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Lot 92
After a drawing by Polidoro da Caravaggio. 1782 Plate 30: The wounded Scipio the Elder carried by his soldiers Etching and aquatint with multiple tones Print made by Johann Gottlieb Prestel After Polidoro da Caravaggio Published by Heinrich Sebastian Hüsgen The same print can be found in The British Museum 20cm x 26cm Lay's Auctioneers are able to offer in-house postage on this lot from £32.50. For more information contact postage@davidlay.co.uk
Lot 106
William Alfred DELAMOTTE (1775-1863) Etching Signed in the print 15.5cm x 11cm Together with a pencil drawing 'From Miner's Field, Longdowns' by Richard Paris, 10.5cm x 20cm; COUNTRY TENDERNESS, a facsimile of an etching by Adrien Van Ostade, 16.5cm x 13cm; and an image reversed copy of an etching by Salvator Rosa titled 'Figurine', 13.3cm x 8.8cm Lay's Auctioneers are able to offer in-house postage on this lot from £32.50. For more information contact postage@davidlay.co.uk
Lot 41
Richard Gibbs Henry TOOVEY (1861-1927) Breton Market Etching Monogrammed 14.7cm x 10cm Together with a John FULLWOOD (1854-1931) etching, Honister Crag fcrom Buttermere, 22cm x 18cm and a print after Emile SALMON. Lay's Auctioneers are able to offer in-house postage on this lot from £25.22. For more information contact postage@davidlay.co.uk
Lot 1171
Andy Warhol - "Black Rhinoceros" from 'Endangered Species' - USA, 1983. Screenprint in colors. 38 x 38. This work is an unsigned and Unnumbered Printer's proof, outside of the edition. Printed by Rupert Jasen Smith, New York. The print does not have the AWAAB stamp. Publisher stamp on the Veso, printer's blind stamp.
Lot 1047
Andy Warhol - "San Francisco Silverspot" from 'Endangered Species' - USA, 1983. Screenprint in colors. 38 x 38 in. This work is an unsigned and Unnumbered Printer's proof, outside of the edition. Printed by Rupert Jasen Smith, New York. The print does not have the WAAB stamp. Publisher stamp on the verso, printer's blind stamp.
Lot 1127
Mount Fuji, also known as Fuji-san or Fujisan in Japanese, is an iconic and majestic stratovolcano located on the Honshu island of Japan. It is the tallest mountain in Japan and one of the most famous symbols of the country. Here are some key facts about Mount Fuji:1. Height: Mount Fuji stands at an impressive height of 3,776.24 meters (12,389 feet) above sea level, making it the highest peak in Japan.2. Location: The mountain is situated about 100 kilometers (62 miles) southwest of Tokyo, Japan's capital city. Its location near the populous Kanto region makes it easily visible from Tokyo and the surrounding areas on clear days.3. Sacred Mountain: Mount Fuji holds great cultural and religious significance for the Japanese people. It is considered a sacred mountain and has been revered as a spiritual symbol for centuries.4. UNESCO World Heritage Site: In 2013, Mount Fuji was designated as a UNESCO World Heritage Site, recognizing its cultural significance and influence on Japanese art and culture.5. Climbing Season: The climbing season for Mount Fuji typically lasts from early July to mid-September when the weather is more stable and the snow has melted. During this period, thousands of climbers, both locals and tourists, ascend the mountain to reach the summit.6. Summit and Sunrise: The summit of Mount Fuji offers breathtaking panoramic views of the surrounding landscapes, especially during sunrise. Many climbers undertake the challenging hike in the dark to reach the summit in time for the spectacular sunrise known as "Goraiko."7. Hiking Trails: There are several hiking trails that lead to the summit of Mount Fuji, with the most popular ones being the Yoshida Trail, Subashiri Trail, and Fujinomiya Trail.8. Shinto Shrines: On the lower slopes of Mount Fuji, there are several Shinto shrines that are visited by pilgrims and hikers seeking blessings for a safe journey.9. Volcanic Activity: Mount Fuji is classified as an active stratovolcano but has been dormant since its last eruption in 1707. Despite its dormant status, it is still closely monitored by geologists and volcanologists.10. Inspiring Art and Literature: Mount Fuji has been a recurring theme in Japanese art, literature, and poetry for centuries. It has inspired countless artists, including the famous woodblock print series "Thirty-Six Views of Mount Fuji" by Katsushika Hokusai.Mount Fuji's graceful silhouette, its cultural significance, and the opportunity to witness a breathtaking sunrise from its summit make it a bucket-list destination for travelers to Japan and a symbol of the country's natural beauty and spiritual heritage.Measures 24 x 36.Mounted to linen.
