 listed townhouse in Soho, The House of St Barnabas has helped Londoners affected by homelessness since 1862. In 2013 the building became a members’ club with a difference; combining a not-for-profit creative and cultural space at No. 1 Greek Street with an Employment Academy for people affected by homelessness. Participants learn their craft in front of house, in the kitchen, the bar, or in the charity’s offices: since opening, 254 participants have graduated from the 12-week programme, many of which have secured lasting employment after graduation.The House of St Barnabas’ cultural events, music, and the generosity of members are key to the success of the charity, but the building also showcases work by both established and emerging contemporary artists. The permanent collection of visual art includes the works of Banksy and Tracey Emin alongside a programme of temporary exhibitions supporting emerging artists.The House have kindly been donated 11 works for sale, ranging from sculpture to paintings to support the charity's work. Most of the pieces have been donated by the artists themselves or by the galleries who represent them. Below we take a closer look at the works featuring in our January 2023 sale.2023 is the year of the house’s 10th anniversary. With your support and dedication, the charity hopes to continue to break the cycle of homelessness.Note: Note: Your Disco Needs You XXXVI (2017) is a digital print of a landscape on a white tile, glazed and fired after printing so that the image sits faintly on the surface like a bruise or a stain, hazy and opalescent. The work recalls a glimpsed reflection, in a public urinal's white tiled wall, of a leafy cruising spot in a London park. Spaces exterior and interior; public and private; expansive and intimate; memorialised and forgotten, all fleetingly combine in an eternalised ephemeral moment, a continuation of Sahib's archiving of queer spaces fading from view or relegated to the margins.The work of Prem Sahib embodies a poetic and provocative "destabilised minimalism", referencing the architecture of public and private spaces, structures that shape individual and communal identities, senses of belonging, alienation and confinement. Mixing the personal and political, abstraction and figuration, Sahib's formalism is suggestive of the body as well as its absence, drawing attention to traces of touch and frameworks of looking.In 2023, Sahib will publish That Fire Over There with Book Works, an artist's book developed from Descent, a three-part exhibition at Southard Reid, London in 2019 – 2020. Sahib’s work has been shown widely including solo institutional exhibitions Balconies, Kunstverein Hamburg, 2017 and Side On, ICA London, 2015, as well in group shows at spaces that include Sharjah Art Foundation, Migros Museum, Whitechapel Gallery, Hayward Gallery, KW Institute of Art, Des Moines Art Centre and the Gwangju Biennale. Their work is in the collections of Tate, The Arts Council, Government Art Collection, UK; Walker Art Center, Minneapolis, USA; Astrup Fearnley Museum of Modern Art, Norway; X Museum, Beijing, China; and MONA, Australia.
Lot 183
§ KAREN KNORR (AMERICAN/BRITISH 1954-) THE LOVESICK PRINCE, AAM KHAS, JUNHA MAHAL, DUNGARPUR PALACE (SMALL), FROM INDIA SONG - 2013/2018 Colour pigment print, A.P. 1, signed to artist's studio label verso Dimensions:60cm x 76cm (24in x 30in)Provenance:Provenance: To be offered to support The House of St Barnabas (Registered Charity 207242)Based in a Grade 1 listed townhouse in Soho, The House of St Barnabas has helped Londoners affected by homelessness since 1862. In 2013 the building became a members’ club with a difference; combining a not-for-profit creative and cultural space at No. 1 Greek Street with an Employment Academy for people affected by homelessness. Participants learn their craft in front of house, in the kitchen, the bar, or in the charity’s offices: since opening, 254 participants have graduated from the 12-week programme, many of which have secured lasting employment after graduation.The House of St Barnabas’ cultural events, music, and the generosity of members are key to the success of the charity, but the building also showcases work by both established and emerging contemporary artists. The permanent collection of visual art includes the works of Banksy and Tracey Emin alongside a programme of temporary exhibitions supporting emerging artists.The House have kindly been donated 11 works for sale, ranging from sculpture to paintings to support the charity's work. Most of the pieces have been donated by the artists themselves or by the galleries who represent them. Below we take a closer look at the works featuring in our January 2023 sale.2023 is the year of the house’s 10th anniversary. With your support and dedication, the charity hopes to continue to break the cycle of homelessness.Note: Note: Please note this work is sold with accompanying Ceritificate of Authenticity, issued by the artist.Karen Knorr’s past work from the 1980’s onwards took as its theme the ideas of power that underlie cultural heritage, playfully challenging the underlying assumptions of fine art collections in academies and museums in Europe through photography and video. Since 2008 her work has taken a new turn and focused its gaze on the upper caste culture of the Rajput in India and its relationship to the "other" through the use of photography, video and performance. The photographic series considers men's space (mardana) and women's space (zanana) in Mughal and Rajput palace architecture, havelis and mausoleums through large format digital photography.Karen Knorr celebrates the rich visual culture, the foundation myths and stories of northern India, focusing on Rajasthan and using sacred and secular sites to consider caste, femininity and its relationship to the animal world. Interiors are painstakingly photographed with a large format Sinar P3 analogue camera and scanned to very high resolution. Live animals are inserted into the architectural sites, fusing high resolution digital with analogue photography. Animals photographed in sanctuaries, zoos and cities inhabit palaces, mausoleums , temples and holy sites, interrogating Indian cultural heritage and rigid hierarchies. Cranes, zebus, langurs, tigers and elephants mutate from princely pets to avatars of past feminine historic characters, blurring boundaries between reality and illusion and reinventing the Panchatantra for the 21st century.The subjects of Karen Knorr’s work are as geographically diverse as the artist’s own biography: Knorr was born in Germany and raised in Puerto Rico, before she ventured to Paris and settled in London. While she works in video and installation, she is perhaps best known for her photographs and digital collages. Principal themes in her work include the stratification of class, the distribution of privilege and wealth, value systems, the symbolic role of animal representations, and issues of power at the foundation of cultural heritage. Knorr prefers to look at the privileged rather than the disenfranchised; her subjects have included wealthy English classes and their patriarchal systems and frequented clubs. More recently, Knorr has produced a series of digitally modified interiors set in India, based on fables and injustices.
