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Lot 1
Hiroshige (Ando) 2 woodblock prints from the series Thirty Six Views of Mount Fuji, each c.340 x 220mm., each with the publisher's seal of Tsuta-Ya Kichizo, with margins, slight surface dirt, each with a small hole within the image, one with further pin-holes in the margin, 1859; with another Japanese woodblock print of a warrior, in the 18th century benizuri-e, pink and green, style, and 4 other prints, including 1 also of oriental interest, and 1 after Augustus John (7).
Lot 1
Barry (Francis) Santa Maria della Salute, Venice, etching, printed in tones and finished by hand, 545 x 390mm., signed in pencil, lower right, a few light creases, framed and glazed ~ Haden (Sir Francis Seymour) (Cotton Pickers), etching with drypoint, printed in bistre, with plate tone, 140 x 195mm., signed in pencil, lower right, framed and glazed ~ Appleby (Wilfred) Glasgow University, etching with drypoint, 225 x 350mm., signed in pencil, lower right, framed and glazed ~ Miller (Fred) (The Virgin Mary), mezzotint, printed in colours, 265 x 200mm., signed in pencil, lower right, H. Virtue & Co., framed and glazed ~ Rysselberghe (Theo von) (A Woman being Silenced), lithograph, 215 x 270mm., artist's monogram in the print, framed and glazed ~ Pennell (B.) Early Evening, wood-engraving, 205 x 150mm., signed and dated, in pencil, lower right, numbered 20/50, lower left, framed and glazed, 1984 ~ Shirley Smith (Richard) (A Weeping Girl), wood-engraving, 90 x 65mm., signed in pencil, below, numbered xii/100, framed and glazed ~ Lawrence (John) Nothingmas Day, wood-engraving, with hand-colouring, 390 x 255mm., signed and dated, in pencil, lower right, artist's proof, glazed but unframed, 1984 (8).
Lot 1
Flint (Francis Russell) S.T.A. Sir Winston Churchill, the sail training ship, reproduction colour print, 495 x 630mm., signed in pencil, lower right, Fine Art Trade Guild stamp, lower left, framed, later 20th century; with an oil painting of the same subject, signed C. Askari, also framed ~ Dews (J. Steven) America, the 19th century schooner that gave its name to the prize cup of the famous annual race, reproduction colour print, 420 x 610mm., signed in pencil, lower right, framed, later 20th century; and a small group of later 20th century prints of naval and maritime interest, including The South Atlantic Task Force and others including 19th century clippers, schooners and frigates, reproduction prints, various sizes, several signed or numbered, most in frames (17).
Lot 1
Middle East.- Al-Hariri (Professor Mohammed W.) Jeddah, Haret Al Sham; Holy Makkah, Ajiad, a House of the Ottoman Period; Madayen Saleh, Qasr Al Bint, with 16 other Saudi Arabian views, lithographs, each c.740 x 510mm., or the reverse, four with hand-colouring, later 20th century ~ Tart (Spencer W., RIBA, FSAI) Hyatt Regency - Riyadh, limited edition reproduction print after the architect's original watercolour, 300 x 420mm., signed in pencil, lower left, numbered 18/650, lower right, Bath, late 20th century; with a limited edition facsimile edition of David Roberts' Sketches in Egypt and Nubia, with 70, only, of 84 plates, partially disbound, green half-morocco, The Netherlands, Pulchri Press, late 20th century; also with 17 plates from a limited edition facsimile of Voyage en Perse, by Eugene Flandin, including Vue de Ispahan and Meïdan-i-Chah, Place Royale a Teheran, (the original published 1843-54), 1976, and 3 colour reproductions of Arabic figures at prayer, after Etienne Dinet (qty).
Lot 1
Harbour (Jennie) Blow Winds Blow!, original hand-coloured pochoir print, 210 x 170mm., signed and titled below, in pencil, publisher's blind-stamp, lower left, with wide margins, slight browning, a small damp-stain, lower right corner, well outside the platemark, Raphael Tuck & Sons, framed and glazed, early 20th century.
