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Lot 344
A COLLECTION OF CHINESE AND JAPANESE DECORATIVE ARTS AND WOODBLOCK PRINTS, 19TH/20TH CENTURY. Over 25 pieces consisting of a Hiroshige "Tamagawa River By Moonlight"; a Sino-Tibetan thangka; a Chinese hand colored print; 14 assorted Japanese woodblocks; carved hardwood stands; Oriental folding fans and a decorative sword composed of Chinese coins, some losses.
Lot 668
A VINTAGE SEWING AND LADIES ACCESSORIES GROUP, EARLY TO MID 20TH CENTURY. Comprising over 100 pieces including an Art Nouveau embossed leather handbag, cupid asleep print, Scottish treenware yarn holder, advertising thimbles, and crochet tools including ivory handled scissors, needle books and more.
Lot 998
A GROUP OF 16 PRINTS, CIRCA 1880-MODERN. Comprising a pair of Art Deco Louis Icart style works, signed lower right Davanzo and Gherri Mora, image size 15.75 inches x 11.75 inches (40 x 29.8 cm) contained in matching gilt frames; Roger Chapelain-Midy (French 1904-1992), Winter Still Life, signed and numbered 1/60, 10.5 inches x 8.5 inches (26.7 x 21.6 cm); Henri Toulouse-Lautrec (French 1864-1901) Reine de Joie lithograph, 12.25 inches x 8.25 inches (31.1 x 21 cm); James L. Artig, Nautical print, 12 inches x 24 inches (30.5 x 61 cm); vintage wooded trail print, indistinguishably signed in plate lower right, image size 12.5 inches x 9.75 inches (31.8 x 24.8 cm); C.B. Newhouse (British 19th century), One Mile From Gretna, image size 11 inches x 17 inches (27.9 x 43.2 cm); William Aldophe Bougereau (French 1825-1905) Two Girls (Childhood Idyll), image size 20.25 inches x 17.75 inches (51.4 x 45 cm); Zinaida Serebriakova (Russian 1884-1967) Self Portrait: At the Dressing Table, image size 16 inches x 14 inches (40.6 x 35.6 cm); Valentin Serov (Russian 1865-1911) Girl with Peaches, image size 16 inches x 14.5 inches (40.6 x 36.8 cm); a pair of French prints A Promenade Du Soir and La Toilette, image size 12.5 inches x 8.75 inches (31.75 x 22.2 cm); a pair of prints depicting 19th century soldiers, image size 11.25 inches x 5 inches (28.6 x 12.7 cm) and a pair of prints of two guards, image size 12 inches x 9 inches (30.5 x 22.9 cm).
Lot 1072
ICONS, PAPAL BLESSINGS, CATHOLIC DEVOTIONAL IMAGE PRINTS, CIRCA 1890 AND LATER. Comprising 11 individual pieces, including two apostolic (papal) blessings from Pope John XXIII, a Latin framed altar card, a 19th century engraving of Christ at the House of Matthew, a color lithograph framed station of the cross, a German confirmation certificate dated 1903, pair of framed prints of the Sacred Heart and the Immaculate Heart, a framed print of Christ Distributing Communion, and two laminated icons. Largest 13 inches x 15 inches (33 x 38.1 cm).
Lot 552
Mari Mahr, Chilean b.1941- "Georgia O`Keeffe - New York, 1925"; c-print, signed, dated `81 and titled on the mount, 38.5x47cm: together with another c-print by the same artist entitled "Georgia O`Keeffe - New Mexico, 1931", signed, dated `81, numbered 3/25 and titled in pencil on the mount, 39x47cm, (2)
Lot 610
Bill Brandt, British 1904-1983- "Clifford Bax", 1945; gelatin silver print, verso with artist stamp, publication stamp `14 May 1945, Shaef Field Press Censor` and various inscriptions in pencil and pen, reading, `Clifford Bax...resident in Albany for 13 years... photographed here as he is usually seen by his fellow `Albanians", reading at his desk near the window of his ground floor flat`, 22.5x18cm, (may be subject to Droit de Suite)
Lot 660
Fay Godwin, British 1931-2005- `Untitled` from the Glassworks, Pioneer series, 1990; c-prints, a pair, ea. 22.5x34.5cm: together with a further untitled c-print from the Glassworks, New Zealand series, all in matching black brushed frames, 22.5x34.5cm, (3), (may be subject to Droit de Suite)
Lot 698
John Houston, Scottish 1930-2008- "Matsushima Bay"; monoprint in colours, signed, titled and dated 1989, 88x106cm: together with a woodcut entitled "Temple Garden on a Rainy Day, Kyoto", publ. Glasgow Print Studio 1989, signed, titled and numbered 18/30 in pencil, 56.5x75cm, (2), (may be subject to Droit de Suite)
Lot 713
Julian Otto Trevelyan RA, British 1910-1988- "West Wind"; etching with aquatint printed in colours, numbered 32/50 and titled in pencil, with printed signature and monogram beneath the plate, 35x47.5cm, (may be subject to Droit de Suite) Note: a number of editions were not completed at the time of Trevelyan`s death; from 1990 his print dealer Bohun Gallery and the artist Mary Fedden continued to organised posthumous prints, Fedden designed a monogram to be printed with a rubber stamp of Trevelyan`s signature so that these posthumous prints could be easily recognised.
Lot 717
Sir Eduardo Paolozzi KBE RA, Scottish 1924-2005- "Landscape", I, II & IV, publ. Glasgow Print Studio; etchings, three, all signed, dated 1990 and numbered 15/25 in pencil, (from an edition of 25 plus 5 A/P`s, 2 P/P`s), in matching black brushed metal frames, ea. 60x45cm, (3) (may be subject to Droit de Suite)
Lot 742
AMENDMENT: The `Easter Festival` print is not included in this lot- Julian Otto Trevelyan RA, British 1910-1988- "Harbour"; etching with aquatint, signed, titled and numbered 37/50 in pencil, 34.5x47.5cm: Julian Otto Trevelyan RA, British 1910-1988- "Easter Festival"; aquatint printed in colours, signed, titled and numbered 40/100 in pencil, 34.5x47.5cm: After Julian Otto Trevelyan RA, British 1910-1988- "Harbour", publ by Schools Prints Ltd., printed by the Baynard Press, 1946-1947, from the edition of approximately 3000, 49.5x76cm., (3) (part unframed) (may be subject to Droit de Suite)
Lot 749
Dame Elisabeth Frink CH DBE RA, British 1930-1993- "Corrida", published by Leslie Waddington Prints Ltd., printed by the Curwen Studio in 1973; lithograph in colours, signed and numbered 24/72 in pencil, 57x77cm: together with one other print from the Corrida suite, signed and numbered 24/72 in pencil, 57x77cm., (2) (unframed)
Lot 790
Edward Allington, British b.1951- "Queen of Proofs", 1990; bronze sculpture and c-print, from an edition of 6, sculpture 37x49x51.5cm, c-print 73x57cm, (2), (may be subject to Droit de Suite) Provenance: with the Lisson Gallery London, according to the label attached to the reverse of the frame of the print
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