Lot 184
§ THE CONNOR BROTHERS (BRITISH 1968-) I TRIED TO DROWN MY SORROWS - 2021 Hand-coloured pigment print with acrylic and oil stick, SP 1/5, signed, dated and numbered in pencil to margin, signed to an artist's label versoDimensions:the sheet 100cm x 68 cm (39.5in x 26.75in)Provenance:Provenance: To be offered to support The House of St Barnabas (Registered Charity 207242)Based in a Grade 1 listed townhouse in Soho, The House of St Barnabas has helped Londoners affected by homelessness since 1862. In 2013 the building became a members’ club with a difference; combining a not-for-profit creative and cultural space at No. 1 Greek Street with an Employment Academy for people affected by homelessness. Participants learn their craft in front of house, in the kitchen, the bar, or in the charity’s offices: since opening, 254 participants have graduated from the 12-week programme, many of which have secured lasting employment after graduation.The House of St Barnabas’ cultural events, music, and the generosity of members are key to the success of the charity, but the building also showcases work by both established and emerging contemporary artists. The permanent collection of visual art includes the works of Banksy and Tracey Emin alongside a programme of temporary exhibitions supporting emerging artists.The House have kindly been donated 11 works for sale, ranging from sculpture to paintings to support the charity's work. Most of the pieces have been donated by the artists themselves or by the galleries who represent them. Below we take a closer look at the works featuring in our January 2023 sale.2023 is the year of the house’s 10th anniversary. With your support and dedication, the charity hopes to continue to break the cycle of homelessness.Note: Note: It is the paradox of art that artifice is often the best way to depict reality, fiction the best way to challenge conventional ideas of what we think of as ‘the truth’. Most people are happy to think that this is the way it is. But it really isn’t. Who knows the truth of anything? - Mike SnelleThis obsession with truth and fiction is the golden thread that runs throughout the life and work of The Connor Brothers and is particularly relevant in the current climate of fake news, post-truth and social media. The brothers create retro style figurative images which encourage us to challenge our assumptions and preconceptions, and as a result to perhaps see the world a little differently. Their interest in undermining our assumptions and casual acceptance of cultural norms is reflected in their extraordinary background.They themselves started out as a fiction as in reality they are British artists Mike Snelle and James Golding. The fictional identity of Mike and James was designed to cloak their personal reality, and such was its success that it captured the imagination of the art world. The Connor Brothers were presented as innocent twins who had emerged traumatised from a Californian cult and were struggling to make sense of the world through their art – an interesting background no doubt, but the truth is more interesting still. After coping with some challenging personal issues for many years the two became great friends and started experimenting with making art as a way of looking at the world through a more positive lens. Their intelligence, humour and creativity gave their work enormous appeal, but when it was suggested to them that they might choose to exhibit it one day, both resisted the idea, unwilling to expose their artworks and themselves to the public gaze.
Lot 196
§ DAMIEN HIRST (BRITISH 1965-) WU ZETIAN (H10-1), FROM THE EMPRESSES - 2022 Laminated giclée print on aluminium composite panel screenprinted with glitter, 435/2853, signed in pencil and numbered to publisher's label verso, published by HENI EditionsDimensions:100cm x 100cm (39.5in x 39.5in)
Lot 199
§ DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021) VENICE: SALUTE IN A THUNDERSTORM - 2011 Etching, P.P., aside from the edition of 50, signed and editioned in pencil to margin, published by the Glasgow Print Studio, with their blindstampDimensions:image size 22cm x 25cm (8.75in x 9.75in)
Lot 251
§ DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021) VENICE DOG - 2013 Etching, P/P, aside from the edition of 40, signed and editioned in pencil to margin, published by Glasgow Print Studio, with their blindstampDimensions:the sheet 34cm x 37cm (13.5in x 14.5in)Provenance:
Loading...-
314783 item(s)/page