Lot 1
Three papier mache circular snuff boxes, early 19th century, with applied prints entitled 'Le billet-doux’, 'bonsoir' and a yellow flower head print, 3.5" diameter; a treen circular box with chequer strung border 3" diameter; turned treen circular box and slightly domed cover, 3" diameter (5)
Lot 1
Chaucer (Geoffrey) The workes...newly printed, with dyvers workes which were never in print before, fourth edition, title in woodcut border, woodcuts at head of the Knight's and Squire's tales, title of Romaunt of the Rose in woodcut border, lacks ff. G4-6, H1-4, 3D1-6, 3E1-3, 3Q1-6, title cut down and torn, with paper pasted over part of margin, and almost loose, fore-edge of first half-dozen badly frayed with loss of text, last f. seriously defective, other tears, some browning, early notes, largely illegible, but one identifying the editor as 'Wm Thynne, Clk of the Kitchen to K. Henry 8', round title, contemporary calf, blind-rules, worn, spine all but missing, lower cover damaged, folio, [cf. STC 5071-4], [1550?]; sold not subject to return.
Lot 1
Image (Selwyn) Thomas Bewick, 4to, printed boards, illus., edition limited to 500 numbered copies, Print Collectors' Club 1932; Bewick (Thomas) A Memoir, 8vo, printed cloth, illus., 1924; and Robinson (Robert) Thomas Bewick: His Life & Times, 4to, cloth, illus., facsimile edition limited to 950 copies, Newcastle 1972. (3)
Lot 1
Sella (Vittorio) K2, limited edition matt gelatin silver print from an original photograph taken by Sella in 1909 during the Duke of Abruzzi expedition to the Karakoram, signed by 11 members of the expedition beneath the image, very slight horizontal crease (barely visible), 279 x 330mm., Biella San Gerolamo, Istituto di Fotografia Alpina Vittorio Sella, [1954]. *** Signatures of Walter Bonatti, Lino Lacedelli (summiter), Mario Fantin, Gino Solda, Ubaldo Rey, Pino Gallotti, Erich Abram, Cirillo Floreanini, Sergio Viotto, Guido Pagani and Ugo Angelino.
Lot 1
America.- Frith (F.& Co.) The Capitol, Washington D.C., albumen print, 160 x 205mm., Frith Series blindstamp and number 4033 at bottom left, c.1875; with a carte-de-visite portrait of John Wilkes Booth and a group of 4 carte-de-visite portraits of Abraham Lincoln, by McLees, Mrs Lincoln, by Brady, President Davis and his cabinet and a composite of 9 miniature portraits including Lincoln and Davis, in 3 frames (6).
Lot 1
-. Colombo Apothecaries Company. Group portrait of Dr.J.C.Willis and Staff of the Royal Botanic Gardens at Peradeniya, albumen print, 220 x 275mm., on card mount with the photographers' credit, 1897; with 5 other group portraits including Willis by the C.A.Co. and Skeen & Co. and a platinum print portrait of Princess de Livera and Manique by Plate & Co., 190 x 140mm., inscribed (?signed) at foot of image, c.1895-1907 (7).
Lot 1
-. Baldus (Edouard) Hotel de Ville and the Pont d'Arcole, Paris, albumen print, 320 x 445mm., on original card mount with facsimile signature stamp in blue beneath image at right, c.1855 ~ Alinari. Firenze, Campanile del Duomo, albumen print, 425 x 295mm., on contemporary card mount with ink title, c.1860; with a general view of Florence and the Rialto Bridge, Venice (4).
Lot 1
-. Bacot (Edmond) Hotel de Monnaie, Caen, albumen print, 200 x 140mm., on original card mount with pencil title, Bacot's blindstamp below and blindstamp of the Societe des Beaux-Arts de Caen, 1e Prix, at top right, early 1850s; and a group of six studies of buildings in Caen (one illustrated) attributed to Bacot, one with the photographer's van in the foreground, albumen prints, various sizes, on card mounts titled in pencil (7).
