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A Small Watercolour depicting perched bird in gilt frame, Page Roberts pen and ink sketch still life cooking instruments, signed in black frame, a pair of coloured prints after Tarrant, a coloured print after Pears, 3 prints depicting Paris views and a black and white print nude at doorway (9)
Martin (Sarah). The New Experienced English-Housekeeper, for the Use and Ease of Ladies, Housekeepers, Cooks, &c Being an Entire New Collection of Original Receipts which have Never Appeared in Print, in Every Branch of Cookery, Confectionary, &c., 2nd ed., pub. D. Boys, Doncaster, 1800, lacking half-title, title-page heavily foxed, occn. foxing elsewhere, upper hinge split, embossed private lib. stamp to front free endpaper, contemp. ms. recipe notes to rear pastedown, contemp. calf, rubbed and worn, with loss to spine ends, joints cracked, and upper board loose, 8vo in 4s Maclean, p.95. (1)
Mid 19th Century Staffordshire pottery two handled mug of waisted form, one side decorated with a tinted brown transfer print of a view of The Avon Gorge with Clifton Suspension Bridge and shipping, the other side with painted inscription 'James Mitchell a present from a friend 1868', 12.5cm high
*Prints. A large collection of approx. 500 prints, mostly 20th century, various subject including colour prints after Gordon Nichol, J.Y. Gilroy, Sir John Gilbert, Francis Grant, William Henry Hunt, etc., contained in ten metal print cases, together with two Victorian map carrying tubes (approx. 500)
*Churchill (Right Hon. Winston S.). A good quality gelatin silver print press photograph, [4th April 1955], showing Churchill holding open the car door for Queen Elizabeth II as she leaves 10 Downing Street after the dinner party given by Churchill, signed by Churchill in black ink to lower left of image close to the Queen's white evening dress hem, 20 x 15 cm, framed and glazed Sir Winston Churchill resigned as Prime Minister due to failing health following this dinner party, with the news being announced in a statement from Buckingham Palace the following afternoon. This image was to have been used in the National papers on 5th April but did not appear due to a newspaper strike. The owner of the photograph, Mrs K. Broome, was employed as cook for the Prime Minister and Lady Churchill at the time and was able to get a copy of the photograph which Sir Winston signed for her at a later date. (1)
*Elizabeth II (Queen of Great Britain & Philip, Duke of Edinburgh). A good formal full-length portrait of the Royal couple by Anthony Buckley, gelatin silver print showing the couple standing together in Buckingham Palace, in formal dress, the Queen with a sash and crown, the Prince with his hand on his sword, 22.5 x 17 cm, signed by both on the mount and dated 1975 by the Queen, photographer's ink stamp to verso (1)
*Diana (Princess of Wales). Black and white photograph signed, [1996], gelatin silver print showing a head and shoulders shot of Princess Diana and Princes William and Harry, 10 x 14 cm, inscribed and signed by Diana on mount above and below, 'To Bill, with love from Diana', framed and glazed, with a typed letter signed mounted on the verso of the frame from Victoria Mendham, on St James' Palace headed paper, to Mr Bill Smith explaining the circumstances around the photo being sent, dated 1st February 1996 (1)
*George V (King of Great Britain & Queen Mary). A pair of cabinet gelatin silver print portrait photographs by J. Thomson, c. 1890, both signed and dated 'George 1897' and 'Victoria Mary 1897', the Prince in dress uniform with medals and the Princess with crown and jewels, both a little soiled and spotted to mounts, each approx. 16 x 10 cm, loosely window mounted in folded red morocco picture frame, sl. rubbed on spine, 19 x 30 cm when open flat (1)
*Victoria (Queen of Great Britain, with her daughter Princess Beatrice). Signed gelatin silver print photograph by Hughes & Mullins, c. 1895, showing both women sitting at a table, signed in the lighter part of image at top and dated by Beatrice 1896, approx. 14 x 10 cm, mounted with photographer's details to lower mount and verso, mount partly waterstained, together with a mounted gelatin silver print of the Queen Mother, half length, seated, wearing tiara, sash and jewels, approx. 15 x 11 cm, signed and dated 1978 on mount beneath, plus a mounted gelatin silver print of Queen Victoria, full-length profile, seated and reading a letter, cramped signature and date 1897 on white part of the image lower right (possibly not in the Queen's hand), approx. 15 x 10 cm, sl. faded, all framed and glazed (3)
Lawrence (T.E.). Men in Print, Essays in Literary Criticism, Introduction by A. W. Lawrence, pub. Golden Cockerel Press, 1940, some light foxing to endpapers and prelims., t.e.g., remainder untrimmed, orig. qtr. blue niger by Sangorski & Sutcliffe, in orig. plain card slipcase, rubbed and some marks, 4to Limited edition 252/500. (1)

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314753 item(s)/page