Lot 1061
Hans Namuth (1915–1990) was a German-born American photographer known for his iconic portraits of artists and his significant contributions to documenting the abstract expressionist art movement in New York during the mid-20th century. Namuth's photographs captured the personalities of artists and the creative process behind their work, providing valuable insights into the art world of his time.Key points about Hans Namuth and his work:1. **Jackson Pollock:** Namuth is perhaps best known for his photographs of the abstract expressionist painter Jackson Pollock. His images captured Pollock's unique painting techniques, such as his "drip painting" method, and provided a glimpse into his studio environment.2. **Documenting Artists:** Beyond Pollock, Namuth's photographs documented other prominent artists of the abstract expressionist movement, such as Willem de Kooning, Mark Rothko, and Barnett Newman.3. **Studio Portraits:** Namuth's portraits often portrayed artists in their studios, surrounded by their artwork and tools. These images conveyed a sense of the artists' personalities and their connection to their creative spaces.4. **Collaboration with Pollock:** Namuth's collaboration with Pollock extended beyond photography. He also created a short film titled "Jackson Pollock 51" (1951), which documented Pollock's artistic process and interactions with his artwork.5. **Artistic Philosophy:** Namuth's approach to photography was characterized by his desire to capture the essence of his subjects and their creative work. His images often highlighted the intimate relationship between the artist and the artistic process.6. **Cultural Significance:** Namuth's photographs played a role in popularizing abstract expressionism and providing audiences with a deeper understanding of the artists and their work.7. **Documenting New York Art Scene:** Namuth's work also extended to documenting the New York art scene, including exhibitions, gallery openings, and interactions among artists.8. **Photography Legacy:** His photographs continue to be celebrated for their intimate and candid portrayals of artists, offering valuable insights into their lives and creative practices.Hans Namuth's dedication to documenting the artistic process and capturing the personalities of prominent artists has left a lasting impact on the field of photography and art history. His images have become integral to our understanding of the abstract expressionist movement and its key figures.Hans Namuth "Helen Frankenthaler, 1964 " Print. Measures 13 x 10.5.Printed circa 1960's.
Lot 426
Thomas Rowlandson (1756 - 1827), portrait of Sir Thomas Slingsby, Cleric, Vatican City in the background, watercolour, signed lower right, 15 x 10cm, Caricature of Lord Cochrane, entitled 'Things as they have been, Things as they are', published 1815, coloured engraving, 28.5 x 19.5cm, The April Fool or the Follies of a Night, As performed at the Theatre Royal, C____n House, for the Benifit of the Widow Wadman ', hand coloured print, 28 x 38.5cm, ' Master of the Crown, The Make-Up, Owner of the Horns ', hand coloured print, 25.5 x 35cm and Delys, ' Le Pont ', hand coloured engraving, signed lower right, 15.5 x 8.5cm, all framed and glazed
Lot 415
Goldfinger, Shirley Eaton signed limited edition James Bond print with certificate of authenticity, numbered 509/1500, 49.5 x 39.5cm, framed and glazed and Goldfinger signed presentation, signed by Shirley Bassey and Shirley Eaton, with certificate of authenticity, 58.5 x 39.5cm, framed and glazed
Lot 161
English school, 19th century, a pair of silhouette miniature portraits, bearing inscriptions to the reverse, William and Mary Dyson, each in profile, 10 x 6cm, in rosewood frames, together with English school, portrait of a gentleman, oil on ivory and a print of cherubs (4). Note: a non-transferable ivory exemption certificate has been granted for this item, ref NWZTGW3J
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