Lot 1
-. Bourne (Samuel) The Mausoleum of Akbar, Sekundra; The Residency, Lucknow, two albumen prints, 230x 285mm. and 205 x 290mm., signed and numbered in the negatives, the first on card mount, 1860s ~ Beato (Felice) Lucknow, the King's Palace in Kaiserbagh, albumen print, 315 x 435mm., on trimmed card mount, some spotting and other defects, 1858 ~ Frith & Co. Agra; the Golden Temple at Amritsar, two albumen prints, 235 x 290mm. and 230 x 290mm., Frith blindstamps at bottom left corners of images, on card mounts, 1860s ~ Deen Dayal (Lala) The Ghats at Benares, albumen print, 200 x 265mm., the photographer's stamp on verso, 1880s; and a large collection of Indian architectural and landscape subjects by Burke, Sache, Payne and other, mostly anonymous, photographers, albumen (the majority) and silver prints, various sizes, some on card mounts, many unmounted, 1860s-c.1920 (c.180).
Lot 1
-. Fratelli Alinari. Florence, the Campanile of Giotto, albumen print, 430 x 295mm., numbered 158 in the negative, on contemporary mount with blindstamp of the Architectural Photographic Association, verso with ink stamp of Turnbull, mounting board makers, c.1860 ~ Philpot (J.B.) Detail of Ghiberti's Baptistry doors, albumen print, 270 x 425mm., on original mount with Philpot's Florence blindstamp, titled in Italian faintly in pencil, c.1860; and the interior of Saint Peter's, Rome, albumen print, 290 x 395mm., on original mount with Spithöver's blindstamp, c.1860 (3).
Lot 1
-. Suschitzky (W.) Sardinian shepherd with a lamb, silver print, 130 x 100mm., framed and glazed, credit and copyright caption transcribed on verso of frame, c.1950; with copies of Suschitzky's manuals Photographing Children and Photographing Animals, tipped in photographic plates, 1940-41 (3).
Lot 1
Theatre.- Portraits of Henry Irving and Ellen Terry, in character as Mathias in "The Bells" and Lady Macbeth, two albumen print cabinet cards by the London Stereoscopic Co. and Window & Grove respectively, each c.140 x 100mm., in contemporary card window mounts, each with the subject's ink signature mounted below, framed and glazed, late 19th century (2).
Lot 1
Japanese Woodblock Prints.- Eishi. Bijin-ga Portrait of a Young Lady threading a Needle, woodblock print, 365 x 235mm., unexamined out of frame, printed in the limited pastel colours of the beni-girai, slight fading, and surface wear, light creasing, with censor seal and publisher's seal of Yeijudo of Yedo, framed and glazed, 1790s; with 8 other Japanese colour woodblock prints, including a memorial portrait of an artist by Toyokuni and a warrior hero of the Seikoden by Kuniyoshi, also a panoramic triptych of an army marching around a bay, average 360 x 245mm., the triptych 345 x 710mm., occasional surface dirt and slight damp-staining, minor losses at edges of three prints, three others in frames, 19th century (9).
Lot 1
-. Kunisada. Bijin-ga Portrait of a Young Lady Writing, against a calligraphic background of floating pages of script, colour woodblock print, 365 x 250mm., surface dust and slight spotting, taped at edges into mount, with date seal and publisher's stamp of Iseya-Rihei, early 19th century; with 3 other woodblocks by Kunisada, as Toyokuni III, each with 3 portrait roundels of Kabuki actors, another Kabuki portrait by Kunichika, a dramatically posed scene from a play by Shigeharu, and a triptych of fighting warriors by Kuniyoshi, colour woodblock prints, each c.355 x 245mm., the triptych 355 x 730mm., overall, this with a few pin holes at corners, laid down and framed, the others hinged into mounts, only, occasional spotting and other minor defects, early to mid 19th century (7).
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314783 item(s)/page